La caja terrorifica
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The document is a screenplay titled "La Caja Terrorifica" by Mercedes Galindo. It describes several scenes involving a protagonist named Leila. The first scene shows Leila laying on the ground from a high angle shot and panning to her face. The second scene focuses on a box surrounded by candles and utensils in darkness. Shots include panning around the box and closeups of Leila contemplating her bloody hands and expressing depression. Title cards are then shown for the screenplay's credits.
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The document is a script for a short film titled "Protagonist in Sanctuary". It provides camera shots and directions for scenes involving the protagonist Leila laying on the ground surrounded by candles in a dark room next to a mysterious box. The scenes show Leila contemplating her bloody hands and expressing depression while the camera pans around her and the box surrounded by items relating to evil and witches. The script ends with title cards for the cinematographers, editor, producer, and director of the short film.
La caja terrorifica
This document is a screenplay about a protagonist named Leila who awakens surrounded by candles and occult items near a mysterious box. The screenplay utilizes various camera shots like medium close ups, panning shots, and long shots to depict Leila contemplating her bloody hands near the box, which is surrounded by items relating to witches and evil. It continues with title cards listing the screenplay's cinematographers, editor, producer, and director.
La caja terrorifica
This document is a screenplay about a protagonist named Leila who awakens surrounded by candles and utensils relating to witchcraft near a mysterious box. The screenplay utilizes various camera shots including medium close ups of Leila's contemplative and depressed face, panning shots around the box surrounded by the occult items, and establishing shots of Leila laying on the ground in white attire. It concludes with title cards introducing the key crew members for the film.
La caja terrorifica
This document appears to be a screenplay describing scenes involving a protagonist named Leila, a mysterious box surrounded by candles and items relating to witches, and Leila contemplating her bloody hands and expressing depression. The screenplay includes shots such as medium close ups of Leila's face, panning shots moving around the box, and cuts between these scenes. It also includes title cards at the end for Leila as the protagonist, and credits for the cinematographers, producer, and director.
La caja terrorifica
This document appears to be a screenplay describing scenes involving a protagonist named Leila, a mysterious box surrounded by candles and objects relating to witches, and Leila contemplating her bloody hands and expressing depression. The screenplay includes shots like medium close ups, panning shots, and cuts between scenes of the box and Leila. It also includes title cards at the end for Leila, the cinematographers, producer, and director.
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This risk assessment document identifies several hazards that could occur during filming in the woods and measures to reduce risks. It analyzes risks of tripping/falling, not being able to set up camera shots correctly, falling from trees getting high shots, and getting lost. Risk levels for injuries range from 2-5 depending on weather, location of fall, and how high a fall. Recommended risk reduction includes wearing proper clothing/footwear, using adjustable tripods, having mobile phones for emergencies, bringing maps/compasses, and lighting if it gets dark. The permissions section notes that as a small crew of 5 or fewer using handheld cameras without causing obstructions, no filming permissions are required from local authorities.
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The storyboard outlines scenes for a media production titled "La Caja Terrorifica". It depicts shots of a woman named Leila laying on the ground that then pan over her face and show her eyes opening suddenly. Further shots show a box surrounded by candles in darkness, surrounded by utensils relating to evil and witches, with the camera panning around the box and its surroundings. Finally, a close-up shows Leila contemplating her bloody hands.
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The document is a script for a short film titled "Protagonist in Sanctuary". It provides camera shots and directions for scenes involving the protagonist Leila laying on the ground surrounded by candles in a dark room next to a mysterious box. The scenes show Leila contemplating her bloody hands and expressing depression while the camera pans around her and the box surrounded by items relating to evil and witches. The script ends with title cards for the cinematographers, editor, producer, and director of the short film.
La caja terrorifica
This document is a screenplay about a protagonist named Leila who awakens surrounded by candles and occult items near a mysterious box. The screenplay utilizes various camera shots like medium close ups, panning shots, and long shots to depict Leila contemplating her bloody hands near the box, which is surrounded by items relating to witches and evil. It continues with title cards listing the screenplay's cinematographers, editor, producer, and director.
La caja terrorifica
This document is a screenplay about a protagonist named Leila who awakens surrounded by candles and utensils relating to witchcraft near a mysterious box. The screenplay utilizes various camera shots including medium close ups of Leila's contemplative and depressed face, panning shots around the box surrounded by the occult items, and establishing shots of Leila laying on the ground in white attire. It concludes with title cards introducing the key crew members for the film.
La caja terrorifica
This document appears to be a screenplay describing scenes involving a protagonist named Leila, a mysterious box surrounded by candles and items relating to witches, and Leila contemplating her bloody hands and expressing depression. The screenplay includes shots such as medium close ups of Leila's face, panning shots moving around the box, and cuts between these scenes. It also includes title cards at the end for Leila as the protagonist, and credits for the cinematographers, producer, and director.
La caja terrorifica
This document appears to be a screenplay describing scenes involving a protagonist named Leila, a mysterious box surrounded by candles and objects relating to witches, and Leila contemplating her bloody hands and expressing depression. The screenplay includes shots like medium close ups, panning shots, and cuts between scenes of the box and Leila. It also includes title cards at the end for Leila, the cinematographers, producer, and director.
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This risk assessment document identifies several hazards that could occur during filming in the woods and measures to reduce risks. It analyzes risks of tripping/falling, not being able to set up camera shots correctly, falling from trees getting high shots, and getting lost. Risk levels for injuries range from 2-5 depending on weather, location of fall, and how high a fall. Recommended risk reduction includes wearing proper clothing/footwear, using adjustable tripods, having mobile phones for emergencies, bringing maps/compasses, and lighting if it gets dark. The permissions section notes that as a small crew of 5 or fewer using handheld cameras without causing obstructions, no filming permissions are required from local authorities.
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The storyboard outlines scenes for a media production titled "La Caja Terrorifica". It depicts shots of a woman named Leila laying on the ground that then pan over her face and show her eyes opening suddenly. Further shots show a box surrounded by candles in darkness, surrounded by utensils relating to evil and witches, with the camera panning around the box and its surroundings. Finally, a close-up shows Leila contemplating her bloody hands.
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This document discusses various film techniques including camera angles, shots, movement and lighting. It notes that the main camera angles are low-angled shots looking up and high-angled shots looking down. It also discusses different types of camera shots and movement including close-ups, medium shots, long shots, pan shots, tracking shots and tilting shots. The document touches on lighting techniques of high key and low key lighting and how mise-en-scene can be used to set mood and tell a story.
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The storyboard outlines scenes for a media production titled "La Caja Terrorifica". It depicts shots of a woman named Leila laying on the ground that then pan over her face and show her eyes opening suddenly. Further shots show a box surrounded by candles in darkness, surrounded by utensils relating to evil and witches, with the camera panning around the box and its surroundings. Finally, a close-up shows Leila contemplating her bloody hands.
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Colorist: Emil
Composer: Zubeida
Marketing:
Publicist: Mercedes
Graphic Designer: Zubeida
Social Media Manager: Emil
Distribution:
Festival Coordinator: Julian
Sales Agent: Saskia
Thank you for your consideration. We look forward to hearing back from you.
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Mise-en-scene refers to everything presented to the viewer in a film or theatrical scene including color, costume, props, set/location, blocking/performance, and lighting. The six key areas of mise-en-scene provide visual cues that help tell the story and provide context about characters and their relationships. Effective use of mise-en-scene elements like color, costume, props, location, blocking and lighting can elicit emotional responses from viewers and influence their interpretations of characters, mood, and themes in a scene.
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The document discusses two location options for recording an advertisement - the school studio (RSR Studio) and a professional basement studio.
For the RSR Studio, it would be free to use, quiet, and convenient since the actors are students. Permission is needed and there are some trip/fire hazards that would need to be addressed.
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The storyboard outlines scenes for a media production titled "La Caja Terrorifica". It depicts shots of a woman named Leila laying on the ground that then pan over her face and show her eyes opening suddenly. Further shots show a box surrounded by candles in darkness, surrounded by utensils relating to evil and witches, with the camera panning around the box and its surroundings. Finally, a close-up shows Leila contemplating her bloody hands.
Storyboards 2
The storyboard outlines a short film production titled "La Caja Terrorifica". It shows three scenes - a panning shot around a box, a medium close up of a woman's depressed face, and another panning shot finishing a 360 degree circle around the box. The production credits are also listed.
Question 1
The document discusses the Greek myth of Pandora and how she was created by the gods to take revenge on Prometheus. All the gods endowed Pandora with gifts and charms. She was given a box by the gods and told not to open it, but her curiosity got the best of her and all the evils of the world escaped from the box. Pandora quickly closed it, trapping Hope inside to comfort humanity in their suffering.
Proposal for film
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Editor: Saskia
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Colorist: Emil
Composer: Zubeida
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Festival Coordinator: Julian
Sales Agent: Saskia
Thank you for your consideration. We look forward to hearing back from you.
Question 2
The document compares two photos of girls dressed in white with dark hair and exasperated expressions, though their backgrounds differ - one on a dry beach and one in a garden. While the beach photo seems darker and deadlier, the garden photo seems falsely secure. Their similar hairstyles add to the gothic femininity of both actors, and the elements of the photos correspond to fantasy thriller film conventions and relate to a theme of personal sacrifice.
Life of the film producer; part 8
The document discusses the producer's role in the distribution and advertising of a film. It notes that the producer should understand the target audience from the beginning and know who will most respond to the film. The producer must find a way to appeal to various social groups through advertising while walking a fine line. Foreign distribution is also important for producers to consider and can ultimately account for most of a film's profits if handled correctly. Being a producer requires confidence, perseverance, and a full commitment to seeing a project through from start to finish.
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La caja terrorifica
- 1. La Caja Terrorifica By Mercedes Galindo Saskia Calliste’s Quest Idea
- 2. PROTAGONIST IN SANCTUARY The soundtrack begins. HIGH ANGLE LONG SHOT The camera moves in onto Leila laying on the ground. MEDIUM CLOSE UP: The camera moves to pan over her face and her white attire. CLOSE UP: Leila’s eyes open suddenly. CUT TO; THE BOX The soundtrack fades into another one. MEDIUM LONG SHOT The box is surrounded by candles and darkness. It is surrounded by many utensils relating to the evils and the witches that guard it. PANNING SHOT The camera moves around the box and what surrounds it. CUT TO; MEDIUM CLOSE UP Leila contemplating her bloody hands. CUT TO; PANNING SHOT The camera continues to move around the box. MEDIUM CLOSE UP The camera moves to her face as she expresses depression. CUT TO; PANNING SHOT The camera finishes to 360 degrees around the box. (CONTINUED)
- 3. CONTINUED: 2. CUT TO; First title; Leila Second title; Cinematographers Third title; Editor Fourth title; Producer Fifth title; Director