Parody, pastiche and bricolage
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The document discusses parody, pastiche, and bricolage. Parody mimics or imitates another work to ridicule or be sarcastic, while pastiche imitates in a positive way by embracing the original work. Examples of parody in advertising, art, television, and music videos are provided. Pastiche in art, television, and music is also exemplified. Bricolage is defined as a collection or collage of different media texts that forms one combined text.
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Parody & Pastiche
Parody mimics the style and conventions of another work to derive ridicule or ironic comment. Marcel Duchamp's painting LHOOQ parodies the Mona Lisa by adding a goatee and mustache. Self-parody involves artists satirizing themselves or their own work, like Ricky Gervais in Extras. Intertextuality refers to how texts influence each other through borrowing and transformation of prior texts. Pastiche prominently features in popular culture through genre works that blend and blur conventions, like Quentin Tarantino's films.
Define postmodern media
Postmodern media rejects the conventions and utopian ideals of modernism. It subverts expectations through techniques like pastiche, parody, and manipulating time and narrative. Quentin Tarantino's film Inglorious Basterds exemplifies this through its nonlinear narrative, references to fairy tales, and self-aware deconstruction of genre. Similarly, Drive challenges the morality and endings of fairy tales and Family Guy parodies Star Wars in a self-reflexive way. Postmodern media is defined by its blurring of boundaries, referential style, and emphasis on constructed fiction over reality.
Media Intertextuality
The document defines and discusses the concept of intertextuality, which is the shaping of texts' meanings through references and allusions to other texts. It provides examples of intertextuality in films, television shows like The Simpsons, and music videos. Intertextuality relies on audiences recognizing references to other cultural works and genres in order to make sense of texts.
Intertextuality and pastiche
Intertextuality refers to the relationship between texts, especially how current media is formed and shaped by media that came before it through references and influences, implying that nothing is truly original. Pastiche is a gentle imitation or homage of an earlier narrative or film genre similar to parody, created to produce light humor through references to prior works. The document discusses intertextuality and pastiche, providing dictionary definitions and explanations of each term and noting examples are provided on subsequent pages.
Codes and conventions of drama
This document outlines some typical codes and conventions of teen drama films, including:
- Dull lighting and close-ups are commonly used in mise-en-scene.
- Props like alcohol, drugs, guns and knives are frequently featured.
- Main characters usually focus on a central troubled teen, their love interest, and an antagonist.
- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
- Examples of influential teen dramas are listed, along with typical actors in the genre.
- Trailers often narrate a disrupted equilibrium that the main character must resolve.
Conventions of the Fantasy genre
The fantasy genre uses magic and imaginary elements rather than supernatural ones. It is believed to have evolved from science fiction and contains clear differences. Fantasy films target families, teenagers, and young adults. While animated films like Snow White contain fantasy elements, they are categorized as fairy tales, a subgenre of fantasy. Successful fantasy films are often in trilogy formats like Lord of the Rings. The two main fantasy subgenres are high fantasy and sword and sorcery.
Intertextuality in Film
Intertextuality refers to references or connections between works of art such as films borrowing from other films, literature, or art forms. Deliberate intertextuality occurs when artists intentionally include references to other works. Shrek uses intertextuality by featuring characters from Disney films transformed with a different take. Allusion is a direct reference, such as Disney including a brief appearance of Sven from Frozen in Moana. Pastiche deliberately recreates another artist's style while parody mocks or mimics a particular genre through comedy. Recent films increasingly use intertextuality as "weaponized intertextuality" to trigger emotional responses in viewers through recognizable characters or images from other works.
Post Modern Essays Top Level Responses
Postmodern media differs from other media in several key ways:
1) It opposes modernist ideas like objective truth and focuses instead on subjectivity and relativism.
2) It frequently references and comments on other media texts through techniques like parody and pastiche.
3) It lacks linear narratives and instead embraces fragmentation and irony.
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Parody & Pastiche
Parody mimics the style and conventions of another work to derive ridicule or ironic comment. Marcel Duchamp's painting LHOOQ parodies the Mona Lisa by adding a goatee and mustache. Self-parody involves artists satirizing themselves or their own work, like Ricky Gervais in Extras. Intertextuality refers to how texts influence each other through borrowing and transformation of prior texts. Pastiche prominently features in popular culture through genre works that blend and blur conventions, like Quentin Tarantino's films.
Define postmodern media
Postmodern media rejects the conventions and utopian ideals of modernism. It subverts expectations through techniques like pastiche, parody, and manipulating time and narrative. Quentin Tarantino's film Inglorious Basterds exemplifies this through its nonlinear narrative, references to fairy tales, and self-aware deconstruction of genre. Similarly, Drive challenges the morality and endings of fairy tales and Family Guy parodies Star Wars in a self-reflexive way. Postmodern media is defined by its blurring of boundaries, referential style, and emphasis on constructed fiction over reality.
Media Intertextuality
The document defines and discusses the concept of intertextuality, which is the shaping of texts' meanings through references and allusions to other texts. It provides examples of intertextuality in films, television shows like The Simpsons, and music videos. Intertextuality relies on audiences recognizing references to other cultural works and genres in order to make sense of texts.
Intertextuality and pastiche
Intertextuality refers to the relationship between texts, especially how current media is formed and shaped by media that came before it through references and influences, implying that nothing is truly original. Pastiche is a gentle imitation or homage of an earlier narrative or film genre similar to parody, created to produce light humor through references to prior works. The document discusses intertextuality and pastiche, providing dictionary definitions and explanations of each term and noting examples are provided on subsequent pages.
Codes and conventions of drama
This document outlines some typical codes and conventions of teen drama films, including:
- Dull lighting and close-ups are commonly used in mise-en-scene.
- Props like alcohol, drugs, guns and knives are frequently featured.
- Main characters usually focus on a central troubled teen, their love interest, and an antagonist.
- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
- Examples of influential teen dramas are listed, along with typical actors in the genre.
- Trailers often narrate a disrupted equilibrium that the main character must resolve.
Conventions of the Fantasy genre
The fantasy genre uses magic and imaginary elements rather than supernatural ones. It is believed to have evolved from science fiction and contains clear differences. Fantasy films target families, teenagers, and young adults. While animated films like Snow White contain fantasy elements, they are categorized as fairy tales, a subgenre of fantasy. Successful fantasy films are often in trilogy formats like Lord of the Rings. The two main fantasy subgenres are high fantasy and sword and sorcery.
Intertextuality in Film
Intertextuality refers to references or connections between works of art such as films borrowing from other films, literature, or art forms. Deliberate intertextuality occurs when artists intentionally include references to other works. Shrek uses intertextuality by featuring characters from Disney films transformed with a different take. Allusion is a direct reference, such as Disney including a brief appearance of Sven from Frozen in Moana. Pastiche deliberately recreates another artist's style while parody mocks or mimics a particular genre through comedy. Recent films increasingly use intertextuality as "weaponized intertextuality" to trigger emotional responses in viewers through recognizable characters or images from other works.
Post Modern Essays Top Level Responses
Postmodern media differs from other media in several key ways:
1) It opposes modernist ideas like objective truth and focuses instead on subjectivity and relativism.
2) It frequently references and comments on other media texts through techniques like parody and pastiche.
3) It lacks linear narratives and instead embraces fragmentation and irony.
Intertextuality within media
Intertextuality refers to how a text draws meaning from other texts through techniques like allusion, quotation, translation, and pastiche. Examples of intertextuality in TV and film include a Family Guy episode that parodies Star Wars and relies on viewers' familiarity with Star Wars, as well as references to previous films in the Jurassic World franchise. In music, Eminem's "Without Me" video features a costume parodying Robin from Batman to present himself as a heroic figure.
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2) Narrative videos are also popular, using a story to make the video more memorable and engage viewers. Special effects allow more creative storylines.
3) Mise-en-scene elements like sets, costumes, and makeup are used to establish retro aesthetics common in indie rock and convey themes through a character's appearance.
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The storyboard outlines 25 scenes for a screenplay involving characters recounting encounters with a mysterious black figure. In Scene 1, the characters gather silently. Scenes 2-13 involve the characters each describing times they saw the figure, cutting between flashbacks. Character 1 saw the figure disappear at a train station. Character 2 saw the figure's face behind curtains. Character 3 found the figure in a selfie on a bus. Scenes 14-19 continue the characters recounting their experiences and realizing the figure left something with each of them. Scenes 20-24 build tension as the figure appears again, with the characters screaming. Scene 25 ends on a black screen with the figure saying "I was waiting for you" before the
Script
The Doctor has gathered several characters together to discuss their recent encounters with a mysterious black figure. Each character shares their story - one saw the figure disappear in a lift, another captured it in a selfie on a bus, and a third saw its face appear behind curtains. When the characters compare objects the figure left behind, one suddenly sees it behind them. They look again and realize the black figure is still there, before it speaks and reveals it has been waiting for them.
Script
The Doctor has gathered several characters together to share unusual experiences they've recently had. Character one saw a mysterious figure watching them from a train platform that disappeared. Character two saw a similar figure on a bus that wasn't visible in a selfie but vanished when they turned around. Character three spotted a black silhouette at their window that disappeared when they closed the curtains. The figures left something behind with each person. When the characters realize one is behind them again, the black figure reveals it has been waiting for them.
The strangers film poster
The document analyzes and compares two movie posters for the film "The Strangers" and how they relate to the film's trailer. Both posters feature scenes and dialogue from the trailer to create synergy. The first poster uses dark colors that convey a sense of danger and fear to the audience. It depicts antagonists looking down on a vulnerable protagonist, creating mystery. The second poster also features trailer scenes and uses low-key lighting to focus on the protagonist and make the poster look mysterious.
Analysing posters
This poster is for a film adaptation of Little Red Riding Hood. It features the main character alone in a dark forest background. The tagline "Believe the legend. Beware of the wolf" indicates it is based on the fairy tale and will include danger. The costume identifies the character as Red Riding Hood. It is aimed at teenagers and young adults interested in romance and horror genres. Including "From the director of Twilight" suggests it will attract fans of those films. The simple design with limited text and focus on the character's ominous situation creates intrigue about the narrative.
Thor 2
Thor 2 was more positively received on YouTube than the first Thor film, as evidenced by more likes on the trailer, showing that audiences who saw the first film were interested in watching the sequel. Most YouTube comments on the Thor 2 trailer came from a young audience who enjoy action and superhero genres. Several comments indicated that viewers planned to see Thor 2 because they enjoyed previous Marvel films like Avengers or were fans of the actors starring in Thor 2.
Empire magazine
Empire Magazine is a British film magazine published by Bauer Media. It focuses on providing reviews, news, and previews about major new American blockbuster films. The magazine targets males ages 16-30 who enjoy films in genres like action and superhero films. It provides readers opportunities to interact through competitions, reviews, and social media to discuss featured films.
Age rating
The document discusses UK age ratings for films as determined by the British Board of Film Classification (BBFC). There are 5 age rating categories: U for universal, PG for parental guidance, 12A for those 12 and older accompanied by an adult, 15 for those 15 and older, and 18 for those 18 and older. The document discusses what types of content are appropriate for each rating. It also notes that 15 is a popular rating and the author has decided to rate their upcoming film opening at 15 since it will not include violence or sexual content inappropriate for that audience.
My mood board
This document provides guidance to students on creating a mood board for a gaming unit. It explains that a mood board captures the overall feel of an idea through visual and written elements. Examples of effective mood boards are shown. Students are instructed to consider the target audience, back story, objective, and PEGI rating of their game. They are also told to work independently for higher marks. Homework involves collecting diverse materials for their own mood board.
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Parody, pastiche and bricolage
- 2. What is Parody? Parody is a media text that mimics or imitates another media text in order ridicule or sarcasm.
- 4. Parody in Advertising Dove ad Parody of Dove ad
- 5. Parody in Fine Art Mona lisa Parody of Mona Lisa
- 6. Parody in Television Deal or no Deal (American Version) Parody of Deal or no deal
- 7. Parody of Music Video Macklemore and Ryan Lewis Thrift Shop Parody of Thrift shop
- 8. What is Pastiche? Pastiche is a work of art, literature, music, movie etc, that imitates the work of the previous media text but embracing the text in a positive way.
- 10. Pastiche in Art Pieter Bruegel Pastiche to Hieronymus Bosch’s work
- 11. Pastiche in TV show Taken Pastiche of Taken
- 12. Pastiche in Music Video Beyonce - Single ladies Pastiche of Single Ladies
- 13. What is Bricolage? Bricolage is a collection or collage of different media text which forms one text. Example of Bricolage