Together, we will lift our voices, assert our power, claim our future, and explore a vision of our world where we all live with dignity, freedom and hope.
A powerpoint that looks at the classic representations of Gender, Age, Class, Ethnicity, Region and Place in music videos. Names of music videos are included in the note section of the powerpoint
Museums, Social Justice, and Civic Engagement in the Land of EnchantmentWest Muse
Through exhibits and programs the Las Cruces Museum System, the National Hispanic Cultural Center Art Museum, and the University of New Mexico Art Museum have encouraged museumgoers to think about social justice and the role civic engagement plays in achieving it. Panelists will discuss the complexities of exploring challenging subject matter in museums such as race relations, migration, and police violence; why it’s critical that we do so; and ways to navigate these challenges. #bravespace
(4min to read)
the second CHAOS ASIA will be held on 25,26 Oct. 2014
http://www.thechaosasia.com/
88 innovators of the future from Art, City, Education, Food, Entertainment, Health, Interactive, Lifestyle
1 on 1 pitch battle, only 180 seconds for each, you will see 44 battles.
data: the CHAOS ASIA 2013
88 innovators of the future participated
with more than 500 attendees
from 30 different countries last year
the absolutely unique and exciting event for innovations
5min video with more than 300K views
https://www.youtube.com/watch?v=ihoHPmSkm9o
more than 20K funs
http://www.slideshare.net/88Diixi/88-presenters-of-the-chaos-asia-2013
produced by Diixi
A powerpoint that looks at the classic representations of Gender, Age, Class, Ethnicity, Region and Place in music videos. Names of music videos are included in the note section of the powerpoint
Museums, Social Justice, and Civic Engagement in the Land of EnchantmentWest Muse
Through exhibits and programs the Las Cruces Museum System, the National Hispanic Cultural Center Art Museum, and the University of New Mexico Art Museum have encouraged museumgoers to think about social justice and the role civic engagement plays in achieving it. Panelists will discuss the complexities of exploring challenging subject matter in museums such as race relations, migration, and police violence; why it’s critical that we do so; and ways to navigate these challenges. #bravespace
(4min to read)
the second CHAOS ASIA will be held on 25,26 Oct. 2014
http://www.thechaosasia.com/
88 innovators of the future from Art, City, Education, Food, Entertainment, Health, Interactive, Lifestyle
1 on 1 pitch battle, only 180 seconds for each, you will see 44 battles.
data: the CHAOS ASIA 2013
88 innovators of the future participated
with more than 500 attendees
from 30 different countries last year
the absolutely unique and exciting event for innovations
5min video with more than 300K views
https://www.youtube.com/watch?v=ihoHPmSkm9o
more than 20K funs
http://www.slideshare.net/88Diixi/88-presenters-of-the-chaos-asia-2013
produced by Diixi
Artificial intelligence (AI) is everywhere, promising self-driving cars, medical breakthroughs, and new ways of working. But how do you separate hype from reality? How can your company apply AI to solve real business problems?
Here’s what AI learnings your business should keep in mind for 2017.
Art for change It is often taken for granted that art fBetseyCalderon89
Art for change?
It is often taken for granted that art functions as a tool and a vehicle of social change;
indeed, it was just this theme that we took up in our first discussion board posting. While the
vocal majority seemed to agree that art could foster social change, many of us, when
encountering work such as Warhol’s 200 One Dollar Bills or Marcel Duchamp’sFountain
might find ourselves wondering exactly what type of change such work could really make.
Does a painting that takes money for its subject do anything to unsettle a culture that seems
more and more to place the individual pursuit of money above the needs of the community?
Does a urinal inscribed with a forged signature (see Duchamp’s work mentioned above) do
anything more than offer a paltry challenge to the taste of a leisured class?
It was precisely the complicity of market system art like Duchamp’s and the American Pop
artists like Warhol, Jasper Johns, and Robert Rauschenberg with the oppressive class that
was at the heart of a 1973 protest staged in front of another landmark Sotheby’s auction. On
that October day a group of New York City taxi drivers and artists stood before the renowned
auction house to call down Robert C. Scull who they claimed made his fortune robbing
cabbies and hawking art. Some of the artists marching in solidarity with the taxi cab drivers
rushed out to a nearby hardware store to by a snow shovel to sell at exorbitant price, poking
fun at Duchamp’s In Advance of the Broken Arm. Is this critique of art’s complicity with big
money an apt one?
The idea that the art market is synonymous with ‘business as usual’ is an idea that is as
pervasive today as ever—if not more so. As Eleanor Heartney reminds us in her lecture on
art and labour, one move made by activists of the recent Occupy Wall Street movement was
to set up occupations in a number of New York City’s museums. The organizers of the
Occupy Museums march declared in a public statement that “for the past decade and more,
artists and art lovers have been the victims of the intense commercialization and co-optation
or art.” They further claimed that “art is for everyone, across all classes and cultures and
communities” and not merely for the cultural elite, or the 1%. The artist activists closed their
statement by exhorting museums to open their minds and their hearts: “Art is for everyone!”
they claimed. “The people are at your door!”
These two protests demonstrate an abiding and perhaps growing suspicion of the received
idea that market system art can change things. But while market system art is placed under
intense scrutiny, a growing field of artists and educators have been working to disseminate
the practices and techniques of art making in order to sow the seeds of change. This
community based art (sometimes referred to as ‘dialogical art’ or ‘community arts’) seeks to
place in the hands of the marginalized, the worker, or, in the words of the ...
Artificial intelligence (AI) is everywhere, promising self-driving cars, medical breakthroughs, and new ways of working. But how do you separate hype from reality? How can your company apply AI to solve real business problems?
Here’s what AI learnings your business should keep in mind for 2017.
Art for change It is often taken for granted that art fBetseyCalderon89
Art for change?
It is often taken for granted that art functions as a tool and a vehicle of social change;
indeed, it was just this theme that we took up in our first discussion board posting. While the
vocal majority seemed to agree that art could foster social change, many of us, when
encountering work such as Warhol’s 200 One Dollar Bills or Marcel Duchamp’sFountain
might find ourselves wondering exactly what type of change such work could really make.
Does a painting that takes money for its subject do anything to unsettle a culture that seems
more and more to place the individual pursuit of money above the needs of the community?
Does a urinal inscribed with a forged signature (see Duchamp’s work mentioned above) do
anything more than offer a paltry challenge to the taste of a leisured class?
It was precisely the complicity of market system art like Duchamp’s and the American Pop
artists like Warhol, Jasper Johns, and Robert Rauschenberg with the oppressive class that
was at the heart of a 1973 protest staged in front of another landmark Sotheby’s auction. On
that October day a group of New York City taxi drivers and artists stood before the renowned
auction house to call down Robert C. Scull who they claimed made his fortune robbing
cabbies and hawking art. Some of the artists marching in solidarity with the taxi cab drivers
rushed out to a nearby hardware store to by a snow shovel to sell at exorbitant price, poking
fun at Duchamp’s In Advance of the Broken Arm. Is this critique of art’s complicity with big
money an apt one?
The idea that the art market is synonymous with ‘business as usual’ is an idea that is as
pervasive today as ever—if not more so. As Eleanor Heartney reminds us in her lecture on
art and labour, one move made by activists of the recent Occupy Wall Street movement was
to set up occupations in a number of New York City’s museums. The organizers of the
Occupy Museums march declared in a public statement that “for the past decade and more,
artists and art lovers have been the victims of the intense commercialization and co-optation
or art.” They further claimed that “art is for everyone, across all classes and cultures and
communities” and not merely for the cultural elite, or the 1%. The artist activists closed their
statement by exhorting museums to open their minds and their hearts: “Art is for everyone!”
they claimed. “The people are at your door!”
These two protests demonstrate an abiding and perhaps growing suspicion of the received
idea that market system art can change things. But while market system art is placed under
intense scrutiny, a growing field of artists and educators have been working to disseminate
the practices and techniques of art making in order to sow the seeds of change. This
community based art (sometimes referred to as ‘dialogical art’ or ‘community arts’) seeks to
place in the hands of the marginalized, the worker, or, in the words of the ...
Art for change It is often taken for granted that art f.docxrossskuddershamus
Art for change?
It is often taken for granted that art functions as a tool and a vehicle of social change;
indeed, it was just this theme that we took up in our first discussion board posting. While the
vocal majority seemed to agree that art could foster social change, many of us, when
encountering work such as Warhol’s 200 One Dollar Bills or Marcel Duchamp’sFountain
might find ourselves wondering exactly what type of change such work could really make.
Does a painting that takes money for its subject do anything to unsettle a culture that seems
more and more to place the individual pursuit of money above the needs of the community?
Does a urinal inscribed with a forged signature (see Duchamp’s work mentioned above) do
anything more than offer a paltry challenge to the taste of a leisured class?
It was precisely the complicity of market system art like Duchamp’s and the American Pop
artists like Warhol, Jasper Johns, and Robert Rauschenberg with the oppressive class that
was at the heart of a 1973 protest staged in front of another landmark Sotheby’s auction. On
that October day a group of New York City taxi drivers and artists stood before the renowned
auction house to call down Robert C. Scull who they claimed made his fortune robbing
cabbies and hawking art. Some of the artists marching in solidarity with the taxi cab drivers
rushed out to a nearby hardware store to by a snow shovel to sell at exorbitant price, poking
fun at Duchamp’s In Advance of the Broken Arm. Is this critique of art’s complicity with big
money an apt one?
The idea that the art market is synonymous with ‘business as usual’ is an idea that is as
pervasive today as ever—if not more so. As Eleanor Heartney reminds us in her lecture on
art and labour, one move made by activists of the recent Occupy Wall Street movement was
to set up occupations in a number of New York City’s museums. The organizers of the
Occupy Museums march declared in a public statement that “for the past decade and more,
artists and art lovers have been the victims of the intense commercialization and co-optation
or art.” They further claimed that “art is for everyone, across all classes and cultures and
communities” and not merely for the cultural elite, or the 1%. The artist activists closed their
statement by exhorting museums to open their minds and their hearts: “Art is for everyone!”
they claimed. “The people are at your door!”
These two protests demonstrate an abiding and perhaps growing suspicion of the received
idea that market system art can change things. But while market system art is placed under
intense scrutiny, a growing field of artists and educators have been working to disseminate
the practices and techniques of art making in order to sow the seeds of change. This
community based art (sometimes referred to as ‘dialogical art’ or ‘community arts’) seeks to
place in the hands of the marginalized, the worker, or, in the words of the.
Harry Potter & Cultural Acupuncture: Using Social Media and Pop Culture to Ig...Erin Ryan
An overview of the Harry Potter Alliance, their origins, their success stories, and the theoretical framework of fan activism/participatory culture. You can find more information at http://thehpalliance.org/
Paul Long Royal Geographical Society 2014 presentationPhil Jones
Whose Culture, Whose Creative City. A paper given by Paul Long of the AHRC-funded Cultural Intermediation project at the Royal Geographical Society annual conference in August 2014.
The material contained herein is business confidential information of the redd group inc, and may not be used or copied without the prior written permission of the redd group inc,(c)
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
1. JANUARY 18, 19, 20, 21 • WASHINGTON, DC
INTO ACTION!
Together, we will lift our voices, assert our power, claim our future, and explore
a vision of our world where we all live with dignity, freedom and hope.
2. There is no time for despair,
no place for self-pity, no need for
silence. No room for fear. We speak,
we write, we do language. That is
how civilizations heal.”
“This is precisely the time when artists go to work.
- Toni Morrison
3. a large-scale pop-up art exhibition, cultural
convening, and community organizing action hub installed in
Washington, DC, during the Inauguration of Donald J. Trump,
45th President of the United States.
This Experience is designed to unabashedly declare and define
our shared values, to celebrate the diversity that makes our
communities strong, to stand up against hate and inequity and
to demand a government that works for all people living in the
united states.
INTO ACTION! will be
…and this is just the start.
4. Creativity is the touchstone
for innovation and change.
ART transcends boundaries and makes an impact without relying solely on language.
artists give voice to millions with the stoke of a brush, the strum of a guitar or the click of
a shutter. They distill complex issues and emotions, helping us make sense of the world
around us. They speak truth to power, inspire radical hope and challenge us to get to work.
when artists and activists come together, when creativity is engaged as an organizing tool,
hearts and minds ignite and real solutions emerge.
5. we will create a space where diverse voices
of reason can be heard amongst the pomp
and circumstance. into Action! will be the
launch of a new cultural resistance.
We cannot and will not stand idly by as
a parade marches on values we hold dear.
together, artists and creatives will
unite in solidarity with communities
nationwide fighting for their rights.
INTO
ACTION!
6. INTO ACTION!
John Legend and his team will be curating the music for “No Sleep Til
Justice,” the opening night celebration, and throughout the show.
Famed street artist and creator of the “HOPE” posters for Obama,
Shepard Fairey (Obey Giant) will co-curate the Into Action! art gallery.
Confirmed Content Partners
8. We Demand
Racial Justice
an End to Mass Incarceration
Immigration Reform
Climate Justice
Affordable Higher Education
We will defend
workers rights
lgbtq equality
affordable healthcare
Reproductive rights
religious diversity
THE PEOPLE UNITED!
Following sweeping loses from
state houses to the white house,
we must clearly articulate who
we are and what we believe in. we
must draw the line and stand
together to defend the progress
we have made towards a more just
and inclusive society.
9. 4 days of programming:
Past participants include:Over the course of the four days, INTO ACTION! will
partner with high profile social justice, political
and community organizations to activate important
conversations with political leaders, youth
activists, artists and performers.
additionally, WE WILL PRODUCE COMPELLING video and
graphic CONTENT designed TO BUILD UNDERSTANDING,
EMPATHY and momentum towards a more just
society.
Panel Discussions • Hosted Conversations •
organizer trainings • artist performances •
activist resource center • Poetry Slams
• Ty Dolla $ign
• Rosie Perez
• Rosario Dawson
• Josh Fox
• Tony Goldwyn
• Adam Foss
• Linda Sarsour
• Melissa Harris Perry
• Sybrina Fulton
• Kim Foxx
and beyond
• Van Jones
• Ben Jealous
• Alicia Garza
• Sen. Cory Booker
• The Black Eyed Peas
• Danny Glover
• Kid Warrior
• Rep. Karen Bass
• Aloe Blacc
• Andra Day
• Rep. Wendy Davis
13. the gallery: over 200 artists
INTO ACTION! will transform a 10,000 sq.ft. raw space into an inviting world class gallery featuring hundreds
of America’s most high profile and prolific artists. We have had upward of 20,000 attendees at our past events,
leaving lasting impressions that change community narrative.
14.
15.
16.
17. THE INSTALLATIONS
INTO ACTION! will include commissioned art
installations designed to deliver important
messages that illustrate our themes and our
collective values. These artistic, 3-D renderings
of infographics, are designed to be social media
drivers and memorable keystones to the
experience.
21. INTO ACTION! will host an opening night celebration for
artists, young connected political staff and inspired
activists in a casual environment. our team has
unprecedented access to the most influential change
makers from DC and those in town for the
inauguration.
Previous performers have included: De La Soul,
Black Eyed, Peas, Andra Day, Santigold, Moby, Death Cab
For Cutie, Wolf Parade, Clap Your Hands Say Yeah,
Gaslamp Killer, Fools Gold, Z-Trip, and The Roots.
NO SLEEP TIL JUSTICE!
22.
23.
24. and then some…
Into action! at the inauguration is the first
stop of a multi year touring festival of art
and ideas designed to encourage community
engagement, build momentum for local
non-profits, deepen creative organizing and
explore radical listening.
26. this team:
past events include:
2008 Democratic National Convention - Manifest: Hope 25,000 attendees
2008 Inauguration of President Barack Obama - Manifest: Hope DC 30,000 attendees
2016 Democratic National Convention - Truth To Power 30,000 attendees
our events earn unprecedented top tier media, tens of millions of social media
engagements and hundreds of millions of impressions. We create environments where the
voices of the artists and participants reach directly to their representation in government.
We skillfully balance youth & pop culture while understanding the sensitivities that allow
for the participation of elected officials and their staff.
produces high-profile events that fuse arts,
culture, and social and civic engagement.
27. POTENTIAL PARTNERS
• EMILY’S LIST
• COMPLEX
• ROCK THE VOTE
• #FORFREEDOM
• MTV
• GOOD
• tumblr
• facebook/instagram
• spotify
• nextgen
• participant
• define america
• VotoLatino
• Color of change
• Black Lives Matter
• apple
• attn:
• viceland
28. is a Los Angeles based independent agency that builds capacity and
community for the most influential not-for-profits, brands and people who are taking on some of the most
pressing challenges facing our state, our nation and our world. We understand the role that creative culture
plays in shaping public opinion and policy and invest heavily in creating lasting relationships with the
communities and partners we engage in.
We work primarily at the intersection of Arts/Culture and Social Change and our work has resulted in some of
the most highly acclaimed and influential public campaigns on behalf of clients that include the United Nations
Foundation, the White House, The Nature Conservancy, The MacArthur Foundation, Rock The Vote and Amnesty
International. TaskForce understand how to not only reach audiences, but to help them understand complex
challenges, to get them to care about outcomes, and to inspire them to get involved and take action.
People call us: Change makers, Producers, Community Organizers, Communication Specialists, Civic Engagement
Pros, Movement Builders, Artists, Creatives, Activists, Strategists, Social Entrepreneurs and Cultural Sleuths.
Others call us: Trouble Makers, Rebel Rousers and "The Problem." We like to say, we are in the "Give A Sh*t"
business – building the case and the momentum needed to achieve real, sustainable change.
TASKFORCE