Horror key concepts
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The document discusses key elements that are often present in horror film synopses and plots. It outlines common settings in small towns that trap characters and suggest they are being killed by someone known to them. It also notes that orphaned or troubled children are frequently featured as icons to elicit unease, as seen in the example of a couple adopting a mysterious young girl with a troubling past. Finally, it explains that protagonists typically have some past trauma and try to uncover the truth about the threat, though others ignore their warnings, leaving them without control of the unfolding sinister events.
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Genre Research of Psychological Horror Films.
1) Psychological horror films portray characters with inner fears, worries, or paranoia in realistic environments. They often use tension, sounds, and the characters' psychological states to frighten audiences.
2) Common character stereotypes include disturbed or isolated individuals, usually portrayed as normal at first but changing throughout. Main victims are typically female or young children with troubled pasts.
3) Settings are usually large empty or isolated places like houses or hospitals to create unease. Dark, dimly-lit areas with history are also frequently used settings.
Thethreeactstructureisthetemplatethemoststoriesfollow
The document provides a detailed narrative analysis of the pilot episode of "The Flash". It summarizes the three-act structure and discusses how the episode establishes an initial equilibrium of Barry Allen's life, introduces disequilibrium in the form of a freak accident giving Barry superpowers, and brings things to a new equilibrium as Barry embraces his powers to become a superhero. Key narrative devices like binary oppositions, enigma codes, and action codes that advance the plot are also analyzed in the context of this episode.
Genres
Horror films typically feature stock characters like a helpless female victim or a creepy male killer hunting victims. Locations are usually dark, creepy settings like abandoned houses, woods, caves, or hospitals that can be made to seem terrifying through lighting, filters, and music. Effective horror films twist expectations by subverting stock characters, like the female protagonist in "Shrooms" who is revealed to be the killer, or by using an unexpected but unsettling location like a whole city.
Slasher tropes
The document discusses several common character tropes that are often seen in slasher films. It describes the villain, who is usually disfigured or wears a mask, and is oddly powerful. It also discusses the group of friends, which often includes a jock, stoner/nerd, promiscuous girl, and final girl. Other tropes mentioned include the benefactor, who gifts the group items; common locations like cabins in the woods; and the final girl character who is typically the last survivor. The document also examines psychological theories about the oedipal complex and how some analyses see the final girl representing castration anxiety.
Sub-Genres of Horror
This document discusses several major subgenres of horror films, including slasher, psychological, supernatural, possession, gothic, monster, and zombie films. It provides characteristics and conventions for each subgenre, such as common plot elements, settings, characters, and themes. Examples are given for well-known films that exemplify each subgenre, such as Friday the 13th for slasher, The Shining for psychological, Poltergeist for supernatural, The Exorcist for possession, Dracula for gothic, Godzilla for monster, and Zombie for zombie films.
Know your genre
In the film genre of psychological thriller/mystery:
Protagonists typically display signs of mental instability or trauma, such as PTSD from war. Antagonists aim to undermine and manipulate the protagonist's fragile mental state. Symbolic objects like black clothing and funeral flowers are used to suggest death and unease. Lighting commonly uses low-key shadowy styles to build tension and reflect the dark emotional themes.
Conventions of horror
The document outlines several conventions of horror films, including common settings, technical elements, symbols, themes, and character archetypes. It notes that horror films often use isolated, dark settings like abandoned buildings, forests, or small towns. Technically, they employ unsteady camerawork, close-ups, and point-of-view shots to increase tension. Common symbols include dark colors, shadows, and identifying props for villains. Typical themes involve good vs. evil, the supernatural, childhood trauma, and science gone wrong. Character archetypes usually include a protagonist hero, a villainous killer, immoral teens as victims, and creepy children.
Horror conventions.
Horror films employ many common conventions and settings to establish atmosphere and tension. Bloody knives, ravens, haunted houses, pot dolls, low key lighting, shadows, woods, caves, warehouses, dreams, flashbacks, werewolves, ghosts, blondes dying first, revenge, vampires, and zombies are some visual motifs and plot devices frequently seen. Psychological elements like obsession and the exploration of human fears and beliefs through supernatural, sci-fi, religious, or erotic themes are also commonly utilized. Overall, horror draws from a wide range of subgenres to frighten and unsettle viewers.
Recommended
Genre Research of Psychological Horror Films.
1) Psychological horror films portray characters with inner fears, worries, or paranoia in realistic environments. They often use tension, sounds, and the characters' psychological states to frighten audiences.
2) Common character stereotypes include disturbed or isolated individuals, usually portrayed as normal at first but changing throughout. Main victims are typically female or young children with troubled pasts.
3) Settings are usually large empty or isolated places like houses or hospitals to create unease. Dark, dimly-lit areas with history are also frequently used settings.
Thethreeactstructureisthetemplatethemoststoriesfollow
The document provides a detailed narrative analysis of the pilot episode of "The Flash". It summarizes the three-act structure and discusses how the episode establishes an initial equilibrium of Barry Allen's life, introduces disequilibrium in the form of a freak accident giving Barry superpowers, and brings things to a new equilibrium as Barry embraces his powers to become a superhero. Key narrative devices like binary oppositions, enigma codes, and action codes that advance the plot are also analyzed in the context of this episode.
Genres
Horror films typically feature stock characters like a helpless female victim or a creepy male killer hunting victims. Locations are usually dark, creepy settings like abandoned houses, woods, caves, or hospitals that can be made to seem terrifying through lighting, filters, and music. Effective horror films twist expectations by subverting stock characters, like the female protagonist in "Shrooms" who is revealed to be the killer, or by using an unexpected but unsettling location like a whole city.
Slasher tropes
The document discusses several common character tropes that are often seen in slasher films. It describes the villain, who is usually disfigured or wears a mask, and is oddly powerful. It also discusses the group of friends, which often includes a jock, stoner/nerd, promiscuous girl, and final girl. Other tropes mentioned include the benefactor, who gifts the group items; common locations like cabins in the woods; and the final girl character who is typically the last survivor. The document also examines psychological theories about the oedipal complex and how some analyses see the final girl representing castration anxiety.
Sub-Genres of Horror
This document discusses several major subgenres of horror films, including slasher, psychological, supernatural, possession, gothic, monster, and zombie films. It provides characteristics and conventions for each subgenre, such as common plot elements, settings, characters, and themes. Examples are given for well-known films that exemplify each subgenre, such as Friday the 13th for slasher, The Shining for psychological, Poltergeist for supernatural, The Exorcist for possession, Dracula for gothic, Godzilla for monster, and Zombie for zombie films.
Know your genre
In the film genre of psychological thriller/mystery:
Protagonists typically display signs of mental instability or trauma, such as PTSD from war. Antagonists aim to undermine and manipulate the protagonist's fragile mental state. Symbolic objects like black clothing and funeral flowers are used to suggest death and unease. Lighting commonly uses low-key shadowy styles to build tension and reflect the dark emotional themes.
Conventions of horror
The document outlines several conventions of horror films, including common settings, technical elements, symbols, themes, and character archetypes. It notes that horror films often use isolated, dark settings like abandoned buildings, forests, or small towns. Technically, they employ unsteady camerawork, close-ups, and point-of-view shots to increase tension. Common symbols include dark colors, shadows, and identifying props for villains. Typical themes involve good vs. evil, the supernatural, childhood trauma, and science gone wrong. Character archetypes usually include a protagonist hero, a villainous killer, immoral teens as victims, and creepy children.
Horror conventions.
Horror films employ many common conventions and settings to establish atmosphere and tension. Bloody knives, ravens, haunted houses, pot dolls, low key lighting, shadows, woods, caves, warehouses, dreams, flashbacks, werewolves, ghosts, blondes dying first, revenge, vampires, and zombies are some visual motifs and plot devices frequently seen. Psychological elements like obsession and the exploration of human fears and beliefs through supernatural, sci-fi, religious, or erotic themes are also commonly utilized. Overall, horror draws from a wide range of subgenres to frighten and unsettle viewers.
Killer research primary research
Freddy Krueger, Candyman, and Esther are well-known killers from horror films that follow some common conventions. Freddy Krueger uses a gloved razor hand to kill in dreams. Candyman appears if his name is said five times in a mirror and kills with a hook for a hand. Esther poses as a child but is actually a grown woman who uses manipulation to kill without obvious weapons. While they follow conventions as serial killers with troubled pasts, Esther subverts expectations by appearing as a child rather than the usual middle-aged man and hiding her deadly nature under an innocent guise.
Narrative
The document summarizes several narrative theories and analyzes how they are applied in a horror story about a family whose home is broken into by a cult. It follows Tzvetan Todorov's five stages of narrative structure: equilibrium, disruption, recognition, attempt to repair, and reinstatement of equilibrium. It also incorporates elements of Claude Levi-Strauss's concept of binary oppositions and Vladimir Propp's character archetypes of villain, heroine, and victim. The narrative combines a linear structure with fractured elements like flashbacks and flash-forwards.
Stock characters in horror films 2
The document outlines several common stock characters that are often seen in horror films. The wanderer is typically the first victim who wanders off and gets killed for being curious and naive. The popular girl is attractive but mean-spirited and often friends with the final girl, meeting an early demise. The jock is athletic and tries to protect others but ultimately fails when battling the antagonist. The final girl is the sole survivor and protagonist whose fear and bravery the audience experiences. Pandora's curiosity opens dangerous possibilities as they sometimes turn out to be the hidden killer. The pervert is a sexually-motivated outcast focused on lust rather than self-preservation, leading to their demise.
Initial idea
Lila experiences backstabbing from her former best friend Jessica and a group of popular girls in high school. The popular girls convince Jessica to help them kill Lila, which she does by hiding her body. When the girls think Lila is dead, her body unexpectedly reappears as she seeks revenge against those who killed her. The film explores themes of teenage betrayal, murder, and supernatural revenge in the slasher film genre.
Monstrous feminine
Barbara Creed developed a theory of the "monstrous feminine" in horror films, building on Freud's ideas of the pre-Oedipal stage and castration anxiety. She argues that in horror films, women are often portrayed as monstrous and abject, representing the threat of castration. For example, in Halloween the final girl Lorry takes on this role when she kills the killer Michael Myers with a phallic symbol, becoming the monster herself. Creed's theory examines how psychological concepts of the mother-child relationship and separation from the mother get mapped onto gender in horror films.
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Wrong turn film analysis
The document provides a film analysis of the 2003 horror movie Wrong Turn. It discusses several key narrative theories and how they apply to the plot and characters of the film. The movie follows a group of teenagers who become stranded in the woods and must fight for survival against a family of inbred cannibals. The analysis examines how the film establishes an initial equilibrium, introduces disruptive events, and establishes a new resolution at the end as described by Tzvetan Todorov's narrative theory. It also discusses how the film employs common binary oppositions of good vs evil characters and demonstrates other typical horror film conventions outlined by theorists like Carol Clover and Vladimir Propp.
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Read the full post at: http://www.jsmorin.com/2013/02/7-types-of-heroes/
Halloween Film Analysis
Halloween was directed by John Carpenter in 1978 and is considered one of the most iconic slasher films. It follows the story of Michael Myers, who kills his sister at age 6 and is institutionalized, then escapes 15 years later to return to his hometown. The film challenges some classic horror structures by having two disruptive events rather than one. It also uses common horror tropes like the final girl and establishes clear good vs. evil binary oppositions between Michael and the protagonist Laurie. Overall, the film effectively utilizes many classic media theories around narrative, characters, and gender to great success and influence subsequent slasher films.
Monstrous feminine
Barbara Creed is a Marxist feminist film critic who developed her theory of the "monstrous feminine" from Laura Mulvey's concept of the "male gaze". She applied this theory particularly to horror movies and slasher films. Her theory suggests that as women are often portrayed as monstrous in media, this is most apparent in horror films. The "monstrous feminine" challenges the notion that girls are victims and instead frames them as villains. Creed's theory links this to Freudian ideas about gender development and the fear of castration. Her work analyzes how horror films depict these gender dynamics through female villains killing or "castrating" male characters.
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1) The Mustache Twirler is a simple, over-the-top villain without depth that creates peril for the hero. Examples include Snidely Whiplash and Auric Goldfinger.
2) The Ancient Evil is a long dormant threat, like Sauron or Cthulhu, that is beyond reasoning with and requires great heroism to defeat.
3) The Mastermind is highly intelligent and always thinking one step ahead of the clever hero, like Megamind or Professor Moriarty.
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Mockingbird
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- The document summarizes several horror films that involve supernatural forces and share common themes. Many of the films feature crucial objects that are relevant to the storyline and target vulnerable characters. Most films also provide backstories to supernatural villains and conclude rather than end on a cliffhanger.
Horror genre research
In horror movies, groups typically consist of 5 people - two couples and a friend. Locations are often remote areas without easy access to help. Common themes include masked killers, paranormal threats, and monsters. Generic conventions include isolated locations, dark cinematography, dumb blonde victims, cocky male characters dying first, and handheld camera work to build tension.
Media genre
This document discusses various genres and subgenres of film. It begins by defining the horror genre, noting that horror films aim to create a sense of fear through disturbing representations of nightmares and evil forces. It provides examples of classic horror films and describes common tropes like ghosts, violence, and overlapping with other genres. The document then outlines several horror subgenres like slasher, supernatural, and zombie films. It also discusses common stereotypical characters found in horror movies. Similarly, it defines the comedy and fantasy genres, provides examples and subgenres for each, and briefly mentions some stereotypical characters often seen in comedy and fantasy films.
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Killer research primary research
Freddy Krueger, Candyman, and Esther are well-known killers from horror films that follow some common conventions. Freddy Krueger uses a gloved razor hand to kill in dreams. Candyman appears if his name is said five times in a mirror and kills with a hook for a hand. Esther poses as a child but is actually a grown woman who uses manipulation to kill without obvious weapons. While they follow conventions as serial killers with troubled pasts, Esther subverts expectations by appearing as a child rather than the usual middle-aged man and hiding her deadly nature under an innocent guise.
Narrative
The document summarizes several narrative theories and analyzes how they are applied in a horror story about a family whose home is broken into by a cult. It follows Tzvetan Todorov's five stages of narrative structure: equilibrium, disruption, recognition, attempt to repair, and reinstatement of equilibrium. It also incorporates elements of Claude Levi-Strauss's concept of binary oppositions and Vladimir Propp's character archetypes of villain, heroine, and victim. The narrative combines a linear structure with fractured elements like flashbacks and flash-forwards.
Stock characters in horror films 2
The document outlines several common stock characters that are often seen in horror films. The wanderer is typically the first victim who wanders off and gets killed for being curious and naive. The popular girl is attractive but mean-spirited and often friends with the final girl, meeting an early demise. The jock is athletic and tries to protect others but ultimately fails when battling the antagonist. The final girl is the sole survivor and protagonist whose fear and bravery the audience experiences. Pandora's curiosity opens dangerous possibilities as they sometimes turn out to be the hidden killer. The pervert is a sexually-motivated outcast focused on lust rather than self-preservation, leading to their demise.
Initial idea
Lila experiences backstabbing from her former best friend Jessica and a group of popular girls in high school. The popular girls convince Jessica to help them kill Lila, which she does by hiding her body. When the girls think Lila is dead, her body unexpectedly reappears as she seeks revenge against those who killed her. The film explores themes of teenage betrayal, murder, and supernatural revenge in the slasher film genre.
Monstrous feminine
Barbara Creed developed a theory of the "monstrous feminine" in horror films, building on Freud's ideas of the pre-Oedipal stage and castration anxiety. She argues that in horror films, women are often portrayed as monstrous and abject, representing the threat of castration. For example, in Halloween the final girl Lorry takes on this role when she kills the killer Michael Myers with a phallic symbol, becoming the monster herself. Creed's theory examines how psychological concepts of the mother-child relationship and separation from the mother get mapped onto gender in horror films.
Callum characters presentation
The document discusses common character archetypes found in film noir, horror, and thriller genres. It provides descriptions of several famous villainous characters including Michael Myers from Halloween, Jigsaw from Saw, Freddy Krueger from Nightmare on Elm Street, Jason Voorhees from Friday the 13th, Hannibal Lecter from Silence of the Lambs, Leatherface from Texas Chainsaw Massacre, and Chucky from Child's Play. These characters are often psychopathic killers who terrorize victims using weapons like knives, guns, and chainsaws.
Identifying Literary Conflict
Before students can accurately summarize and analyze a text, they must be able to identify a story’s central conflict. An understanding of that central struggle is integral to understanding a work’s overriding themes. (Common Core Reading Anchor Standards 2 and 5) This powerful, interactive PowerPoint presentation is designed to instruct middle and high school students how to quickly identify the core conflicts of literary pieces to ensure accurate summarization and structural analysis. In particular this presentation meets CCSS ELA Literacy Standards RL 7.3 and 8.3.
A complete lesson plan is available at http://www.teacherspayteachers.com/Browse/Search:barbara+yardley
The crazies film analysis
The Crazies is a 2010 remake of the 1973 film of the same name. It follows the sheriff of Ogden Marsh, Iowa and his pregnant wife as they try to escape the town when its water supply infects residents with a disease that turns them violent. While the film challenges some classic narrative and character theories, it still presents a coherent story with discernible heroes and villains that keeps audiences engaged. It uses time in novel ways, with the plot spanning 3 days but the story 3 weeks. Gender roles are also subverted somewhat, with the wife playing a strong survival role atypical of classic theories. Overall the film offers a fresh perspective while maintaining narrative success.
Wrong turn film analysis
The document provides a film analysis of the 2003 horror movie Wrong Turn. It discusses several key narrative theories and how they apply to the plot and characters of the film. The movie follows a group of teenagers who become stranded in the woods and must fight for survival against a family of inbred cannibals. The analysis examines how the film establishes an initial equilibrium, introduces disruptive events, and establishes a new resolution at the end as described by Tzvetan Todorov's narrative theory. It also discusses how the film employs common binary oppositions of good vs evil characters and demonstrates other typical horror film conventions outlined by theorists like Carol Clover and Vladimir Propp.
7 Types of Heroes
You don’t need a hero to have a story, but if you want to write about heroic deeds you’re going to end up with one somewhere along the lines. Here are 7 types of heroes that you can use to get you started with your story, or modify these archetypes to keep things fresh and original.
Read the full post at: http://www.jsmorin.com/2013/02/7-types-of-heroes/
Halloween Film Analysis
Halloween was directed by John Carpenter in 1978 and is considered one of the most iconic slasher films. It follows the story of Michael Myers, who kills his sister at age 6 and is institutionalized, then escapes 15 years later to return to his hometown. The film challenges some classic horror structures by having two disruptive events rather than one. It also uses common horror tropes like the final girl and establishes clear good vs. evil binary oppositions between Michael and the protagonist Laurie. Overall, the film effectively utilizes many classic media theories around narrative, characters, and gender to great success and influence subsequent slasher films.
Monstrous feminine
Barbara Creed is a Marxist feminist film critic who developed her theory of the "monstrous feminine" from Laura Mulvey's concept of the "male gaze". She applied this theory particularly to horror movies and slasher films. Her theory suggests that as women are often portrayed as monstrous in media, this is most apparent in horror films. The "monstrous feminine" challenges the notion that girls are victims and instead frames them as villains. Creed's theory links this to Freudian ideas about gender development and the fear of castration. Her work analyzes how horror films depict these gender dynamics through female villains killing or "castrating" male characters.
7 types of villains
The document outlines 7 types of villains that can be used when developing stories:
1) The Mustache Twirler is a simple, over-the-top villain without depth that creates peril for the hero. Examples include Snidely Whiplash and Auric Goldfinger.
2) The Ancient Evil is a long dormant threat, like Sauron or Cthulhu, that is beyond reasoning with and requires great heroism to defeat.
3) The Mastermind is highly intelligent and always thinking one step ahead of the clever hero, like Megamind or Professor Moriarty.
Dystopian art and literature D block
The document summarizes common traits seen in characters and plots of dystopian novels and films. It discusses how protagonists in these stories tend to be brave and face antagonists who try to control others. There are often unclear loyalties as characters may betray the protagonists. Additionally, the protagonists are usually underdogs who must endure trials and persevere against hardships, even when facing defeat. Examples from the novels Animal Farm and Divergent are provided to illustrate these traits.
Mockingbird
This document summarizes key elements and quotes from the novel "To Kill a Mockingbird". It discusses how the novel explores the destruction of innocence through the unfair trial of Tom Robinson. It also explains that mockingbirds are used as a symbol of innocence in the story, and that killing a mockingbird would be killing all innocence. An additional quote is presented that provides context on the character of Dill. Finally, an example of situational irony in the novel is summarized, involving Atticus telling a mob to be quiet so Tom Robinson can sleep as they plan to kill him.
The Protagonist in Dystopia
The document discusses and compares protagonists from dystopian works of literature, film, and art. It analyzes the characteristics of Mad Max, Neo from The Matrix, Terminators, and Katniss Everdeen from The Hunger Games. Some consistent traits of dystopian protagonists discussed are bravery, courage, empathy for others, and a desire to change the current oppressive system. The document also explores how the protagonists' personalities and emotions may change after learning the true nature of their dystopian realities.
Unit 3 Devising Guide & Narrative
Basic framework for KS4 and 5 Drama and Performing Arts students. Also contains some slides about Narrative theory useful to cross over with Media Studies/Film students
A Film or Book Review by 6 B
This document contains reviews of books, films, and other media from several students. It includes reviews of Diary of a Wimpy Kid, Divergent, The Maze Runner, The Hobbit, Jurassic Park, and Harry Potter among others. The reviews provide the title, author, main characters, and a brief reason for why each reviewer liked the book or film in 1-3 sentences.
Film Research
- The document summarizes several horror films that involve supernatural forces and share common themes. Many of the films feature crucial objects that are relevant to the storyline and target vulnerable characters. Most films also provide backstories to supernatural villains and conclude rather than end on a cliffhanger.
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Similar to Horror key concepts
Horror genre research
In horror movies, groups typically consist of 5 people - two couples and a friend. Locations are often remote areas without easy access to help. Common themes include masked killers, paranormal threats, and monsters. Generic conventions include isolated locations, dark cinematography, dumb blonde victims, cocky male characters dying first, and handheld camera work to build tension.
Media genre
This document discusses various genres and subgenres of film. It begins by defining the horror genre, noting that horror films aim to create a sense of fear through disturbing representations of nightmares and evil forces. It provides examples of classic horror films and describes common tropes like ghosts, violence, and overlapping with other genres. The document then outlines several horror subgenres like slasher, supernatural, and zombie films. It also discusses common stereotypical characters found in horror movies. Similarly, it defines the comedy and fantasy genres, provides examples and subgenres for each, and briefly mentions some stereotypical characters often seen in comedy and fantasy films.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
C and c of horror
The document discusses common tropes and conventions found in horror films. It describes the typical characters that audiences expect to see, including victims who are usually teens that make poor decisions, a killer with a dark backstory, and a final survivor who is wise and manages to defeat the killer. It also outlines the settings that are commonly used, such as isolated or abandoned places that trigger fear. Common actions that drive the plot include groups splitting up and investigating strange noises despite warnings, and characters encountering technical issues like power cuts at dangerous times. Other conventions include the killer having a signature weapon, use of masks or disfigurement to make the killer seem unpredictable, depictions of blood and gore, and symbols representing good versus evil or
C and c of horror
The document discusses common tropes and conventions found in horror films. It describes the typical characters that audiences expect to see, including victims who are usually teens that make poor decisions, a killer with a dark backstory, and a final survivor who is wise and manages to defeat the killer. It also outlines the settings that are commonly used, such as isolated or abandoned places that trigger fear. Common actions that drive the plot include groups splitting up and investigating strange noises despite warnings, and characters encountering technical issues like power cuts or car trouble when trying to escape. The document also lists some standard iconography in horror films, such as the killer's signature weapon, masks or disfigured faces used to disguise emotions, depictions of blood
Conventions of Horror
The document discusses common tropes and conventions found in horror films. It describes the typical characters that appear, including victims who are usually teens that make poor decisions, a killer with a dark backstory, and a final survivor who is wise and manages to defeat the killer. It also outlines the settings that inspire fear, such as abandoned buildings, and actions like groups splitting up or cars failing to start at suspenseful moments. Additionally, it lists standard iconography of the genre including the killer's signature weapon used for murders and symbols representing death.
Stock characters in horror films
This document discusses several common stock characters that appear in horror films. The wanderer is an aimless traveler who is often the first killed out of curiosity. The popular girl is well-liked but her popularity makes her vulnerable. The jock is a leader due to sports but also faces danger. The final girl is usually the last surviving female who confronts the killer. Pandora characters unlock secrets that endanger others. The pervert is sexually motivated and focused on partners over potential threats.
Stock characters in horror films
This document summarizes several common stock characters that appear in horror films. The wanderer is an aimless traveler who explores unfamiliar places and is often the first killed. The popular girl is well-liked but her popularity makes her vulnerable. The jock is an athletic leader of the group. The final girl is usually the last surviving female who confronts the killer. Pandora figures unlock dangerous secrets. The pervert is a sexually motivated male who dies early, highlighting that immoral acts will be punished.
BURTON'S THEORY (PSYCHOLOGICAL HORROR)
Burton stated that genres have recognizable features that are repeated over time, such as protagonists, stock characters, and themes. Psychological horror aims to create discomfort by exposing common psychological fears and vulnerabilities. It typically features protagonists confronting threats that embody archetypal shadows. Settings often involve isolation or the unknown to heighten tension between hope and fear or order and chaos.
Media genre research
This document discusses conventions of the horror genre. It notes that horror aims to create a sense of fear in audiences by focusing on dark or evil forces. Common themes include hauntings, murders, demons and ghosts. Narratives typically involve heroes facing evil characters or spirits and surviving to defeat them. Settings are usually remote, dark places like forests and abandoned homes. Characters include protagonists, villains, teens and possessed children. Examples like Insidious and The Woman in Black are provided that follow these conventions through their characters, settings and use of fear.
Horror Teaser Proposal
Six friends gather at an abandoned house for a night of partying that turns deadly when someone begins killing them off one by one. As the body count rises, the friends must determine who among them isn't playing by the rules to survive. The film subverts stereotypes by portraying the usual "final girl" as brave and determined to help others, while an unlikely character is revealed to be the killer through jealousy and resentment of the others.
Pitch
Isaac White, a graduate in parapsychology, seeks to prove the existence of the paranormal by investigating a case at a farmhouse. With his friend William, they make contact with the spirit of Tabitha Rosemary, who possesses William. Despite this, Isaac continues his research alone. William is dragged into a maze by Tabitha and goes missing. Isaac's mental state deteriorates as he becomes obsessed with proving his theory. The trailer explores both conventional and unconventional horror elements in its plot and characters.
introduction to sub genres of horror
This document discusses various horror subgenres and their common conventions. It notes that slasher films typically involve a masked killer murdering a group of teenage transgressors. Supernatural films focus on an evil spirit that cannot be easily controlled or defeated. Possession movies are similar but feature religious symbols and efforts to exorcise the possessing entity. Monster movies are usually set in the past and feature mythical creatures as antagonists that can be defeated. The document also discusses various horror film theories relating to character archetypes and narrative structures.
Sub genre
The document discusses various horror subgenres and their conventions. It analyzes the conventions of supernatural, psychological, slasher, possession and gothic subgenres. Key conventions discussed include common settings like homes and isolated locations, characters like the final girl in slashers and themes involving curses or haunted places. The author and their group chose the possession subgenre for their film due to its interesting narrative possibilities and relevance to modern audiences. They believe it will allow them to creatively challenge conventions and engage a sophisticated audience.
Sub genre2
The document discusses various horror film subgenres and their common conventions. It analyzes supernatural, psychological, slasher, possession and gothic subgenres. For each, it identifies common narrative structures, character tropes, locations, and visual/audio techniques. For example, it notes possession films typically feature religious imagery and are set in isolated places with dark histories. The author's group chose the possession subgenre for their film due to its complexity, relevance and opportunities for creative expression.
1 horror sub genre [repaired]
Gothic horrors were first made in the 1920s and were the first films to use soundtracks. Early female monsters in these films tended to be beautiful rather than scary, defying horror conventions. Psychological horrors rely on fears and instability to build tension using realistic threats like assault. Slasher films from the 1990s featured masked killers stalking victims with weapons like knives. Possession films center around families with a possessed member and use religious figures to confront the evil spirit.
Stock Characters
The document discusses various stock characters commonly found in horror films, including the hero, villain, false hero, and donor. The hero, such as Clear Rivers from Final Destination, is attractive and underestimated but ultimately survives. The villain, exemplified by Freddy Krueger from Nightmare on Elm Street, seeks revenge and kills victims. The false hero, like Mandy Lane, appears to be the hero but is later revealed as the cause of danger. The donor, such as Rham Jas from Drag Me to Hell, aids the hero with information or objects necessary for their quest.
Stock Characters
The document describes several stock characters commonly found in horror films:
- The Hero (e.g. Clear Rivers from Final Destination) is the main character who overcomes threats to survive, often as the last one standing. They are underestimated but become strong-willed.
- The Villain (e.g. Freddy Krueger from Nightmare on Elm Street) struggles against the hero and causes problems, seeking revenge for a traumatic past. Their appearance and motives make them easy for audiences to see as evil.
- The False Hero (e.g. Mandy Lane from All the Boys Love Mandy Lane) appears to be the hero but is later exposed as the true villain
How does your film opening represent particular social
The document analyzes the representation of characters in horror films based on location, ethnicity, gender, and age. It describes the setting of the film as a lab, implying the characters are educated scientists rather than working class. It notes that white female characters are typically strong and determined professionals like scientists or doctors, while the white female in this film seems more relaxed and talkative than driven. The black male character follows a common trope of being the first to make a mistake and get killed, acting as a heroic sacrifice. Men are usually portrayed as dominant and willing to fight threats, though the male character here is distracted by his work. Main female leads in horror tend to be determined teenagers but this character is laidback and survives by
Show your knowledge of narrative structure and conventions
This document summarizes key narrative structures and conventions used in the horror movies "28 Days Later", "The Shining", and "I Spit on Your Grave". For each movie, it identifies the plot, locations, characters, props, and relates them to either Tzvetan Todorov's theory of narrative equilibrium, disequilibrium, and resolution or Claude Levi-Strauss's concept of binary oppositions such as good vs. evil. Overall, the document analyzes how these classic horror films employ common narrative and thematic elements to tell frightening stories and elicit emotional responses from viewers.
Similar to Horror key concepts (20)
How does your film opening represent particular social
How does your film opening represent particular social
Show your knowledge of narrative structure and conventions
Show your knowledge of narrative structure and conventions
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The Gallery of Shadows, In the heart of a bustling city
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Anasuya Sengupta Cannes 2024 Award Winner
Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
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Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
The Enigmatic Portrait, In the heart of a sleepy town
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定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
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The Enigma of the Midnight Canvas, In the heart of Paris
In the heart of Paris, where the Seine River flowed languidly beneath the city's graceful bridges …
created with AI assistance…
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legacies
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
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Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
From country star to global phenomenon, delve into Taylor Swift's incredible journey. Explore chart-topping hits, feuds, & her rise to billionaire status!
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Horror key concepts
- 1. Investigating the key elements of a Horror film synopsis: Settings Icons Protagonists Stock characters/ stereotypes Stock situations/ plots
- 2. Often the main characters in a horror film have had a Orphan: negative experience in their past which is holding them back, for Kate it is the loss of her still born baby. Kate and John Coleman are rebuilding their troubled marriage after suffering the loss of a still born baby. Kate had a drinking problem, but is in therapy and doing well being sober for one year. The couple decide to adopt a child & when they meet the nine-year- old Russian girl, Esther, at the St. Marina Orphanage, they immediately fall in love with the young orphan. Their young son, Daniel, is hostile towards his new sister; but their deaf-mute daughter, little Max, is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically disturbed. John refuses to listen to his wife's misgivings, and the wounds in their marriage reopen. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not at all who she pretends to be. Its very common for the protagonist Young orphans/children feature in many horror to figure out the truth, but then be films as a negative connotation. They have foolishly ignored by the other become an icon, & the thought of an evil child is characters. chilling and sick.
- 3. Death or the grim reaper is one of Final destination 5 the biggest icons within the horror genre. It comes in many forms and is very effective as it relates to the fear In this fifth instalment, Death is just as many people have of dying omnipresent as ever, and is unleashed after one man’s premonition saves a group of co-workers In horror films from a terrifying suspension bridge collapse. But phycic premonitions are this group of unsuspecting souls was never common, they supposed to survive, and, in a terrifying race mostly belong to against time, the ill-fated group frantically tries the protagonist and often come to discover a way to escape Death’s sinister true. agenda. Death has all the power, the characters have no Escaping death is almost always control over the situation. This is a common the main aim for the characters factor in horror films, the main characters always in a horror film. have no control over what is happening, this is what makes them vulnerable.
- 4. Scream 4 Sidney Prescott returns home to Woodsboro on the last stop of her book tour. There she reconnects with Sheriff Dewey and Gale, who are now married, as well as her cousin Jill and her Aunt Kate. Unfortunately, Sidney's appearance also brings about the return of Ghost face, putting Sidney, Gale, and Dewey, along with Jill, her friends, and the whole town of Woodsboro in danger. When Sidney's cousin Jill's life is threatened, and her friends are being picked off one by one, Sidney, Gale and Dewey need to figure out who's reinventing the deadly game before it becomes too late. The different stereotypes of the Ghost face is one of the biggest stock character are very icons in the horror genre and common within slasher horror has a negative connotation: movies, e.g, the jock, the popular girl, Most horror films are set in small towns such as Woodsboro. This emphasis the fact that the characters are trapped, and suggests that they are being killed by someone they know.