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 Tension created through editing, anticipation.
 Mise-en-Scene is used a lot – darkness,
large/sprawling locations with lots of blind-spots and
unknowns, often horrific or shocking scenes.
 Conflict between protagonist and antagonist.
 Motives can be crime-led, psychological, personal.
 Audience can often anticipate events, although there
are usually unexpected plot-twists.
 There is often a mysterious element that is uncovered
throughout the film.
 Music builds tension by growing
louder and faster before action
scenes.
 Lots of close-ups at the beginning
to show obscurity and mystery
about the characters.
 Cross-cutting between character
viewpoints to show what each
character is doing. This gives the
viewer a clearer idea of what is
happening, whilst building tension
by making them anticipate certain
actions.
 Tension is built through narrative
anticipation due to the viewer’s
knowledge that the antagonist has
power over the protagonist.
 The antagonist is invading the
protagonist’s territory and making
them uncomfortable – a reversal
of power.
 Intense emotion shown in facial
close-ups, thrilling and exciting.
 Absence of music in parts, builds
tension as the only sound audible
is diegetic, making the scene feel
more real and impactful.
 The isolated location is used to create an
atmosphere of vulnerability, as there is
no help from the outside available.
 Cross-cutting between shots of dead
bodies and the little girls builds tension
through mystery and the sinister, surreal
nature of the scene.
 Narrative convention of friends becoming
enemies is used to build tension, and give
the film a sense of paranoia and betrayal.
 Shots often show the characters faces, along
with key items and objects, both building
tension and giving meaning by being able to
see emotion in a character as well as what is
currently happening.

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Investigating Thrillers - Max Amaden

  • 1.
  • 2.  Tension created through editing, anticipation.  Mise-en-Scene is used a lot – darkness, large/sprawling locations with lots of blind-spots and unknowns, often horrific or shocking scenes.  Conflict between protagonist and antagonist.  Motives can be crime-led, psychological, personal.  Audience can often anticipate events, although there are usually unexpected plot-twists.  There is often a mysterious element that is uncovered throughout the film.
  • 3.  Music builds tension by growing louder and faster before action scenes.  Lots of close-ups at the beginning to show obscurity and mystery about the characters.  Cross-cutting between character viewpoints to show what each character is doing. This gives the viewer a clearer idea of what is happening, whilst building tension by making them anticipate certain actions.
  • 4.  Tension is built through narrative anticipation due to the viewer’s knowledge that the antagonist has power over the protagonist.  The antagonist is invading the protagonist’s territory and making them uncomfortable – a reversal of power.  Intense emotion shown in facial close-ups, thrilling and exciting.  Absence of music in parts, builds tension as the only sound audible is diegetic, making the scene feel more real and impactful.
  • 5.  The isolated location is used to create an atmosphere of vulnerability, as there is no help from the outside available.  Cross-cutting between shots of dead bodies and the little girls builds tension through mystery and the sinister, surreal nature of the scene.  Narrative convention of friends becoming enemies is used to build tension, and give the film a sense of paranoia and betrayal.  Shots often show the characters faces, along with key items and objects, both building tension and giving meaning by being able to see emotion in a character as well as what is currently happening.