The Luxury Strategy. Break the Rules of Marketing to Build Luxury BrandsCollin Thompson
The Luxury Strategy is the definitive work on the essence of a luxury brand strategy. It puts an end to the confusion around the term, and explains the fundamental differences between 'premium', 'fashion', and 'luxury' strategies. Based on an analysis of the social functions of luxury, of worldwide best practices and on first hand direct experience, it sets out the rules for success, and turns established marketing rules upside down. The Luxury Strategy provides the first rigorous blueprint for the effective management of luxury brands and companies at the highest level, including human resources and financial management. It also unveils the original methods that were used to transform small family businesses such as Ferrari, Cartier, Chanel, Gucci, and Ralph Lauren into profitable global brands.
Proposition of new product line for Chanel made up within group of 4 participants of "Luxury brand management and product design" by London College of Fashion, 2011
travail de recherche fournis par Guerdjoum Imene et Didaoui Alaa Din 3 eme année Marketing- Université Djilali Lyabes- faculté des Sciences Economiques et Sciences de Gestion- 2014/2015
Module: e-marketing
Ce travail est repartis en 3 chapitre:
1) "H" comme Hermes (historique; les chiffres d'affaire)
2) e-Hermes ( la surface du site)
3) 4p's of "H" (prix, produit, promotion, distribution)
sous l'encadrement de: madame Nouala Meriem
The Luxury Strategy. Break the Rules of Marketing to Build Luxury BrandsCollin Thompson
The Luxury Strategy is the definitive work on the essence of a luxury brand strategy. It puts an end to the confusion around the term, and explains the fundamental differences between 'premium', 'fashion', and 'luxury' strategies. Based on an analysis of the social functions of luxury, of worldwide best practices and on first hand direct experience, it sets out the rules for success, and turns established marketing rules upside down. The Luxury Strategy provides the first rigorous blueprint for the effective management of luxury brands and companies at the highest level, including human resources and financial management. It also unveils the original methods that were used to transform small family businesses such as Ferrari, Cartier, Chanel, Gucci, and Ralph Lauren into profitable global brands.
Proposition of new product line for Chanel made up within group of 4 participants of "Luxury brand management and product design" by London College of Fashion, 2011
travail de recherche fournis par Guerdjoum Imene et Didaoui Alaa Din 3 eme année Marketing- Université Djilali Lyabes- faculté des Sciences Economiques et Sciences de Gestion- 2014/2015
Module: e-marketing
Ce travail est repartis en 3 chapitre:
1) "H" comme Hermes (historique; les chiffres d'affaire)
2) e-Hermes ( la surface du site)
3) 4p's of "H" (prix, produit, promotion, distribution)
sous l'encadrement de: madame Nouala Meriem
Chanel is a French fashion house that focuses on women's high fashion and ready-to-wear clothes, luxury goods and accessories. The company is owned by Alain Wertheimer and Gérard Wertheimer, grandsons of Pierre Wertheimer, who was an early business partner of the couturière Coco Chanel.
Burberry - Brand identity and artification analysisAda Di Matteo
The brand identity analysis is carried out by means of Kapferer's Brand Identity Prism. As many other luxury brands, Burberry is engaged in a process of artification (transformation of non-art into art). An analysis of the brand's art initiatives follows.
Recommandation stratégique de relation Presse pour la réouverture du Sofitel Paris Arc de Triomphe.
Cas d'école fictif réalisé en 2014 dans le cadre de ma dernière année de master à l'ISCOM Paris
--
Recommendation in press relations for the reopening of Paris Arc de Triomphe Sofitel.
School case created in 2014 during my last year at ISCOM Paris.
Chanel is a Luxury Goods & Jewelry brand. "Chanel is above all a style. Fashion passes, style remains." Gabrielle Chanel
This simple statement captures the essence of her revolutionary contribution to culture.
Websitehttp://www.chanel.com
The values of Millennial shoppers are changing how we define and sell luxury. Learn how this consumer has evolved, and which luxury brands are winning by offering meaningful experiences instead of just stuff.
About icebergs, snakes and the Cutty SargHeike Philp
This presentation cites examples of how to use the whiteboard of a virtual classroom collaboratively for language teaching and learning and teacher development.
Chanel is a French fashion house that focuses on women's high fashion and ready-to-wear clothes, luxury goods and accessories. The company is owned by Alain Wertheimer and Gérard Wertheimer, grandsons of Pierre Wertheimer, who was an early business partner of the couturière Coco Chanel.
Burberry - Brand identity and artification analysisAda Di Matteo
The brand identity analysis is carried out by means of Kapferer's Brand Identity Prism. As many other luxury brands, Burberry is engaged in a process of artification (transformation of non-art into art). An analysis of the brand's art initiatives follows.
Recommandation stratégique de relation Presse pour la réouverture du Sofitel Paris Arc de Triomphe.
Cas d'école fictif réalisé en 2014 dans le cadre de ma dernière année de master à l'ISCOM Paris
--
Recommendation in press relations for the reopening of Paris Arc de Triomphe Sofitel.
School case created in 2014 during my last year at ISCOM Paris.
Chanel is a Luxury Goods & Jewelry brand. "Chanel is above all a style. Fashion passes, style remains." Gabrielle Chanel
This simple statement captures the essence of her revolutionary contribution to culture.
Websitehttp://www.chanel.com
The values of Millennial shoppers are changing how we define and sell luxury. Learn how this consumer has evolved, and which luxury brands are winning by offering meaningful experiences instead of just stuff.
About icebergs, snakes and the Cutty SargHeike Philp
This presentation cites examples of how to use the whiteboard of a virtual classroom collaboratively for language teaching and learning and teacher development.
Retail Management project choosing a selected store of our choice and analysing it in order to propose new ideas to better it so that it can compete alongside it's competitors
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EuroPanache opens doors to the extraordinary: behind the scenes experiences; private art and antique collections; members only clubs; exclusive wine estates; cooking with top chefs; exploration and discovery packages; and showcase villas, apartments and yachts. Let our award-winning team help you create the vacation of your dreams in Europe, North America and beyond.
One city, two experts. Ryan Levitt and Pascale Barget get off the beaten tourist track and offer their personal must-do’s in Paris.
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Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
MRS PUNE 2024 - WINNER AMRUTHAA UTTAM JAGDHANEDK PAGEANT
Amruthaa Uttam Jagdhane, a stunning woman from Pune, has won the esteemed title of Mrs. India 2024, which is given out by the Dk Exhibition. Her journey to this prestigious accomplishment is a confirmation of her faithful assurance, extraordinary gifts, and profound commitment to enabling women.
The Fascinating World of Bats: Unveiling the Secrets of the Nightthomasard1122
The Fascinating World of Bats: Unveiling the Secrets of the Night
Bats, the mysterious creatures of the night, have long been a source of fascination and fear for humans. With their eerie squeaks and fluttering wings, they have captured our imagination and sparked our curiosity. Yet, beyond the myths and legends, bats are fascinating creatures that play a vital role in our ecosystem.
There are over 1,300 species of bats, ranging from the tiny Kitti's hog-nosed bat to the majestic flying foxes. These winged mammals are found in almost every corner of the globe, from the scorching deserts to the lush rainforests. Their diversity is a testament to their adaptability and resilience.
Bats are insectivores, feeding on a vast array of insects, from mosquitoes to beetles. A single bat can consume up to 1,200 insects in an hour, making them a crucial part of our pest control system. By preying on insects that damage crops, bats save the agricultural industry billions of dollars each year.
But bats are not just useful; they are also fascinating creatures. Their ability to fly in complete darkness, using echolocation to navigate and hunt, is a remarkable feat of evolution. They are also social animals, living in colonies and communicating with each other through a complex system of calls and body language.
Despite their importance, bats face numerous threats, from habitat destruction to climate change. Many species are endangered, and conservation efforts are necessary to protect these magnificent creatures.
In conclusion, bats are more than just creatures of the night; they are a vital part of our ecosystem, playing a crucial role in maintaining the balance of nature. By learning more about these fascinating animals, we can appreciate their importance and work to protect them for generations to come. So, let us embrace the beauty and mystery of bats, and celebrate their unique place in our world.
Understanding the Mahadasha of Shukra (Venus): Effects and RemediesAstro Pathshala
The Mahadasha of Shukra (Venus) is one of the most significant periods in Vedic astrology. Shukra is known as the planet of love, beauty, wealth, and luxury. Its Mahadasha can bring about profound changes in an individual's life, both positive and negative, depending on its placement and condition in the natal chart.
What is Shukra Mahadasha?
Mahadasha is a planetary period in Vedic astrology that affects various aspects of an individual's life for a specific number of years. The Mahadasha of Shukra lasts for 20 years and is known to bring a period of significant transformation. Shukra is associated with pleasures, creativity, relationships, and material comforts. During its Mahadasha, these areas of life tend to get highlighted.
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La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
2. Agenda
• Brand
– History
– Values
– Kapferer’s prism
• International Strategy
• Financial Analysis
• Opera: Location and Surroundings
• Store Economics
• Shop Exterior
• Shop Concept
• Shop Events
• Shop Interior
p
– Observations
– Sales Experience
– Brand communication
– Merchandizing
• 3D Views
• Sensorial Experience
• Website
• Social Media
• Neiman Marcus
• Conclusions
3. Lancel : The Brand
1876 : These were the times of the carefree Parisians who
1876 : These were the times of the carefree Parisians who
flocked theatres, the new stores. Life was for living and enjoying.
This time epitomized thelégèreté. It was in these days that
Alphonse and AngèleLancel opened a small pipe‐making factory,
and specialized for smokers articles for the next 50 years.
4. Lancel : The Brand
• 1926: Lancel focused
on handbags and
accessories for ladies.
These years were
extremely innovative
and the Parisian ladies
fell in love with the
brand.
brand As travel
became easier, Lancel
introduced the Aviona
trunk specially designed
for cabins.
5. Lancel : The Brand
Lancel stands for the carefree
spirit, the French légèreté of sheer
elegance with a hint of frivolity.
l ith hi t f f i lit
The brand is recognized as a
symbol of Parisian elegance and
symbol of Parisian elegance and
imagination.
This recent advertisement
communicates that spirit with an
impromptu jump into the
impromptu jump into the
Concorde fountain
6. Lancel : The Brand
• Exquisite leather craft, innovative and designed by a lineage of
craft
leather masters, Lancel proudly asserts its quality
• In a new campaign in 2003 the brand made an effort to move
away from its stubborn position of quality and functionality to
move to a more “majestic” halo around the bags
7.
8. Lancel : Identity Prism
Elegant, Sculpted looks and Modern, emancipated, empowered
body. Carries herself/himself and chic. They strike a balance
with dignity and poise, but can between sophistication and fun
be carefree and youthful
The brand relates to
the user as a
the user as a Gaiety, socialization, Pa
risian légèreté with
tionship
friend, a helper and
cohort. It inspires to innovation, experiment
Cultu
be impeccable and
be impeccable and ation, perfection.
Relat
ure
innovative, and of Modern, chic, leader
the highest personal
s a da d
standard
Achiever, successful, tasteful, co Fashionable, chic, frivolous,
nnoisseur
flirtatious, playful, impecca
9. International Strategy
• Lancel has been increasing retail
presence primarily through the 180
franchisee route 160
Lancel was d
• L l dependent heavily on
d th il 140
the French market till 2003 and a 120
slowdown impacted its sales 100
• Th current strategy is to expand
The t t t i t d 80
quickly into the new markets 60
specially Asia where they are 40
experiencing double digit 20
growth, clearly via the franchisee 0
route 2005 2008
• New boutiques were opened in
Hong Kong, Macau and Waffi DOS Franchised
(Dubai) during 2008 Source: Richemont SA Annual Reports
11. Financial Analysis
Lancel Operating Profit
• Strategy is to refocus on (Million Euro)
France and take the brand
back to its original 0
pioneering values ‐2 2005 2006 2007 2008
• Also, the brand wishes to ‐4
become an essential part
of every woman’s ‐6
wardrobe in France ‐8
• The new strategy has
shown limited results as ‐10
can be seen from the ‐12
declining operating losses
over the past years. ‐14
‐16
‐18 Source: Richemont SA Annual Reports
13. Lancel : Opera
• Lancel moved into the Opera store in 1929
• The Opera (Grand Palais) was the hub of the elite and
the most exclusive form of entertainment in the late
19th century.
t
• The store currently is situated in a beautiful square
dominated by the opera, and lies exactly between the
Galeries Lafayette and the Place V dô
G l i L f tt d th Pl Vendôme.
• The store is situated right next to the Opera metro
exit
14. Location Analysis
y
Money
Changer, Swatch
Lancel
Grand Palais Bijoux Burma
j
Zara, Promod
Rolex
Maity
Rue de la Paix
16. Around Lancel
• Galeries Lafayette
G l i L f • Google F
G l France
• Place Vendôme • Commerz Bank
ions
ommercial
• Rue de la Paix • SociteGenerale
estinati
• Opera • BNP Paribas
• Concorde • HSBC
De
Co
• Louvre Credit Lyonnais
• Zara • La Grand Café • Theatre Edouard
ment
• Geox • Café de la Paix VII
• Cinema Paramou
tertainm
• Swatch
S t h • Starbucks
St b k
opping
• Rolex • Hard Rock France • Cinema Gaumont
Bijoux Burma • Théâtre des
fe
•
Sho
Ent
Caf
• Promod Variétés
17. Luxury Hotels
• Hôtel Ritz
This list is not exhaustive
• Park Hyatt Paris-Vendome
but only indicative of the
• HôtelCostes
• Hotel Lotti Paris prestige associated with
ti i t d ith
• HôtelMeurice the location.
• Hôtel Westminster
• Le Grand Hotel These are some of the
InterContinental finest luxury hotels in
• Hôt l S ib
Hôtel Scribe the world, all within 10
• Radisson Blu Ambassador mins walking distance
Hotel
• Millennium Hotel Paris Opéra from Lancel
f L l
18. Location Analysis
• Lancel products lie in the lower end of the price range for
similar products from competitors
• The Brand is definitely targeting a broader market, and
hence needs to be exposed to traffic
• The location is extremely upmarket with the best luxury
hotels and historic buildings, but also generates a lot of
traffic due to offices, tourist attractions and popular
, p p
shopping destinations
• It is easily accessible by Metro and RER
• There is duplication of retail space in close-by locations, but
p p y ,
the shops probably cater to different clientele
• Lancel’s immediate neighbors cannot be categorized as
luxury brands
• There is heavy traffic on the road in front of the shop, and
walking is not very convenient in rush hours
• However, the location is excellent for exposing the brand
and i
d increasing recognition, and th large L
i iti d the l Lancel l tt i
l lettering
delivers well
19. Economics
Head Euros Per Explanation
p
Month
Rent 500,000 Area assumed 1000 Sq. Mts
Rent assumed 6000 Euro/Sq Mt./Yr – Based on Class lectures and
/ q /
age of contract
Staff Costs 40,000 Number of employees 10
Average salary 4000 Euro
Displays/Event 30,000 30,000 Euros per month (Assumption)
s
Sales 1,250,000 50,000 euros per day, 25 days open
1 250 000 50 000 euros per day 25 days open
Margin 675,000 Based on a multiple of 2 (Self owned store, lower comparable prices)
Overheads 62,500 5% of Turnover – Maintenance, Damages, Shop Lifting
Profit/(Loss) 42,500 3.4% of sales, low for a luxury brand
Comments: The entire store is not used for sales, a substantial portion ~40% is being used for
, p g
exhibitions. As the store is a flagship store, its target is to not only drive profits but to also
increase brand recognition, and communicate the values, and a small profit is actually good as
the other objectives are achieved.
21. Shop Exterior
The display window were aesthetically organized and uncluttered. The
The display window were aesthetically organized and uncluttered The
colors used were soothing and opulent looking. Photographs and quotes
from A. Lancel communicated the heritage of the brand.
Most people crossing the shop stopped to look at the products in the
windows, however few went inside.
23. Shop Exterior
• The side of the shop not
facing the square faces a
newspaper stall.
• There was a man selling g
roasted chestnuts on a
shopping cart on the shop
corner
• The door on this side was
closed with no markings or
directions to the other door
• Some of the paint/polish on
the wooden exterior of the
shop was chipping off
• The stands used for display
of products were covered in
p
a suede like material that
was very scratched and
had loose ends and
stitching
g
24. Shop Exterior
• Th L
The Lancel l
l logo adorned the windows of the 1st fl
d d h i d f h t floor
• The pillars of the building were bathed in red light, drawing
atte t o away o t e ag
attention a ay from the magnificent Grand Palais. If it were
ce t G a d a a s t e e
not for this unusual lighting, all eyes would turn towards the
Opera
•Lancel in large type is written
across the building at the 2nd floor
in white. The name appearing
multiple times looks loud and
p
unsophisticated.
•The prices of the products in the
display windows were
consolidated in small frames
•There was no doorman or any
staff at the door of the store to
offer any help or welcome
25. Shop Concept
As can be seen from the 1930’s
advertisement, the shop itself was a
destination when it was made
h
It was entirely renovated in 2004, however
the lower floor already looks old
Many people stop to look at the display
yp p p p y
windows, but very few enter the shop
As can be seen in the old ad., the shop had
As can be seen in the old ad the shop had
an openness and spaciousness about
it, while today it feels cramped and closed
Lancel Opera Advt. in 1930
26. Shop Events : Lancel Harcourt
Vintage exhibition
Since September 2009, the flagship Opera store of
Lancel is showcasing the masterpieces of the Lancel
heritage. These include various items that were a rage in
their times, and were turning points for the company
and the fashion trends.
The store was spruced up for the inauguration ceremony
with the signature red color.
30. Instore Experience : Observations
• I was the only Customer on the floor
• 7-8 sales associates
• Comfort - One Large imposing man p
g p g probably security
y y
standing next to the cash counter and closely
observing all the customers, very unnerving
• Cleanliness - Shelves made of white
laminate, chipped and scratched in places
• Opulence - Large glass elevator and ordinary
staircase for going to other floors
g g
• Comfort - A couple of chairs against the walls to
sit, looked more for the sales people than customers –
No place to sit
• Large red chandelier cutting across floors in the
centre of the shop
• No open space cramped by table displays and
space,
accessory stands
31. Instore Experience : Sales
• Greeting - At the door a sales person of Chinese origin greeted
me. All the other sales people seemed to be native French
• Language - I was greeted in French, and I inquired if she spoke
English, to which I got a nod and an reply in French which I couldn’t
couldn t
understand
• This went on progressively and the price range of the bags kept
reducing
• Attention - I requested to walk around to look at the bags, but she
kept bringing bags
• Sales representatives were pacing around the shop.
• Uniform - Sales people wearing black suits, black glove on left hand
• Behavior – Sales people were all curt and were not smiling at
customers
• Modeling – I was alone so the sales person herslef modeled holding
the bags so that I could picture them better
• Demographics - One sales person of Chinese origin, all others
looked French, most aged between 30-40 years
32. Instore Experience : Brand
• Brand Heritage – The sales girl did not try to sell
the bag by showcasing Lancel heritage. She stuck to
functional aspects.
• B and Codes - Fl
Brand Flooring made of mosaic tiles, with
i d f i til ith
golden ‘L’’s in places, very antique looking
• Information - While I examined the bag she told
me that it took 50 pieces of leather and 100 man
th t t k i f l th d
hours of work to make one of those bags
• Information - She also offered to open and
showcase th insides of the b
h the i id f th bags explaining each
l i i h
of the pockets and informing me that it was a very
good and functional bag at each of these instances.
33. InStore Experience - Merchandizing
• All the bags were available in several colors
th b il bl i l l
• Some bags were available in different sizes
• All these were not displayed, but when I
inquired about a specific color in a bag, she
was able to bring the bag from a store in 5
minutes.
• Expensive bags were kept on a soft
sofa-like display, normal bags were kept on
shelves, cheap bags were hung on stands
and accessories and small bags were in
display cases.
34. Instore Experience
• At one point the sales representative stopped in mid
p p pp
conversation and walked to walk some customer out!
• She handed the bag to the security man who handed the
bag to me and ordered me (pointed) to move back with
the b !
th bag!
• The sales representative came back and continued
without apologizing!!
• I told her I would like to take a look at the collection myself
t ld h ld lik t t k l k t th ll ti lf
and she ignored me and kept bringing bags!!
• Without inquiring/judging my budget, she kept showing me
progressively cheaper bags
• I told her that I’d like to take some time to think about the
purchase, and she showed me a cheaper bag!
• The Security man’s eyes kept following the customers!
man s
The experience was a mixed bag. The sales people did some things right, but did
most things wrong. The brand did not communicate its heritage through the sales
process, only through the exhibition and old framed posters.
35. Shop 3D View (Ground Floor)
Scarves and Display
Accessories Window
Closed
Door
Stairs
Stand for
Stand for
Cash
cheaper
Counter
bags
Main
Glass
Entrance
Elevator
36. 3D View
3 Walls with
Small shelves for
Bags p
products
Conter
Adjani Closed
Bags display, Back
wall has
shelves
37. Sensorial Experience
Sight
Si h All products were arranged neatly on shelves or
ll d d l h l
stands. The lighting was sufficient, but the store
did not feel open. No display screens were used
Sound No music was playing in the store. The traffic
outside was audible inside the shop, though
muffled.
Smell There was no odor in the store, not even of new
leather.
Touch The materials used within the store for shelves,
drapes etc. were not luxurious, the materials
p
used in the window displays were better
Taste The look of the store was a mixture of vintage
and modern, this looked tacky so wasn t probably
and modern this looked tacky so wasn’t probably
done well
38. Website
2005 – No website, Coming Soon
2006 (Jul) – Website launched in French and
English. Use of models for initial few years of
website is in contrast to current site
2006 (Jan) – No website, Coming Soon
Source: Wayback Machine, Internet Archive
40. Website : Brand Communication
• Th website h excellent
The b it has ll t
communication of the brands heritage
• Videos, old photographs and details of
merchandize narrate the Lancel story in
an easy to use interface
f
• No models are used in the current
website and the focus is on products
and heritage
• Information about events and
boutiques is also available on the site
q
41. Website : Store Locator
• Easy to use well organized store
locator on the site
42. Social Media
Lancel is active on Social Networking
is active on Social Networking
sites
Regular updates about new
products, sites and events
Videos and photos from events and
Vid d h f d
shoots
Facebook has 3100 followers, twitter
has 250 and these are possibly the
brands biggest fans
Showcase websites for products
Sh b it f d t
promoted through social networking
43. Neiman Marcus
• I felt as if the sales person was trying to
f lt th l t i t
make a sale by reducing price
• Sh did not inquire about my
She ti i b t
requirements till I offered them
• She was focusing on functional aspects
rather than than communicating the brand
ethics and values
• Therefore, I think she only wanted to make
a sale, not a good one for the customer.
• So the store does not follow the Neiman
Marcus philosophy.
p p y
44. Conclusions
• Lancel has an excellent location for the Opera store
• The quality of products is good
• The website and online activities support the stores
pp
well
• The customer experience is not up to scratch.
Interaction with sales people was not relaxed and
p p
involved
• The store does well to communicate the brand
g
heritage
• No special efforts were made to establish a long term
relationship
• I was not allowed to move freely inside the store, the
store
sales person wouldn’t leave me alone!
• I entered the store with an actual intention to
buy a bag as a gift and exited the store without
gift,
the bag!