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Mandarin Chinese is the most widely spoken language in the world, with over 1.3 billion speakers. It is the official language of China and also spoken in other countries like Taiwan and Singapore. The document discusses the Chinese language and characters, influential Chinese poets, and provides examples of Chinese poetry and phrases to introduce readers to Mandarin Chinese.
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Paper-3 presentation
This document provides biographical information about John Dryden and analyzes his work as a literary critic. It notes that Dryden was an influential English poet, playwright, and critic in the late 17th century. As a critic, he wrote an influential essay titled "Of Dramatic Poesy" in 1668 where he discussed issues like the ancients vs moderns debate, differences between English and French drama, and appropriate use of rhyme in plays. The document examines Dryden's critical perspectives in this work that favored modern English plays over ancient works and identified strengths of English drama over French drama.
Dream flea metaphyshical poetry
This document provides an analysis of two metaphysical poems by John Donne: "The Flea" and "The Dream". It discusses Donne's use of biological imagery in "The Flea" to represent sexual desire. It also summarizes the three stanzas of "The Flea" and notes the rhyme scheme. For "The Dream", it explains that the poem is about a lover's confession of his love for his beloved and the difference between dreams and reality.
John Dryden as a Critic
Dryden was the first practitioner of comparison and analysis in the history of criticism. And therefore, it is not an exaggeration to say that English criticism evolved from Dryden.
PAPER-3 DRYDEN'S CONCEPT OF ANCIENT VS MODERN
This document summarizes John Dryden's views on ancient vs modern tragedy in his work An Essay of Dramatic Poesy. It discusses several key points of debate between the ancients and moderns regarding dramatic rules and styles. Dryden himself preferred the more natural English drama over rigid French tragedy, though he respected the ancients. He felt Shakespeare best captured life's truths while Johnson combined scope and classicism, but both surpassed other traditions.
Four characters in Dryden's essay of dramatic poesy
Dryden's Essay on Dramatic Poesy features a debate between four friends - Eugenius, Crites, Lisideius, and Neander - on issues of English versus ancient drama, the unities, French versus English drama, separating tragedy and comedy, and the use of rhyme. Crites favors the ancients and their use of blank verse, while Eugenius favors the moderns. Lisideius prefers French drama for its adherence to separating genres, and Neander favors English drama for embracing subplots and action over French drama's narrow focus.
John Dryden as a critic
John Dryden was an influential English poet, playwright and critic in the 17th century. As a critic, he wrote An Essay of Dramatic Poesy in 1668 to discuss issues in English drama. In the essay, Dryden argues through a dialogue between four characters with different positions on topics like the ancients vs moderns, the unities, French vs English drama, and the appropriateness of rhyme in plays. Though he favors modern English plays, Dryden does not disparage the ancients. He also favors English drama over French drama and compares Shakespeare favorably to Jonson.
John Dryden
John Dryden (1631-1700) was an influential English poet, literary critic, translator, and playwright. He is considered the father of English literary criticism. As England's first poet laureate, Dryden helped establish the principles of neoclassical literary criticism. In works like An Essay of Dramatic Poesy, Dryden evaluated English and French plays using Aristotelian rules while also acknowledging that some rules could vary over time and place. He admired Shakespeare for his genius despite rule-breaking, and Ben Jonson for his correctness, helping shape modern literary criticism.
Presentation1 john dryden
The document discusses the debate between those who defend ancient Greek and Roman playwrights and those who defend modern English playwrights. It outlines the three classical unities that ancient plays followed - unity of time, place, and action - and how modern English plays often violate these unities, covering long periods of time, multiple locations, and containing sub-plots. It also notes how the ancients focused on a single, complete action in their plays and represented human passions to both delight and instruct audiences.
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Paper-3 presentation
This document provides biographical information about John Dryden and analyzes his work as a literary critic. It notes that Dryden was an influential English poet, playwright, and critic in the late 17th century. As a critic, he wrote an influential essay titled "Of Dramatic Poesy" in 1668 where he discussed issues like the ancients vs moderns debate, differences between English and French drama, and appropriate use of rhyme in plays. The document examines Dryden's critical perspectives in this work that favored modern English plays over ancient works and identified strengths of English drama over French drama.
Dream flea metaphyshical poetry
This document provides an analysis of two metaphysical poems by John Donne: "The Flea" and "The Dream". It discusses Donne's use of biological imagery in "The Flea" to represent sexual desire. It also summarizes the three stanzas of "The Flea" and notes the rhyme scheme. For "The Dream", it explains that the poem is about a lover's confession of his love for his beloved and the difference between dreams and reality.
John Dryden as a Critic
Dryden was the first practitioner of comparison and analysis in the history of criticism. And therefore, it is not an exaggeration to say that English criticism evolved from Dryden.
PAPER-3 DRYDEN'S CONCEPT OF ANCIENT VS MODERN
This document summarizes John Dryden's views on ancient vs modern tragedy in his work An Essay of Dramatic Poesy. It discusses several key points of debate between the ancients and moderns regarding dramatic rules and styles. Dryden himself preferred the more natural English drama over rigid French tragedy, though he respected the ancients. He felt Shakespeare best captured life's truths while Johnson combined scope and classicism, but both surpassed other traditions.
Four characters in Dryden's essay of dramatic poesy
Dryden's Essay on Dramatic Poesy features a debate between four friends - Eugenius, Crites, Lisideius, and Neander - on issues of English versus ancient drama, the unities, French versus English drama, separating tragedy and comedy, and the use of rhyme. Crites favors the ancients and their use of blank verse, while Eugenius favors the moderns. Lisideius prefers French drama for its adherence to separating genres, and Neander favors English drama for embracing subplots and action over French drama's narrow focus.
John Dryden as a critic
John Dryden was an influential English poet, playwright and critic in the 17th century. As a critic, he wrote An Essay of Dramatic Poesy in 1668 to discuss issues in English drama. In the essay, Dryden argues through a dialogue between four characters with different positions on topics like the ancients vs moderns, the unities, French vs English drama, and the appropriateness of rhyme in plays. Though he favors modern English plays, Dryden does not disparage the ancients. He also favors English drama over French drama and compares Shakespeare favorably to Jonson.
John Dryden
John Dryden (1631-1700) was an influential English poet, literary critic, translator, and playwright. He is considered the father of English literary criticism. As England's first poet laureate, Dryden helped establish the principles of neoclassical literary criticism. In works like An Essay of Dramatic Poesy, Dryden evaluated English and French plays using Aristotelian rules while also acknowledging that some rules could vary over time and place. He admired Shakespeare for his genius despite rule-breaking, and Ben Jonson for his correctness, helping shape modern literary criticism.
Presentation1 john dryden
The document discusses the debate between those who defend ancient Greek and Roman playwrights and those who defend modern English playwrights. It outlines the three classical unities that ancient plays followed - unity of time, place, and action - and how modern English plays often violate these unities, covering long periods of time, multiple locations, and containing sub-plots. It also notes how the ancients focused on a single, complete action in their plays and represented human passions to both delight and instruct audiences.
John Dryden's vi8ew on Three Unities
Dryden defended the violation of the three unities of drama - time, place, and action - in English plays. He believed that disregarding these unities gave English plays copiousness, variety, and made them more true to human nature compared to rigid French plays. Dryden argued that plays like Shakespeare's were closer to real human life despite ignoring the unities, and that observing the unities depended on the skill and genius of the writer. He concluded that if better fulfilling the ends of drama required violating the unities, then there was no harm in doing so.
An Essay of Dramatic Poesy -John dryden
The document summarizes John Dryden's essay "An Essay of Dramatic Poesy". The essay is structured as a dialogue between four friends - Eugenius, Crites, Lisideius, and Neander - discussing theories of drama. Crites argues that Greek/Roman literature should be the model and praised the ancients' adherence to the three unities. Eugenius agrees with imitating the ancients but thinks English dramatists have improved on them. Lisideius claims French dramatists are now better than the English due to their simpler plots. However, Neander disagrees, defending English dramatists' use of subplots and mixing of comedy and tragedy.
Death Be Not Proud - John Donne
John Donne was a 17th century English poet known for his metaphysical poetry. Metaphysical poetry uses philosophical concepts and complex language to explore the relationship between the human and spiritual world. Donne's poem "Death be not proud" personifies death and argues it should not be proud of its power to overcome humans, as death is merely a restful picture compared to eternal life after. The poem uses dramatic language and its message is powerfully delivered in the final lines.
The Renaissance Literature
This presentation is a part of my academic presentation of The Renaissance Literature , Department of M A English M K Bhavnagar University and it is submitted to Prof. Dr Dilip Barad sir .
The Flea
This document summarizes John Donne's metaphysical poem "The Flea" and provides context about metaphysical poetry and Donne's life and works. It discusses how Donne uses the metaphor of a flea biting two lovers to represent their mingling blood as a metaphor for sex. The poem sees the speaker try to convince his lover to be intimate by arguing their mingling in the flea is innocent, so intimacy would be too. It explains how Donne hints at sexuality through images while avoiding explicit references. The document provides background on Donne as a pioneer of metaphysical poetry, known for its intellectualism, strange imaginings, and paradoxes. It concludes by thanking the reader.
Comment upon Dryden's definition of the play
John Dryden was an influential 17th century English poet and playwright. In his work "An Essay on Dramatic Poesy", he presents his definition of a play as having three key elements: 1) It should provide a "just and lively image of human nature", accurately representing human passions and behaviors. 2) It should depict "the change of fortune to which [human nature] is subject". 3) It should provide "delight and instruction of mankind". Dryden believed a play should be a realistic imitation of life that both entertains and teaches audiences about human nature.
01 john donne
The document is a paper about John Donne and metaphysical poetry. It provides biographical details about Donne, such as his birthplace of London, England, occupation as a poet and priest, and genres including satire, love poetry, and elegy. The paper also lists some of Donne's most famous poems and discusses metaphysical poetry and Donne's mastery of metaphysical conceits.
Paper 3 Literary Theory & Criticism
This document summarizes John Dryden's essay "An Essay of Dramatic Poesy" from 1667. In the essay, Dryden discusses the relative merits of ancient Greek and Latin drama, contemporary French neoclassical drama, and English drama from the time of Shakespeare. One of the characters in the essay, Eugenius, argues that modern drama is superior to ancient drama. The document provides background on Dryden and his essay, and was presented as part of a university course on literary theory and criticism.
'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
Dryden wrote an essay in defense of French plays. In it, he favors both ancient and modern theater. He defends the use of plays and debates the merits of French and English drama. While acknowledging strengths of French plays, he argues they are too small in scope and that English plays more fully depict human nature.
French VS English
This document summarizes John Dryden's essay "An Essay on Dramatic Poesy" which debates the merits of English versus French drama. In the essay, Dryden has four characters - Eugenius, Crites, Lisideius, and Neander - represent different perspectives in a debate. Lisideius favors French drama for its adherence to the classical unities of time, place and action, while Neander argues that English drama, though it violates the unities, is superior for its "lively imitation of nature." The document also briefly mentions some famous French dramatists like Corneille and reviews Dryden's overall assessment that English drama is more interesting because of its ability to represent life, unlike French
Descriptive criticism by John Dryden
John Dryden was considered the father of criticism and the first to attempt extended descriptive criticism in English. Descriptive criticism analyzes a work, traces its influences, and discusses it critically item by item. In his critical prefaces and works like An Essay of Dramatic Poesy, Dryden pioneered historical, comparative, and descriptive criticism in English through dialogues representing different literary ages. He respected ancient principles but gave independent views, defending his own works from attackers and achieving a balance where he excelled where poets failed.
The term metaphysical or metaphysics in poetry is the fruit of renaissance tree
Metaphysical poetry emerged in the Jacobean era and was characterized by dramatic speech, concentration on a single idea, expanded epigrams, conceits, witty allusions, a blend of passion and logic, and the fusion of sensual and spiritual experiences. John Donne is considered the founder of metaphysical poetry, known for his unconventional style that included colloquial language, prosaic diction, hyperbole, and fantastic imagery. Metaphysical poetry reacted against the sweetness of Elizabethan poetry in favor of a more rugged style.
John dryden, an intro
John Dryden was an influential English writer during the Restoration period who made important contributions to literary criticism as a neoclassicist. Some of his major works of criticism include An Essay of Dramatic Poesy, in which he defended English dramatists and tragi-comedy plays. He also wrote prefaces and dedications for his translations of classical works where he advocated for certain poetic forms and defended his own creative choices. However, his criticism was sometimes inconsistent or repetitive as it was scattered across several prefaces rather than presented in a systematic treatise.
Literary Criticism - Essay on Dramatic Poesy
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
Dramatic poesy
Dryden compares French and English plays, discussing the differing views of Lisideius and Neander. Lisideius favors French plays for following rules like the unities of time, place and action, using well-known stories, and having poetic justice. However, Neander argues that English plays are superior as they reject such rigid rules, tell stories as they are, include sub-plots and multiple characters, and provide more entertainment and a "lively imitation of nature".
Dramatic poesy- French vs English
This document compares and contrasts the dramatic styles of French and English plays according to John Dryden. It notes several key differences:
- French plays strictly observe the classical unities of time, place and action, keeping the drama focused on a single location and storyline over a short period of time. English plays sometimes have subplots and multiple storylines occurring in different places that can confuse the audience.
- French plays devote attention to developing a single main character, while other characters are secondary. English plays sometimes have multiple important characters.
- The French are said to modify historical stories artfully through fiction, while still teaching lessons, whereas English dramatists may distort history more for dramatic purposes.
- In general
Dryden dramatic poesy : Ancient vs. Modern
For more Slide share presentations and assignments, please visit @ http://trivedihezal17913.blogspot.in/
Metaphysical poetry ph.d thesis by bhawna bhardwaj
Metaphysical poetry emerged in the 17th century and was written by British poets like John Donne. It is characterized by profound meditations on subjects like love, man's relationship with God, and the fundamental questions of human existence. Metaphysical poems make striking use of wit, irony, complex conceits, and intellectual argument through a formal poetic structure. John Donne was a leading metaphysical poet known for his innovative style, obscure imagery, and exploration of spiritual and philosophical themes in poems like "The Flea" and "Death be not proud."
METAPHYSICAL POETRY
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Metaphysical poetry
Metaphysical poetry emerged in England between the mid-16th and mid-17th centuries. It is characterized by the use of ingenious conceits and intellectual complexity. John Donne was a seminal metaphysical poet, known for vibrant language, striking imagery, and sophisticated conceits that compared vastly unlike ideas. His Holy Sonnets, including "Death, be not proud", dealt with religious and existential themes and reflected personal turmoil as Donne grappled with faith.
Modernism
The document provides learning objectives and assessment criteria related to studying modernism. It includes analyzing the cultural context of modernism, evaluating readings of texts, and commenting on style and format. The document also lists homework assignments involving analyzing modernist poems, essays, and song lyrics.
Essay On Earthquake Disaster In Nepal In Hindi
The document provides instructions for using the HelpWriting.net website to request writing assistance. It outlines a 5-step process: 1) Create an account with a password and email, 2) Complete an order form with instructions and deadline, 3) Review writer bids and choose one, 4) Review the completed paper and authorize payment, 5) Request revisions if needed. The site promises original, high-quality content and refunds for plagiarized work.
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John Dryden's vi8ew on Three Unities
Dryden defended the violation of the three unities of drama - time, place, and action - in English plays. He believed that disregarding these unities gave English plays copiousness, variety, and made them more true to human nature compared to rigid French plays. Dryden argued that plays like Shakespeare's were closer to real human life despite ignoring the unities, and that observing the unities depended on the skill and genius of the writer. He concluded that if better fulfilling the ends of drama required violating the unities, then there was no harm in doing so.
An Essay of Dramatic Poesy -John dryden
The document summarizes John Dryden's essay "An Essay of Dramatic Poesy". The essay is structured as a dialogue between four friends - Eugenius, Crites, Lisideius, and Neander - discussing theories of drama. Crites argues that Greek/Roman literature should be the model and praised the ancients' adherence to the three unities. Eugenius agrees with imitating the ancients but thinks English dramatists have improved on them. Lisideius claims French dramatists are now better than the English due to their simpler plots. However, Neander disagrees, defending English dramatists' use of subplots and mixing of comedy and tragedy.
Death Be Not Proud - John Donne
John Donne was a 17th century English poet known for his metaphysical poetry. Metaphysical poetry uses philosophical concepts and complex language to explore the relationship between the human and spiritual world. Donne's poem "Death be not proud" personifies death and argues it should not be proud of its power to overcome humans, as death is merely a restful picture compared to eternal life after. The poem uses dramatic language and its message is powerfully delivered in the final lines.
The Renaissance Literature
This presentation is a part of my academic presentation of The Renaissance Literature , Department of M A English M K Bhavnagar University and it is submitted to Prof. Dr Dilip Barad sir .
The Flea
This document summarizes John Donne's metaphysical poem "The Flea" and provides context about metaphysical poetry and Donne's life and works. It discusses how Donne uses the metaphor of a flea biting two lovers to represent their mingling blood as a metaphor for sex. The poem sees the speaker try to convince his lover to be intimate by arguing their mingling in the flea is innocent, so intimacy would be too. It explains how Donne hints at sexuality through images while avoiding explicit references. The document provides background on Donne as a pioneer of metaphysical poetry, known for its intellectualism, strange imaginings, and paradoxes. It concludes by thanking the reader.
Comment upon Dryden's definition of the play
John Dryden was an influential 17th century English poet and playwright. In his work "An Essay on Dramatic Poesy", he presents his definition of a play as having three key elements: 1) It should provide a "just and lively image of human nature", accurately representing human passions and behaviors. 2) It should depict "the change of fortune to which [human nature] is subject". 3) It should provide "delight and instruction of mankind". Dryden believed a play should be a realistic imitation of life that both entertains and teaches audiences about human nature.
01 john donne
The document is a paper about John Donne and metaphysical poetry. It provides biographical details about Donne, such as his birthplace of London, England, occupation as a poet and priest, and genres including satire, love poetry, and elegy. The paper also lists some of Donne's most famous poems and discusses metaphysical poetry and Donne's mastery of metaphysical conceits.
Paper 3 Literary Theory & Criticism
This document summarizes John Dryden's essay "An Essay of Dramatic Poesy" from 1667. In the essay, Dryden discusses the relative merits of ancient Greek and Latin drama, contemporary French neoclassical drama, and English drama from the time of Shakespeare. One of the characters in the essay, Eugenius, argues that modern drama is superior to ancient drama. The document provides background on Dryden and his essay, and was presented as part of a university course on literary theory and criticism.
'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
Dryden wrote an essay in defense of French plays. In it, he favors both ancient and modern theater. He defends the use of plays and debates the merits of French and English drama. While acknowledging strengths of French plays, he argues they are too small in scope and that English plays more fully depict human nature.
French VS English
This document summarizes John Dryden's essay "An Essay on Dramatic Poesy" which debates the merits of English versus French drama. In the essay, Dryden has four characters - Eugenius, Crites, Lisideius, and Neander - represent different perspectives in a debate. Lisideius favors French drama for its adherence to the classical unities of time, place and action, while Neander argues that English drama, though it violates the unities, is superior for its "lively imitation of nature." The document also briefly mentions some famous French dramatists like Corneille and reviews Dryden's overall assessment that English drama is more interesting because of its ability to represent life, unlike French
Descriptive criticism by John Dryden
John Dryden was considered the father of criticism and the first to attempt extended descriptive criticism in English. Descriptive criticism analyzes a work, traces its influences, and discusses it critically item by item. In his critical prefaces and works like An Essay of Dramatic Poesy, Dryden pioneered historical, comparative, and descriptive criticism in English through dialogues representing different literary ages. He respected ancient principles but gave independent views, defending his own works from attackers and achieving a balance where he excelled where poets failed.
The term metaphysical or metaphysics in poetry is the fruit of renaissance tree
Metaphysical poetry emerged in the Jacobean era and was characterized by dramatic speech, concentration on a single idea, expanded epigrams, conceits, witty allusions, a blend of passion and logic, and the fusion of sensual and spiritual experiences. John Donne is considered the founder of metaphysical poetry, known for his unconventional style that included colloquial language, prosaic diction, hyperbole, and fantastic imagery. Metaphysical poetry reacted against the sweetness of Elizabethan poetry in favor of a more rugged style.
John dryden, an intro
John Dryden was an influential English writer during the Restoration period who made important contributions to literary criticism as a neoclassicist. Some of his major works of criticism include An Essay of Dramatic Poesy, in which he defended English dramatists and tragi-comedy plays. He also wrote prefaces and dedications for his translations of classical works where he advocated for certain poetic forms and defended his own creative choices. However, his criticism was sometimes inconsistent or repetitive as it was scattered across several prefaces rather than presented in a systematic treatise.
Literary Criticism - Essay on Dramatic Poesy
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
Dramatic poesy
Dryden compares French and English plays, discussing the differing views of Lisideius and Neander. Lisideius favors French plays for following rules like the unities of time, place and action, using well-known stories, and having poetic justice. However, Neander argues that English plays are superior as they reject such rigid rules, tell stories as they are, include sub-plots and multiple characters, and provide more entertainment and a "lively imitation of nature".
Dramatic poesy- French vs English
This document compares and contrasts the dramatic styles of French and English plays according to John Dryden. It notes several key differences:
- French plays strictly observe the classical unities of time, place and action, keeping the drama focused on a single location and storyline over a short period of time. English plays sometimes have subplots and multiple storylines occurring in different places that can confuse the audience.
- French plays devote attention to developing a single main character, while other characters are secondary. English plays sometimes have multiple important characters.
- The French are said to modify historical stories artfully through fiction, while still teaching lessons, whereas English dramatists may distort history more for dramatic purposes.
- In general
Dryden dramatic poesy : Ancient vs. Modern
For more Slide share presentations and assignments, please visit @ http://trivedihezal17913.blogspot.in/
Metaphysical poetry ph.d thesis by bhawna bhardwaj
Metaphysical poetry emerged in the 17th century and was written by British poets like John Donne. It is characterized by profound meditations on subjects like love, man's relationship with God, and the fundamental questions of human existence. Metaphysical poems make striking use of wit, irony, complex conceits, and intellectual argument through a formal poetic structure. John Donne was a leading metaphysical poet known for his innovative style, obscure imagery, and exploration of spiritual and philosophical themes in poems like "The Flea" and "Death be not proud."
METAPHYSICAL POETRY
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Metaphysical poetry
Metaphysical poetry emerged in England between the mid-16th and mid-17th centuries. It is characterized by the use of ingenious conceits and intellectual complexity. John Donne was a seminal metaphysical poet, known for vibrant language, striking imagery, and sophisticated conceits that compared vastly unlike ideas. His Holy Sonnets, including "Death, be not proud", dealt with religious and existential themes and reflected personal turmoil as Donne grappled with faith.
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'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
The term metaphysical or metaphysics in poetry is the fruit of renaissance tree
The term metaphysical or metaphysics in poetry is the fruit of renaissance tree
Metaphysical poetry ph.d thesis by bhawna bhardwaj
Metaphysical poetry ph.d thesis by bhawna bhardwaj
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Faiz Ahmed Faiz was a renowned 20th century Pakistani poet who wrote in Urdu and Punjabi. [1] He was a member of the Progressive Writers' Movement in India and Pakistan and supported communist ideals. [2] Faiz spent time in prison for his political views and involvement in a coup attempt, where he wrote some of his most famous works. [3] He was also influenced by Sufism and translated the works of other poets. Faiz's poetry addressed themes of love, social justice, and political commentary.
Basic research or fundamental research
Faiz Ahmed Faiz was a renowned Pakistani poet who wrote in Urdu. He was born in 1911 in British-ruled India and was involved with the Progressive Writers' Movement. Some of his most famous works were written while imprisoned from 1951-1954 on charges related to communism. Faiz's poetry addressed themes of love, social justice, and opposition to political oppression. He translated works from other languages into Urdu and had his own poetry translated widely. Faiz was awarded the Lenin Peace Prize in 1962 in recognition of his communist views and anti-imperialist writings.
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This document discusses imagery in writing and provides many examples of imagery used in single sentences. It defines imagery as descriptive language that appeals to one or more of the five senses. Short passages from poems, songs, and other works are presented to illustrate vivid imagery. Examples show how imagery can efficiently paint a picture or scene in just one sentence through creative word choices and metaphors.
Literature the power of words
This document discusses the power of literature through history. It provides examples of famous writers like Jack London, Julien Green, and Henri Troyat who have contributed to the heritage of literature through their works. Literature allows humanity to explore ideas, share experiences, and gain wisdom. It influences other art forms like music, as seen in the example of singer Brooke Fraser who was inspired by Jack Kerouac's writing to compose songs. The document encourages continuing to explore literature through platforms like Project Gutenberg.
Maya angelou 2012_6
This document provides details about a collection of poems by Maya Angelou published in 2012 by PoemHunter.com. It includes 27 poems written by Maya Angelou, who is described as an influential American author and poet known for her autobiographical works. Some of the poems in the collection are summarized, including "A Brave and Startling Truth", "A Conceit", and "A Plagued Journey".
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This document discusses different genres of literature. It begins by defining fiction and providing examples of subgenres like short stories, novels, and novellas. It then defines poetry and provides examples of poetic forms like sonnets, ballads, elegies, odes, epics, and free verse. For each genre and subgenre, it often provides a brief definition and one or two illustrative examples. The document aims to categorize and explain different types of literary works.
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Heartfulness Magazine - June 2024 (Volume 9, Issue 6)
Dear readers,
This month we continue with more inspiring talks from the Global Spirituality Mahotsav that was held from March 14 to 17, 2024, at Kanha Shanti Vanam.
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Ids 2013 presentation
- 1. INTRODUCTION TO CHINESE LANGUAGE Priscilla Eng & Jinqing Li
- 2. Mandarin has the most native speakers of any language in the world. It is the official language of China, Taiwan, and one of the four official languages of Singapore. Additionally, it is one of the six official languages of the United Nations (UN). The Chinese language has more than 1.3 billion speakers. The English language has more than 760 million speakers. The Spanish language has more than 420 million speakers. The French language has more than 128 million speakers. Mandarin - The Official Language in China
- 3. Chinese Characters There are more than 50,000 Chinese characters historically recorded but knowledge of approximately 3,500 characters allows the reader/writer to handle daily Chinese literacy demands.
- 4. THREE POETS INFLUENCED BY CHINESE POETS W. S. Merwin (Pulitzer prize for poetry 1971, 2009) Octavio Paz (Nobel prize for literature, 1990 Rabrindranath Tagore (Nobel prize for literature 1913)
- 5. SU T’UNG PO AS A GREAT POET “Humans have sad separations and happy gatherings. 欢 The moon has times of haze and lucidity, waxing and waning. 圆 Our endeavors since antiquity fail to sustain perfect moments. 难 We can only wish for longevity, 长 , Though far apart, we shall share the moon’s beauty. ” 婵 .
- 6. W. S. MERWIN A LETTER TO SU T’UNG PO Almost a thousand years later I am asking the same questions you did, the ones you kept finding yourself returning to as though nothing had changed except the tone of their echo growing deeper and what you knew of the coming of age before you had grown old I do not know any more now than you did then about what you were asking, as I sit at night, above the hushed up valley thinking of you on your river that one bright sheet of moonlight in the dream of the water birds and I hear the silence after your questions how old are the questions tonight http://poemof-theday.blogspot.com/2010/04/letter-to-su-tung-po-ws-merwin.html
- 7. CHUANG TZU 3000 years ago, one day Chuang Tzu dreamed that he became a butterfly flying happily flying around the flowers. After Chuang Tzu woke up, he wondered if it was the butterfly dreaming it was Chuang Tzu or Chuang Tzu dreaming he was a butterfly.
- 8. CHUANG TZU BY OCTAVIO PAZ A butterfly flew between the cars, Marie Jose said: it must be Chuang Tzu, on a tour of New York. But the butterfly didn't know it was a butterfly dreaming it was Chuang Tzu or Chuang Tzu dreaming he was a butterfly. The butterfly never wondered: it flew. http://www.poets.org/poet.php/prmPID/645
- 9. FIREFLIES BY RABRINDRANATH TAGORE I touch God in my song as the hill touches the far-away sea with its waterfall. The butterfly counts not months but moments, and has time enough. Let my love, like sunlight, surround you and give you illumined freedom. Love remains a secret even when spoken, for only a lover truly knows that he is loved. Emancipation from the bondage of the soil is no freedom for the tree. In love I pay my endless debt to thee for what thou art. http://www.poetseers.org/nobel-prize-for-literature/tagore/fireflies/
- 12. 4 TONES 1st tone high level pitch 2nd tone rising in pitch 3rd tone low dipping pitch 4th tone abrupt falling in pitch sī sí sǐ sì shī shí shǐ shì
- 13. Qing nǐ gěi wǒ yī wǎn shuǐ jiǎo. Qing nǐ gěi wǒ yī wǎn shuìjiào. 请你给我一碗水饺. 请你给我一晚睡 觉 . Oops! I wanted one bowl of dumplings, not one night of sleeping with you!
- 14. TONGUE TWISTER sìshìsì shíshìshí shísìshìshísì sìshíshìsishí 四是四 十是十 十四是十四 四十是四十 sì = 4 shì= is shí = 10
- 15. USEFUL PHRASES Ni hǎo? (How are you?) 你好 Wo hén hǎo (I’m fine) 我很好 Xiè Xiè nǐ (Thank you) 谢谢 你 Zài jiàn (Good bye) 再见
- 16. SPEAK IT! Ni hǎo ? Ni hǎo? Wo hén hǎo Xiè Xiè nǐ Ni hǎo Ni hǎo Wo hén hǎo Xiè Xiè nǐ Xiè Xiè nǐ Zài jiàn Zài jiàn Xiè Xiè nǐ Zài jiàn Zài jiàn Wo hén hǎo Xiè Xiè nǐ Zài jiàn Zài jiàn