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La+música..2
Between the 16th-19th centuries, notable Spanish music creators included organists and harpsichordists, but Spanish music did not become influential until later. The arrival of Richard Wagner influenced musicians to seek indigenous sources of inspiration. This included Felipe Pedrell, who introduced Wagner's music to Spain and collected folk songs, laying the groundwork for Spanish musical nationalism. Pedrell's students, Isaac Albéniz, Enrique Granados, and Manuel de Falla, were also influenced by folk music and flamenco. Along with Joaquín Turina, these four composers established a nationalist school of Spanish music rooted in folk traditions.
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La+música..2
- 2. Between the sixteenth and nineteenth century history of Spanish music creators did not provide relevant. In such a long period of time can only be mentioned organists Arauxo Francisco Correa (1584 - 1654), Gaspar Sanz (1640 - 1710), John caballines (1644 - 1712) and harpsichordist Antonio Soler (1729 - 1783). But the arrival on the European scene of Richard Wagner (1813- 1883) was influential to other musicians devoted to the search for indigenous sources for their creations.
- 3. This was thecase of Catalan Felipe Pedrell (1841- 1922), who introduced the music of Wagner in Spain and dedicated to the collection of popular songbooks, thus laying the groundwork for the formation of a Spanish musical nationalism. After centuries of Spanish music joined a European mainstream, modernized through its own tradition.
- 4. Pedrell had twodirect disciples, the Catalans also Abéniz Isaac (1860 - 1909) and Enrique Granados (1867-1916), likewise influenced the Cadiz Manuel de Falla (1876 - 1946) who got interested in the flamenco and cante jondo . Enrique Joaquín Turina Isaac Albéniz Granados
- 5. Last but notlinked to the figure of Pedrell, you must mention another star of this period in the history of Spanish music: the Seville Joaquin Turina (1882 -1949). This would be the fourth member of this generation of composers who would follow the nationalist school originated by Joaquín Turina Wagner in Germany and distributed in Spain by Pedrell. These four musicians maintained a strong sense of belonging to the same generation, both from their common goal of promoting music with Spanish roots, and from the level of personal friendship.
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- 7. The history ofSpain and the cultures that have lived has left many traces in culture and folklore. Thus, the Spanish culture is influenced Iberian, Celtic, Roman, Catholic and Muslim. The role of geographical location and historical tensions between Castile and peripheral regions have also helped define the culture and traditions of Spain. Given the cultural diversity can not speak of a Spanish musical folklore. Therefore, here we name some communities more characteristic folklore, including the folklore of the Canary Islands, where we will stop in more detail.
- 8. Andalusian Folklore: Flamenco,and Jack (Seville, Malaga, joys, bulerías, soleá ...). Instruments: Guitar flamenco palmas, castanets, cajon flamenco Folklore Aragonese :Aragonese jota, bolero, seguidillas, dance bands, clubs, scarves Instruments: Guitar, mandolin, lute, whistling, whip bagpipe boto Folklore Asturian :Giraldilla fandango, bounding pericote Llanes, muñeira, I ran - I ran ... Instruments: Asturian bagpipe and drum. Balearic Folklore: Jack, standing, boleros ... Instruments: xeremies, castanets, fobiols, guitar, violin ... Folklore Canary: isa, Folia, chop, seguidillas and Malaga ... Instruments: timple, whistle Hierro, Chaco, guitar, bass, lute, mandolin
- 9. Traditional dress inSpain
- 10. Here are someof the clothing typical Canarian dances.
- 11. Here are thetypical instruments used in the Canary Islands in the street musicians and traditional festivals. Bandurria Timple
- 12. Chácaras Laúd Pito herreño