Intertextuality and pastiche
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Intertextuality refers to the relationship between texts, especially how current media is formed and shaped by media that came before it through references and influences, implying that nothing is truly original. Pastiche is a gentle imitation or homage of an earlier narrative or film genre similar to parody, created to produce light humor through references to prior works. The document discusses intertextuality and pastiche, providing dictionary definitions and explanations of each term and noting examples are provided on subsequent pages.
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Intertextuality
Intertextuality refers to the shaping of a text's meaning by another text through references, allusions, and transformations. Every text is a mosaic of references that influence its interpretation. For example, The Simpsons television show references many films and other cultural works, allowing audiences to find pleasure through recognition. A text's genre also provides an intertextual framework that links it to other genre examples through conventions.
Intertextuality powerpoint
This document discusses intertextuality and provides examples. Intertextuality refers to how texts influence each other through borrowing and transformation. It can be seen in references between works and in a reader's interpretation. Examples given include Taylor Swift referencing Romeo and Juliet in a song, and films like Pan's Labyrinth containing allusions to Alice in Wonderland and Greek mythology. The document advises that when discussing intertextuality in exams, readers should thoroughly describe references and explain their significance.
Intertextuality
This document defines and provides examples of intertextuality. Intertextuality refers to the shaping of a text's meaning by another text through references, allusions, and transformations between texts. It is based on the idea that texts do not exist independently, but rather absorb and transform influences from other texts. Examples provided include film remakes, references between TV shows and other media, and how genre conventions create intertextual frameworks that link texts together through shared influences.
Parody and pastiche - Postmodernism
This document discusses parody and pastiche as examples of intertextuality, which is defining a work's meaning through references to other texts. Parody imitates another work's style for comic effect or ridicule, while pastiche borrows elements without mockery. Both are common in postmodern works and rely on audience familiarity with other media. Some critics like Linda Hutcheon view parody and pastiche positively as offering critique, while Frederic Jameson sees pastiche as "blank" mimicry without political meaning. The document asks questions about examples of intertextuality and why critics dislike postmodern uses of parody and pastiche.
Parody and pastiche
This document discusses parody and pastiche in postmodern texts. Parody imitates the style of another work for comic effect, while pastiche borrows elements from other texts as a form of flattery rather than mockery. Both are examples of intertextuality, which defines a work's meaning through references to other works. Theorists like Linda Hutcheon see value in parody and pastiche as offering political critique through awareness of history, while Frederic Jameson argues they lack satire or commentary in postmodern works.
Reader response
Reader-response criticism focuses on the reader's experience of a literary work rather than the author or content. It began in the 1960s-70s and argues that readers actively interpret works and complete their meaning. There are three main types - individualists focus on individual experiences, experimenters conduct psychological experiments, and uniformists assume shared responses. Key debates are between those who see responses as unique versus shared, and whether readers or texts control the experience. The theory has expanded to relate to psychology, other arts, teaching, and issues of representation.
Parody & Pastiche
Parody mimics the style and conventions of another work to derive ridicule or ironic comment. Marcel Duchamp's painting LHOOQ parodies the Mona Lisa by adding a goatee and mustache. Self-parody involves artists satirizing themselves or their own work, like Ricky Gervais in Extras. Intertextuality refers to how texts influence each other through borrowing and transformation of prior texts. Pastiche prominently features in popular culture through genre works that blend and blur conventions, like Quentin Tarantino's films.
Parody, pastiche and bricolage
The document discusses parody, pastiche, and bricolage. Parody mimics or imitates another work to ridicule or be sarcastic, while pastiche imitates in a positive way by embracing the original work. Examples of parody in advertising, art, television, and music videos are provided. Pastiche in art, television, and music is also exemplified. Bricolage is defined as a collection or collage of different media texts that forms one combined text.
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Intertextuality
Intertextuality refers to the shaping of a text's meaning by another text through references, allusions, and transformations. Every text is a mosaic of references that influence its interpretation. For example, The Simpsons television show references many films and other cultural works, allowing audiences to find pleasure through recognition. A text's genre also provides an intertextual framework that links it to other genre examples through conventions.
Intertextuality powerpoint
This document discusses intertextuality and provides examples. Intertextuality refers to how texts influence each other through borrowing and transformation. It can be seen in references between works and in a reader's interpretation. Examples given include Taylor Swift referencing Romeo and Juliet in a song, and films like Pan's Labyrinth containing allusions to Alice in Wonderland and Greek mythology. The document advises that when discussing intertextuality in exams, readers should thoroughly describe references and explain their significance.
Intertextuality
This document defines and provides examples of intertextuality. Intertextuality refers to the shaping of a text's meaning by another text through references, allusions, and transformations between texts. It is based on the idea that texts do not exist independently, but rather absorb and transform influences from other texts. Examples provided include film remakes, references between TV shows and other media, and how genre conventions create intertextual frameworks that link texts together through shared influences.
Parody and pastiche - Postmodernism
This document discusses parody and pastiche as examples of intertextuality, which is defining a work's meaning through references to other texts. Parody imitates another work's style for comic effect or ridicule, while pastiche borrows elements without mockery. Both are common in postmodern works and rely on audience familiarity with other media. Some critics like Linda Hutcheon view parody and pastiche positively as offering critique, while Frederic Jameson sees pastiche as "blank" mimicry without political meaning. The document asks questions about examples of intertextuality and why critics dislike postmodern uses of parody and pastiche.
Parody and pastiche
This document discusses parody and pastiche in postmodern texts. Parody imitates the style of another work for comic effect, while pastiche borrows elements from other texts as a form of flattery rather than mockery. Both are examples of intertextuality, which defines a work's meaning through references to other works. Theorists like Linda Hutcheon see value in parody and pastiche as offering political critique through awareness of history, while Frederic Jameson argues they lack satire or commentary in postmodern works.
Reader response
Reader-response criticism focuses on the reader's experience of a literary work rather than the author or content. It began in the 1960s-70s and argues that readers actively interpret works and complete their meaning. There are three main types - individualists focus on individual experiences, experimenters conduct psychological experiments, and uniformists assume shared responses. Key debates are between those who see responses as unique versus shared, and whether readers or texts control the experience. The theory has expanded to relate to psychology, other arts, teaching, and issues of representation.
Parody & Pastiche
Parody mimics the style and conventions of another work to derive ridicule or ironic comment. Marcel Duchamp's painting LHOOQ parodies the Mona Lisa by adding a goatee and mustache. Self-parody involves artists satirizing themselves or their own work, like Ricky Gervais in Extras. Intertextuality refers to how texts influence each other through borrowing and transformation of prior texts. Pastiche prominently features in popular culture through genre works that blend and blur conventions, like Quentin Tarantino's films.
Parody, pastiche and bricolage
The document discusses parody, pastiche, and bricolage. Parody mimics or imitates another work to ridicule or be sarcastic, while pastiche imitates in a positive way by embracing the original work. Examples of parody in advertising, art, television, and music videos are provided. Pastiche in art, television, and music is also exemplified. Bricolage is defined as a collection or collage of different media texts that forms one combined text.
Literary Theory & Criticism pt. 2: Structuralism
Structuralism views all aspects of culture and society as having an underlying structure or order. It originated in early 20th century structural linguistics with Ferdinand de Saussure, who saw language as a system of signs defined by their relationships rather than direct connections to meaning. Roman Jakobson later expanded on this, noting that linguistic units have both paradigmatic and syntagmatic relations. Structuralism analyzes texts by examining the underlying patterns and binary oppositions that make up their hidden logic and structure.
READERS' RESPONSE CTICISM
It is actually how would the readers response to the message of the writer. Without the writer making his work, there would not be readers. And out readers reading the writers' work, there would not be sense of having it. It is actually a vice-versa relationship where both should function according to their role.
Understanding Intertextuality.pptx
This document discusses intertextuality and how it functions as a literary technique in drama. It defines intertextuality as the connections between related works of literature that influence interpretation. Various intertextual figures are described, including allusion, quotation, calque, translation, parody, pastiche, appropriation, and adaptation. Steps for identifying and analyzing intertextuality in a text are provided. Archetypes are also discussed as inherently intertextual, with examples like Superman and Hercules both possessing superhuman strength.
Intro to-literary-criticism
Literary criticism involves analyzing and interpreting works of literature. There are several approaches to literary criticism, including formalist, which focuses on elements like structure and symbolism within the text; biographical, which examines the influence of the author's life; and psychological, which applies theories like Freudian concepts to understand characters. Literary theory provides different lenses through which texts can be interpreted.
Structuralism
This document discusses structuralism and semiology. It explains that structuralism examines language as a system of signs and was influenced by linguist Ferdinand de Saussure's examination of semiology. Semiology is defined as the study of signs and how they derive meaning from having both a signifier and signified. Different types of signs - symbolic, iconic, and indexical - are also described based on the relationship between the signifier and signified. Finally, the strengths and weaknesses of the structuralism approach are outlined.
Feminism (Feminist Critical Approach)
The document discusses various approaches to feminist criticism of literature. It begins by defining feminism and outlining its three waves. It then discusses feminist literary criticism, including analyzing how literature portrays women and gender roles. It outlines several types of feminist criticism like radical feminism, liberal feminism, and socialist feminism. It also summarizes different methods for critiquing literature from a feminist perspective, such as examining the depiction of women by men or employing the madwoman thesis.
Intertextuality
Intertextuality refers to the shaping of a text's meaning through relationships with other texts. It is demonstrated through references between different works across media and literature that influence, reflect on, or differ from each other. Examples include the fairytale characters combining in Shrek, songs like "Love Me Like You Do" relating to 50 Shades of Grey, and the James Bond film Spectre featuring a song that reflects the film. Intertextuality is used to advertise texts through references, provide audiences with a sense of recognition between works, and remind viewers that narratives are part of an ongoing mediated reality.
Intertextuality
Intertextuality refers to the shaping of a text's meaning through references and relationships with other texts. Julia Kristeva introduced the concept of intertextuality, arguing that no text exists as an isolated entity and that any text absorbs and transforms elements of other texts. Intertextuality can include direct references between texts as well as more implicit relationships influenced by audiences' prior knowledge and experiences with other cultural works. Music videos are particularly intertextual through their incorporation and recontextualization of familiar elements to generate new associations and meanings for audiences.
Intertextuality
Julia Kristeva introduced the concept of intertextuality to describe how texts derive meaning from other texts. She argued that no text exists as an isolated work, and that all texts absorb and transform influences from other texts, genres, and discourses. Audiences play a role in interpreting intertextual references based on their prior knowledge of other works. For example, the Arcade Fire music video for "The Suburbs" features clips from the short film "Scenes from the Suburbs" throughout, demonstrating intertextuality in indie rock.
Roland Barthes - Semiotics
Roland Barthes was a French theorist born in 1915 who pioneered structuralism and post-structuralism. He was a leading theorist of semiotics, which is the study of signs in culture. Barthes believed that many aspects of daily life, from clothing to media, can be interpreted as signs that convey cultural meanings and social statuses. He explored how signs around us are governed by complex cultural conventions and messages, and how people instinctively interpret these signs without realizing it. There are three types of signs: iconic signs use similarity, indexical signs have a cause-and-effect link, and symbolic signs have an arbitrary association. For any sign, the signifier is the form it takes, such as an
Structuralism (Cytical Theory Today)
The document discusses structuralism as a method used across various fields like linguistics, anthropology, and literary studies to systematically analyze the underlying structures that govern human experience and behavior. It provides an overview of structuralist thinkers like Saussure, Lévi-Strauss, and Barthes and how they applied structuralist principles to language, myth, and signs. The document also examines how structuralism influenced areas like narratology, genres, and literary interpretation through analyzing fundamental narrative units and rules of reading texts.
Metafiction
This document provides an overview of the concept of metafiction. It defines metafiction as fictional writing that draws attention to itself as an artifact in order to examine the relationship between fiction and reality. Metafiction explores such questions by self-consciously displaying its own methods of construction. It reflects broader cultural interests in how humans construct and mediate their experience of the world. Metafiction uses techniques like violating narrative levels and experimental styles to blur the lines between fiction and reality.
Intertextuality
This document discusses James Porter's concept of intertextuality and discourse communities. Some key points:
- Intertextuality challenges the idea of the writer as a lone genius and instead sees writing as constrained and situated within various discourses and traditions.
- Writers are influenced by 11 different types of texts and act as "collectors of fragments" when piecing together their own writing.
- Discourse communities are groups bound by common interests that regulate acceptable communication within the group. Writers belong to multiple discourse communities that further influence their work.
- No text is truly original or the product of a single author, as all writing borrows and builds on previous texts through intertextual references and traditions.
Literary Criticism
This document defines and explains literary criticism. It begins by exploring the origins and definitions of "critic" and "criticism" from Greek roots. A critic is defined as someone who expresses a reasoned opinion on a subject's value, truth, or technique. Criticism is the analysis and judgment of a literary work. The document then defines literary criticism as the study, discussion, evaluation, and interpretation of literature through various lenses or paradigms. It provides examples of different schools of literary criticism and explains them on a map with four variables: the work itself, the author, other texts, and the audience. The goal of literary criticism is to understand what is important about a text and its influences.
Creative nonfiction
The document discusses creative nonfiction, which uses literary techniques to tell factual stories in an engaging way. It combines elements of fiction such as narrative, plot, characterization, and imagery with nonfiction forms like journalism, memoir, biography, and travel writing. The goal is to communicate information like a reporter but in a way that reads like fiction. The document provides lessons for writing feature stories, including focusing on other people's stories rather than yourself, finding a compelling story, organizing it with mind maps and prewriting, conducting interviews and research, highlighting dramatic scenes, and rewriting and reorganizing. It provides examples of well-known creative nonfiction works.
Intertextuality
This document discusses different types of intertextuality that can exist between texts such as music videos. Intertextuality refers to the relationship between texts and how they influence each other to create new meanings. Some of the key types discussed include homage, which is using elements of another work to pay tribute to it; parody, which imitates another work in a humorous way; calque, which relates a work to another culture; hybridity, which blends elements from different cultures or eras; bricolage, which creates new media from diverse sources; translation, which changes a narrative to a new medium; and pastiche, which imitates another artist's style. Examples are given for some types like homage and
New criticism
The document discusses New Criticism, a 20th century literary theory focused on close reading of texts. Key points:
- New Criticism examines literature as autonomous objects, ignoring authorial intent and historical context.
- It emphasizes analyzing how elements within a work (like language and structure) work together to create unified meaning.
- New Critics pioneered close reading to examine tensions, paradoxes, and ambiguities in the text and how they are resolved.
Intertextuality
Intertextuality is defined as the relationship between texts, especially literary ones, where one text shapes the meaning of another. There are three types of intertextual relationships: obligatory, where the writer deliberately invokes comparisons between texts; optional, where the writer pays homage to original works or rewards those who are familiar with source texts; and accidental, which is undefined. Obligatory intertextuality is exemplified by 2Pac's "California Love" music video borrowing imagery from the Mad Max films. Optional intertextuality can involve acknowledging similarities between works, like director J.J. Abrams doing so between Star Wars: The Force Awakens and the original Star Wars film.
Elements of NonFiction
This document provides an overview of the elements and genres of nonfiction. It explains that nonfiction includes true stories about real people, places, and experiences, as well as practical and persuasive writing. The selections in the unit reflect real life. It lists 10 nonfiction selections that will be analyzed according to 10 discussion questions. The document also outlines different genres of nonfiction, such as excerpts, articles, speeches, memoirs, and biographies. It provides guidance on reading nonfiction critically and considering the author's purpose.
Flash fiction
This is a one of the lessons in 21st Century Philippine Literature. This is about quick poetry also known as "flash" poetry were in writers can actually create a piece of writing in the blink of an eye
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
原版纸张【微信：741003700 】【(osu毕业证书)美国俄勒冈州立大学毕业证，双学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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Structuralism views all aspects of culture and society as having an underlying structure or order. It originated in early 20th century structural linguistics with Ferdinand de Saussure, who saw language as a system of signs defined by their relationships rather than direct connections to meaning. Roman Jakobson later expanded on this, noting that linguistic units have both paradigmatic and syntagmatic relations. Structuralism analyzes texts by examining the underlying patterns and binary oppositions that make up their hidden logic and structure.
READERS' RESPONSE CTICISM
It is actually how would the readers response to the message of the writer. Without the writer making his work, there would not be readers. And out readers reading the writers' work, there would not be sense of having it. It is actually a vice-versa relationship where both should function according to their role.
Understanding Intertextuality.pptx
This document discusses intertextuality and how it functions as a literary technique in drama. It defines intertextuality as the connections between related works of literature that influence interpretation. Various intertextual figures are described, including allusion, quotation, calque, translation, parody, pastiche, appropriation, and adaptation. Steps for identifying and analyzing intertextuality in a text are provided. Archetypes are also discussed as inherently intertextual, with examples like Superman and Hercules both possessing superhuman strength.
Intro to-literary-criticism
Literary criticism involves analyzing and interpreting works of literature. There are several approaches to literary criticism, including formalist, which focuses on elements like structure and symbolism within the text; biographical, which examines the influence of the author's life; and psychological, which applies theories like Freudian concepts to understand characters. Literary theory provides different lenses through which texts can be interpreted.
Structuralism
This document discusses structuralism and semiology. It explains that structuralism examines language as a system of signs and was influenced by linguist Ferdinand de Saussure's examination of semiology. Semiology is defined as the study of signs and how they derive meaning from having both a signifier and signified. Different types of signs - symbolic, iconic, and indexical - are also described based on the relationship between the signifier and signified. Finally, the strengths and weaknesses of the structuralism approach are outlined.
Feminism (Feminist Critical Approach)
The document discusses various approaches to feminist criticism of literature. It begins by defining feminism and outlining its three waves. It then discusses feminist literary criticism, including analyzing how literature portrays women and gender roles. It outlines several types of feminist criticism like radical feminism, liberal feminism, and socialist feminism. It also summarizes different methods for critiquing literature from a feminist perspective, such as examining the depiction of women by men or employing the madwoman thesis.
Intertextuality
Intertextuality refers to the shaping of a text's meaning through relationships with other texts. It is demonstrated through references between different works across media and literature that influence, reflect on, or differ from each other. Examples include the fairytale characters combining in Shrek, songs like "Love Me Like You Do" relating to 50 Shades of Grey, and the James Bond film Spectre featuring a song that reflects the film. Intertextuality is used to advertise texts through references, provide audiences with a sense of recognition between works, and remind viewers that narratives are part of an ongoing mediated reality.
Intertextuality
Intertextuality refers to the shaping of a text's meaning through references and relationships with other texts. Julia Kristeva introduced the concept of intertextuality, arguing that no text exists as an isolated entity and that any text absorbs and transforms elements of other texts. Intertextuality can include direct references between texts as well as more implicit relationships influenced by audiences' prior knowledge and experiences with other cultural works. Music videos are particularly intertextual through their incorporation and recontextualization of familiar elements to generate new associations and meanings for audiences.
Intertextuality
Julia Kristeva introduced the concept of intertextuality to describe how texts derive meaning from other texts. She argued that no text exists as an isolated work, and that all texts absorb and transform influences from other texts, genres, and discourses. Audiences play a role in interpreting intertextual references based on their prior knowledge of other works. For example, the Arcade Fire music video for "The Suburbs" features clips from the short film "Scenes from the Suburbs" throughout, demonstrating intertextuality in indie rock.
Roland Barthes - Semiotics
Roland Barthes was a French theorist born in 1915 who pioneered structuralism and post-structuralism. He was a leading theorist of semiotics, which is the study of signs in culture. Barthes believed that many aspects of daily life, from clothing to media, can be interpreted as signs that convey cultural meanings and social statuses. He explored how signs around us are governed by complex cultural conventions and messages, and how people instinctively interpret these signs without realizing it. There are three types of signs: iconic signs use similarity, indexical signs have a cause-and-effect link, and symbolic signs have an arbitrary association. For any sign, the signifier is the form it takes, such as an
Structuralism (Cytical Theory Today)
The document discusses structuralism as a method used across various fields like linguistics, anthropology, and literary studies to systematically analyze the underlying structures that govern human experience and behavior. It provides an overview of structuralist thinkers like Saussure, Lévi-Strauss, and Barthes and how they applied structuralist principles to language, myth, and signs. The document also examines how structuralism influenced areas like narratology, genres, and literary interpretation through analyzing fundamental narrative units and rules of reading texts.
Metafiction
This document provides an overview of the concept of metafiction. It defines metafiction as fictional writing that draws attention to itself as an artifact in order to examine the relationship between fiction and reality. Metafiction explores such questions by self-consciously displaying its own methods of construction. It reflects broader cultural interests in how humans construct and mediate their experience of the world. Metafiction uses techniques like violating narrative levels and experimental styles to blur the lines between fiction and reality.
Intertextuality
This document discusses James Porter's concept of intertextuality and discourse communities. Some key points:
- Intertextuality challenges the idea of the writer as a lone genius and instead sees writing as constrained and situated within various discourses and traditions.
- Writers are influenced by 11 different types of texts and act as "collectors of fragments" when piecing together their own writing.
- Discourse communities are groups bound by common interests that regulate acceptable communication within the group. Writers belong to multiple discourse communities that further influence their work.
- No text is truly original or the product of a single author, as all writing borrows and builds on previous texts through intertextual references and traditions.
Literary Criticism
This document defines and explains literary criticism. It begins by exploring the origins and definitions of "critic" and "criticism" from Greek roots. A critic is defined as someone who expresses a reasoned opinion on a subject's value, truth, or technique. Criticism is the analysis and judgment of a literary work. The document then defines literary criticism as the study, discussion, evaluation, and interpretation of literature through various lenses or paradigms. It provides examples of different schools of literary criticism and explains them on a map with four variables: the work itself, the author, other texts, and the audience. The goal of literary criticism is to understand what is important about a text and its influences.
Creative nonfiction
The document discusses creative nonfiction, which uses literary techniques to tell factual stories in an engaging way. It combines elements of fiction such as narrative, plot, characterization, and imagery with nonfiction forms like journalism, memoir, biography, and travel writing. The goal is to communicate information like a reporter but in a way that reads like fiction. The document provides lessons for writing feature stories, including focusing on other people's stories rather than yourself, finding a compelling story, organizing it with mind maps and prewriting, conducting interviews and research, highlighting dramatic scenes, and rewriting and reorganizing. It provides examples of well-known creative nonfiction works.
Intertextuality
This document discusses different types of intertextuality that can exist between texts such as music videos. Intertextuality refers to the relationship between texts and how they influence each other to create new meanings. Some of the key types discussed include homage, which is using elements of another work to pay tribute to it; parody, which imitates another work in a humorous way; calque, which relates a work to another culture; hybridity, which blends elements from different cultures or eras; bricolage, which creates new media from diverse sources; translation, which changes a narrative to a new medium; and pastiche, which imitates another artist's style. Examples are given for some types like homage and
New criticism
The document discusses New Criticism, a 20th century literary theory focused on close reading of texts. Key points:
- New Criticism examines literature as autonomous objects, ignoring authorial intent and historical context.
- It emphasizes analyzing how elements within a work (like language and structure) work together to create unified meaning.
- New Critics pioneered close reading to examine tensions, paradoxes, and ambiguities in the text and how they are resolved.
Intertextuality
Intertextuality is defined as the relationship between texts, especially literary ones, where one text shapes the meaning of another. There are three types of intertextual relationships: obligatory, where the writer deliberately invokes comparisons between texts; optional, where the writer pays homage to original works or rewards those who are familiar with source texts; and accidental, which is undefined. Obligatory intertextuality is exemplified by 2Pac's "California Love" music video borrowing imagery from the Mad Max films. Optional intertextuality can involve acknowledging similarities between works, like director J.J. Abrams doing so between Star Wars: The Force Awakens and the original Star Wars film.
Elements of NonFiction
This document provides an overview of the elements and genres of nonfiction. It explains that nonfiction includes true stories about real people, places, and experiences, as well as practical and persuasive writing. The selections in the unit reflect real life. It lists 10 nonfiction selections that will be analyzed according to 10 discussion questions. The document also outlines different genres of nonfiction, such as excerpts, articles, speeches, memoirs, and biographies. It provides guidance on reading nonfiction critically and considering the author's purpose.
Flash fiction
This is a one of the lessons in 21st Century Philippine Literature. This is about quick poetry also known as "flash" poetry were in writers can actually create a piece of writing in the blink of an eye
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哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
原版一模一样【微信：741003700 】【(uow毕业证书)卧龙岗大学毕业证文凭学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
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Intertextuality and pastiche
- 2. Intertextuality A dictionary definition “the relationship between texts, especially literary ones.” (TheFreeDictionary)
- 3. What is intertextuality? The idea that media is formed and shaped by media that has come before. It gives the idea that nothing is original, as it is like media that has come before it. On the following page there is an example of this.
- 5. Pastiche A dictionary definition An imitation of a narrative or film genre. Similar to a parody, but more gentle and respectful to the original.
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