La Caja Terrorifica
                 By
Saskia Calliste and Mercedes Galindo




   The Legend of Pandora’s Box.
PROTAGONIST IN SANTUARY
The soundtrack begins.

HIGH ANGLE LONG SHOT
The camera moves in onto Leila laying on the ground.
MEDIUM CLOSE UP:

The camera moves to pan over her face and her white attire.
CLOSE UP:
Leila’s eyes open suddenly.

                                                       CUT TO;

THE BOX

The soundtrack fades into another one.
MEDIUM LONG SHOT
The box is surrounded by candles and darkness. It is
surrounded by many utensils relating to the evils and the
witches that guard it.
PANNING SHOT
The camera moves around the box and what surrounds it.

                                                       CUT TO;
MEDIUM CLOSE UP
Leila contemplating her bloody hands.

                                                       CUT TO;
PANNING SHOT
The camera continues to move around the box.

MEDIUM CLOSE UP
The camera moves to her face as she expresses depression.
                                                       CUT TO;

PANNING SHOT
The camera finishes to 360 degrees around the box.

                                                 (CONTINUED)
CONTINUED:                         2.


                                 CUT TO;
First title; Leila
Second title; Cinematographers

Third title; Producer
Fourth title; Director

La caja terrorifica

  • 1.
    La Caja Terrorifica By Saskia Calliste and Mercedes Galindo The Legend of Pandora’s Box.
  • 2.
    PROTAGONIST IN SANTUARY Thesoundtrack begins. HIGH ANGLE LONG SHOT The camera moves in onto Leila laying on the ground. MEDIUM CLOSE UP: The camera moves to pan over her face and her white attire. CLOSE UP: Leila’s eyes open suddenly. CUT TO; THE BOX The soundtrack fades into another one. MEDIUM LONG SHOT The box is surrounded by candles and darkness. It is surrounded by many utensils relating to the evils and the witches that guard it. PANNING SHOT The camera moves around the box and what surrounds it. CUT TO; MEDIUM CLOSE UP Leila contemplating her bloody hands. CUT TO; PANNING SHOT The camera continues to move around the box. MEDIUM CLOSE UP The camera moves to her face as she expresses depression. CUT TO; PANNING SHOT The camera finishes to 360 degrees around the box. (CONTINUED)
  • 3.
    CONTINUED: 2. CUT TO; First title; Leila Second title; Cinematographers Third title; Producer Fourth title; Director