Institution research
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Comedy has been the highest grossing film genre over the last 15 years. Horror is also very successful, earning $8.5 billion from 1995-2010 with an average profit of $29 million per film. While there were fewer horror films made, their financial success has led film studios to increasingly rely on horror sequels and franchises like Saw, Paranormal Activity, and Scream for profits. Paramount Pictures and New Line Cinema are two major studios that produce many popular horror films.
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Market research
Thrillers that receive a PG-13 rating tend to be the highest grossing as they attract a wider audience. Specifically, 19 of the top 25 highest grossing thrillers were PG-13, showing this rating allows films to reach the largest audience. Additionally, the average gross of a thriller film is $20 million, with around 3.8 million tickets typically sold. While many studios distribute thrillers, Warner Bros had the most success with 3 of the top 9 highest grossing thrillers. Thrillers generally receive a full theater release to reach their broad audience.
Institutional Research
The document analyzes the thriller genre from 2011-2013. It finds that 220 thriller films were released in 2012, more than the previous two years. The highest grossing film of 2012 was The Hunger Games, likely due to its popular source novel and extensive advertising. Thrillers generated over $1 billion in gross profits each year. The typical thriller audience is ages 16-40, predominantly male, from socioeconomic groups C1 to D.
IAA PAC 2013 Brief Response
The document discusses a marketing campaign for a romantic comedy film. It aims to raise awareness, engagement, and sales among its target audience of females and couples aged 15-49 who enjoy the rom-com genre. Key objectives are increasing ticket sales and box office ratings. The campaign will utilize TV, out of home, online, and public relations promotions using the hashtag #liveandrelive to excite, invite, educate, and amplify experience of the film. Revenue expectations are $81 million net from selling over 13.5 million tickets averaging $10 each across major international markets led by the UK.
Statistics for audience consumption
Cinema admissions in the UK peaked in the 1940s but then decreased to a low in the 1980s, since which admissions have increased but not consistently risen or fallen. People aged 45+ and 15-24 are most likely to visit cinemas, while 25-34 year olds visit least. Certain genres appeal more to different age groups. Females prefer films with romance and imagination, while males prefer action and danger. The most popular films in the UK are action, thriller, and adventure films. Technological improvements have increased film production and viewing options at home, contributing to decreased cinema attendance.
Presentation sh 29
The document outlines a crime drama film project including conventions like drugs, alcohol, smoking, theft, and police chases. It lists the characters and their stage names, potential filming locations of Reigate Tunnel and Redhill high street, and a £2,000,000 budget. Advertising for the film's target young adult audience of 15-24 year olds is planned for TV, internet, billboards, magazines, and public transport locations.
Audience research
This document contains information from several charts and graphs about movie genres and audiences. It summarizes that romantic comedies were the 7th most watched genre between 1995-2012. A graph shows that 37% of people surveyed preferred romantic comedies, though comedies were the most watched genre overall at 64%. The document notes that romantic comedies are most popular with women under 35, but only 16% of men under 35 and 24% of men over 35 prefer them. It also provides statistics on cinema attendance rates by age and gender.
[Custom Data] Alice Nguyen
Alice Nguyen's Submission in Data Story-telling with QuickSight Contest during DevAx Online Workshop Series 2: Data Analytics.
Intitution research
According to boxofficemojo.com, around 3/5 of horror films are released in October, most commonly towards the end of the month near Halloween. This is beneficial for institutions as more people are in a scary mindset during this time of year and are more likely to watch horror films, meaning higher profits. Younger people aged 15-24 are most likely to visit the cinema compared to older age groups. The average gross profit per horror film is $19.4 million, while the total gross profit of the genre from 1995-2014 was $7.8 billion, making it the 7th highest grossing genre. There are several sub-genres of horror including slasher, zombie, psychological, and science
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Market research
Thrillers that receive a PG-13 rating tend to be the highest grossing as they attract a wider audience. Specifically, 19 of the top 25 highest grossing thrillers were PG-13, showing this rating allows films to reach the largest audience. Additionally, the average gross of a thriller film is $20 million, with around 3.8 million tickets typically sold. While many studios distribute thrillers, Warner Bros had the most success with 3 of the top 9 highest grossing thrillers. Thrillers generally receive a full theater release to reach their broad audience.
Institutional Research
The document analyzes the thriller genre from 2011-2013. It finds that 220 thriller films were released in 2012, more than the previous two years. The highest grossing film of 2012 was The Hunger Games, likely due to its popular source novel and extensive advertising. Thrillers generated over $1 billion in gross profits each year. The typical thriller audience is ages 16-40, predominantly male, from socioeconomic groups C1 to D.
IAA PAC 2013 Brief Response
The document discusses a marketing campaign for a romantic comedy film. It aims to raise awareness, engagement, and sales among its target audience of females and couples aged 15-49 who enjoy the rom-com genre. Key objectives are increasing ticket sales and box office ratings. The campaign will utilize TV, out of home, online, and public relations promotions using the hashtag #liveandrelive to excite, invite, educate, and amplify experience of the film. Revenue expectations are $81 million net from selling over 13.5 million tickets averaging $10 each across major international markets led by the UK.
Statistics for audience consumption
Cinema admissions in the UK peaked in the 1940s but then decreased to a low in the 1980s, since which admissions have increased but not consistently risen or fallen. People aged 45+ and 15-24 are most likely to visit cinemas, while 25-34 year olds visit least. Certain genres appeal more to different age groups. Females prefer films with romance and imagination, while males prefer action and danger. The most popular films in the UK are action, thriller, and adventure films. Technological improvements have increased film production and viewing options at home, contributing to decreased cinema attendance.
Presentation sh 29
The document outlines a crime drama film project including conventions like drugs, alcohol, smoking, theft, and police chases. It lists the characters and their stage names, potential filming locations of Reigate Tunnel and Redhill high street, and a £2,000,000 budget. Advertising for the film's target young adult audience of 15-24 year olds is planned for TV, internet, billboards, magazines, and public transport locations.
Audience research
This document contains information from several charts and graphs about movie genres and audiences. It summarizes that romantic comedies were the 7th most watched genre between 1995-2012. A graph shows that 37% of people surveyed preferred romantic comedies, though comedies were the most watched genre overall at 64%. The document notes that romantic comedies are most popular with women under 35, but only 16% of men under 35 and 24% of men over 35 prefer them. It also provides statistics on cinema attendance rates by age and gender.
[Custom Data] Alice Nguyen
Alice Nguyen's Submission in Data Story-telling with QuickSight Contest during DevAx Online Workshop Series 2: Data Analytics.
Intitution research
According to boxofficemojo.com, around 3/5 of horror films are released in October, most commonly towards the end of the month near Halloween. This is beneficial for institutions as more people are in a scary mindset during this time of year and are more likely to watch horror films, meaning higher profits. Younger people aged 15-24 are most likely to visit the cinema compared to older age groups. The average gross profit per horror film is $19.4 million, while the total gross profit of the genre from 1995-2014 was $7.8 billion, making it the 7th highest grossing genre. There are several sub-genres of horror including slasher, zombie, psychological, and science
Institutional research
This document discusses research into the romantic tragedy film genre. It notes that Titanic, a romantic tragedy film from 1997, was one of the top 20 most successful films between 1989-2012. Recent romantic films like About Time have also found box office success. However, romantic films released in 2012 generally did not perform as well as About Time. Finally, the document shows that while romantic films only made up around 5% of UK film production, they had a total budget of over £102 million, indicating they must have been promising and successful films.
Audience research.
Target audience research shows that fantasy films can appeal to a wide audience if they capture the right elements. Cinderella was the only fantasy film in the top 10 films of 2015, but it still grossed over $201 million, demonstrating the potential audience for the genre. Harry Potter films, which incorporate aspects of thrillers, had huge success, grossing over $380 million for the final installment. Analyzing the top grossing films of all time and by genre in different years provides insight into what elements appeal to broad audiences and should be considered when developing a fantasy thriller film to attract a wide target audience.
Audience research.
Target audience research shows that while there was only one fantasy film in the top 10 films of 2015, Cinderella grossing $201 million, Harry Potter films dominated the top 10 with 5 films, showing fantasy appeals to many people. Adding thriller elements to films can make them appeal to a broader, more mainstream audience as Titanic, a thriller/suspense, was the highest grossing film of all time. The fantasy/thriller film Ghost from 1990 had mainstream appeal, grossing $218 million, but that genre is no longer as popular. Current box office data shows thrillers and fantasies remain popular with mainstream audiences.
3
Warner Bros has had great success distributing major horror franchises like The Dark Knight trilogy and Harry Potter series, as well as the highest grossing horror film of the past 10 years, I Am Legend. Their experience with big budget fantasy and horror films that appeal to teenagers and adults makes them a good choice to distribute Malus. New Line Cinema has also found success with horror properties like A Nightmare on Elm Street and Final Destination and had a hit collaborating with Warner Bros. on The Conjuring. The Conjuring's total gross of over $137 million shows the New Line/Warner Bros. combination could ensure Malus' success. The only disadvantage is using two mainstream focused companies may deter an art house
Audience Justification
This document provides justification for an audience for a supernatural thriller film. It analyzes data showing that thriller films are among the top grossing genres and that 15-24 year olds frequently visit cinemas. While most top films are action or fantasy, examining films classified as thrillers on IMDb shows there is an audience for films like The Woman in Black, which featured horror elements. The document argues that audiences consume films through various platforms beyond cinemas. It concludes that thrillers appealing to 15-24 year olds, with a slightly higher male audience, could find success.
Institutional research
Here i researched the Thriller industry, and all the facts along with figures that surround this particular genre.
Institution research
The document discusses movie genres and box office trends. It notes that romantic comedies were the most profitable genres recently due to their popularity around Valentine's Day. Horror movies typically do best around Halloween but have more limited mainstream appeal than genres like action. To succeed financially, horror films need relatable plots. While independent groups often produce horror, major studios have gotten involved in lucrative horror franchises to distribute sequels and remakes, extending the financial success of these properties.
Institutional research
The document discusses reasons for choosing the horror genre for a movie project. It analyzes statistics showing that horror is one of the top 10 most successful genres from 1995 in terms of box office gross and tickets sold. Though horror movies individually make less on average than some other genres like thriller, fewer horror movies are produced. The document considers the best months and times of year for release to maximize audience numbers. It examines the successful marketing of low-budget hit Paranormal Activity and identifies Miramax as a distributor with experience in successful horror films. Analysis of director M. Night Shyamalan's hits is mentioned as a way to learn techniques that could aid in making the planned horror movie a success as well.
Issues Assignment.compressed
The document discusses the dominance of American films, and franchises in particular, at the UK box office. It notes that in 2013, 72.7% of UK box office revenue came from American films, including two Marvel films produced by Disney's Marvel Studios that contributed to the highly successful "Cinematic Universe" they have developed. The Marvel Cinematic Universe has alone grossed over $343 million at the UK box office. The document explores the commercial desirability of the expanding Cinematic Universe model and its effects on the British film industry and cinema distribution/exhibition.
Institution research (BFC)
The document analyzes the thriller genre film market in 2015. It finds that while 52 thriller films were released, generating £37.1 million at the box office, this only represented 6.9% of total sales that year. The most successful thriller was Taken 3, which grossed over £37.1m in the UK and $326.4m worldwide. Data on audience demographics for top thriller and action films suggests the genre appeals most to younger males aged 15-24 from lower social classes. Larger budgets are correlated with greater success due to larger marketing budgets and star power.
A Guaranteed Seat Fandango And Changing Business Practices In Movie Exhibition
This document discusses the history and evolution of the movie ticket sales website Fandango. It began in 2000 when several major movie theater chains partnered to create an online ticketing system called Fandango to take advantage of the growing internet. While initially trailing the competition, Fandango adapted to new technologies and partnered with other companies, allowing it to surpass rivals and emerge as the top site for online movie ticket sales within 5 years. The document examines how Fandango shifted from representing theater chains' interests to becoming part of a larger media conglomerate, and how its transformation reflects ways the exhibition industry has adapted to challenges in today's film market.
Secondary data Horror Genre
This document contains four paragraphs summarizing secondary research on the horror genre film market in the UK and Ireland in 2013. It finds that 37 horror films were released that year, 8 fewer than in 2012, with World War Z being the highest grossing. Horror films are classified as 15+ by the BBFC. While large studios make most revenue, UK independent horror films only made 0.3% of the box office total. UK cinema admissions declined with the rise of television and home video but have increased slightly in recent decades as cinemas became more of a social activity.
Genre Research A2 Media
Adventure films have been the most lucrative genre, generating $46 billion between 1995-2017 from 720 films. Thrillers produced more films over this period at 920 but earned significantly less at $17 billion. Multi-genre films earned just $23 million from 33 films, indicating that producing more films tends to lead to higher total earnings.
Institutional research
The document discusses reasons for choosing the horror genre for a movie project. It analyzes statistics showing that horror is in the top 10 genres by box office gross from 1995. Though horror movies individually make less on average than thrillers, fewer horror movies are produced. The document also examines monthly cinema attendance figures, recommending an August release date. It suggests modeling the marketing and distribution of a low-budget horror movie after the successful Paranormal Activity franchise.
Audience research
This document discusses research into thriller films and film ratings. It provides information from websites like IMDb on several thriller films being released, including plot summaries and rating information. It also discusses how the BBFC evaluates films and assigns age ratings to determine the appropriate audience. The research found that thriller films tend to be rated for ages 12 and up due to their potentially intense content, and that ratings help filmmakers effectively present films to the right target audiences.
Institutional Research
Universal is currently the leading film studio with a 21% market share, up from 20% previously. It has had success with films like Despicable Me, Fast & Furious, and the 2013 horror film Mama which grossed $71 million. Paramount is second largest with a 20% market share and had moderate success with Star Trek and World War Z but the horror film Paranormal Activity 4 only grossed $18,971. The third largest studio is Buena Vista with a 15.6% share known for family films but the 2011 horror Fright Night was a flop, though Iron Man 3 grossed $409 million in 2013.
Box office data
Films must make money to be worthwhile producing. Data from the UK box office shows that crime/drama/gangster films can attract mainstream audiences, as two examples have grossed over £13 million in their first three weeks. The highest grossing film in this genre is The Departed, which made $132.4 million on a $90 million budget, yielding a $42.4 million profit. These types of films tend to be made by independent or subsidiary studios with smaller advertising budgets than major blockbusters, which may explain their generally lower box office returns despite critical acclaim.
Institutional research
This document analyzes box office data and critical reception for horror films from 1998-2014. It finds that comedy is the most popular genre overall but horror performs best in October and winter months. Most successful horror films are R-rated and from the late 1990s/early 2000s. The Conjuring was the highest grossing horror film of 2013 and its success led to the spin-off Annabelle. While Annabelle was financially successful, it received poor critical reviews unlike The Conjuring which won several awards. The document concludes that choosing Warner Bros. as the distributor, aiming for a 15 rating, and releasing in summer could help a new horror film achieve financial success.
Secondary data everything
This document summarizes statistics about the horror genre of films released in the UK and Ireland in 2013. It notes that 37 horror films were released that year, with World War Z being the highest grossing. Compared to 2012, there were 8 fewer horror film releases, indicating decreasing popularity of the genre. The document also discusses certification ratings for films containing horror or thriller themes, noting that a 15 rating would be most appropriate. It analyzes box office revenues for different genres and companies. The horror genre made 10% of overall box office revenue in 2013. UK independent horror films only made 0.3% of horror genre revenue.
2016 bfi statistical yearbook
This document summarizes key findings from the 2016 BFI Statistical Yearbook on the UK and Irish box office performance in 2015. It finds that action, animation, and sci-fi films were the highest earning genres. Star Wars: The Force Awakens was the highest grossing film of the year. UK films had strong appeal across all age groups, especially older audiences. Films appealed more to specific gender audiences, with action films popular among males and romance/drama among females. The document concludes that popular film genres are action and fantasy due to their exciting and escapist nature, and franchises like James Bond and Harry Potter remain very popular due to long-standing appeal and nostalgia.
Moral panic
A moral panic occurs when a condition or group is seen as a threat to societal values. According to Stanley Cohen, creator of the term, a moral panic starts with some deviant act that is then amplified by the media. The film A Clockwork Orange was controversial upon its release due to high levels of violence portrayed by a gang of teenagers. There were reports of copycat crimes inspired by the film, though these may have been exaggerated by the media to generate controversy around the film. Stan Cohen's theory of moral panic seems applicable, as the media focused on relating extreme youth crimes to the film, though such issues may have predated the film as well.
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Institutional research
This document discusses research into the romantic tragedy film genre. It notes that Titanic, a romantic tragedy film from 1997, was one of the top 20 most successful films between 1989-2012. Recent romantic films like About Time have also found box office success. However, romantic films released in 2012 generally did not perform as well as About Time. Finally, the document shows that while romantic films only made up around 5% of UK film production, they had a total budget of over £102 million, indicating they must have been promising and successful films.
Audience research.
Target audience research shows that fantasy films can appeal to a wide audience if they capture the right elements. Cinderella was the only fantasy film in the top 10 films of 2015, but it still grossed over $201 million, demonstrating the potential audience for the genre. Harry Potter films, which incorporate aspects of thrillers, had huge success, grossing over $380 million for the final installment. Analyzing the top grossing films of all time and by genre in different years provides insight into what elements appeal to broad audiences and should be considered when developing a fantasy thriller film to attract a wide target audience.
Audience research.
Target audience research shows that while there was only one fantasy film in the top 10 films of 2015, Cinderella grossing $201 million, Harry Potter films dominated the top 10 with 5 films, showing fantasy appeals to many people. Adding thriller elements to films can make them appeal to a broader, more mainstream audience as Titanic, a thriller/suspense, was the highest grossing film of all time. The fantasy/thriller film Ghost from 1990 had mainstream appeal, grossing $218 million, but that genre is no longer as popular. Current box office data shows thrillers and fantasies remain popular with mainstream audiences.
3
Warner Bros has had great success distributing major horror franchises like The Dark Knight trilogy and Harry Potter series, as well as the highest grossing horror film of the past 10 years, I Am Legend. Their experience with big budget fantasy and horror films that appeal to teenagers and adults makes them a good choice to distribute Malus. New Line Cinema has also found success with horror properties like A Nightmare on Elm Street and Final Destination and had a hit collaborating with Warner Bros. on The Conjuring. The Conjuring's total gross of over $137 million shows the New Line/Warner Bros. combination could ensure Malus' success. The only disadvantage is using two mainstream focused companies may deter an art house
Audience Justification
This document provides justification for an audience for a supernatural thriller film. It analyzes data showing that thriller films are among the top grossing genres and that 15-24 year olds frequently visit cinemas. While most top films are action or fantasy, examining films classified as thrillers on IMDb shows there is an audience for films like The Woman in Black, which featured horror elements. The document argues that audiences consume films through various platforms beyond cinemas. It concludes that thrillers appealing to 15-24 year olds, with a slightly higher male audience, could find success.
Institutional research
Here i researched the Thriller industry, and all the facts along with figures that surround this particular genre.
Institution research
The document discusses movie genres and box office trends. It notes that romantic comedies were the most profitable genres recently due to their popularity around Valentine's Day. Horror movies typically do best around Halloween but have more limited mainstream appeal than genres like action. To succeed financially, horror films need relatable plots. While independent groups often produce horror, major studios have gotten involved in lucrative horror franchises to distribute sequels and remakes, extending the financial success of these properties.
Institutional research
The document discusses reasons for choosing the horror genre for a movie project. It analyzes statistics showing that horror is one of the top 10 most successful genres from 1995 in terms of box office gross and tickets sold. Though horror movies individually make less on average than some other genres like thriller, fewer horror movies are produced. The document considers the best months and times of year for release to maximize audience numbers. It examines the successful marketing of low-budget hit Paranormal Activity and identifies Miramax as a distributor with experience in successful horror films. Analysis of director M. Night Shyamalan's hits is mentioned as a way to learn techniques that could aid in making the planned horror movie a success as well.
Issues Assignment.compressed
The document discusses the dominance of American films, and franchises in particular, at the UK box office. It notes that in 2013, 72.7% of UK box office revenue came from American films, including two Marvel films produced by Disney's Marvel Studios that contributed to the highly successful "Cinematic Universe" they have developed. The Marvel Cinematic Universe has alone grossed over $343 million at the UK box office. The document explores the commercial desirability of the expanding Cinematic Universe model and its effects on the British film industry and cinema distribution/exhibition.
Institution research (BFC)
The document analyzes the thriller genre film market in 2015. It finds that while 52 thriller films were released, generating £37.1 million at the box office, this only represented 6.9% of total sales that year. The most successful thriller was Taken 3, which grossed over £37.1m in the UK and $326.4m worldwide. Data on audience demographics for top thriller and action films suggests the genre appeals most to younger males aged 15-24 from lower social classes. Larger budgets are correlated with greater success due to larger marketing budgets and star power.
A Guaranteed Seat Fandango And Changing Business Practices In Movie Exhibition
This document discusses the history and evolution of the movie ticket sales website Fandango. It began in 2000 when several major movie theater chains partnered to create an online ticketing system called Fandango to take advantage of the growing internet. While initially trailing the competition, Fandango adapted to new technologies and partnered with other companies, allowing it to surpass rivals and emerge as the top site for online movie ticket sales within 5 years. The document examines how Fandango shifted from representing theater chains' interests to becoming part of a larger media conglomerate, and how its transformation reflects ways the exhibition industry has adapted to challenges in today's film market.
Secondary data Horror Genre
This document contains four paragraphs summarizing secondary research on the horror genre film market in the UK and Ireland in 2013. It finds that 37 horror films were released that year, 8 fewer than in 2012, with World War Z being the highest grossing. Horror films are classified as 15+ by the BBFC. While large studios make most revenue, UK independent horror films only made 0.3% of the box office total. UK cinema admissions declined with the rise of television and home video but have increased slightly in recent decades as cinemas became more of a social activity.
Genre Research A2 Media
Adventure films have been the most lucrative genre, generating $46 billion between 1995-2017 from 720 films. Thrillers produced more films over this period at 920 but earned significantly less at $17 billion. Multi-genre films earned just $23 million from 33 films, indicating that producing more films tends to lead to higher total earnings.
Institutional research
The document discusses reasons for choosing the horror genre for a movie project. It analyzes statistics showing that horror is in the top 10 genres by box office gross from 1995. Though horror movies individually make less on average than thrillers, fewer horror movies are produced. The document also examines monthly cinema attendance figures, recommending an August release date. It suggests modeling the marketing and distribution of a low-budget horror movie after the successful Paranormal Activity franchise.
Audience research
This document discusses research into thriller films and film ratings. It provides information from websites like IMDb on several thriller films being released, including plot summaries and rating information. It also discusses how the BBFC evaluates films and assigns age ratings to determine the appropriate audience. The research found that thriller films tend to be rated for ages 12 and up due to their potentially intense content, and that ratings help filmmakers effectively present films to the right target audiences.
Institutional Research
Universal is currently the leading film studio with a 21% market share, up from 20% previously. It has had success with films like Despicable Me, Fast & Furious, and the 2013 horror film Mama which grossed $71 million. Paramount is second largest with a 20% market share and had moderate success with Star Trek and World War Z but the horror film Paranormal Activity 4 only grossed $18,971. The third largest studio is Buena Vista with a 15.6% share known for family films but the 2011 horror Fright Night was a flop, though Iron Man 3 grossed $409 million in 2013.
Box office data
Films must make money to be worthwhile producing. Data from the UK box office shows that crime/drama/gangster films can attract mainstream audiences, as two examples have grossed over £13 million in their first three weeks. The highest grossing film in this genre is The Departed, which made $132.4 million on a $90 million budget, yielding a $42.4 million profit. These types of films tend to be made by independent or subsidiary studios with smaller advertising budgets than major blockbusters, which may explain their generally lower box office returns despite critical acclaim.
Institutional research
This document analyzes box office data and critical reception for horror films from 1998-2014. It finds that comedy is the most popular genre overall but horror performs best in October and winter months. Most successful horror films are R-rated and from the late 1990s/early 2000s. The Conjuring was the highest grossing horror film of 2013 and its success led to the spin-off Annabelle. While Annabelle was financially successful, it received poor critical reviews unlike The Conjuring which won several awards. The document concludes that choosing Warner Bros. as the distributor, aiming for a 15 rating, and releasing in summer could help a new horror film achieve financial success.
Secondary data everything
This document summarizes statistics about the horror genre of films released in the UK and Ireland in 2013. It notes that 37 horror films were released that year, with World War Z being the highest grossing. Compared to 2012, there were 8 fewer horror film releases, indicating decreasing popularity of the genre. The document also discusses certification ratings for films containing horror or thriller themes, noting that a 15 rating would be most appropriate. It analyzes box office revenues for different genres and companies. The horror genre made 10% of overall box office revenue in 2013. UK independent horror films only made 0.3% of horror genre revenue.
2016 bfi statistical yearbook
This document summarizes key findings from the 2016 BFI Statistical Yearbook on the UK and Irish box office performance in 2015. It finds that action, animation, and sci-fi films were the highest earning genres. Star Wars: The Force Awakens was the highest grossing film of the year. UK films had strong appeal across all age groups, especially older audiences. Films appealed more to specific gender audiences, with action films popular among males and romance/drama among females. The document concludes that popular film genres are action and fantasy due to their exciting and escapist nature, and franchises like James Bond and Harry Potter remain very popular due to long-standing appeal and nostalgia.
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Moral panic
A moral panic occurs when a condition or group is seen as a threat to societal values. According to Stanley Cohen, creator of the term, a moral panic starts with some deviant act that is then amplified by the media. The film A Clockwork Orange was controversial upon its release due to high levels of violence portrayed by a gang of teenagers. There were reports of copycat crimes inspired by the film, though these may have been exaggerated by the media to generate controversy around the film. Stan Cohen's theory of moral panic seems applicable, as the media focused on relating extreme youth crimes to the film, though such issues may have predated the film as well.
Evaluation Questions
The document provides an evaluation of a media project creating a music video. It discusses:
1) How the video drew upon conventions of indie/alternative music videos in its editing techniques, shot types, locations, and clothing of the band.
2) How the music video, digital pack, and advertisement formed an effective marketing package with consistent branding.
3) How feedback improved aspects of video quality and syncing clips to the music.
4) The use of technologies like YouTube, blogs, cameras, editing software, and social media in researching, planning, filming, and promoting the project.
Changes we made
The document discusses changes made to initial ideas for a music video. It was decided to use the basic storyline idea but expand it to include studio recording segments. The sepia effect idea was discarded in favor of editing brightness and contrast. External characters were deemed unnecessary. Standard camera shots and angles for the genre were incorporated along with some unconventional angles. Filming locations included Leeds to add variety.
Editing process
The editing process for a dark video clip involved increasing the brightness and contrast through effects to make the content clearer for viewers. The editors experimented with adjustments and found a brightness level that they were satisfied with.
Editing techniques
Editing techniques discussed include superimposing a main image over a less important image to make it more interesting, and using black and white footage for quickly paced clips to add variety compared to color clips. Rarely using black and white but finding it effective for fast paced clips to provide change from color clips.
9 Frame Analysis
This document provides descriptions of various shots from a music video:
1) The first shot is a slow-motion long shot of the full band playing, indicating the slow tempo of the music.
2) Subsequent shots show the camera going in and out of focus for a casual feel, and medium-long shots provide different locations.
3) Close-ups of the lead singer and bass player highlight their elements, while an extreme close-up of the symbols shows their musical importance.
Lighting, camera techniques, and shots of the band contribute to the narrative and musical elements of the video.
Initial ideas
The music video will follow the indie/rock genre and feature typical elements like close-ups of band members performing, stereotypical indie clothing, and live performances. It will be filmed over a weekend in Leeds, UK at three locations - a music practice room, a student house, and outside on the street. The narrative will show the band having fun together through cross-cutting between the different shooting locations. Props, clothing, and equipment will be used to portray a typical student and band lifestyle.
Treatment Sheet
The document discusses plans for a music video for the song "Fluorescent Adolescent" by the band Arctic Monkeys. It will feature the band performing in a rented music studio practice room to capture their live energy. It will also show the band in their everyday lives to convey their youthful lifestyle. The video takes inspiration from other indie music videos that feature the band's clothing styles and focus on their performances as well as more casual settings.
Call sheet
This call sheet provides production details for a music video shoot in Leeds during October half term in 2000. It lists the camera crew contact information, cast members, required camera and lighting equipment, props of band equipment, and wardrobe needs such as indie clothing for band members. The video is for the song "Fluorescent Adolescent" and is scheduled for 3 minutes and 15 seconds in length.
Audience Profile
The document summarizes the target audience for an indie rock music video. The audience will be young people aged 14-25 who can relate to the song's lyrics. While the video images will be ambiguous, the lively and colorful style with a fun vibe will appeal to younger viewers. Both female and male viewers in this age range are interested in music, fashion, and culture and often attend live music events.
Music Video Analysis
The music video for "I'm Just a Kid" by Simple Plan tells the story of a new kid in an American high school who doesn't fit the stereotype of popular kids. Though the video focuses on the new kid's story and not the band, establishing shots introduce the indie rock-style instruments. The video challenges stereotypes by having the geek get the girl rather than the good-looking popular kid. It features typical high school elements and depicts the band and their music as reckless through tattoos and piercings to appeal to young audiences.
Magazine analysis kasbian
The document analyzes a magazine advertisement for the band Kasabian. It notes that the simple black background and lack of detail makes the ad easy to view. The use of black suggests association with the band's color and the font used for the band name is recognizable to fans. The website is placed at the bottom in smaller font to indicate lower importance. The date is in bold white to stand out against the black. An image of a band member's face is repeated in a circle around the text, drawing attention as one of the most prominent features.
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This document provides a shot-by-shot analysis of a music video. It describes 9 shots ranging from 0.04 to 2.38 seconds. The shots include fast-moving images of instruments, establishing shots of the recording studio, close-ups of band members' faces, and shots that match the lyrics or highlight certain instruments. Low-key lighting and vintage filters are used to match the genre. The variety of shots and styles convey the upbeat nature of the song and capture the band relaxed and in their element during the recording process.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
created with AI assistance…
The Enigmatic Portrait, In the heart of a sleepy town
In the heart of a sleepy town nestled between rolling hills and whispering pines …
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From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
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Institution research
- 1. Institution Research (Information from the-numbers.com) The table above shows that comedy has been the top grossing genre within the last 15 years, with many successful films such as Meet The Fockers and The Hangover. Horror isn’t far behind comedy, with a total gross of $8,560,128,560 from 1995 - 2010. On average, horror films made a gross profit of $29,315,509, with a total market share of 4.83%. This lower value in gross profit could however been due to the simple fact that there have been fewer horror films made within the last 15 years than there has comedy. Perhaps suggesting that comedy is not only the top grossing film genre, but that the film instrustry recognises this high demand from audiences and so continues to increase their number in this particular genre. Film institutions have become increasingly dependant on the success of an original horror film in order to produce a sequal. Examples of which include Saw, Paranormal Activity, The Ring, Scream and Final Destination; all of which are some of the top ten grossing films at the box office within the last 15 years. In fact, Paranormal Activity 2 was the highest grossing horror film in 2010 with over 10,000,000 tickets sold. Paramount Pictures and New Line Cinema seem to be the two main institutions which produce horror films, producing such films as Nightmare on Elm Street and Paranormal Activity.