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Hullabaloo in the guava orchard II




              Kiran Desai




Secondary characters
   The spy is a schoolteacher who hates his job in Shahkot and
    hopes to win fame as an undercover agent. Sampath Chawla is
    his first assignment from the Branch to Uncover Fraudulent Holy
    Men (BUFHM).

  The spy hangs around listening to Sampath’s answers to
  questions, writing them down in his book and trying to make
  sense of them. He grew up in poverty and thinks he will one day
  win fame in the papers as an intellectual on TV.
 He interprets everything as a fraud because he begins in that
  frame of mind. He believes the country is held back by beliefs in
  crazy holy men, and he personally wants to champion
  intellectualism over religious fraud.
 Because he came from a poor background, he likes to identify
  with the upper classes. He decides to persecute Sampath
  because of the emptiness of his own life, but he traps himself by
  falling into Kulfi’s cauldron while spying on her cooking.
 The Brigadier is head of the local army
  post.
 He sits on a western style toilet, using his
  binoculars for bird watching, which
  soothes him.
 His goal, more important than his job, is
  to spot a green pigeon.
 Each morning he methodically washes a
  different part of his body.
 His soldiers seem the least interesting part
  of his concerns, but he doesenjoy
  shouting at them.
 In the crisis, he plans a firing squad to
  shoot in the bush and scare off the
  monkeys.
 She seems bored with domestic life and sits
  by the window, as though she is in a cage
  and would like to escape. She lets Ammaji
  run the house. She rarely cooks; only wild
  and exotic food will satisfy her. She is a sort
  of food artist.
 In watching her son’s retreat to the
  orchard, she remembers her own youth
  when she felt the need to escape. She
  knows why he is sitting in a tree; Kulfi and
  Sampath are the only ones in the family
  who understand one another.
 Inspired by what she takes to be Sampath’s
  wisdom,she begins finally to cook the
  masterpieces that have been in her mind.
   Pinky Chawla Pinky, the younger sister of Sampath, is a
    rather empty-headed teen Indian girl interested in
    clothes, appearances, and romance.
    She is embarrassed by her brother initially and only
    gradually feels sympathy for him. She is pretty and likes
    to get her own way; she is not afraid to ride the bus and
    stab aggressive men with her hairpin. She is a dramatic
    and emotional young woman who insists that men follow
    her around.
   She luxuriates in her romantic despair under Sampath’s
    tree. She pursues the Hungry Hop boy, not sure in her
    adolescent confusion whether she likes him or not. She
    bites through his ear but is not arrested because she
    isthe Baba’s sister. She pursues the Hungry Hop boy until
    he agrees to run away with her but scorns himwhen he is
    unable to live up to her demands
   Mr. R. K. Chawla is Sampath’s prosaic father;he has
    the opposite personality of Sampath or Kulfi. He is a
    finicky and exact bureaucrat, the head clerk of the
    Reserve Bank of Shahkot.

   He does not like irregularities in life, so he
    hardlyknows what to make of his wild wife and son.

   Early on, he gives up trying to influence his crazy wife
    and tries to mold Sampath, which proves equally
    impossible.

   He sees only the materialistic aspect of the
    situation, yet he believes himself to be honest
   He feels vulnerable in all the hullabaloo and comes
    up
    with the final plan to catch the monkeys.
 Ammaji is Mr. Chawla’s mother and
  Sampath’s grandmother. She takes over
  the duties of her son’s wife, since Kulfi
  seems to be incompetent.
 She represents the older traditional
  habits and lore of India, while her son is
  the modern trained colonial servant.
 She defends Sampath to the other family
  since he is proud of her grandson’s
  success, which she once predicted.
   The D.C., or District Collector, comes from
    Delhi to the backwater of Shahkot as his first
    posting. He is quiet and firm in his ideals, and is
    still young to government service. He is thin and
    weak.
   His father is influential in the Indian
    Administrative Service. He is afraid of getting a
    black mark on his record if he doesn’t handle
    the crisis in Shahkot carefully without offending
    any group.
   Each official pushes his own plan to get rid of
    the monkeys in hopes of winning glory.
 The Chief Medical Officer is a
  hypochondriac ,worried about his ulcers.
  When they flare up, he drinks onion juice.
 He does not want to deal with the monkey
  crisis and passes it off to the biology
  department at the university. He is a satire
  on the Indian civil servant, more concerned
  with his own benefits than with helping the
  public.
 Hewants to get promoted to get out of
  Shahkot, and proposes to solve the monkey
  problem by revoking all liquor
  licenses, which is a very unpopular move.
 In Constantakis, S., & Jordan, A. D.
  (2012). Novels for students: Presenting
  analysis, context and criticism on
  commonly studied novels. Detroit: Gale.
 Pandey, B. (2001). Indian women
  novelists in English. New Delhi: Sarup &
  Sons.
HULLABALOO IN THE GUAVA ORCHARD-   Presentation

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HULLABALOO IN THE GUAVA ORCHARD- Presentation

  • 1. Hullabaloo in the guava orchard II Kiran Desai Secondary characters
  • 2. The spy is a schoolteacher who hates his job in Shahkot and hopes to win fame as an undercover agent. Sampath Chawla is his first assignment from the Branch to Uncover Fraudulent Holy Men (BUFHM).  The spy hangs around listening to Sampath’s answers to questions, writing them down in his book and trying to make sense of them. He grew up in poverty and thinks he will one day win fame in the papers as an intellectual on TV.  He interprets everything as a fraud because he begins in that frame of mind. He believes the country is held back by beliefs in crazy holy men, and he personally wants to champion intellectualism over religious fraud.  Because he came from a poor background, he likes to identify with the upper classes. He decides to persecute Sampath because of the emptiness of his own life, but he traps himself by falling into Kulfi’s cauldron while spying on her cooking.
  • 3.  The Brigadier is head of the local army post.  He sits on a western style toilet, using his binoculars for bird watching, which soothes him.  His goal, more important than his job, is to spot a green pigeon.  Each morning he methodically washes a different part of his body.
  • 4.  His soldiers seem the least interesting part of his concerns, but he doesenjoy shouting at them.  In the crisis, he plans a firing squad to shoot in the bush and scare off the monkeys.
  • 5.
  • 6.  She seems bored with domestic life and sits by the window, as though she is in a cage and would like to escape. She lets Ammaji run the house. She rarely cooks; only wild and exotic food will satisfy her. She is a sort of food artist.  In watching her son’s retreat to the orchard, she remembers her own youth when she felt the need to escape. She knows why he is sitting in a tree; Kulfi and Sampath are the only ones in the family who understand one another.  Inspired by what she takes to be Sampath’s wisdom,she begins finally to cook the masterpieces that have been in her mind.
  • 7. Pinky Chawla Pinky, the younger sister of Sampath, is a rather empty-headed teen Indian girl interested in clothes, appearances, and romance.  She is embarrassed by her brother initially and only gradually feels sympathy for him. She is pretty and likes to get her own way; she is not afraid to ride the bus and stab aggressive men with her hairpin. She is a dramatic and emotional young woman who insists that men follow her around.  She luxuriates in her romantic despair under Sampath’s tree. She pursues the Hungry Hop boy, not sure in her adolescent confusion whether she likes him or not. She bites through his ear but is not arrested because she isthe Baba’s sister. She pursues the Hungry Hop boy until he agrees to run away with her but scorns himwhen he is unable to live up to her demands
  • 8. Mr. R. K. Chawla is Sampath’s prosaic father;he has the opposite personality of Sampath or Kulfi. He is a finicky and exact bureaucrat, the head clerk of the Reserve Bank of Shahkot.  He does not like irregularities in life, so he hardlyknows what to make of his wild wife and son.  Early on, he gives up trying to influence his crazy wife and tries to mold Sampath, which proves equally impossible.  He sees only the materialistic aspect of the situation, yet he believes himself to be honest  He feels vulnerable in all the hullabaloo and comes up with the final plan to catch the monkeys.
  • 9.  Ammaji is Mr. Chawla’s mother and Sampath’s grandmother. She takes over the duties of her son’s wife, since Kulfi seems to be incompetent.  She represents the older traditional habits and lore of India, while her son is the modern trained colonial servant.  She defends Sampath to the other family since he is proud of her grandson’s success, which she once predicted.
  • 10. The D.C., or District Collector, comes from Delhi to the backwater of Shahkot as his first posting. He is quiet and firm in his ideals, and is still young to government service. He is thin and weak.  His father is influential in the Indian Administrative Service. He is afraid of getting a black mark on his record if he doesn’t handle the crisis in Shahkot carefully without offending any group.  Each official pushes his own plan to get rid of the monkeys in hopes of winning glory.
  • 11.  The Chief Medical Officer is a hypochondriac ,worried about his ulcers. When they flare up, he drinks onion juice.  He does not want to deal with the monkey crisis and passes it off to the biology department at the university. He is a satire on the Indian civil servant, more concerned with his own benefits than with helping the public.  Hewants to get promoted to get out of Shahkot, and proposes to solve the monkey problem by revoking all liquor licenses, which is a very unpopular move.
  • 12.  In Constantakis, S., & Jordan, A. D. (2012). Novels for students: Presenting analysis, context and criticism on commonly studied novels. Detroit: Gale.  Pandey, B. (2001). Indian women novelists in English. New Delhi: Sarup & Sons.