The document discusses the Gawad sa Manlilikha ng Bayan award which honors traditional folk artists in the Philippines. It is conferred by the National Commission for Culture and the Arts on citizens who preserve and promote folk arts. Some award criteria include engaging in traditional arts for 50+ years, demonstrating mastery, and passing skills to new generations. Examples are provided of past recipients recognized for arts like music, dance, textiles, and metalworking from various cultural communities.
The document discusses a research study that aims to determine the effectiveness of using plastic waste materials as an additive in making hollow blocks. It outlines the statement of the problem, objectives of the study, materials that will be used, and the proposed methodology which involves shredding plastics, mixing them into block mixtures, molding the blocks, and testing their resistance to heat and water pressure. The respondents and references cited to support the research are also provided.
Maria Taniguchi's Untitled (Mirrors) and Echo StudiesJohn Labrador
Maria Taniguchi is a contemporary Philippine artist born in 1981. She is known for her "brick paintings" made of repetitive grey-black rectangles. For these paintings, Taniguchi draws a grid and slowly fills in each "brick" one by one over several months. She also creates conceptual performance art and installations that are site-specific and explore relationships between subject, representation, and process through various mediums including sound, video, painting and sculpture. For one 2011 work, she had a Filipino craftsman remake the arms of a sculpture, interspersing footage of the process with jungle scenes.
The document discusses several traditional Philippine art forms including puni from Bulacan which involves decorating with folded coconut leaves. Singkaban from Bulacan are elaborately designed bamboo arches used as decorations. Pabalat from Bulacan refers to intricate paper cutouts as well as the cultural practice. Taka originated in Paete, Laguna and are paper mache sculptures made using carved wooden molds. Pagbuburda from Taal and Lumban, Laguna is the art of embroidery, especially of floral designs, on fabrics.
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS.pptxAngelle Pantig
This document discusses contemporary art forms and practices from various regions in the Philippines. It defines contemporary art as art that reflects the spirit of the current society, developed from the 1960s to present. The document then outlines several contemporary art forms practiced in the Philippines, including dance styles like Tinikling and Cariñosa, music like Rondalla and Ryan Cayabyab's works, and visual arts like painting, drawing, calligraphy and sculpture. Architecture, film, literature, theater are also mentioned as contemporary art forms with examples like Fort Santiago and Philippine Arena. The art forms are said to express the creativity and imagination of humans through different mediums.
akademikong pagsulat sa filipino ni christine may marasigan gutierrez
makakatulong ito sa inyo upang magkaroon ng dagdag nkaalaman at makakatulong din ito sa inyo kapag meron kayong gagawing presentasyon o isang pag aaral.
The document discusses the Gawad sa Manlilikha ng Bayan award which honors traditional folk artists in the Philippines. It is conferred by the National Commission for Culture and the Arts on citizens who preserve and promote folk arts. Some award criteria include engaging in traditional arts for 50+ years, demonstrating mastery, and passing skills to new generations. Examples are provided of past recipients recognized for arts like music, dance, textiles, and metalworking from various cultural communities.
The document discusses a research study that aims to determine the effectiveness of using plastic waste materials as an additive in making hollow blocks. It outlines the statement of the problem, objectives of the study, materials that will be used, and the proposed methodology which involves shredding plastics, mixing them into block mixtures, molding the blocks, and testing their resistance to heat and water pressure. The respondents and references cited to support the research are also provided.
Maria Taniguchi's Untitled (Mirrors) and Echo StudiesJohn Labrador
Maria Taniguchi is a contemporary Philippine artist born in 1981. She is known for her "brick paintings" made of repetitive grey-black rectangles. For these paintings, Taniguchi draws a grid and slowly fills in each "brick" one by one over several months. She also creates conceptual performance art and installations that are site-specific and explore relationships between subject, representation, and process through various mediums including sound, video, painting and sculpture. For one 2011 work, she had a Filipino craftsman remake the arms of a sculpture, interspersing footage of the process with jungle scenes.
The document discusses several traditional Philippine art forms including puni from Bulacan which involves decorating with folded coconut leaves. Singkaban from Bulacan are elaborately designed bamboo arches used as decorations. Pabalat from Bulacan refers to intricate paper cutouts as well as the cultural practice. Taka originated in Paete, Laguna and are paper mache sculptures made using carved wooden molds. Pagbuburda from Taal and Lumban, Laguna is the art of embroidery, especially of floral designs, on fabrics.
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS.pptxAngelle Pantig
This document discusses contemporary art forms and practices from various regions in the Philippines. It defines contemporary art as art that reflects the spirit of the current society, developed from the 1960s to present. The document then outlines several contemporary art forms practiced in the Philippines, including dance styles like Tinikling and Cariñosa, music like Rondalla and Ryan Cayabyab's works, and visual arts like painting, drawing, calligraphy and sculpture. Architecture, film, literature, theater are also mentioned as contemporary art forms with examples like Fort Santiago and Philippine Arena. The art forms are said to express the creativity and imagination of humans through different mediums.
akademikong pagsulat sa filipino ni christine may marasigan gutierrez
makakatulong ito sa inyo upang magkaroon ng dagdag nkaalaman at makakatulong din ito sa inyo kapag meron kayong gagawing presentasyon o isang pag aaral.
materials and techniques of contemporary arts CPAR.pptxssuser2dee98
This document provides an overview of materials, techniques, and concepts related to contemporary arts. It discusses how artists use a broad range of materials and techniques in innovative ways, combining traditional crafts with modern art and design. New technologies have also created new possibilities for the creative process. The purpose of the lesson is to improve learners' knowledge, skills, and understanding of working safely and creatively with various materials, techniques, and processes associated with different artistic disciplines and pathways.
Knowing Filipino Modern Artists and their worksErica Gonzales
Modern Philippine art has evolved into diverse expressions and mediums. Young artists feel art is about creation rather than mastery of craft. Filipino artists now have freedom to explore on their own terms and their works show love for country and culture. Philippine art has become international in scope after periods of external influence, and artists now develop distinctively Filipino forms that express the national spirit. The document then profiles several modern Filipino artists who were National Artists, focusing on their styles, mediums, and contributions to developing a uniquely Filipino artistic imagery and vision.
Contemporary Philippine Arts from the Regions Ron Razo
The document provides an overview of contemporary and traditional arts from the Philippines regions. It discusses major art forms like literature, music, dance, and theater. It also outlines the different types of art including fine or aesthetic arts which are primarily for enjoyment, and practical or utilitarian arts which are intended for practical use. The document then gives a timeline of art in the Philippines from pre-colonial times to the contemporary era, noting the influences and styles of ethnic, Islamic, Spanish, American, Japanese, modern and contemporary periods. It also discusses the title of National Artist which is the highest recognition given to those who have significantly contributed to Philippine arts.
Artistic skills and techniques to contemporary art creationscherainew1987
This document discusses various artistic skills and techniques used in contemporary art, including collage, decollage, graffiti, land art, digital arts, mixed media, and print making. It provides definitions and examples for each technique. Collage involves assembling different materials like paper, photos, and text onto a surface, while decollage is the opposite - removing pieces from an existing image. Graffiti includes writing or drawings on walls or surfaces, often with social/political messages. Land art incorporates natural materials and alters the landscape as the artwork. Digital arts and mixed media combine various media, including digital technology. Print making produces artworks through painting on matrices like metal plates or screens.
Contemporary art in the Philippines reflects the country's diverse identity and complex social issues. Filipino artists portray subjects and use mediums in innovative ways that express Philippine culture and history, which has been influenced by colonial powers. A key contemporary artist, Ronald Ventura, is known for paintings that blend styles like realism and graffiti in layers that represent the multifaceted Philippine identity. Contemporary architecture has also emerged with a Filipino style seen in modernized traditional forms. A pioneer in landscape architecture, Ildefonso Santos designed parks and outdoor spaces that incorporated local plants and design elements. Philippine sculpture also continues traditions from ancestral carvings while adapting to modern themes.
The document discusses the evolution of contemporary art in the Philippines from the 1900s to present. It was influenced by four colonial periods which introduced styles like Renaissance and Baroque. Contemporary art emerged after World War 2 during times of protest. Modernism developed diverse artistic expressions. In the late 1980s, postmodernism appeared and emphasized borrowing from existing styles to create new works. Postmodernism blurred divisions between high and low art and used a variety of materials and sources. Today, Filipino contemporary artists continue to address social issues through participatory works celebrating Filipino identity and roots.
This document discusses the various stages of film production including development, pre-production, principal photography, post-production, and distribution. It provides examples of key roles in film production such as producer, director, screenwriter, art director, costume designer, editor, and actors. It also summarizes the main activities that occur during each stage of production from developing the initial script through distributing the completed film.
Contemporary Philippine Arts from the RegionsNoel Banca
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, and architecture. The document then profiles several influential Filipino artists such as Fernando Amorsolo, Hernando Ocampo, Benedicto Cabrera, Carlos Francisco, Cesar Legaspi, and others known for works depicting Philippine culture and scenes as well as more abstract styles of painting and sculpture that modernized Philippine art.
The document outlines the timeline and characteristics of art in the Philippines from pre-colonial times to the present. It discusses pre-colonial, ethnic arts which served ritual or everyday purposes. During Spanish colonization, art propagated the Catholic faith and supported colonial rule. In the American era, commercial and advertising arts were integrated into fine arts education and secular forms were favored. Under Japanese occupation, indigenous Philippine art and traditions were emphasized. The modern era focused on questions of national identity, while contemporary art reflected aspirations for a just, free, and sovereign society through social realism.
This document provides an overview of contemporary Philippine arts from the regions. It begins by listing 5 learning objectives for the lesson, including defining contemporary art and distinguishing it from modern art in the Philippine context. It then asks a series of questions to clarify the differences between contemporary and modern. The key difference highlighted is that modern and contemporary refer to distinct historical periods. The document provides a table that outlines the major periods of Philippine art history and the associated artistic styles and genres from pre-colonial times through the contemporary era. It aims to teach that while modern and contemporary art may share some characteristics, they refer to unique periods and should not be conflated.
The document discusses the evolution of traditional media to new media from prehistoric times to the present. It begins by describing how prehistoric cave drawings were among the earliest forms of traditional media used to communicate ideas. It then outlines the development of media throughout history, including the rise of printing during the Industrial Age and electronic devices in the Electronic/Information Ages. The document concludes by examining several theories about media and information, highlighting how media richness theory, information processing theory, and contingency theory evaluate the effectiveness of different communication methods.
The document discusses various concepts in contemporary Philippine art including forms of art like sculpture, architecture, music, literature, theater, and cinema. It outlines the different materials used in each art form. It also discusses concepts like appropriation, performance art, space, hybridity, and the use of technology in contemporary art. The objective is to relate and compare the forms and elements of contemporary arts.
This document discusses the different art traditions in the Philippines: Ethnic Tradition, Spanish Colonial Tradition, and Contemporary Arts Tradition. It provides examples of artworks from each tradition, including the Manunggul Jar, Langit Lupa at Impyerno painting, Bayanihan mural, and Cinco Marias installation. The document highlights how Philippine arts have been influenced by geography, experiences of Filipinos, religion, and contemporary culture through time.
Legal, Ethical and Societal Issues in Media and Information - Media and Infor...Mark Jhon Oxillo
The document discusses several key legal, ethical and social issues related to media and information technology. It defines cybercrime and various types of cybercrimes such as hacking, phishing, digital piracy, identity theft, cyberbullying, cyberdefamation, cybersex, child pornography and cybersquatting. It also discusses issues like copyright, plagiarism, fair use, computer addiction, digital divide, virtual self and netiquette.
The document discusses the concept of "local" in contemporary art and provides several examples of artists integrating local materials, techniques, and communities into their work in dynamic and fluid ways. It examines how artists have collaborated with others and immersed themselves in local contexts to draw from local languages, stories, festivals, and spaces. The local is seen as an integration of media, geographies, and spaces that is constantly changing and involves artists working with audiences and communities in both physical and virtual spaces.
Installation art emerged as a central practice in contemporary art in the late 20th century. It is defined not by traditional media but by the message conveyed through various means. Artists create immersive, interactive environments that often involve the viewer directly and blur boundaries between art and participant. New technologies further expand possibilities for installation works, allowing ideas from prior decades to be realized through computer and electronic components that respond to viewers in real time.
The Venice Biennale is a major contemporary art exhibition held every two years in Venice, Italy. This year's Biennale featured over 150 artists from 80 countries exhibiting across various sites in Venice. The document discusses several themes prominent in this year's exhibitions, including collections, self, nature, and dedication to craft. It also profiles several artists and their thought-provoking or technically impressive pieces. In conclusion, the author was deeply inspired by the passion and perfectionism exhibited by the artists, and feels renewed in their own dedication to creating meaningful work.
materials and techniques of contemporary arts CPAR.pptxssuser2dee98
This document provides an overview of materials, techniques, and concepts related to contemporary arts. It discusses how artists use a broad range of materials and techniques in innovative ways, combining traditional crafts with modern art and design. New technologies have also created new possibilities for the creative process. The purpose of the lesson is to improve learners' knowledge, skills, and understanding of working safely and creatively with various materials, techniques, and processes associated with different artistic disciplines and pathways.
Knowing Filipino Modern Artists and their worksErica Gonzales
Modern Philippine art has evolved into diverse expressions and mediums. Young artists feel art is about creation rather than mastery of craft. Filipino artists now have freedom to explore on their own terms and their works show love for country and culture. Philippine art has become international in scope after periods of external influence, and artists now develop distinctively Filipino forms that express the national spirit. The document then profiles several modern Filipino artists who were National Artists, focusing on their styles, mediums, and contributions to developing a uniquely Filipino artistic imagery and vision.
Contemporary Philippine Arts from the Regions Ron Razo
The document provides an overview of contemporary and traditional arts from the Philippines regions. It discusses major art forms like literature, music, dance, and theater. It also outlines the different types of art including fine or aesthetic arts which are primarily for enjoyment, and practical or utilitarian arts which are intended for practical use. The document then gives a timeline of art in the Philippines from pre-colonial times to the contemporary era, noting the influences and styles of ethnic, Islamic, Spanish, American, Japanese, modern and contemporary periods. It also discusses the title of National Artist which is the highest recognition given to those who have significantly contributed to Philippine arts.
Artistic skills and techniques to contemporary art creationscherainew1987
This document discusses various artistic skills and techniques used in contemporary art, including collage, decollage, graffiti, land art, digital arts, mixed media, and print making. It provides definitions and examples for each technique. Collage involves assembling different materials like paper, photos, and text onto a surface, while decollage is the opposite - removing pieces from an existing image. Graffiti includes writing or drawings on walls or surfaces, often with social/political messages. Land art incorporates natural materials and alters the landscape as the artwork. Digital arts and mixed media combine various media, including digital technology. Print making produces artworks through painting on matrices like metal plates or screens.
Contemporary art in the Philippines reflects the country's diverse identity and complex social issues. Filipino artists portray subjects and use mediums in innovative ways that express Philippine culture and history, which has been influenced by colonial powers. A key contemporary artist, Ronald Ventura, is known for paintings that blend styles like realism and graffiti in layers that represent the multifaceted Philippine identity. Contemporary architecture has also emerged with a Filipino style seen in modernized traditional forms. A pioneer in landscape architecture, Ildefonso Santos designed parks and outdoor spaces that incorporated local plants and design elements. Philippine sculpture also continues traditions from ancestral carvings while adapting to modern themes.
The document discusses the evolution of contemporary art in the Philippines from the 1900s to present. It was influenced by four colonial periods which introduced styles like Renaissance and Baroque. Contemporary art emerged after World War 2 during times of protest. Modernism developed diverse artistic expressions. In the late 1980s, postmodernism appeared and emphasized borrowing from existing styles to create new works. Postmodernism blurred divisions between high and low art and used a variety of materials and sources. Today, Filipino contemporary artists continue to address social issues through participatory works celebrating Filipino identity and roots.
This document discusses the various stages of film production including development, pre-production, principal photography, post-production, and distribution. It provides examples of key roles in film production such as producer, director, screenwriter, art director, costume designer, editor, and actors. It also summarizes the main activities that occur during each stage of production from developing the initial script through distributing the completed film.
Contemporary Philippine Arts from the RegionsNoel Banca
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, and architecture. The document then profiles several influential Filipino artists such as Fernando Amorsolo, Hernando Ocampo, Benedicto Cabrera, Carlos Francisco, Cesar Legaspi, and others known for works depicting Philippine culture and scenes as well as more abstract styles of painting and sculpture that modernized Philippine art.
The document outlines the timeline and characteristics of art in the Philippines from pre-colonial times to the present. It discusses pre-colonial, ethnic arts which served ritual or everyday purposes. During Spanish colonization, art propagated the Catholic faith and supported colonial rule. In the American era, commercial and advertising arts were integrated into fine arts education and secular forms were favored. Under Japanese occupation, indigenous Philippine art and traditions were emphasized. The modern era focused on questions of national identity, while contemporary art reflected aspirations for a just, free, and sovereign society through social realism.
This document provides an overview of contemporary Philippine arts from the regions. It begins by listing 5 learning objectives for the lesson, including defining contemporary art and distinguishing it from modern art in the Philippine context. It then asks a series of questions to clarify the differences between contemporary and modern. The key difference highlighted is that modern and contemporary refer to distinct historical periods. The document provides a table that outlines the major periods of Philippine art history and the associated artistic styles and genres from pre-colonial times through the contemporary era. It aims to teach that while modern and contemporary art may share some characteristics, they refer to unique periods and should not be conflated.
The document discusses the evolution of traditional media to new media from prehistoric times to the present. It begins by describing how prehistoric cave drawings were among the earliest forms of traditional media used to communicate ideas. It then outlines the development of media throughout history, including the rise of printing during the Industrial Age and electronic devices in the Electronic/Information Ages. The document concludes by examining several theories about media and information, highlighting how media richness theory, information processing theory, and contingency theory evaluate the effectiveness of different communication methods.
The document discusses various concepts in contemporary Philippine art including forms of art like sculpture, architecture, music, literature, theater, and cinema. It outlines the different materials used in each art form. It also discusses concepts like appropriation, performance art, space, hybridity, and the use of technology in contemporary art. The objective is to relate and compare the forms and elements of contemporary arts.
This document discusses the different art traditions in the Philippines: Ethnic Tradition, Spanish Colonial Tradition, and Contemporary Arts Tradition. It provides examples of artworks from each tradition, including the Manunggul Jar, Langit Lupa at Impyerno painting, Bayanihan mural, and Cinco Marias installation. The document highlights how Philippine arts have been influenced by geography, experiences of Filipinos, religion, and contemporary culture through time.
Legal, Ethical and Societal Issues in Media and Information - Media and Infor...Mark Jhon Oxillo
The document discusses several key legal, ethical and social issues related to media and information technology. It defines cybercrime and various types of cybercrimes such as hacking, phishing, digital piracy, identity theft, cyberbullying, cyberdefamation, cybersex, child pornography and cybersquatting. It also discusses issues like copyright, plagiarism, fair use, computer addiction, digital divide, virtual self and netiquette.
The document discusses the concept of "local" in contemporary art and provides several examples of artists integrating local materials, techniques, and communities into their work in dynamic and fluid ways. It examines how artists have collaborated with others and immersed themselves in local contexts to draw from local languages, stories, festivals, and spaces. The local is seen as an integration of media, geographies, and spaces that is constantly changing and involves artists working with audiences and communities in both physical and virtual spaces.
Installation art emerged as a central practice in contemporary art in the late 20th century. It is defined not by traditional media but by the message conveyed through various means. Artists create immersive, interactive environments that often involve the viewer directly and blur boundaries between art and participant. New technologies further expand possibilities for installation works, allowing ideas from prior decades to be realized through computer and electronic components that respond to viewers in real time.
The Venice Biennale is a major contemporary art exhibition held every two years in Venice, Italy. This year's Biennale featured over 150 artists from 80 countries exhibiting across various sites in Venice. The document discusses several themes prominent in this year's exhibitions, including collections, self, nature, and dedication to craft. It also profiles several artists and their thought-provoking or technically impressive pieces. In conclusion, the author was deeply inspired by the passion and perfectionism exhibited by the artists, and feels renewed in their own dedication to creating meaningful work.
The document discusses key concepts of form in art including medium, which is the material or substance used, and technique, which is the methods used to manipulate the medium. It provides examples of different mediums used by various artist types such as sculptors, painters, and musicians. The objectives are to understand how an artist's choice of medium and technique convey meaning and how contemporary artists explore new combinations. Classification of art is also described based on medium, including pictorial, auditory, narrative, dramatic, and musical arts. Examples are given of artworks created using diverse mediums and techniques from Philippine artists.
This document discusses several artworks that explore sensory experiences and incorporating the body into artworks. It describes Lygia Clark's 1967 "Sensorial Hoods" experiment which covered participants' senses to alter their perceptions. It also mentions Clark's experiments involving touch, including "Abyss-Masks" and "The I and the You." The document then discusses Helio Oiticica's "parangole" works from the 1960s that blurred boundaries and incorporated participants' bodies into the artworks. Rebecca Horn's works that extended the body are also referenced. Overall, the document examines experimental artworks from the 1960s-70s that aimed to engage multiple senses and integrate the body into the artistic experience.
1. Contemporary art incorporates modern characteristics and pays close attention to detail in one's creations.
2. Contemporary artists draw from a variety of viewpoints and try to challenge traditional practices and norms. They use everyday materials and technologies in innovative ways.
3. Contemporary art reflects current social issues and represents diverse communities and identities. Artists work with found objects and public spaces to promote balance.
The document discusses several art exhibitions that aimed to encourage audience participation through interactive design. It mentions Sound Trace and Conversational Map, exhibitions held at the Ateneum Art Museum and Kunsthalle respectively that were created by Mariana Salgado of the Media Lab in November 2005. It also discusses The Secret Life of Objects exhibition held at the Design Museum Helsinki in 2008, also created by Mariana Salgado, that allowed visitors to leave comments about the objects on display.
The document proposes a new concept for a sustainable zoo called ArkiZoic Park. It features interactive sculptures representing imaginary or extinct animals that visitors can learn about through an app on their smartphone or tablet. Artists and writers collaborate on stories for each animal. The park grows over time as municipalities and sponsors fund new installations created by artists and makers. It is a project by AtelierFORTE, an art and design studio, that aims to educate visitors about animals in a novel way without caging them.
United Visual Artists is an art and design collective based in London that creates interactive installations combining sculpture, architecture, performance, moving images and digital technology. Their installation VOLUME from 2006 consists of 48 sound-emitting columns that respond to audience movement, creating unique experiences. UVA explores spatial and temporal relationships in public spaces and how audiences collectively influence the environment through shared experiences. Their works draw from studies of artists like Rothko and Turrell while hiding advanced technology.
Dr. Mariana Salgado discusses participatory design in museum exhibitions. She presents three case studies of interactive exhibits she designed that encouraged participation: Sound Trace at the Ateneum Art Museum in 2005, Conversational Map at Kunsthalle in 2005, and The Secret Life of Objects at the Design Museum Helsinki in 2008. The document provides examples of visitor comments and interactions from these exhibits. Salgado advocates for open content and participatory practices in cultural institutions through networking organizations like Open GLAM Finland.
When is art now? This lecture will focus on definitions of Contemporary Art that focus on the experience of 'time', comparing and contrasting them with theories of contemporary art that hold it to be a (sub)culture, a genre, a period, or a style.
What does it mean to state that art is contemporary rather than to hold that it is modern, prescient, traditional, nostalgic, postmodern, ancient...?
What concepts of time do people need to develop and share in order to understand the contemporary?
Where and how is the temporality of the contemporary situated?
This lecture will outline some of the key ways in which art theory has attempted to approach such questions by introducing a few key concepts such as: supercessionism, presentism, contemporaneity, anachrony, polychrony and chronopolitics.
To illustrate how this works in practice, the lecture will examine the chronopolitics of the 2012 Documenta and 2013 Venice Biennale.
Contemporary art can be understood as an experience of time that thickens the present. It calibrates ways of being in and out of time simultaneously. Contemporary art is also proposed to be a culture, genre, period, or style, with ongoing debates around how to define it within these categories. The document discusses these various conceptions of contemporary art and questions how works and exhibitions engage with ideas of presentism, anachronic time, and politics of time.
Franco Costalonga in Where's Art, june 2016Eva Zanardi
Franco Costalonga's solo show "Revolution" at New York's GR Gallery features his kinetic artworks that use moving lights and shapes to destabilize visual codes. Kinetic and optical art have seen a resurgence in popularity as these artistic styles reflect the complex and changing digital world. Costalonga discusses his kinetic sculptures and paintings from the 1960s-1970s that used relective surfaces and rotating elements to distort light and perception.
presentation of Museomix at Makerfaire Rome (oct 2013)arthur schmitt
This document describes Museomix, an international event where participants spend 3 days prototyping new digital experiences for museums. The 2013 edition involved "makeathons" at multiple museums simultaneously. Participants included designers, developers and others interested in innovating museums. During Museomix, interdisciplinary teams invented prototypes like interactive games, apps and exhibits to engage visitors in new ways. The goal is to experiment with cultural mediation and open new possibilities for collaborative, connected museums of the future.
Contemporary art features more experimental subject matter and styles compared to traditional art. Subjects are no longer confined to human figures and landscapes, and can include combinations of people, environments, techniques, and concepts. Contemporary art styles have evolved over decades to include movements like abstract expressionism, kinetic art, op art, performance art, environmental art, feminist art, video art, graffiti art, postmodern art, body art, and digital art. In the Philippines, contemporary art is dominated by abstraction, expressionism, social realism, and mixed media works, with some Western influences. Community and environmental arts are also gaining popularity.
This document discusses the use of augmented reality in art galleries and museums, using the exhibition ReBlink at the Art Gallery of Ontario as a case study. ReBlink reimagined 10 artworks from the gallery's collection by overlaying augmented reality layers that provided modern commentary on each piece. It engaged visitors and doubled their average viewing time. The exhibition was successful and received positive feedback, demonstrating how AR can be used to increase engagement with art in museums.
Context refers to the setting, circumstances, and occurrences that influence the production and reception of artwork. It includes social, political, economic, religious, and historical factors. Artworks can have different contexts depending on factors like the artist's background, materials used, purpose, and where and how the work is encountered by audiences. A work's meaning may change when removed from its original context and placed in new settings like galleries or museums.
Breakdowns in participation. A case study in the MuseumMariana Salgado
This document summarizes a case study about breakdowns in participation at a museum. It describes how the museum aimed to enhance collaborations with external partners and acknowledge audience participation as a strategy. It also discusses allowing new formats for participation, combining participation with educational activities, and aiming for transparency in the participation process.
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This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
4. Secret garden 2
Mark Salvatus’ Secret Garden 2, 2010 is created
purposefully for a small room at the Vargas Museum.
It is an example of a site-specific work and is highly
interactive.
The artist worked with the inmates of a jail in his
home province of Quezon in Southern Luzon.
Together, they fashioned the so-called garden from the
plastic spoons, forks and other implements- a
clandestine process that took place in defiance of
prison rules.
10. The interactivity of games is also a
core element in the early work of
Ikoy Ricio, who printed a set of
trump cards that had images of
Philippine car wrecks, complete with
body count, and other information
related to accidents instead of the car
statistics that normal trump cards
have printed on them.
11.
12. Untitled (Mirrors)
Created by Maria Taniguchi . She uses the
traditional medium of acrylic on canvas and
the traditional modern style of abstraction,
one of the hallmarks of 20th century Modern
Art.
The work can then be best described as a
Conceptual Performance that is site-specific,
sculptural, and environmental. This work is
part of an installation- Eco Studies, 2011 at
the Vargas Museum.
16. Other art forms in Eco Studies
Maria Taniguchi, ‘Figure Study’
(video still), 2015
Maria Taniguchi, ‘Untitled
(ram dram sram)’, 2015, die-
cut paper
18. Waiting
Felix Bacolor’s Waiting, 2012 transformed an
independent space in the Museum of
Contemporary Art and Design to a simulacrum (a
“fake” real, a simulation that is not actually
“real” but simulated or copied) of a terminal
room, complete with metallic immovable chairs
and digital clocks that torturously register the
passing of time.
Site-specific and interactive, the installation
combines environmental, the dramatic and
narrative.
20. Other art formin Exploring the past, present and future
Tiffany Chung's roof and glass turtles installation "twigs, bones,
rocks and the Giant Tortoise."
Hundreds of tiny glass turtles on Tiffany Chung's roof
installation.
22. Medium and technique in contemporary art have become more
and more integrated, such that the works have crossed
boundaries between art and science, and between mediums and
techniques. The works are also using contemporary mediums
and techniques based on digital and electronic technology, as
well as reformulated traditional methods.
23. The work of Ian Carlo Jaucian draws his inspiration
from science, and explores its relationship with the
visual arts through artworks that range from
paintings, sculptures, interactive and kinetic
installations.
In a series of works that make use of the principles of
robotics, he has a “liquid robot” triggered by music.
There is a “drawing robot” which was an experiment
and was not part of any show. Combining
mechanical, computer-based, and traditional media
and techniques, these works pose the question:
“What is it to be a human?”
26. Anonymous Animals
The exhibition Anonymous Animals, 2013 held in
Mariyah Gallery in Dumaguete City consisted of a
Conceptual Performance piece by Dumaguete-based
artist who posed as excavators of strange animals they
formed out of terracotta sourced from outlying areas.
The artists, Cristina Taniguchi, Michael Teves, Danilo
Sollesta, Mark Valenzuela, and Benjie Ranada,
provided the animals they “excavated” (which they
actually made) with matching scientific data including
the animals’ scientific and common names, taxonomy,
morphology, history, etc.
27.
28.
29. In sum, to know the full meaning of a work, it is also
necessary to study the material from which it is made and
how it is made.