This document provides an analysis of techniques used in television advertising, including narrative structures, lines of appeal, and factors of persuasion. It also discusses styles of advertising such as parody and discusses regulations from the Advertising Standards Authority. The document then analyzes the structures, techniques, and styles used in a television advertisement and advergame created by the author to promote IRN-BRU soft drinks, comparing them to official IRN-BRU advertisements.
Film distrubution evaluation luke elbishlawilelbish0302
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Film distribution involves getting a film seen by as many people as possible through various methods like websites, festivals, and shipping copies to different places. Distribution companies help filmmakers with their resources and contacts to distribute films widely. Some popular companies known for thriller genres that may be suitable for the filmmaker's project include Hammer Films, Kaleidoscope Films, and New Line Cinema, though the largest companies would be difficult to work with. Self-distribution is challenging due to the costs and lack of experience needed to effectively get a film seen.
The Spiderwick Chronicles uses its opening music, cinematography, editing, and mise-en-scene to set up the supernatural elements in the film. The music creates a sense of anticipation and something unusual. Extreme close-ups of drawings show mythical creatures will be present. Jump cuts in editing portray the main character rushing through a book. A time lapse through cross dissolves indicates the passage of time. A magnified sprite hints at magic and mythical creatures playing a role in the film.
Evaluation of our first attempt at a moving imageamybruce
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The group evaluated their short film project where a girl stalks and chases a boy. They discussed strengths like having many ideas but weaknesses in planning and acting skills. Cinematography included shots from the stalker's point of view and various angles to build tension. Editing was challenging to sync the song. Digital technology limitations impacted quality but they felt they improved. Overall, they learned they need strong planning, technical skills, research, and self-evaluation to succeed at advanced film projects.
The film Lawrence of Arabia follows T.E. Lawrence and his experiences in Arabia during World War I, including his involvement with Arab national forces. It was produced in 1962 and won numerous awards. The opening scene establishes the vast Arabian desert setting through long shots and builds tension as a mysterious character approaches through shot composition. Sound and editing techniques aim to immerse the audience in the realism of the period.
Genre research and creating meaning for the audienceSameerKhan01
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This document discusses how genre conventions and codes create meaning for audiences. It provides examples of conventions for romantic comedies, horror, and thriller films. These include scenarios, characters, music, and visual elements. The document then discusses how the author will use conventions like chase sequences, sunglasses, and short script language in their action thriller opening to create meaning for the audience through technical and symbolic codes. Research on spy films helped inform choices to create recognizable genre meaning.
Horror films target niche audiences for several reasons:
1) Niche audiences are the most interested fans who want to provide input to help improve horror films and keep the genre alive.
2) Horror films appeal to smaller, passionate fan bases rather than mass audiences because the genre is less popular.
3) Targeting niche groups allows filmmakers to focus on fans with unique interests in horror and create films that will appeal specifically to them.
Here are some of the key codes and conventions used in audience participation shows like Dancing on Ice and X Factor:
- Emotional backstories of contestants to generate empathy and investment from viewers
- Dramatic music and lighting to build tension and excitement
- Audience reactions (cheering, booing, etc) to guide viewers on how to feel
- Judges' comments to make contestants feel praised or criticized
- Voting by viewers to create a sense of participation and competition
- Glamorous hosts and settings to make the show feel like must-see entertainment
- Teasing of results to keep audiences tuned in to subsequent episodes
These codes help immerse viewers and suspend their disbelief, making them feel invested
This document discusses different types of television advertising styles, including talking heads, documentaries, animation, realist, anti-realist, abstract, series, humorous, surreal, dramatic, and parody. Talking heads involve close-ups of people directly addressing the audience. Documentaries demonstrate products and benefits in an informative style. Animation uses cartoon illustrations to promote messages. Realist shows realistic portrayals of everyday concerns solved by products. Anti-realist indulges in unrealistic scenarios. Abstract is non-representational and creative. Series continue storylines across multiple ads.
Film distrubution evaluation luke elbishlawilelbish0302
Â
Film distribution involves getting a film seen by as many people as possible through various methods like websites, festivals, and shipping copies to different places. Distribution companies help filmmakers with their resources and contacts to distribute films widely. Some popular companies known for thriller genres that may be suitable for the filmmaker's project include Hammer Films, Kaleidoscope Films, and New Line Cinema, though the largest companies would be difficult to work with. Self-distribution is challenging due to the costs and lack of experience needed to effectively get a film seen.
The Spiderwick Chronicles uses its opening music, cinematography, editing, and mise-en-scene to set up the supernatural elements in the film. The music creates a sense of anticipation and something unusual. Extreme close-ups of drawings show mythical creatures will be present. Jump cuts in editing portray the main character rushing through a book. A time lapse through cross dissolves indicates the passage of time. A magnified sprite hints at magic and mythical creatures playing a role in the film.
Evaluation of our first attempt at a moving imageamybruce
Â
The group evaluated their short film project where a girl stalks and chases a boy. They discussed strengths like having many ideas but weaknesses in planning and acting skills. Cinematography included shots from the stalker's point of view and various angles to build tension. Editing was challenging to sync the song. Digital technology limitations impacted quality but they felt they improved. Overall, they learned they need strong planning, technical skills, research, and self-evaluation to succeed at advanced film projects.
The film Lawrence of Arabia follows T.E. Lawrence and his experiences in Arabia during World War I, including his involvement with Arab national forces. It was produced in 1962 and won numerous awards. The opening scene establishes the vast Arabian desert setting through long shots and builds tension as a mysterious character approaches through shot composition. Sound and editing techniques aim to immerse the audience in the realism of the period.
Genre research and creating meaning for the audienceSameerKhan01
Â
This document discusses how genre conventions and codes create meaning for audiences. It provides examples of conventions for romantic comedies, horror, and thriller films. These include scenarios, characters, music, and visual elements. The document then discusses how the author will use conventions like chase sequences, sunglasses, and short script language in their action thriller opening to create meaning for the audience through technical and symbolic codes. Research on spy films helped inform choices to create recognizable genre meaning.
Horror films target niche audiences for several reasons:
1) Niche audiences are the most interested fans who want to provide input to help improve horror films and keep the genre alive.
2) Horror films appeal to smaller, passionate fan bases rather than mass audiences because the genre is less popular.
3) Targeting niche groups allows filmmakers to focus on fans with unique interests in horror and create films that will appeal specifically to them.
Here are some of the key codes and conventions used in audience participation shows like Dancing on Ice and X Factor:
- Emotional backstories of contestants to generate empathy and investment from viewers
- Dramatic music and lighting to build tension and excitement
- Audience reactions (cheering, booing, etc) to guide viewers on how to feel
- Judges' comments to make contestants feel praised or criticized
- Voting by viewers to create a sense of participation and competition
- Glamorous hosts and settings to make the show feel like must-see entertainment
- Teasing of results to keep audiences tuned in to subsequent episodes
These codes help immerse viewers and suspend their disbelief, making them feel invested
This document discusses different types of television advertising styles, including talking heads, documentaries, animation, realist, anti-realist, abstract, series, humorous, surreal, dramatic, and parody. Talking heads involve close-ups of people directly addressing the audience. Documentaries demonstrate products and benefits in an informative style. Animation uses cartoon illustrations to promote messages. Realist shows realistic portrayals of everyday concerns solved by products. Anti-realist indulges in unrealistic scenarios. Abstract is non-representational and creative. Series continue storylines across multiple ads.
The document discusses various codes and conventions used in classic realist texts and postmodern media to represent reality and create believable fictional worlds. Some of the key codes mentioned include coherent narratives, plausible characters, linear storytelling, psychological realism in editing, and accepted conventions like dissolves to indicate passage of time. The document also examines codes used in different genres like news broadcasts, reality shows, police documentaries, and audience participation programs to suspend disbelief and immerse viewers.
Young & Rubicam developed four categories of consumers: mainstreamers, aspirers, reformers, and succeeders. The document discusses targeting mainstreamers and aspirers for the film trailer. It also outlines three gratifications the trailer will provide: diversion, surveillance, and developing a sense of personal relationships with characters. Finally, it asserts the trailer will appeal to audiences through its narrative pleasure, with a twist hinted at but not revealed that mixes science and horror to threaten society in an unspeakable way.
The single-camera setup is a method of filmmaking and video production where a single camera is used to film each scene. For each shot or angle, the camera is moved and repositioned while the lighting is typically reconfigured. This differs from multi-camera setups where multiple cameras film a scene simultaneously from different angles.
An independent film distributor called Icon would be suited to distribute our thriller film. Icon specializes in distributing similar genre films like horrors and thrillers. They would identify the target audience for our thriller, estimate revenue across different platforms, and help create buzz around the film. Icon would likely promote our film initially at film festivals, then do a limited theatrical release in select cinemas once interest is generated. Their experience distributing similar genre films would help boost initial interest in our thriller.
A film distributor is responsible for marketing a film by choosing its release date and format, such as in cinemas or for home viewing. The document discusses Artisan Entertainment as a potential distributor because it has successfully distributed similar supernatural horror-thriller films. It also notes that the film's storyline could appeal to global audiences. While self-distribution is an option, using an established distributor could better help the film gain reputation through wider reach and repetition in marketing.
The document discusses several film theories that could be applied to the production of a thriller film opening, including:
- Auteur theory, which focuses on the director's creative influence, will be used to reflect the directors' views through characters and plotlines.
- Genre theory examines conventions of genres like thriller; the opening will mainly follow thriller conventions while adding unconventional elements.
- Representation theory analyzes how media portrays people and events; the opening will present a realistic world and storyline that audiences can relate to.
- Audience and narrative theories like uses and gratifications, reception, and Barthes' will be used to engage audiences and associate elements with the thriller genre. Propp's theory
This episode of Friends centers around Ross trying to get his friends ready on time for a party he needs to attend for work. However, each friend has their own delays and distractions that prevent them from being ready on time. Rachel takes a long time to choose an outfit, Joey and Chandler start fighting over a chair and underwear, Monica is distracted by a message from her ex, and Phoebe's dress gets ruined. The comedic situations each friend finds themselves in, and Ross's increasing stress about the time, make this a classic sitcom episode that many viewers can relate their own experiences to.
Who are your audience and what have you learned from their feedback?FrancescaRon
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- The filmmaker targeted an audience aged 15-25 for their horror trailer and found through research and feedback that they successfully attracted this demographic.
- They learned about their target audience through questionnaires which showed a preference for horror genres with female antagonists. They related to this age group and understood what would appeal to them.
- The trailer incorporated genre conventions like lighting, pacing, and a threatening female character to denote the horror genre and attract the intended audience. Feedback from test screenings was positive and most said they would see the full film.
The document discusses how a film product would engage and be distributed to audiences. It targets teenagers by using a dark and unsettling tone to hook them in. It aims to keep audiences interested through ambiguity and a gritty depiction of a kidnapping that could happen anywhere. Strong soundtrack and hidden appearance of the kidnapper keep viewers riveted. Potential distribution methods include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels though payment would be required and success unlikely.
The document discusses how a media product would engage with and be distributed to its target audience of teenagers. It uses ambiguity and an unsettling tone to keep teenagers interested in the story of a kidnapping. Distribution methods mentioned include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels, though that option is unlikely. The goal is to hook teenagers and potentially find funding for future projects.
The document discusses how a film product would engage and be distributed to audiences. It targets teenagers by using a dark and unsettling tone to hook them in. It aims to keep audiences interested through ambiguity and a gritty depiction of a kidnapping that could happen anywhere. Strong soundtrack and hidden appearance of the kidnapper keep viewers riveted. Potential distribution methods include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels though payment would be required and success unlikely.
The document discusses how a media product would engage with and be distributed to its target audience of teenagers. It uses ambiguity and an unsettling tone to keep teenagers interested in the story of a kidnapping. Distribution methods mentioned include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels, though that option is unlikely. The goal is to hook teenagers and potentially find funding for future projects.
Blumhouse Productions would be an ideal production company for the film "Lullaby" due to their success in the horror genre with films like Paranormal Activity, Insidious, and The Purge. Blumhouse emphasizes low-budget films, making Lullaby a good fit. Partnering with Blumhouse could also allow the film to partner with major studios like Lionsgate, Paramount, and Universal. The target audience for the film's trailer is identified as young adults aged 18-22 of both genders, as research found they enjoy watching films at home and in theaters, and their favorite genre is psychotic thriller/horror.
The document discusses how the filmmakers targeted their audience for a crime thriller film. Their primary audience was males aged 18-25 interested in the thriller genre, and their secondary audience was both males and females aged 18-25. To appeal to these audiences, the opening scene introduced the antagonist to create tension and suspense. Interviews helped the filmmakers understand what audiences wanted, such as how the two narratives come together unexpectedly. Their opening scene used quick cuts and shots over 50 seconds to build suspense. The filmmakers aimed to create "visceral pleasures" like jumping scares, and "intellectual puzzles" by having the audience work out the antagonist's plan. The characters and rural setting were relatable to the target
The document discusses targeting and attracting the audience for a horror film media product. It aims to target teenagers ages 15-25 of all races and both genders. It analyzes horror film audiences and applies audience theory from Richard Dyer, Abraham Maslow, and Blumier and Katz to attract the target demographic. Key tactics included using relatable young characters, psychological tension and fear, and engaging filming and editing techniques.
The document discusses the conventions of film trailers. It defines what a film trailer is and its purpose of advertising and promoting films. It discusses typical trailer lengths and composition, as well as the importance of researching other relevant trailers. The document also covers trailer narrative and storytelling techniques, character types, music selection, and how the filmmaker incorporated these conventions into their comedy film trailer.
The document discusses plans for creating a trailer for a psychological thriller film. It will be a short teaser trailer targeting 15-25 year olds, with a 60:40 female to male gender ratio. Key elements to be employed include suspense, religious undertones, an eerie setting, and limited dialogue. The trailer's purpose is to intrigue audiences to watch the full film. The film studio chosen is Relativity Media due to their experience producing similar genre films. Marketing points will focus on the hybrid genre, an unknown protagonist fate, and realistic portrayal of secrets in a normal town.
Evaluation - Who are your audience and what have you learned from your audien...samduxbury18
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The document discusses feedback received from test audiences of a horror film trailer. A survey found the trailer was most effective at appealing to females under 21. Most of the test audience understood the plot from the trailer and said they would pay to see the full film. However, 30% of males said the trailer did not scare them. The document analyzes how the feedback aligns with theories about genre audiences and evaluates if the trailer is successful in attracting an audience.
A young boy watches a horror movie alone at home. He sees strange figures in the darkness when he turns lights on and off. When he goes to his bedroom, the light goes out and his door opens on its own. He sees the figure of a young boy in the darkness who walks towards his bed. When he turns on the light, the boy disappears. Someone then taps him from behind, and he sees the boy again with blood on his hands.
The student struggled with various aspects of the project such as research, planning, and production due to mental and physical health issues. Production was particularly challenging, as the student only managed to take 10 mediocre photos due to a lack of effort and inability to leave home frequently. While the final product was a black and white street photography portfolio as intended, the quality and standard did not meet the student's original intentions due to weaknesses in various phases of the project. The student learned from the experience but remained disappointed they could not push themselves further or accomplish their full goals.
The interviews provided feedback on expectations for a photography portfolio. Both interviewees said they would expect photos to be named, dated, and have location details. They also agreed a website would help promote the work. One preferred black and white while the other said a mix of color and black and white would be best. The number of photos expected ranged from 10-12 to 20-30. Both said framed photos would look more professional than board-mounted. The interviews reinforced the photographer's plans to include names, shoot in black and white, create a website, and frame the final portfolio photos.
The document discusses various codes and conventions used in classic realist texts and postmodern media to represent reality and create believable fictional worlds. Some of the key codes mentioned include coherent narratives, plausible characters, linear storytelling, psychological realism in editing, and accepted conventions like dissolves to indicate passage of time. The document also examines codes used in different genres like news broadcasts, reality shows, police documentaries, and audience participation programs to suspend disbelief and immerse viewers.
Young & Rubicam developed four categories of consumers: mainstreamers, aspirers, reformers, and succeeders. The document discusses targeting mainstreamers and aspirers for the film trailer. It also outlines three gratifications the trailer will provide: diversion, surveillance, and developing a sense of personal relationships with characters. Finally, it asserts the trailer will appeal to audiences through its narrative pleasure, with a twist hinted at but not revealed that mixes science and horror to threaten society in an unspeakable way.
The single-camera setup is a method of filmmaking and video production where a single camera is used to film each scene. For each shot or angle, the camera is moved and repositioned while the lighting is typically reconfigured. This differs from multi-camera setups where multiple cameras film a scene simultaneously from different angles.
An independent film distributor called Icon would be suited to distribute our thriller film. Icon specializes in distributing similar genre films like horrors and thrillers. They would identify the target audience for our thriller, estimate revenue across different platforms, and help create buzz around the film. Icon would likely promote our film initially at film festivals, then do a limited theatrical release in select cinemas once interest is generated. Their experience distributing similar genre films would help boost initial interest in our thriller.
A film distributor is responsible for marketing a film by choosing its release date and format, such as in cinemas or for home viewing. The document discusses Artisan Entertainment as a potential distributor because it has successfully distributed similar supernatural horror-thriller films. It also notes that the film's storyline could appeal to global audiences. While self-distribution is an option, using an established distributor could better help the film gain reputation through wider reach and repetition in marketing.
The document discusses several film theories that could be applied to the production of a thriller film opening, including:
- Auteur theory, which focuses on the director's creative influence, will be used to reflect the directors' views through characters and plotlines.
- Genre theory examines conventions of genres like thriller; the opening will mainly follow thriller conventions while adding unconventional elements.
- Representation theory analyzes how media portrays people and events; the opening will present a realistic world and storyline that audiences can relate to.
- Audience and narrative theories like uses and gratifications, reception, and Barthes' will be used to engage audiences and associate elements with the thriller genre. Propp's theory
This episode of Friends centers around Ross trying to get his friends ready on time for a party he needs to attend for work. However, each friend has their own delays and distractions that prevent them from being ready on time. Rachel takes a long time to choose an outfit, Joey and Chandler start fighting over a chair and underwear, Monica is distracted by a message from her ex, and Phoebe's dress gets ruined. The comedic situations each friend finds themselves in, and Ross's increasing stress about the time, make this a classic sitcom episode that many viewers can relate their own experiences to.
Who are your audience and what have you learned from their feedback?FrancescaRon
Â
- The filmmaker targeted an audience aged 15-25 for their horror trailer and found through research and feedback that they successfully attracted this demographic.
- They learned about their target audience through questionnaires which showed a preference for horror genres with female antagonists. They related to this age group and understood what would appeal to them.
- The trailer incorporated genre conventions like lighting, pacing, and a threatening female character to denote the horror genre and attract the intended audience. Feedback from test screenings was positive and most said they would see the full film.
The document discusses how a film product would engage and be distributed to audiences. It targets teenagers by using a dark and unsettling tone to hook them in. It aims to keep audiences interested through ambiguity and a gritty depiction of a kidnapping that could happen anywhere. Strong soundtrack and hidden appearance of the kidnapper keep viewers riveted. Potential distribution methods include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels though payment would be required and success unlikely.
The document discusses how a media product would engage with and be distributed to its target audience of teenagers. It uses ambiguity and an unsettling tone to keep teenagers interested in the story of a kidnapping. Distribution methods mentioned include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels, though that option is unlikely. The goal is to hook teenagers and potentially find funding for future projects.
The document discusses how a film product would engage and be distributed to audiences. It targets teenagers by using a dark and unsettling tone to hook them in. It aims to keep audiences interested through ambiguity and a gritty depiction of a kidnapping that could happen anywhere. Strong soundtrack and hidden appearance of the kidnapper keep viewers riveted. Potential distribution methods include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels though payment would be required and success unlikely.
The document discusses how a media product would engage with and be distributed to its target audience of teenagers. It uses ambiguity and an unsettling tone to keep teenagers interested in the story of a kidnapping. Distribution methods mentioned include releasing it for free on YouTube to gain publicity, entering competitions for prizes and exposure, or attempting to sell it to TV channels, though that option is unlikely. The goal is to hook teenagers and potentially find funding for future projects.
Blumhouse Productions would be an ideal production company for the film "Lullaby" due to their success in the horror genre with films like Paranormal Activity, Insidious, and The Purge. Blumhouse emphasizes low-budget films, making Lullaby a good fit. Partnering with Blumhouse could also allow the film to partner with major studios like Lionsgate, Paramount, and Universal. The target audience for the film's trailer is identified as young adults aged 18-22 of both genders, as research found they enjoy watching films at home and in theaters, and their favorite genre is psychotic thriller/horror.
The document discusses how the filmmakers targeted their audience for a crime thriller film. Their primary audience was males aged 18-25 interested in the thriller genre, and their secondary audience was both males and females aged 18-25. To appeal to these audiences, the opening scene introduced the antagonist to create tension and suspense. Interviews helped the filmmakers understand what audiences wanted, such as how the two narratives come together unexpectedly. Their opening scene used quick cuts and shots over 50 seconds to build suspense. The filmmakers aimed to create "visceral pleasures" like jumping scares, and "intellectual puzzles" by having the audience work out the antagonist's plan. The characters and rural setting were relatable to the target
The document discusses targeting and attracting the audience for a horror film media product. It aims to target teenagers ages 15-25 of all races and both genders. It analyzes horror film audiences and applies audience theory from Richard Dyer, Abraham Maslow, and Blumier and Katz to attract the target demographic. Key tactics included using relatable young characters, psychological tension and fear, and engaging filming and editing techniques.
The document discusses the conventions of film trailers. It defines what a film trailer is and its purpose of advertising and promoting films. It discusses typical trailer lengths and composition, as well as the importance of researching other relevant trailers. The document also covers trailer narrative and storytelling techniques, character types, music selection, and how the filmmaker incorporated these conventions into their comedy film trailer.
The document discusses plans for creating a trailer for a psychological thriller film. It will be a short teaser trailer targeting 15-25 year olds, with a 60:40 female to male gender ratio. Key elements to be employed include suspense, religious undertones, an eerie setting, and limited dialogue. The trailer's purpose is to intrigue audiences to watch the full film. The film studio chosen is Relativity Media due to their experience producing similar genre films. Marketing points will focus on the hybrid genre, an unknown protagonist fate, and realistic portrayal of secrets in a normal town.
Evaluation - Who are your audience and what have you learned from your audien...samduxbury18
Â
The document discusses feedback received from test audiences of a horror film trailer. A survey found the trailer was most effective at appealing to females under 21. Most of the test audience understood the plot from the trailer and said they would pay to see the full film. However, 30% of males said the trailer did not scare them. The document analyzes how the feedback aligns with theories about genre audiences and evaluates if the trailer is successful in attracting an audience.
A young boy watches a horror movie alone at home. He sees strange figures in the darkness when he turns lights on and off. When he goes to his bedroom, the light goes out and his door opens on its own. He sees the figure of a young boy in the darkness who walks towards his bed. When he turns on the light, the boy disappears. Someone then taps him from behind, and he sees the boy again with blood on his hands.
The student struggled with various aspects of the project such as research, planning, and production due to mental and physical health issues. Production was particularly challenging, as the student only managed to take 10 mediocre photos due to a lack of effort and inability to leave home frequently. While the final product was a black and white street photography portfolio as intended, the quality and standard did not meet the student's original intentions due to weaknesses in various phases of the project. The student learned from the experience but remained disappointed they could not push themselves further or accomplish their full goals.
The interviews provided feedback on expectations for a photography portfolio. Both interviewees said they would expect photos to be named, dated, and have location details. They also agreed a website would help promote the work. One preferred black and white while the other said a mix of color and black and white would be best. The number of photos expected ranged from 10-12 to 20-30. Both said framed photos would look more professional than board-mounted. The interviews reinforced the photographer's plans to include names, shoot in black and white, create a website, and frame the final portfolio photos.
The document provides an evaluation by Alexander Sullivan-Cree of various aspects of a client project they completed. For research, they struggled to find relevant demographic information for their target audience. Their planning went well as they developed good ideas, creating initial designs before finalizing in Illustrator. Time management was poor due to health issues, resulting in rushed work that did not meet their standards. They achieved the retro aesthetic they aimed for but were unhappy with the quality, especially the "alien" mascot created through copying rather than skill.
This document outlines a client project for a comic book store called Destination Venus. The student proposes 3 ideas: 1) Creating a mascot for the store in the form of an alien or astronaut, which could be used on promotional materials. 2) Designing new promotional materials like posters and business cards with a space theme. 3) Redesigning the store's website and social media pages to have a more modern space and comic book theme. The student decides to pursue the mascot idea as their final project. They provide details on the design inspiration, colors, production schedule, and plan to create both an astronaut and alien mascot in Adobe Illustrator over 3 weeks.
Alexander Sullivan-Cree is applying to university through UCAS. He attended King James Highschool where he earned various GCSE grades. He then attended York College where he earned pass, merit, and distinction grades. He is considering courses in Marine and Natural History Photography at Falmouth University, Japanese at the University of Edinburgh or University of Leeds, and Graphic Design which he rates as an 8/10 suitability due to being a good choice for his current course of study.
This document provides an evaluation of the student's fanzine project. For the research stage, the student felt their initial ideas were strongest but struggled to find related existing fanzines. Their planning was one of the strongest parts as they knew the information and chose a layout/color scheme. However, they changed their pagination multiple times. They managed their time effectively using a production schedule but wish they had more time for additional pages/a more professional look. Their fanzine has a simpler, notebook-like aesthetic compared to a professional fanzine and they would improve layout, original artwork, and front cover design for the future.
This document outlines Alexander Sullivan-Cree's showreel, which includes work from Level 3 Year 1, Level 3 Year 2, and Level 2 Year 1 of his studies. The showreel provides a high-level overview of the types of projects and work Alexander completed during different years and levels of his education.
UCAS is an organization that handles applications to higher education programs in the United Kingdom. The document discusses an individual named Alexander Sullivan-Cree who is likely involved with UCAS as their name is the title of the document. However, no other contextual information is provided about Alexander Sullivan-Cree or their specific role at UCAS.
This document discusses the color scheme, fonts, and locations for a photography portfolio project. For the color scheme, the project will focus on black and white photography and use the color #0c0c0c for the website. No special fonts are needed for the photography, but the creator plans to design their own font incorporating their name for the portfolio title. The primary photography locations will be the creator's hometown of Knaresborough for its tourist attractions, Whitby for its seaside scenery, and York for its historic areas and street performers.
The document discusses research conducted for a photography portfolio project. It includes interviews with two people about what they would expect to see in a portfolio. It also covers the interviewees' familiarity with street photographers and preferences for displaying work. Both interviews indicated names and locations should be included with photos and that a website could help promote the work. Black and white images were favored over color by one interviewee. The document also provides a bibliography of sources consulted.
The document discusses potential problems that could arise during a street photography project and ways to address them. It identifies issues with equipment failure or unavailability, including cameras breaking down or memory cards corrupting. Software and hardware compatibility between college and personal devices is also flagged as a risk. Location access problems and unpredictable British weather are highlighted as external factors that could impact shoots. Backups, spare gear, and alternative local shooting spots are proposed to mitigate many of these potential problems.
Alexander Sullivan-Cree has had a lifelong interest in photography and media that began when he was diagnosed with Type 1 diabetes at age nine. This dashed his hopes of joining the navy like other men in his family. At college, he studied photography, video editing, and audio editing software. For projects, he created video game assets, magazines focused on anime and manga, and a fashion magazine featuring original photography shoots. His dream is to have his photography published in prestigious magazines like National Geographic that document wildlife and culture around the world.
This document discusses research for a photography portfolio, including existing photographers like Vivian Maier, William Klein, Robert Frank, Eddie Adams, and Alfred Eisenstaedt. It also includes interviews with two people about what they would expect to see in a portfolio, whether black and white or color is more professional, and how many photos a portfolio should contain. The document ends with a bibliography of sources about iconic street photographers.
The document summarizes research conducted for a local comic book store client. It discusses the store's diverse audience due to its range of comics, citing a survey that found 63% of comic buyers are men aged 13-29. It also notes that while comics generally appeal more to boys and men, the store is located in a cinema, so it gets traffic from all ages. To avoid alienating female customers, the document recommends a gender-neutral color scheme for marketing. It also discusses Harrogate's demographics, including its female population of 51% and religious diversity.
The student proposes a black and white street photography portfolio titled "City Ruins" featuring images taken in their hometown of Knaresborough, Yorkshire. Photography will be the primary medium, with the goal of also creating a website and booklet to showcase the work. The student has researched street photographers like Joel Meyerowitz, Helen Levitt, and Henri Cartier-Bresson for inspiration. Peer and public feedback will be gathered to evaluate the project, which will involve primary research, experiments, image taking and editing over 15 weeks culminating in a final presentation.
The document provides biographies of four photographers: Joel Meyerowitz, Helen Levitt, Henri Cartier-Bresson, and Nick Turpin. It describes their backgrounds, influences, notable works, and contributions to photography. Joel Meyerowitz pioneered the use of color photography and published influential books. Helen Levitt photographed street scenes and children in New York. Henri Cartier-Bresson developed a passion for photography after being introduced to the Leica camera, and published The Decisive Moment. Nick Turpin studied photography and established the In-Public collective to promote street photography.
The student proposes a black and white street photography portfolio titled "City Ruins" featuring images taken in their hometown of Knaresborough, Yorkshire. Photography will be the primary medium, and if time allows, a website and booklet will be created to showcase the work. The student has researched street photographers like Joel Meyerowitz, Helen Levitt, and Henri Cartier-Bresson for inspiration. Peer and public feedback will be gathered to evaluate the project, and over 20 weeks the student will complete tasks like primary/secondary research, experiments, production, and presentation.
The proposal outlines a street photography portfolio titled "City Ruins" focused on the student's hometown of Knaresborough, Yorkshire. Photography will be the primary medium, with the goal of also creating a website and booklet to showcase the work. The student has researched street photographers like Joel Meyerowitz, Helen Levitt, and Henri Cartier-Bresson for inspiration. Peer and public feedback will be used for evaluation, with the project timeline spanning pre-production, production, and evaluation phases over 17 weeks culminating in a final presentation.
The document provides details about Nobuo Uematsu, the famous composer for many Final Fantasy soundtracks. It summarizes that Uematsu grew up in Kochi Prefecture in Shikoku, Japan, and that despite no formal music training, he started composing music for Square and became their main composer. It also discusses some of his musical influences like Deep Purple and mentions that he is proud that his music brings people together in harmony.
The document provides details on idea development, pagination, and a production schedule for creating a fanzine about the Final Fantasy video game series. It includes mood boards, character pages on Cloud Strife, Jenova and Sephiroth, an interview with Nobuo Uematsu, and illustrations to feature in the fanzine. A production schedule is outlined over 3 weeks to complete layouts, illustrations, written pages, and assembly of the fanzine.
A Free 200-Page eBook ~ Brain and Mind Exercise.pptxOH TEIK BIN
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(A Free eBook comprising 3 Sets of Presentation of a selection of Puzzles, Brain Teasers and Thinking Problems to exercise both the mind and the Right and Left Brain. To help keep the mind and brain fit and healthy. Good for both the young and old alike.
Answers are given for all the puzzles and problems.)
With Metta,
Bro. Oh Teik Bin đđ¤đ¤đĽ°
Creative Restart 2024: Mike Martin - Finding a way around ânoâTaste
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Ideas that are good for business and good for the world that we live in, are what Iâm passionate about.
Some ideas take a year to make, some take 8 years. I want to share two projects that best illustrate this and why it is never good to stop at ânoâ.
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.pptHenry Hollis
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The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
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These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
How to Setup Default Value for a Field in Odoo 17Celine George
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In Odoo, we can set a default value for a field during the creation of a record for a model. We have many methods in odoo for setting a default value to the field.
Brand Guideline of Bashundhara A4 Paper - 2024khabri85
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It outlines the basic identity elements such as symbol, logotype, colors, and typefaces. It provides examples of applying the identity to materials like letterhead, business cards, reports, folders, and websites.
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
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The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
4. Factors of Persuasion
⢠Reward power: the product promises some positive benefit.
⢠Coercive power: the product is presented upon pain of threat or
punishment.
⢠Referent power: the message associated with the product fits into
the reader's value system.
⢠Expert power: the product is presented by an expert.
⢠Star power: the product is associated with a celebrity figure.
8. TV Advert â Comparison
There are many differences and similarities between the 20 second advert I made and the 40 seconds official IRN-BRU advert, some of these
differences include then length of the advert, the style of the advertisements and the layout of the advert. The length of the TV advert can vary
depending in the platform you plan to play the advertisement. For example I made a 5 seconds advert to be played on YouTube as 5 seconds is
the amount of time that youâre able to watch before you allowed to skip the advert, furthermore some ads below 30 seconds donât always
allow you to skip them. However my 20 seconds advert is still long enough to be played on TV, not just YouTube and other platforms. One of
the similarities is the style of advertisements, both the professional advert and the one made by me are both parody's and theyâre not meant
to be taken literal. This can be seen in both adverts as they both have a comedic aspect to them, in the professional advert this is shown by the
name of the baby being âfannyâ and as in the advert I made they obvious references to Braveheart. The finial similarity between my advert and
the official one is the layout of the advert. Both the adverts end in an extremely similar way as they both end with a shot of the IRN-BRU drink
itself and a slogan which is linked to the theme of the advert, in my case William Wallace running through the background and in the official
advert the final background is a hospital with a baby card with the slogan on. Personally I feel my advert could use a lot more work to it
however in the time we had available It turned out better than I thought, its not as good as one of the official IRN-BRU adverts obviously but if
I had the same budget, time and equipment as them I couldâve easily made a more professional looking advert.
20 Seconds Official IRN BRU TV Advert
https://www.youtube.com/watch?v=ibuLgsVcQUY