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Popular Music Culture in Parkstad
1. KR!MPLEZING
van femina tot en unitas sheltur:
popular music in parkstad
theo ploeg
01092011
vrijdag 2 september 11
2. five years ago there was no cultural spring
vrijdag 2 september 11
3. ‘tales from the dowside’ (2007), Patrick Bisschops
vrijdag 2 september 11
4. back in 2007...
• highest youth unemployment in The
Netherlands
• no sense of purpose or place
• third generation stil yerns for the past
• or moves elsewhere to study or work
• pop culture isn’t visible (underground)
vrijdag 2 september 11
13. “Rock and roll, the music holds the community
together. The reason is simple: there isn’t
anything else here.... Life in Detroit is
profoundly anti-intellectual. Our institutions
are industrial and businesslike, not cultural or
intellectual.”
Robert Duncan in Creem (1970)
vrijdag 2 september 11
14. “The history of Detroit...is also a history of humiliations; it is a
history of humiliation. What I mean by this is summed up in
the famous dictum attributed to Henry Ford: ‘history is bunk’.
Fordism was all about that: the creation of a material
plentitude so vast that people would quit worrying about the
past, and history would cease to matter. Detroit’s humiliation
of history seemed an exhilarating idea, so long as the good
times lasted, but when they ran out, it left both the city and
the people in it painfully undefended and up for grabs.”
Jerry Herron, Detroit Wayne University (1993)
vrijdag 2 september 11
15. ‘tales from the dowside’ (2007), Patrick Bisschops
vrijdag 2 september 11
16. in Detroit people had rock, in Oostelijke
Mijnstreek they had nothing
vrijdag 2 september 11
17. no past, no future, no rock and roll
vrijdag 2 september 11
22. AFCENT and pop culture
• thousands of Canadians and Americans
brought their pop culture to the region
• like big cars, weird bikes and ghettoblasters
• radio: CFNB (and BFBS)
• music, albums, tapes, disco and hip hop
• and....
vrijdag 2 september 11
23. “I was born in the Willemstraat. As a
seventeen year old I saw someone smoke
heroine in disco Shangri-La. I didn’t want it
but it was easy to get. It was introduced by
the American soldiers. Thirty years ago
Heerlen was, in a way, metropolitain. More
than Utrecht, where I moved to study.”
writer Hans Dupont in newspaper Limburgs Dagblad
vrijdag 2 september 11
29. lack of healthy music culture
• fragile music scenes
• mostly music consumption, not making
• proud of bringing bands to the region, not of
the own music scene
• too small for national impact
vrijdag 2 september 11
31. 1990s
• pop culture becomes mainstream, but in
Oostelijke Mijnstreek it goes underground
• there is no pop culture, only music
vrijdag 2 september 11
36. the have a lot in common...
• ‘proud’ of ‘their’ roots and past
• poorly educated
• loud, raw, energetic, ‘old school’
• lack of connection with mainstream culture
• ina way resisting the alternative
mainstream
vrijdag 2 september 11
37. ‘tales from the dowside’ (2007), Patrick Bisschops
vrijdag 2 september 11