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1 / 52
Japan and the West: 11
Fashion and Architecture
2 / 52
Outline

Practical Arts
− Fashion
− Architecture
3 / 52
Fashion

Meiji Period

1970s
− Kansai Yamamoto

1980s
− Issey Miyake
− Kawakubo Rei

Street Fashion
4 / 52
Mix and match
5 / 52
Early Adopters...
“The undignified billy-cocks and pantaloons of the West are
slowly but surely supplanting the picturesque, aristocratic-
looking native garb, a change for which the Government is
mainly responsible, as it obliges almost all officials to
wear European dress when on duty […] In the year 1886,
some evil counsellor induced the Court to order gowns from
[...] Berlin likewise corsets, and those European shoes […] In
vain the local European press cried out against the barbarism,
in vain every foreigner of taste endeavoured privately to
persuade his Japanese friends not to let their wives make
guys of themselves. […] on the 1st November, 1886, the
Empress and her ladies appeared in their new German
dresses at a public entertainment.”
Things Japanese, BH Chamberlain 1904
6 / 52
Rokumeikan Era (1880s)
7 / 52
Dancing at the Rokumeikan
8 / 52
Empress Shoken
“Since then there has been a wave of
reaction, in consequence of which
most ladies have happily returned
to the national costume. How
charming it is to see a bevy of them
thus dressed, dressed, mind you, not
merely having clothes on, such a
symphony of greys and browns and
other delicate hues of silk and
brocade...”
(ibid.)
9 / 52
Moga & Mobo
10 / 52
Paul Poiret

1879 – 1944

Influential designer in France
in early c20

“King of Fashion” in the US

“Kimono Coat”
11 / 52
1930s

Madeleine Vionnet (1876-1976)

Bias Cut

Pleats / Grecian Dress
12 / 52
1940: “Big John”

Ozaki Kotaro's Maruo Clothing given rights to 50
rolls of imported US denim.

1972: Kurabo Mills produces first denim in Japan.
13 / 52
Kansai Yamamoto
14 / 52
David Bowie
https://www.youtube.com/watch?
v=lPvVgFfwZTs
1972: Ziggy Stardust World Tour
15 / 52
A Japanese designer...
“Every artist has his own thing going on.
I often use Japanese motifs and
sometimes wonder if I’m choosing them
because I’m Japanese. Having been all
over the world and to countries with
various religious backgrounds as much
as I have, I sometimes wonder where I’m
really from. I’m Japanese, so of course I
think of myself as Japanese, and I eat
Japanese food most of the time.”
2014 Interview in Vice Magazine - www.vice.com/read/some-cat-
from-japan-0000228-v21n2
16 / 52
BTW… Sukita Masayoshi
Born in Naogata, Fukuoka Pref (1935)
Worked in commercial photography
Photographed “T-Rex” (Marc Bolan)
Met Bowie in 1972
“Heroes” cover 1977
17 / 52
Kabuki meets
ukiyo-e meets
Bowie
Jonathan
Wakuda
Fischer
18 / 52
Fashion

Issey Miyake

Kawakubo Rei
19 / 52
Issey Miyake

After graduating in graphic design from
Tama Univ. (1965) moved to Paris.

Influenced by sculptors (Brancusi,
Giacometti)

Fashion inspirations included Vionnet who
“really understood the kimono”
20 / 52
New York Tokyo→

While taking English lessons
worked for Geoffrey Beene
“Godfather of American
Minimalism”

1970 returns to Tokyo to set up
Miyake Design Studio (MDS)
21 / 52
Influence of kimono

Importance of fabric
- texture, surface, form

Attempt to create clothes
without cutting fabric

'Rejecting the idea that
there is one way to wrap a
body in certain piece of
cloth'
22 / 52
Pleats Please
Collection launched in 1993, emerged from
design work for dancers in Frankfurt Ballet,
thus often uses dancers instead of models...
23 / 52
A-POC
• 1998: A Piece of Cloth
“There's no right or wrong
way of wearing it” -
“they're your clothes”
80% of sales in Japan
24 / 52
Origami clothes

“132 5”
collection
launched in
2010

2D→3D

Concern with
minimising
'waste'
https://www.youtube.com/watch?v=4gdxhNnytSs
25 / 52
Comme des Garçons

Kawakubo Rei

Est'd 1969/70 in Tokyo

Paris store opened 1980

Rejects conventional
gender roles and traditional
notions of beauty and
glamour

Yohji Yamamoto
26 / 52
Black…
“asymmetrical, oversized,
deconstructed, with exposed
seams, loose-fitting, and
overall a slap in the face to the
traditional idea that women
needed to be constricted inside
of tight, perfectly tailored
gowns”
• deconstructionism
KR: “Many designers cater to
the idea of what they think men
would like to see women as.”
http://paintingbohemia.org/culturalstudies/genders-sexualities/black-crows-how-rei-kawakubo-revolutionized-fashion-and-beauty/
27 / 52
1997: “Body meets dress, dress
meets body”
Clothing as
'burden'
28 / 52
Kawakubo everywhere...
2008 – H&M open in Tokyo
29 / 52
“Kawaii”
30 / 52
“Kawaii”
Dress: early c18
31 / 52
Architecture
Kyoto National Museum, 1895.
Katayama Tōkuma: grad. Imp.College of Tech. 1879
32 / 52
The Rokumeikan

Designed by Josiah
Conder (Imp. College of
Tech.)

Built 1880-3

Fell out of use after
1890s, demolished in
1941.
33 / 52
The Ryounkaku
'skyscraper'
凌雲閣
• Built 1890
• Design: W.K. Burton
• 69m tall
• 2 electric elevators
designed by Fujioka
Ichisuke (Toshiba)
• Destroyed by 1923 quake
34 / 52
Imperial College of Engineering
• Architectural program started in 1877
• Design & construction technologies
"The science of Architecture has been laid in our college as one
of the main professional branches of study and the true
principles of European Architecture is being here taught with
the view of learning their true principles in our country..."
Funakoshi Kinya
Imperial College of Engineering graduation thesis, 1883
35 / 52
Dualism...

Domestic → Traditional

“Official” → Western

Domestic
− Exterior → Western
− Interior → Traditional
36 / 52
Yasuoka Katsuya ( 保岡勝也 )
“The use of the two different styles of materials and forms
led to series of domestic homes that reflected the fusion.
Japanized Small Western Homes was a catalogue that
presented Japanese families with houses that were built in
varying European styles, but still had some Japanese
aspects to its design. These houses were described as
"seven parts Western and three parts Japanese" as the
catalogues advertised houses that were "Swiss chalet",
"pure German", and other European styles.”
“MEIJI ARCHITECTURE AND THE EFFECT OF CROSS-CULTURAL EXCHANGE WITH THE WEST”
Christine Manzano Visita
37 / 52
日本化したる洋風小住宅 (1924)
Japanised Western Homes
38 / 52
日本化したる洋風小住宅 (1924)
Japanised Western Homes
39 / 52
Mitsubishi Bldg, Karatsu
1908
40 / 52
Imperial Hotel

3 storey wood and brick structure

Designed by Watanabe Yuzuru (after a German
design)

Completed 1890
41 / 52
Frank Lloyd Wright
42 / 52
Imperial Hotel: 2

Constructed 1919 – 1923

During constructing the 1922 Kanto quake finished
off the old Imperial Hotel nearby

FLW's Imp.Hotel used new quake-proofing
− Water pool in front for fires
− Copper roof (safer than heavy tiles)
− Seismic separation joints
− Tapered walls etc...
43 / 52
“Mayan Revivalist”
44 / 52
“Mayan Revivalist”
45 / 52
Decline and death...

Foundations gradually sank…

Damaged during WW2

Too few rooms (280) for a modern hotel

1967 demolished and replaced

Arch:Takahashi Teitaro
46 / 52
Meiji Mura (nr. Nagoya)
47 / 52
Koshien Kaikan
Mukogawa Joshi Daigaku 武庫川女子大学
Endo Arato
1929
48 / 52
Metabolists
• Kurokawa Kisho
Built from interlinked modular
capsules in 1972
Nr. Shinbashi, Tokyo
Concern with large scale city
planning and ideas of organic
growth and flexibility.
Included Kenzo Tange
49 / 52
Shizuoka Press Tower

Kenzo Tange

1966

Ginza, Tokyo
50 / 52
Future Cities...
Developed in late 1950s to
increasing pressure on
population of cities in Japan.
Utopian dreams halted with
economic slowdown in 1970s
51 / 52
Metabolism rediscovered...

“Resilient urbanism”

Attention to the city as an “ecosystem”

Flexibility and adaptability

Rem Koolhaas
CCTV Building, 2012
Beijing
52 / 52
Next Week...

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JW 11-fashion+architecture

  • 1. 1 / 52 Japan and the West: 11 Fashion and Architecture
  • 2. 2 / 52 Outline  Practical Arts − Fashion − Architecture
  • 3. 3 / 52 Fashion  Meiji Period  1970s − Kansai Yamamoto  1980s − Issey Miyake − Kawakubo Rei  Street Fashion
  • 4. 4 / 52 Mix and match
  • 5. 5 / 52 Early Adopters... “The undignified billy-cocks and pantaloons of the West are slowly but surely supplanting the picturesque, aristocratic- looking native garb, a change for which the Government is mainly responsible, as it obliges almost all officials to wear European dress when on duty […] In the year 1886, some evil counsellor induced the Court to order gowns from [...] Berlin likewise corsets, and those European shoes […] In vain the local European press cried out against the barbarism, in vain every foreigner of taste endeavoured privately to persuade his Japanese friends not to let their wives make guys of themselves. […] on the 1st November, 1886, the Empress and her ladies appeared in their new German dresses at a public entertainment.” Things Japanese, BH Chamberlain 1904
  • 6. 6 / 52 Rokumeikan Era (1880s)
  • 7. 7 / 52 Dancing at the Rokumeikan
  • 8. 8 / 52 Empress Shoken “Since then there has been a wave of reaction, in consequence of which most ladies have happily returned to the national costume. How charming it is to see a bevy of them thus dressed, dressed, mind you, not merely having clothes on, such a symphony of greys and browns and other delicate hues of silk and brocade...” (ibid.)
  • 9. 9 / 52 Moga & Mobo
  • 10. 10 / 52 Paul Poiret  1879 – 1944  Influential designer in France in early c20  “King of Fashion” in the US  “Kimono Coat”
  • 11. 11 / 52 1930s  Madeleine Vionnet (1876-1976)  Bias Cut  Pleats / Grecian Dress
  • 12. 12 / 52 1940: “Big John”  Ozaki Kotaro's Maruo Clothing given rights to 50 rolls of imported US denim.  1972: Kurabo Mills produces first denim in Japan.
  • 13. 13 / 52 Kansai Yamamoto
  • 14. 14 / 52 David Bowie https://www.youtube.com/watch? v=lPvVgFfwZTs 1972: Ziggy Stardust World Tour
  • 15. 15 / 52 A Japanese designer... “Every artist has his own thing going on. I often use Japanese motifs and sometimes wonder if I’m choosing them because I’m Japanese. Having been all over the world and to countries with various religious backgrounds as much as I have, I sometimes wonder where I’m really from. I’m Japanese, so of course I think of myself as Japanese, and I eat Japanese food most of the time.” 2014 Interview in Vice Magazine - www.vice.com/read/some-cat- from-japan-0000228-v21n2
  • 16. 16 / 52 BTW… Sukita Masayoshi Born in Naogata, Fukuoka Pref (1935) Worked in commercial photography Photographed “T-Rex” (Marc Bolan) Met Bowie in 1972 “Heroes” cover 1977
  • 17. 17 / 52 Kabuki meets ukiyo-e meets Bowie Jonathan Wakuda Fischer
  • 18. 18 / 52 Fashion  Issey Miyake  Kawakubo Rei
  • 19. 19 / 52 Issey Miyake  After graduating in graphic design from Tama Univ. (1965) moved to Paris.  Influenced by sculptors (Brancusi, Giacometti)  Fashion inspirations included Vionnet who “really understood the kimono”
  • 20. 20 / 52 New York Tokyo→  While taking English lessons worked for Geoffrey Beene “Godfather of American Minimalism”  1970 returns to Tokyo to set up Miyake Design Studio (MDS)
  • 21. 21 / 52 Influence of kimono  Importance of fabric - texture, surface, form  Attempt to create clothes without cutting fabric  'Rejecting the idea that there is one way to wrap a body in certain piece of cloth'
  • 22. 22 / 52 Pleats Please Collection launched in 1993, emerged from design work for dancers in Frankfurt Ballet, thus often uses dancers instead of models...
  • 23. 23 / 52 A-POC • 1998: A Piece of Cloth “There's no right or wrong way of wearing it” - “they're your clothes” 80% of sales in Japan
  • 24. 24 / 52 Origami clothes  “132 5” collection launched in 2010  2D→3D  Concern with minimising 'waste' https://www.youtube.com/watch?v=4gdxhNnytSs
  • 25. 25 / 52 Comme des Garçons  Kawakubo Rei  Est'd 1969/70 in Tokyo  Paris store opened 1980  Rejects conventional gender roles and traditional notions of beauty and glamour  Yohji Yamamoto
  • 26. 26 / 52 Black… “asymmetrical, oversized, deconstructed, with exposed seams, loose-fitting, and overall a slap in the face to the traditional idea that women needed to be constricted inside of tight, perfectly tailored gowns” • deconstructionism KR: “Many designers cater to the idea of what they think men would like to see women as.” http://paintingbohemia.org/culturalstudies/genders-sexualities/black-crows-how-rei-kawakubo-revolutionized-fashion-and-beauty/
  • 27. 27 / 52 1997: “Body meets dress, dress meets body” Clothing as 'burden'
  • 28. 28 / 52 Kawakubo everywhere... 2008 – H&M open in Tokyo
  • 31. 31 / 52 Architecture Kyoto National Museum, 1895. Katayama Tōkuma: grad. Imp.College of Tech. 1879
  • 32. 32 / 52 The Rokumeikan  Designed by Josiah Conder (Imp. College of Tech.)  Built 1880-3  Fell out of use after 1890s, demolished in 1941.
  • 33. 33 / 52 The Ryounkaku 'skyscraper' 凌雲閣 • Built 1890 • Design: W.K. Burton • 69m tall • 2 electric elevators designed by Fujioka Ichisuke (Toshiba) • Destroyed by 1923 quake
  • 34. 34 / 52 Imperial College of Engineering • Architectural program started in 1877 • Design & construction technologies "The science of Architecture has been laid in our college as one of the main professional branches of study and the true principles of European Architecture is being here taught with the view of learning their true principles in our country..." Funakoshi Kinya Imperial College of Engineering graduation thesis, 1883
  • 35. 35 / 52 Dualism...  Domestic → Traditional  “Official” → Western  Domestic − Exterior → Western − Interior → Traditional
  • 36. 36 / 52 Yasuoka Katsuya ( 保岡勝也 ) “The use of the two different styles of materials and forms led to series of domestic homes that reflected the fusion. Japanized Small Western Homes was a catalogue that presented Japanese families with houses that were built in varying European styles, but still had some Japanese aspects to its design. These houses were described as "seven parts Western and three parts Japanese" as the catalogues advertised houses that were "Swiss chalet", "pure German", and other European styles.” “MEIJI ARCHITECTURE AND THE EFFECT OF CROSS-CULTURAL EXCHANGE WITH THE WEST” Christine Manzano Visita
  • 37. 37 / 52 日本化したる洋風小住宅 (1924) Japanised Western Homes
  • 38. 38 / 52 日本化したる洋風小住宅 (1924) Japanised Western Homes
  • 39. 39 / 52 Mitsubishi Bldg, Karatsu 1908
  • 40. 40 / 52 Imperial Hotel  3 storey wood and brick structure  Designed by Watanabe Yuzuru (after a German design)  Completed 1890
  • 41. 41 / 52 Frank Lloyd Wright
  • 42. 42 / 52 Imperial Hotel: 2  Constructed 1919 – 1923  During constructing the 1922 Kanto quake finished off the old Imperial Hotel nearby  FLW's Imp.Hotel used new quake-proofing − Water pool in front for fires − Copper roof (safer than heavy tiles) − Seismic separation joints − Tapered walls etc...
  • 43. 43 / 52 “Mayan Revivalist”
  • 44. 44 / 52 “Mayan Revivalist”
  • 45. 45 / 52 Decline and death...  Foundations gradually sank…  Damaged during WW2  Too few rooms (280) for a modern hotel  1967 demolished and replaced  Arch:Takahashi Teitaro
  • 46. 46 / 52 Meiji Mura (nr. Nagoya)
  • 47. 47 / 52 Koshien Kaikan Mukogawa Joshi Daigaku 武庫川女子大学 Endo Arato 1929
  • 48. 48 / 52 Metabolists • Kurokawa Kisho Built from interlinked modular capsules in 1972 Nr. Shinbashi, Tokyo Concern with large scale city planning and ideas of organic growth and flexibility. Included Kenzo Tange
  • 49. 49 / 52 Shizuoka Press Tower  Kenzo Tange  1966  Ginza, Tokyo
  • 50. 50 / 52 Future Cities... Developed in late 1950s to increasing pressure on population of cities in Japan. Utopian dreams halted with economic slowdown in 1970s
  • 51. 51 / 52 Metabolism rediscovered...  “Resilient urbanism”  Attention to the city as an “ecosystem”  Flexibility and adaptability  Rem Koolhaas CCTV Building, 2012 Beijing
  • 52. 52 / 52 Next Week...