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   Between the sixteenth and nineteenth century
    history of Spanish music creators did not provide
    relevant. In such a long period of time can only
    be mentioned organists Arauxo Francisco Correa
    (1584 - 1654), Gaspar Sanz (1640 - 1710), John
    caballines (1644 - 1712) and harpsichordist
    Antonio Soler (1729 - 1783). But the arrival on
    the European scene of Richard Wagner (1813-
    1883) was influential to other musicians devoted
    to the search for indigenous sources for their
    creations.
This was the case of Catalan Felipe Pedrell (1841-
1922), who introduced the music of Wagner in Spain and
dedicated to the collection of popular songbooks, thus
laying the groundwork for the formation of a Spanish
musical nationalism. After centuries of Spanish music joined
a European mainstream, modernized through its own
tradition.
Pedrell had two direct disciples, the Catalans
  also Abéniz Isaac (1860 - 1909) and Enrique
  Granados (1867-1916), likewise influenced the
  Cadiz Manuel de Falla (1876 - 1946) who got
  interested in the flamenco and cante jondo .




Enrique                            Joaquín Turina
                 Isaac Albéniz
Granados
Last but not linked to
the figure of Pedrell,
you must mention
another star of this
period in the history of
Spanish music: the
Seville Joaquin Turina
(1882 -1949). This
would be the fourth
member of this
generation of
composers who would
follow the nationalist
school originated by
                                       Joaquín Turina
Wagner in Germany
and distributed in
Spain by Pedrell.

  These four musicians maintained a strong sense of
  belonging to the same generation, both from their common
  goal of promoting music with Spanish roots, and from the
  level of personal friendship.
FOLKLORE IN SPAIN
The history of Spain and the cultures that have lived has left
many traces in culture and folklore. Thus, the Spanish culture
is influenced Iberian, Celtic, Roman, Catholic and Muslim. The
role of geographical location and historical tensions between
Castile and peripheral regions have also helped define the
culture and traditions of Spain. Given the cultural diversity
can not speak of a Spanish musical folklore.




   Therefore, here we name some communities more
   characteristic folklore, including the folklore of the
   Canary Islands, where we will stop in more detail.
Andalusian Folklore: Flamenco, and Jack (Seville, Malaga,
joys, bulerías, soleá ...).
Instruments: Guitar flamenco palmas, castanets, cajon flamenco

Folklore Aragonese :Aragonese jota, bolero, seguidillas, dance
bands, clubs, scarves
Instruments: Guitar, mandolin, lute, whistling, whip bagpipe boto

Folklore Asturian :Giraldilla fandango, bounding pericote
Llanes, muñeira, I ran - I ran ...
Instruments: Asturian bagpipe and drum.

Balearic Folklore: Jack, standing, boleros ...
Instruments: xeremies, castanets, fobiols, guitar, violin ...

Folklore Canary: isa, Folia, chop, seguidillas and Malaga ...
Instruments: timple, whistle Hierro, Chaco, guitar, bass, lute,
mandolin
Traditional dress in Spain
Here are some of the clothing typical Canarian dances.
Here are the typical instruments used in the Canary Islands in
 the street musicians and traditional festivals.




Bandurria



                               Timple
Chácaras




                     Laúd
Pito herreño
La+música..2

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La+música..2

  • 1.
  • 2. Between the sixteenth and nineteenth century history of Spanish music creators did not provide relevant. In such a long period of time can only be mentioned organists Arauxo Francisco Correa (1584 - 1654), Gaspar Sanz (1640 - 1710), John caballines (1644 - 1712) and harpsichordist Antonio Soler (1729 - 1783). But the arrival on the European scene of Richard Wagner (1813- 1883) was influential to other musicians devoted to the search for indigenous sources for their creations.
  • 3. This was the case of Catalan Felipe Pedrell (1841- 1922), who introduced the music of Wagner in Spain and dedicated to the collection of popular songbooks, thus laying the groundwork for the formation of a Spanish musical nationalism. After centuries of Spanish music joined a European mainstream, modernized through its own tradition.
  • 4. Pedrell had two direct disciples, the Catalans also Abéniz Isaac (1860 - 1909) and Enrique Granados (1867-1916), likewise influenced the Cadiz Manuel de Falla (1876 - 1946) who got interested in the flamenco and cante jondo . Enrique Joaquín Turina Isaac Albéniz Granados
  • 5. Last but not linked to the figure of Pedrell, you must mention another star of this period in the history of Spanish music: the Seville Joaquin Turina (1882 -1949). This would be the fourth member of this generation of composers who would follow the nationalist school originated by Joaquín Turina Wagner in Germany and distributed in Spain by Pedrell. These four musicians maintained a strong sense of belonging to the same generation, both from their common goal of promoting music with Spanish roots, and from the level of personal friendship.
  • 7. The history of Spain and the cultures that have lived has left many traces in culture and folklore. Thus, the Spanish culture is influenced Iberian, Celtic, Roman, Catholic and Muslim. The role of geographical location and historical tensions between Castile and peripheral regions have also helped define the culture and traditions of Spain. Given the cultural diversity can not speak of a Spanish musical folklore. Therefore, here we name some communities more characteristic folklore, including the folklore of the Canary Islands, where we will stop in more detail.
  • 8. Andalusian Folklore: Flamenco, and Jack (Seville, Malaga, joys, bulerías, soleá ...). Instruments: Guitar flamenco palmas, castanets, cajon flamenco Folklore Aragonese :Aragonese jota, bolero, seguidillas, dance bands, clubs, scarves Instruments: Guitar, mandolin, lute, whistling, whip bagpipe boto Folklore Asturian :Giraldilla fandango, bounding pericote Llanes, muñeira, I ran - I ran ... Instruments: Asturian bagpipe and drum. Balearic Folklore: Jack, standing, boleros ... Instruments: xeremies, castanets, fobiols, guitar, violin ... Folklore Canary: isa, Folia, chop, seguidillas and Malaga ... Instruments: timple, whistle Hierro, Chaco, guitar, bass, lute, mandolin
  • 10. Here are some of the clothing typical Canarian dances.
  • 11. Here are the typical instruments used in the Canary Islands in the street musicians and traditional festivals. Bandurria Timple
  • 12. Chácaras Laúd Pito herreño