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THRILLER MOVIES
Lucy & Stacy
MEMENTO
 New Market, in association with Summit
Entertainment, Team Todd
 Director: Christopher Nolan
 Actors: Guy Pearce, Carrie-Anne Moss, Joe
Pantoliano
 Plot: A man juggles searching for his wife’s murderer
and keeping his short-term memory loss from being an
obstacle
 Mise en scene: Picture of man that’s been attacked
and blood which is murder and maybe deliberate,
wearing a suit shows his role in society as being high
(professional)
 Camerawork: Close-up/extreme close up shot is very
intimate, tilt reveals the character
 Sound: There’s contrast between the non-diegetic and
diegetic sound, where the soundtrack is soft as the
opening begins but as the scene progresses, the
sound of the gun meeting his hand and the scream of
the man being shot is harsh and emphasises danger
 Editing: Rewind the shot of the scene which is linking
to his memory loss and it’s going backwards
SE7EN
 New Line Cinema, an Arnold Kopelson
production
 Director: David Fincher
 Actors: Brad Pitt, Morgan Freeman
 Plot: Two detectives, a rookie and a
veteran, hunt a serial killer who uses
the seven deadly sins as his modus
operandi
 Mise en scene: Low key lighting
shows mystery and danger
 Camerawork: Extreme close-up
 Sound: Non-diegetic sound is the
soundtrack and it gets more intense as
it builds up
 Editing: Superimposition, random cuts
and transitions
SHUTTER ISLAND
 Director: Martin Scorese
 Actors: Leonardo DiCaprio, Emily
Mortimer, Mark Ruffalo
 Plot: In 1954, a U.S. marshal investigates
the disappearance of a murderess who
escaped from hospital for the criminally
insane
 Mise en scene: Costume is two men,
who look important/professional and are
wearing suits and looks like it was filmed
in the 50s, low-key lighting creates
shadow and fear
 Camerawork: Close-up, long-shot, over
the shoulder
 Sound: Non-diegetic is the soundtrack
and shows the man that is being
approached and is mysterious, diegetic
sound is the dialogue and talking of death
(girlfriend maybe)
 Editing: Pace of editing varies
THE SIXTH SENSE
 Spyglass Entertainment, Hollywood Pictures, a
Kennedy/Marshall/Barry Mendel production
 Director: M. Night Shyamalan
 Actors: Bruce Willis, Olivia Williams, Haley Joel
Osment, Toni Collette
 Plot: A boy who communicates with spirits that
don’t know they're dead seeks the help of a
disheartened child psychologist
 Mise en scene: Costume of woman wearing bright
and coloured dress and contrasts the darkness of
the room (also relate to colour)
 Camerawork: Close-up of light bulb to show/set the
scene, eye level shot through shelves as if the
audience aren’t meant to be there, rule of thirds –
she is at the edge of the shot which shows she is
less important and there’s something more (death?)
to come, POV shot from ‘ghost’ in the film
 Sound: Diegetic – ambient sounds where you can
hear surroundings, no music which creates tension
 Editing: Slow paced to try not to break the
quietness in the room and build up and make the
audience anticipate what’s about to occur
VERTIGO
 Universal, MCA Company, Paramount,
VistaVision
 Director: Alfred Hitchcock
 Actors: James Stewart, Kim Novak,
Barbara Bel Geddes
 Plot: A San Francisco detective suffering
from acrophobia investigates the strange
activities of an old friends wife, all the while
becoming dangerously obsessed with her
 Mise en scene: Costume – policeman
wearing black uniform showing darkness in
the character and then the man being
chased is wearing white which can mean
innocence which is a contrast and this is
reverse as the ‘criminal’ is in white (rooftop
scene)
 Camerawork: Close-up shot of hands
holding on ‘for dear life’, aerial shot
showing where the man could fall to his
death
 Sound: Use of dramatic tense orchestra
soundtrack (non-diegetic), gun shot sounds
are an element that create thrill for the
audience
 Editing: Slow pace but then goes into fast
pace as scene carries on
BLACK SWAN
 Fox Searchlight Pictures, Cross
Creek Pictures
 Director: Darren Aronofsky
 Actors: Natalie Portman, Mila Kunis,
Vincent Cassel
 Plot: A committed dancer wins the
lead role in a production of
Tchalkovsky’s “Swan Lake” only to
find herself struggling to maintain
sanity
 Mise en scene: Low key lighting as
it’s dim and dull and you can see the
shadows being created
 Camerawork: Tracking shot of the
chalk moving around, extreme close
up of the chalk being intensely used
 Sound: Non diegetic – piano being
played starting soft and elegant but
starts to get more intense and
matches the speed of the chalk
(These can relate to the movement of
the ballet dancers)
THE PRESTIGE
 Warner Bros, TimeWarner
Company, Touchstone Pictures,
New Market Films
 Director: Christopher Nolan
 Actors: Christian Bale, Hugh
Jackman, Scarlett Johansson
 Plot: Two stage magicians
engage in competitive one-
upmanship in an attempt to
create the ultimate stage illusion
 Mise en scene: Costume – the
magicians wearing suits
 Camerawork: Wide shot of the
stage and audience
 Sound: Non-diegetic voiceover –
dialogue shows direct mode of
address
 Editing: Fast pace, parallel
editing – both indicate the chaos
of being a magician

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Thriller movies 2

  • 2. MEMENTO  New Market, in association with Summit Entertainment, Team Todd  Director: Christopher Nolan  Actors: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano  Plot: A man juggles searching for his wife’s murderer and keeping his short-term memory loss from being an obstacle  Mise en scene: Picture of man that’s been attacked and blood which is murder and maybe deliberate, wearing a suit shows his role in society as being high (professional)  Camerawork: Close-up/extreme close up shot is very intimate, tilt reveals the character  Sound: There’s contrast between the non-diegetic and diegetic sound, where the soundtrack is soft as the opening begins but as the scene progresses, the sound of the gun meeting his hand and the scream of the man being shot is harsh and emphasises danger  Editing: Rewind the shot of the scene which is linking to his memory loss and it’s going backwards
  • 3. SE7EN  New Line Cinema, an Arnold Kopelson production  Director: David Fincher  Actors: Brad Pitt, Morgan Freeman  Plot: Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his modus operandi  Mise en scene: Low key lighting shows mystery and danger  Camerawork: Extreme close-up  Sound: Non-diegetic sound is the soundtrack and it gets more intense as it builds up  Editing: Superimposition, random cuts and transitions
  • 4. SHUTTER ISLAND  Director: Martin Scorese  Actors: Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo  Plot: In 1954, a U.S. marshal investigates the disappearance of a murderess who escaped from hospital for the criminally insane  Mise en scene: Costume is two men, who look important/professional and are wearing suits and looks like it was filmed in the 50s, low-key lighting creates shadow and fear  Camerawork: Close-up, long-shot, over the shoulder  Sound: Non-diegetic is the soundtrack and shows the man that is being approached and is mysterious, diegetic sound is the dialogue and talking of death (girlfriend maybe)  Editing: Pace of editing varies
  • 5. THE SIXTH SENSE  Spyglass Entertainment, Hollywood Pictures, a Kennedy/Marshall/Barry Mendel production  Director: M. Night Shyamalan  Actors: Bruce Willis, Olivia Williams, Haley Joel Osment, Toni Collette  Plot: A boy who communicates with spirits that don’t know they're dead seeks the help of a disheartened child psychologist  Mise en scene: Costume of woman wearing bright and coloured dress and contrasts the darkness of the room (also relate to colour)  Camerawork: Close-up of light bulb to show/set the scene, eye level shot through shelves as if the audience aren’t meant to be there, rule of thirds – she is at the edge of the shot which shows she is less important and there’s something more (death?) to come, POV shot from ‘ghost’ in the film  Sound: Diegetic – ambient sounds where you can hear surroundings, no music which creates tension  Editing: Slow paced to try not to break the quietness in the room and build up and make the audience anticipate what’s about to occur
  • 6. VERTIGO  Universal, MCA Company, Paramount, VistaVision  Director: Alfred Hitchcock  Actors: James Stewart, Kim Novak, Barbara Bel Geddes  Plot: A San Francisco detective suffering from acrophobia investigates the strange activities of an old friends wife, all the while becoming dangerously obsessed with her  Mise en scene: Costume – policeman wearing black uniform showing darkness in the character and then the man being chased is wearing white which can mean innocence which is a contrast and this is reverse as the ‘criminal’ is in white (rooftop scene)  Camerawork: Close-up shot of hands holding on ‘for dear life’, aerial shot showing where the man could fall to his death  Sound: Use of dramatic tense orchestra soundtrack (non-diegetic), gun shot sounds are an element that create thrill for the audience  Editing: Slow pace but then goes into fast pace as scene carries on
  • 7. BLACK SWAN  Fox Searchlight Pictures, Cross Creek Pictures  Director: Darren Aronofsky  Actors: Natalie Portman, Mila Kunis, Vincent Cassel  Plot: A committed dancer wins the lead role in a production of Tchalkovsky’s “Swan Lake” only to find herself struggling to maintain sanity  Mise en scene: Low key lighting as it’s dim and dull and you can see the shadows being created  Camerawork: Tracking shot of the chalk moving around, extreme close up of the chalk being intensely used  Sound: Non diegetic – piano being played starting soft and elegant but starts to get more intense and matches the speed of the chalk (These can relate to the movement of the ballet dancers)
  • 8. THE PRESTIGE  Warner Bros, TimeWarner Company, Touchstone Pictures, New Market Films  Director: Christopher Nolan  Actors: Christian Bale, Hugh Jackman, Scarlett Johansson  Plot: Two stage magicians engage in competitive one- upmanship in an attempt to create the ultimate stage illusion  Mise en scene: Costume – the magicians wearing suits  Camerawork: Wide shot of the stage and audience  Sound: Non-diegetic voiceover – dialogue shows direct mode of address  Editing: Fast pace, parallel editing – both indicate the chaos of being a magician