This assignment brief outlines tasks for students to develop skills in short film analysis, research on screenwriting and the commissioning process, idea generation, scriptwriting, and pitching a short film idea to a panel. Students will work in groups to analyze short films, research the writer's role, generate ideas for a short film on the theme of "going on a journey", write a proposal, treatment, and script, practice pitching, and do a final pitch of their idea to commissioners. The purpose is to develop technical, research, group work, and pitching skills relevant to the media production industry.
This assignment brief outlines tasks for students to develop skills in short film analysis, research on screenwriting and the commissioning process, idea generation, scriptwriting, and pitching a short film idea to a panel. Students will work in groups to analyze short films, research the writer's role in commissioning, generate ideas for a short film on the theme of "going on a journey", write a proposal, treatment, and initial script, practice pitching their idea, and do a final pitch to a panel. The purpose is to develop technical, research, group work, pitching and scriptwriting skills needed for creative media production.
This document outlines the tasks and grading criteria for an assignment on digital video production for an interactive media product. Learners will plan and create a digital video sequence, going through the process of working to a brief which includes negotiations, developing ideas with the client, and self-evaluation. The assignment involves researching audiences, planning content, pitching ideas to the client, sourcing assets, shooting footage, and documenting communication. Learners must complete tasks like creating schedules, questionnaires, storyboards, and meeting minutes to demonstrate their understanding of the production process.
This document provides the assignment brief for a digital video production project. The purpose is to introduce learners to producing and editing digital video for use in interactive media. It outlines 5 tasks for learners to complete, including importing footage, editing video, exporting the final product, collecting audience feedback, and evaluating the project. The tasks are mapped to grading criteria and learning outcomes. The deadline, assessor, and scenario are also included.
This document outlines the tasks and grading criteria for a creative media production assignment involving single camera techniques, wherein students will be assigned roles to film footage for a short film, document the production process, complete rough and final edits of the film individually, and critique their own edit with a recorded commentary to be added to the final film. Students will be graded based on their explanation of single camera production features, generation of production ideas, and the technical quality and creativity demonstrated in their individual single camera production and post-production work.
This document outlines the tasks and grading criteria for a creative media production assignment involving single camera techniques, wherein students will be assigned roles to film footage for a short film, document the production process, complete rough and final edits of the film individually, and critique their own edit with a commentary. Students must demonstrate their understanding of single camera production roles and processes, deal with any issues that arise, and apply post-production editing skills to complete the assignment. Successful completion depends on effective teamwork and communication throughout the production and post-production phases.
This document outlines the tasks and grading criteria for a unit on single camera techniques, which requires students to work in a production team to shoot footage for a short film, document the production process, produce rough and final edits of the film individually, and critique their own edit with a commentary. Students must demonstrate their understanding of production roles and responsibilities, deal with any issues that arise, and apply post-production techniques to complete the assignment. Successful completion depends on effective teamwork, communication, and independent work meeting near-professional standards.
This document outlines the tasks and grading criteria for a creative media production assignment involving single camera techniques, wherein students will be assigned roles to film footage for a short film, document the production process, complete rough and final edits of the film individually, and critique their own edit with a recorded commentary to be added to the final film. Students will be graded based on their explanation of single camera production features, generation of production ideas, and the technical quality and creativity demonstrated in their individual single camera production and post-production work.
This assignment brief outlines tasks for students to develop skills in short film analysis, research on screenwriting and the commissioning process, idea generation, scriptwriting, and pitching a short film idea to a panel. Students will work in groups to analyze short films, research the writer's role in commissioning, generate ideas for a short film on the theme of "going on a journey", write a proposal, treatment, and initial script, practice pitching their idea, and do a final pitch to a panel. The purpose is to develop technical, research, group work, pitching and scriptwriting skills needed for creative media production.
This document outlines the tasks and grading criteria for an assignment on digital video production for an interactive media product. Learners will plan and create a digital video sequence, going through the process of working to a brief which includes negotiations, developing ideas with the client, and self-evaluation. The assignment involves researching audiences, planning content, pitching ideas to the client, sourcing assets, shooting footage, and documenting communication. Learners must complete tasks like creating schedules, questionnaires, storyboards, and meeting minutes to demonstrate their understanding of the production process.
This document provides the assignment brief for a digital video production project. The purpose is to introduce learners to producing and editing digital video for use in interactive media. It outlines 5 tasks for learners to complete, including importing footage, editing video, exporting the final product, collecting audience feedback, and evaluating the project. The tasks are mapped to grading criteria and learning outcomes. The deadline, assessor, and scenario are also included.
This document outlines the tasks and grading criteria for a creative media production assignment involving single camera techniques, wherein students will be assigned roles to film footage for a short film, document the production process, complete rough and final edits of the film individually, and critique their own edit with a recorded commentary to be added to the final film. Students will be graded based on their explanation of single camera production features, generation of production ideas, and the technical quality and creativity demonstrated in their individual single camera production and post-production work.
This document outlines the tasks and grading criteria for a creative media production assignment involving single camera techniques, wherein students will be assigned roles to film footage for a short film, document the production process, complete rough and final edits of the film individually, and critique their own edit with a commentary. Students must demonstrate their understanding of single camera production roles and processes, deal with any issues that arise, and apply post-production editing skills to complete the assignment. Successful completion depends on effective teamwork and communication throughout the production and post-production phases.
This document outlines the tasks and grading criteria for a unit on single camera techniques, which requires students to work in a production team to shoot footage for a short film, document the production process, produce rough and final edits of the film individually, and critique their own edit with a commentary. Students must demonstrate their understanding of production roles and responsibilities, deal with any issues that arise, and apply post-production techniques to complete the assignment. Successful completion depends on effective teamwork, communication, and independent work meeting near-professional standards.
This document outlines the tasks and grading criteria for a creative media production assignment involving single camera techniques, wherein students will be assigned roles to film footage for a short film, document the production process, complete rough and final edits of the film individually, and critique their own edit with a recorded commentary to be added to the final film. Students will be graded based on their explanation of single camera production features, generation of production ideas, and the technical quality and creativity demonstrated in their individual single camera production and post-production work.
Este documento parece ser una presentación sobre cómo presentar en público de manera efectiva. Ofrece consejos como vivir tus pasiones en público, relajar la postura, practicar, seleccionar el contenido, usar pocas diapositivas simples con imágenes y palabras clave, y tener diversión y confianza al presentar. También incluye fechas para futuras presentaciones.
[Ringkasan]
1. Pegawai Negeri Sipil Daerah dengan nama Nurlaelah dinaikkan pangkatnya menjadi Pembina golongan ruang IV.
2. Kenaikan pangkat tersebut berlaku sejak tanggal 1 Oktober 2008.
3. Kenaikan pangkat tersebut berdasarkan penilaian kinerja dan masa kerja yang telah dicapai.
Keputusan Gubernur Jawa Barat mengangkat Wiwi Siti Pertiwi sebagai Pegawai Negeri Sipil dengan pangkat Pembina golongan ruang IV/a berdasarkan kenaikan pangkat pilihan, dengan masa kerja 18 tahun dan angka kredit 488,252. Peningkatan pangkat dan gaji mulai berlaku tanggal 1 Oktober 2007.
The medicare program, its origin, current funding challenges, the problems with the Ryan Plan, and how to move the current program foward while cutting costs.
This document discusses techniques for financial forecasting and equity valuation. It describes the percentage of sales method for financial forecasting, which uses ratios of accounts to sales to project financial statements. It also discusses balance sheet, income statement, and discounted cash flow methods for equity valuation. Finally, it covers credit valuation metrics used to evaluate a firm's ability to meet its debt obligations and how external factors like recessions can impact creditworthiness.
El documento resume los resultados de varias pruebas físicas realizadas a una persona. Los resultados incluyen mediciones antropométricas como peso, talla e IMC, así como pruebas de fuerza, resistencia, flexibilidad, velocidad, equilibrio y agilidad. Se identifican áreas como fuerza muscular, flexibilidad y equilibrio que podrían mejorarse mediante el entrenamiento específico de ciertos grupos musculares.
O documento discute as bases moleculares da vida, incluindo a composição química dos seres vivos, a estrutura e função da água, glicídios, lipídios, proteínas, vitaminas, sais minerais e ácidos nucleicos. É explicado que esses componentes são essenciais para as estruturas celulares, armazenamento e transporte de energia, síntese de hormônios e enzimas, e o armazenamento e expressão da informação genética.
The document appears to be a survey of delegates from a conference on sustainable funding for voluntary organisations. It asks about the respondents' roles and types of organizations, their current sources of funding including approximate income, which income streams will become more important, funding models they want to learn more about, and their confidence in their organization's ability to adapt to changes, gain new income streams, and grow overall income. It also asks about the biggest barriers to future funding success.
The document summarizes four team sports: basketball, handball, volleyball, and soccer. It provides descriptions of each sport including typical positions, scoring, rules, and variations. For each sport, it outlines the objective, typical positions and formations, allowed contact, and ways that points or goals are scored.
This document contains various examples of poetry forms written by Jun Ishida, including lyrics, an elegy, cinquains, haiku, quatrains, free verse, and invented forms like name poetry, list poetry, definition poetry, and alphabet poetry. The poems cover topics like nature, love, school, knights, winter, music, technology, travel, migration, fathers, and apples. Images are included with some of the poems.
The document outlines an agenda for a conversation workshop that includes listening and vocabulary practice exercises based on a story about a lottery winner, grammar and writing activities using vocabulary words, and speaking practice involving discussing lottery experiences and what participants would do with lottery winnings. Participants are also provided with online resources to practice English skills at home.
This assignment brief outlines tasks for students to develop skills in short film analysis, research on screenwriting and the commissioning process, idea generation, scriptwriting, and pitching a short film idea to a panel. Students will work in groups to analyze short films, research the writer's role in commissioning, generate ideas for a short film on the theme of "going on a journey", write a proposal, treatment, and initial script, practice pitching their idea, and do a final pitch to a panel. The purpose is to develop technical, research, group work, pitching and scriptwriting skills relevant to the media production industry.
This document provides an assignment brief for a group project to pitch a short film idea. Students will work in groups of 3 to research short film techniques, develop ideas for a short film about "going on a journey," write a script, and present a verbal pitch of their idea to a panel. The assignment consists of several tasks, including analyzing short films, researching the script commissioning process, generating initial ideas, writing a proposal, treatment, and first draft script, practicing the pitch, and doing a final verbal group pitch. The goal is to develop students' skills in research, idea generation, script writing, and pitching film concepts to potential funders.
_ig1 film opening title sequence assignment 2014 to 2015Megan Hughes
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
_ig1 film opening title sequence assignment 2014 to 2015Phoebe Budgen
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process.
ig1 film opening title sequence assignment 2014 to 2015Adam Grundy
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process.
_ig1 film opening title sequence assignment 2014 to 2015Nicole Melia
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
ig1 film opening title sequence assignment 2014 to 2015Nicole Melia
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process. Documentation and blogs will provide evidence that learning outcomes are being met.
_ig1 film opening title sequence assignment 2014 to 2015kendellburgess
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
_ig1 film opening title sequence assignment 2014 to 2015LukeMather
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
Este documento parece ser una presentación sobre cómo presentar en público de manera efectiva. Ofrece consejos como vivir tus pasiones en público, relajar la postura, practicar, seleccionar el contenido, usar pocas diapositivas simples con imágenes y palabras clave, y tener diversión y confianza al presentar. También incluye fechas para futuras presentaciones.
[Ringkasan]
1. Pegawai Negeri Sipil Daerah dengan nama Nurlaelah dinaikkan pangkatnya menjadi Pembina golongan ruang IV.
2. Kenaikan pangkat tersebut berlaku sejak tanggal 1 Oktober 2008.
3. Kenaikan pangkat tersebut berdasarkan penilaian kinerja dan masa kerja yang telah dicapai.
Keputusan Gubernur Jawa Barat mengangkat Wiwi Siti Pertiwi sebagai Pegawai Negeri Sipil dengan pangkat Pembina golongan ruang IV/a berdasarkan kenaikan pangkat pilihan, dengan masa kerja 18 tahun dan angka kredit 488,252. Peningkatan pangkat dan gaji mulai berlaku tanggal 1 Oktober 2007.
The medicare program, its origin, current funding challenges, the problems with the Ryan Plan, and how to move the current program foward while cutting costs.
This document discusses techniques for financial forecasting and equity valuation. It describes the percentage of sales method for financial forecasting, which uses ratios of accounts to sales to project financial statements. It also discusses balance sheet, income statement, and discounted cash flow methods for equity valuation. Finally, it covers credit valuation metrics used to evaluate a firm's ability to meet its debt obligations and how external factors like recessions can impact creditworthiness.
El documento resume los resultados de varias pruebas físicas realizadas a una persona. Los resultados incluyen mediciones antropométricas como peso, talla e IMC, así como pruebas de fuerza, resistencia, flexibilidad, velocidad, equilibrio y agilidad. Se identifican áreas como fuerza muscular, flexibilidad y equilibrio que podrían mejorarse mediante el entrenamiento específico de ciertos grupos musculares.
O documento discute as bases moleculares da vida, incluindo a composição química dos seres vivos, a estrutura e função da água, glicídios, lipídios, proteínas, vitaminas, sais minerais e ácidos nucleicos. É explicado que esses componentes são essenciais para as estruturas celulares, armazenamento e transporte de energia, síntese de hormônios e enzimas, e o armazenamento e expressão da informação genética.
The document appears to be a survey of delegates from a conference on sustainable funding for voluntary organisations. It asks about the respondents' roles and types of organizations, their current sources of funding including approximate income, which income streams will become more important, funding models they want to learn more about, and their confidence in their organization's ability to adapt to changes, gain new income streams, and grow overall income. It also asks about the biggest barriers to future funding success.
The document summarizes four team sports: basketball, handball, volleyball, and soccer. It provides descriptions of each sport including typical positions, scoring, rules, and variations. For each sport, it outlines the objective, typical positions and formations, allowed contact, and ways that points or goals are scored.
This document contains various examples of poetry forms written by Jun Ishida, including lyrics, an elegy, cinquains, haiku, quatrains, free verse, and invented forms like name poetry, list poetry, definition poetry, and alphabet poetry. The poems cover topics like nature, love, school, knights, winter, music, technology, travel, migration, fathers, and apples. Images are included with some of the poems.
The document outlines an agenda for a conversation workshop that includes listening and vocabulary practice exercises based on a story about a lottery winner, grammar and writing activities using vocabulary words, and speaking practice involving discussing lottery experiences and what participants would do with lottery winnings. Participants are also provided with online resources to practice English skills at home.
This assignment brief outlines tasks for students to develop skills in short film analysis, research on screenwriting and the commissioning process, idea generation, scriptwriting, and pitching a short film idea to a panel. Students will work in groups to analyze short films, research the writer's role in commissioning, generate ideas for a short film on the theme of "going on a journey", write a proposal, treatment, and initial script, practice pitching their idea, and do a final pitch to a panel. The purpose is to develop technical, research, group work, pitching and scriptwriting skills relevant to the media production industry.
This document provides an assignment brief for a group project to pitch a short film idea. Students will work in groups of 3 to research short film techniques, develop ideas for a short film about "going on a journey," write a script, and present a verbal pitch of their idea to a panel. The assignment consists of several tasks, including analyzing short films, researching the script commissioning process, generating initial ideas, writing a proposal, treatment, and first draft script, practicing the pitch, and doing a final verbal group pitch. The goal is to develop students' skills in research, idea generation, script writing, and pitching film concepts to potential funders.
_ig1 film opening title sequence assignment 2014 to 2015Megan Hughes
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
_ig1 film opening title sequence assignment 2014 to 2015Phoebe Budgen
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process.
ig1 film opening title sequence assignment 2014 to 2015Adam Grundy
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process.
_ig1 film opening title sequence assignment 2014 to 2015Nicole Melia
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
ig1 film opening title sequence assignment 2014 to 2015Nicole Melia
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process. Documentation and blogs will provide evidence that learning outcomes are being met.
_ig1 film opening title sequence assignment 2014 to 2015kendellburgess
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
_ig1 film opening title sequence assignment 2014 to 2015LukeMather
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in assigned roles, and gain experience across the film production process.
IG1 film opening title sequence assignment 2014 to 2015Megan Hughes
This document outlines an assignment for a film production qualification. Students must work in a team to plan, shoot, and edit a film opening title sequence. The assignment involves several tasks including analyzing existing title sequences, generating ideas, pre-production planning, shooting footage, and post-production editing. Students are expected to take on specific roles, collaborate effectively, and manage any production issues that arise. The final edited title sequence should demonstrate knowledge and application of relevant techniques.
_ig1 film opening title sequence assignment 2014 to 2015Carla Appleby
This assignment brief outlines tasks for students to complete a film opening title sequence production. Students must analyze existing title sequences, generate ideas for their own, and complete pre-production, production, and post-production phases. They will plan their sequence, shoot footage, and edit a rough and final cut. The goal is for students to understand single camera techniques, work collaboratively in teams, and gain experience across the film production process. Documentation and blog posts are required to track progress and demonstrate skills learned.
_ig1 film opening title sequence assignment 2014 to 2015reecemechan
This document outlines an assignment for a film production qualification. Students must work in a team to plan, shoot, and edit a film opening title sequence. The assignment involves several tasks including analyzing existing title sequences, generating ideas, pre-production planning, shooting footage, and post-production editing. Students are expected to apply their skills, demonstrate teamwork, and produce professional quality work within the assigned deadlines.
IG1 film opening title sequence assignment 2014 to 2015Megan Hughes
This document outlines an assignment for a film production qualification. Students must work in a team to plan, shoot, and edit a film opening title sequence. The assignment involves several tasks including analyzing existing title sequences, generating ideas, pre-production planning, shooting footage, and post-production editing. Students are expected to take on specific roles, collaborate effectively, and manage any production issues that arise. The final edited title sequence should demonstrate knowledge and application of relevant techniques.
_ig1 film opening title sequence assignment 2014 to 2015igoodyear
This document provides an assignment brief for a film opening title sequence production. The assignment aims to develop skills in single camera techniques through planning, shooting, and editing a film opening title sequence. It outlines 5 tasks for students to complete, including analyzing existing title sequences, generating ideas, pre-production planning, shooting footage, and post-production editing. Students will work in a team to complete the production, while demonstrating communication, problem-solving, and self-management skills. The deadline for submission is December 17th, 2014.
This document provides the assignment brief for a music video production project. The brief outlines the qualification level, units covered, start and deadline dates, and assessor's name. It then describes the purpose of the assignment to develop research, idea generation, script writing, and pre-production skills. The brief details 5 tasks involving analyzing music video conventions, generating ideas, creating a budget, writing a treatment and proposal, and drafting a script. Sources of information and sign off from the assessor are also included.
_ig1 film opening title sequence assignment 2014 to 2015DeclanTyldsley
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
IG1 film opening title sequence assignment 2014 to 2015Phoebe Budgen
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015Sadie Bailey
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut. Students must document their production process and work as a team to complete the project by the deadline.
_ig1 film opening title sequence assignment 2014 to 2015 (1) 2reecemechan
This assignment brief outlines tasks for a unit on single camera techniques. Students must complete pre-production, production, and post-production phases to create an opening title sequence for a film. The tasks include analyzing title sequences, generating ideas, creating pre-production materials like scripts and storyboards, shooting footage, and editing a rough and final cut of the sequence. Students must document the production process and work as a team to complete the project by the deadline.
Similar to Ig1 assignment 2011_to_2012_updated_17.01.12 (20)
The document describes the process of recreating a photo to match the effects of an original photo. Several image editing techniques are used:
1) Cropping, brightness/contrast, hue/saturation, and color balance are used to match the darker tones, redness, and brown/yellow tones of the original photo.
2) Curves, photo filter, and clone stamp tools are used to replicate specific elements like darker facial features, a sepia tone, and background curtains/draws.
3) Finally, adding noise gives a speckled, blurred effect to further match the look of the original photo taken on older camera equipment.
The marketing campaign for Iron Man 3 targeted males ages 14-25 who were fans of the comic books, movies, and merchandise. Younger boys and older men with sons were also audiences. The film was promoted through trailers, posters, interviews, magazines, and social media to build excitement leading up to its April 2013 release. It was screened in multiple theaters simultaneously to meet expected high demand. Post-production research gathered audience feedback on what they liked and disliked to inform future films.
Over the course of several months, the student worked on recreating vintage photographs by researching photographic styles, creating mood boards and presentations on influential photographers, selecting images to recreate, and taking and editing photographs to match the originals. Weekly progress updates documented the ongoing research, planning, shooting, and editing process. The final project included several recreated images with descriptions and presentations showing the editing process for each.
The student created a fashion magazine as a school project. They conducted research on magazine layouts including front covers, contents pages, and double page spreads. They also created a questionnaire to determine what content would appeal to readers. For their magazine, the student designed a logo, selected photos for the front cover and spreads, and wrote an article for one of the spreads. Their magazine included consistent colors, fonts, and layouts across pages. Overall they were happy with the project but felt they could have done more planning and research on different magazine genres.
Producers aim to make films for a specific target audience. For Iron Man 3, the target audience was seen as boys of all ages, especially younger boys, given the superhero genre and focus on explosions and fighting. Producers also included some romance to potentially attract female viewers. The film faced a long buildup and promotion period to generate excitement among fans who had been waiting for a new Iron Man film since 2010. TV advertisements and trailers were strategically scheduled on certain channels and times to reach the intended target audience.
The document provides guidance for a podcast analyzing the production and marketing of Iron Man 3. It outlines topics that must be covered, including how the producer considered the target audience during production, the publicity and marketing strategy, and types of audience feedback. It also provides questions to help structure the analysis, and recommends including images and posters to illustrate points. Research methods a producer might use to understand the target audience are discussed, such as focus groups, surveys, and test screenings to gather feedback.
The student is proposing a photography project to recreate 4 old photos, with the student appearing in updated versions to mirror the original images. The project aims to appeal to families, older generations, photographers and women by finding interesting vintage photos depicting memorable events, costumes, locations or props and recreating them to highlight similarities while also challenging the student's photography skills. Post-production editing will add effects like aging, black and white, fading and mirroring layouts to further link the original and updated photos.
The document describes the process taken to recreate a photo from Butlins using various Photoshop effects. Effects like brightness and contrast, replace color, selective color, and color balance were used to match the tones and hues of the original photo. Cloning was used to copy elements like grass and pavement. Levels, grain, gaussian blur, and lens correction were applied to achieve a similar aged and blurred look. The recreated photo was then placed below the original and rotated upside down to create a mirroring effect for comparison.
The document describes steps taken to recreate a wedding photo using Photoshop effects and tools. The creator pasted the original photo into Photoshop and began experimenting with brightness, contrast, diffuse glow, and curves effects to match the darkness, shadows, and glow of the original. Rubber and Gaussian blur tools were then used to reveal rays of light from the original photo and add a glow effect. Finally, the recreated photo was placed underneath and rotated to mirror the original photo.
The document describes steps taken to recreate a wedding photo using Photoshop effects and tools. The creator pasted the original photo into Photoshop and began experimenting with brightness, contrast, diffuse glow, and curves effects to match the darkness, shadows, and glow of the original. Rubber and Gaussian blur tools were then used to reveal rays of light from the original photo and add a glow effect. Finally, the recreated photo was placed underneath and rotated to mirror the original photo.
The document describes the steps taken to recreate a black and white photo using Photoshop editing tools. Effects like hue and saturation, curves, shadows and highlights, exposure, burn tool, clone stamp, and Gaussian blur were used to match the lighting, shadows, focuses, and overall black and white tone of the original photo. The recreated photo was then placed below the original and rotated to create a mirroring effect.
The document describes the process of recreating a black and white photo using Photoshop effects and tools. First, the original photo was imported and brightness/contrast and hue/saturation effects were used to make it black and white. Then, curves, shadows/highlights, and exposure effects were applied to match shadows and focuses. Burn and clone stamp tools darkened the background, and Gaussian blur created the look of the original photo. The recreation was placed below the original to create a mirroring effect.
This document discusses the author's interest in and attraction to fantasy films. The author enjoys fantasy films because they can create imaginary worlds and stories about things that are not real. Many fantasy films are based on novels, which the author finds appealing. The author is drawn to the special effects, unique stories, and ability of fantasy films to feature things that have never been seen before. The document also discusses some of the common elements of fantasy films, such as incorporating magic, supernatural events, or fantasy worlds. Overall, the author finds the genre of fantasy intriguing because it can blend with other genres and transport the viewer to extraordinary places through ordinary main characters.
The document describes the steps taken to recreate a photo from Butlins using various Photoshop editing tools and effects. The recreation involved adjusting brightness, contrast, color balance, selective color, cloning elements, adding texture and grain, and applying blur and vignetting to match the tones, colors, and visual qualities of the original photo. The final steps were to place the original photo above the recreated photo and rotate the recreation upside down to create a mirroring effect.
The document describes steps taken to recreate a wedding photo, including adjusting brightness, contrast, and curves to match the original photo's darkness and shadows, adding a diffuse glow effect around the edges, and using rubber and blur tools to reveal parts of the original photo underneath and add a glow effect to achieve a similar look. The recreated photo was then placed underneath and rotated to mirror the original photo and complete the recreation.
The document describes steps taken to recreate the look of an original photograph in Photoshop. Effects like brightness and contrast, diffuse glow, and curves were applied to match the darkness, shadows, and glow of the original. Areas of the recreated photo were then rubbed out using the rubber tool to reveal rays of light from the underlying original photo. Additional effects like Gaussian blur and lens blur were added to further enhance the glow, and the recreated photo was placed underneath and rotated to mirror the original photo.
1. The document outlines various edits made to images for a magazine portrait shoot. Edits include adjusting brightness, contrast, exposure, selective color, cropping, adding effects like film grain, and removing backgrounds.
2. Specific edits are described, such as using match color to enhance luminance, rubber tool to remove backgrounds, destaturate effect to make images black and white, and placing cutouts over backgrounds.
3. Additional edits involve adjusting vibrance, selective color, brightness, contrast, exposure, hue, saturation, color balance, and adding shapes with multiply effect to create see-through looks. Final images were selected for the front cover, contents page, and double page spreads.
This document discusses the writer's interest in the fantasy genre for films. It explains that fantasy films allow imagination and the creation of worlds and stories not found in reality. The writer finds the special effects and imagining how aspects were conceived to be interesting. Fantasy films can overlap with genres like horror and science fiction. They often feature ordinary people in extraordinary settings, which makes the fantasy more relatable. The story, effects, and introducing new actors all attract the writer to fantasy films.
The document discusses why the author chose to study the fantasy genre, noting that they find the imaginative themes and ability to blend with other genres like horror and romance appealing. Fantasy films attract the author by bringing fictional worlds and characters to life through special effects and stories that pique their interest. Stars can also draw the author to certain fantasy films through the star theory effect.
Reception theory refers to how a person connects with and relates to a film on an emotional level based on their own life experiences and personality. Certain genres appeal more to some people depending on what they enjoy. A film is more likely to be liked if it communicates in a way that emotionally resonates with the viewer's life in some way. For example, romance films try to relate to peoples' romantic experiences to make them connect more. Comedies also do this by depicting funny real-life situations people may have experienced. The film "Meet the Parents" is an example that uses reception theory by depicting a relatable scenario of meeting a partner
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
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The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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The Origins of the Dwayne Johnson Kidnapping Saga
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Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
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The Moment of Capture
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The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
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1. Assignment brief
Qualification Level 3 Extended Diploma in Creative Media Production
Unit 2: Communication Skills for Creative Media Production
Unit number and title Unit 22: Single Camera Techniques - Partial
Unit 24: Writing for Television and Video - Partial
Start date 31st October 2011
Deadline 15th December 2011
Assessor name Iain Goodyear
Assignment title IG1 - PITCHING YOUR FILM IDEA
The purpose of this assignment is to:
Develop your skills and technical code analysis of short films.
Develop your ideas generation and group work skills.
Develop your research skills in relation to script commissioning.
Familiarise you with script writing format and script drafting.
Develop your ability to verbally pitch a short film idea to a panel.
Scenario
A crucial aspect of any media production is the successful pitch of an idea to media specialist
commissioners. This process takes place early in the life cycle of a production and requires careful
planning and consideration. The pitch is primarily an opportunity for media producers to convey their
ideas and generate interest and enthusiasm for a production project with a view to securing funding.
This assignment will require you to work in groups of 3 to verbally pitch a production company proposal
for a short film to a panel of commissioners. The purpose of this pitch is to communicate how viable your
film idea is and to secure funding that will allow you to realise your film idea into a short film
production. The theme of your short film is ‘GOING ON A JOURNEY’ and your pitch, proposal and
supporting documentation must make clear how your film will explore and communicate this theme.
Prior to the delivery of your group pitch, you will be required to produce evidence of research and
existing film influences. This will consist of the following sections:
*Research that describes short film codes & conventions and production practices
Practicing your verbal pitching of ideas and responding to feedback to improve your pitching skills
Visual evidence of ideas generation and existing film influences
An account of how your film will explore the provided theme through narrative, cinematography
and mise en scene
*Research that describes the writer’s role in the commissioning process with appropriate use of
subject terminology
A draft short film proposal, treatment and 1st draft script
*YOU ARE REMINDED THAT ALL SECONDARY RESEARCH SOURCES ARE TO BE CORRECTLY REFERENCED
WITH SUPPORTING REFERENCE PAGE(S).
1
2. Tasks Grading Criteria Mapping
Task 1
Produce a comprehensive word-processed analysis of three short films. Unit 22: P1/M1/D1
Using subject specific terminology, comment on how meaning is communicated
through the use of cinematography, mise en scene & the use of sound and music.
You must include still images from your chosen films to illustrate your
observations and use appropriate terminology accurately.
*Your word-processed analysis must be uploaded to your IG1 assignment blog.
Task 2
Produce a comprehensive and well-structured video research report (using Unit 2: P1/M1/D1
combination of still images, word processed text, music and sound recordings Unit 2: P2/M2/D2
and compiled using Adobe Premiere) that describes the screenwriter’s role in Unit 24: P1/M1/D1
the script commissioning process.
Your video report must clearly describe what you understand script commissioning
to mean (including visual examples such as website screen grabs or book
research source quotes as well as other references you have used to obtain this
knowledge).
Your video report must also detail what processes of development a script writer
goes through to develop a script for production (including visual examples such as
website screen grabs or book research source quotes as well as references you
have used to obtain this knowledge).
*Your video research report must be uploaded to your IG1 assignment blog as
an embedded video.
Task 3
Showing creativity and flair generate ideas for a short film production using the Unit 22: P2/M2/D2
theme outlined in your assignment scenario on page 1. Unit 24: P3/M3/D3
These ideas can be presented in the form of sketches, hand drawn and digitally
produced mind maps, mood boards, images you have gathered / found and
photographs you have taken.
Your ideas generation must clearly state how your ideas relate to the provided
theme in the scenario on page 1 of this assignment.
*All ideas generation must be uploaded to your IG1 assignment blog.
Task 4
Showing creativity and flair produce a 1 paragraph proposal and 1 – 2 page Unit 24: P3/M3/D3
treatment of your short film idea.
This must be based on, and further develop some aspects of your ideas generation.
Your treatment must include information of chosen film genre, target audience,
character biography information and a descriptive overview of your film idea’s
narrative.
*Your word-processed proposal and treatment must be uploaded to your IG1
assignment blog.
2
3. Task 5
Produce a short film script based on your developed idea to near professional Unit 2: P3/M3/D3
standards. Unit 24: P5/M5/D5
Your script must be a 3 to 5 page document.
Your script must NOT contain dialogue but should feature clear scene headings,
make specific reference to characters by name and feature detailed descriptive
character action
*Your word-processed scripts must be uploaded to your IG1 assignment blog.
Task 6
As a production team you must then decide on which film proposal you will take Unit 2: P2/M2/D2
through to the pitch stage and further development in your next assignment. Unit 2: P3/M3/D3
In teams of 3, you must present a summary of your ideas to the others in your
group. Then, as a group you must decide which idea you are collectively going to
develop into a verbal group pitch to a panel of commissioners.
You must then produce a PowerPoint that visually shows your ideas generation and
existing film influences (this will be played throughout your verbal pitch). Prior to
your actual pitch you will present a practice pitch to your class for which you will
receive written feedback.
You must present an analysis report that also visually interprets your feedback with
the use of graphs and charts that makes specific reference to audience feedback
questions. This analysis should also include a summary of what changes you, as a
group, will implement to have a beneficial effect on your final pitch.
*Your word-processed practice pitch analysis must be uploaded to your IG1
assignment blog.
Task 7
Pitch your short film idea to a panel of commissioners, showing creativity and Unit 2: P4/M4/D4
flair and to near professional standards. Unit 2: P5/M5/D5
Unit 24: P4/M4/D4
Your final pitch must be no more than 3 minutes long and you will be stopped after
this time has elapsed so rehearse your pitch thoroughly before you deliver it.
*Your group final pitch video must be uploaded to your IG1 assignment blog as
an embedded video.
Sources of information
This brief has been verified as being fit for purpose
Iain Goodyear
Date 03.10.11
Harry Arnold
Date 03.10.11
3
4. Unit 2 Communication Skills for Creative Media Production (Level 3)
P1: use appropriate techniques to M1: use appropriate techniques to D1: use appropriate techniques to
extract relevant information from extract information from written extract comprehensive information
written sources sources with some precision from written sources
P2: present a media production M2: present a structured and D2: present a well-structured and
report which conveys relevant detailed media production substantial media production report
information [IE] report which conveys which conveys information with
information and explains precise exemplification and justifies
conclusions with clarity conclusions with supporting
arguments
P3: review reports to make changes M3: review reports to make D3: review reports to make
with occasional beneficial effects changes with frequent changes with consistently
[RL] beneficial effects beneficial effects
P4: deploy and manage appropriate M4: deploy and manage D4: deploy and manage
technology to pitch a media technology to pitch a media technology to pitch a media
production proposal [SM] production proposal effectively and production proposal with
with some creativity and flair and to
imagination near-professional standards
P5: employ appropriate forms of M5: employ forms of address in a D5: employ forms of address in a
address in a media production pitch media production pitch media production pitch with flair to
to communicate ideas [CT] to communicate ideas communicate ideas with impact
effectively
Unit 22 Single Camera Techniques (Level 3)
P1: describe the features of single M1: explain the features of D1: comprehensively explain the
camera production with some single camera production with features of single camera production
appropriate use of subject reference to detailed illustrative with reference to elucidated
terminology examples and with generally correct examples and consistently using
use of subject terminology subject terminology correctly
P2: generate outline plans for a M2: generate detailed ideas for a D2: generate thoroughly thought
single camera production working single camera production showing through ideas for a single camera
within appropriate conventions and some imagination and with only production showing creativity and
with some assistance [CT] occasional assistance flair and working independently to
professional expectations
P3: produce a single camera M3: produce a single camera D3: produce a single camera
production working within production to a good technical production to a technical quality that
appropriate conventions and with standard showing some imagination reflects near professional standards
some assistance [SM] and with only occasional assistance showing creativity and flair
and working independently
to professional expectations
Unit 24 Writing for Television and Video (Level 3)
P1: describe the writer’s role M1: explain the writer’s role in the D1: comprehensively explain
in the commissioning commissioning process with reference the writer’s role in the
process using some subject to detailed illustrative examples and commissioning process with
terminology appropriately [IE] with generally correct use of subject elucidated examples and
terminology consistently using subject
terminology correctly
P2: collect and prepare suitable M2: collect and prepare good D2: collect and prepare excellent
background materials for a background material for background material for a
scriptwriting project with some a scriptwriting project scriptwriting project to near-
assistance [CT] competently and with only professional standards working
occasional assistance independently to professional
expectations
P3: produce script proposals M3: produce script proposals for D3: produce script proposals for
for specific purposes specific purposes showing some specific purposes showing creativity
working within appropriate imagination and with only occasional and flair and working independently
conventions and with some assistance to professional expectations
assistance [CT]
P4: pitch a prepared proposal M4: pitch a prepared proposal D4: pitch a prepared proposal to a
effectively near-professional standard
P5: produce a script for a specific M5: produce a script for a specific D5: produce a script for a specific
purpose working within appropriate purpose competently showing some purpose to near-professional
conventions and with some imagination and with only occasional standards and working independently
assistance. [CT, assistance to professional expectations
SM]
4
5. :PLTS: This summary references where applicable, in the square brackets, the elements of the personal, learning and thinking skills applicable in
the pass criteria. It identifies opportunities for learners to demonstrate effective application of the referenced elements of the skills.
5