2. We use the subway every day and we don’t know how it
works, how many parts are involved, how everything
comes together to make it happen. I imagine it is a big
mess - a lot of metal structure holding the dirt back in the
shape of the tunnels, metal I-beams holding the ceiling,
large slabs of concrete holding the walls. The
seamlessness of it all seams purposely disorienting.
Especially when I have only fragmented images: the dark
tunnels, the illuminated platforms and stairs.
3. In an effort to relate to these places, I’ve tried to
introduce an emotional restraint/dynamism that doesn’t
imply destruction so much as disorientation.
9. For the last seven years I have been taking photographs
from tall buildings in every city that I happen to visit. And
only now I've decided to produce the pieces. Lots of work
each one but worth it!
13. Public Art Project in Sydney, Australia.
As part of the "Laneways Project", within the ART AND
ABOUT SYDNEY.
I made this mirror image construction at the intersection
of Mullins St and Market Row.
