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Scene 1 - EXT - SERIES OF FLATS - DAY
Shot Number Shot Description
1 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc Establishing long shot of flats then tilts
down to a person walking towards it.
2 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc MS of David walking.
3 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh OTS shot of David checking paper in his
hand then tilts up to shot of him pressing
button for flat.
4dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcbjj Low angle long shot of window. We see
Sammie pull the curtains and peek through
the window.
5xvxvxvxvxvxvxvxvxvxvxvxvxvxvxvxvxvxvx WS of the exterior with the title ‘HOME’
Shot Number Shot Description
6 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc MLS of Sammie lying on the floor colouring.
Pulls focus to the door to where David and
Jason walk in. Shoot the whole scene when
shot 5 filming.
7 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc MS of Sammie colouring (reaction)
8 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh ML two shot of David and Jason.
9dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcbjj MS Sammie
10ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rbd
g
Shot reverse shot between Sammie and
Jason. Then into two shot of Jason and
David then shot reverse shot between
David and Sammie.
11sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf Jason exists FWF from hallway as door
closes.
Scene 2 - INT - LIVING ROOM - DAY
Shot Number Shot Description
12 hsihcsxxs n n
scjisjiskxcskckscksnkcnkscksc
WS as flat doors open, David is shown out
by Jason.
13
xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc
MTS of Jason and David dialogue
14
cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh
CU of Jason - same dialogue
15dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb
jj
CU of David - same dialogue
16jbf;bf;ubs;ugbsdogb’iosgb’ioebg’obg'rbdg Low angle shot of window where Sammie
sees David leave.
17sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf Same exterior but at night.
Scene 3 - EXT - FRONT DOOR OF FLAT- DAY

 Scene 4 - INT - THE LIVING ROOM - NIGHT
Shot Number Shot Description
18 hsihcsxxs n n
scjisjiskxcskckscksnkcnkscksc
CU of digital clock saying 2.34.
19
xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc
Start CU of Jason. Handheld move from
bedroom ends on CU Sammie. She rises
out of shot.
20
cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh
LS of Jason and Sammie as he lifts her and
leaves room and camera follows both to
Scene 5 - INT - JASONs BEDROOM - NIGHT
Shot Number Shot Description
21 hsihcsxxs n n
scjisjiskxcskckscksnkcnkscksc
Bedroom, he carefully puts her in his bed.
End on WS. Hold.
22
xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc
CU of Jason in bed and he turns over and
we see the clock, then he turns back.
23
cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh
Hard cut to: Empty bed MS
24dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb
jj
Jason sits up MLS whip pan to Sammie
CU.
25ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rb Low angle CU shot of Jason talking to
Sammie.
26sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf
sj
Sammie CU.
27cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvvcvcvv
v
Mid shot of Sammie (silhouette) holding
knife.
28cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcv
c
CU of the lamp getting turned on. Handheld
of Jason to arm back to Jason. Snaps back
to the doorway and Sammie is gone.
29cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcc
c
CU of Jason’s shock as Sammie’s gone.
30cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcv POV shot of his arm with a cut.
31cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcc OTS track of Jason walking towards the
corridor. He checks corners and goes to
bathroom.
Scene 6 - INT - JASONs BATHROOM - NIGHT
Shot Number Shot Description
32 hsihcsxxs n n
scjisjiskxcskckscksnkcnkscksc
CU of bathroom light bulb switched on. Tilt
down to Jason entering the bathroom.
33
xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc
CU of the sink. Jason turns on the tap and
washes his hands.
34cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvs
h
CU of the sink drain while the blood rushes
down.
35dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb
jj
CU of Jason turning off tap and drying his
hands on nearest towel.
37ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rbd
g
CU of the mirror reflecting Jason and the
door behind him closes.
38sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf
sj
Pans as he rushes to the door and opens it.
CU Jason “open the door”
Shot Number Shot Description
39 hsihcsxxs n n
scjisjiskxcskckscksnkcnkscksc
POV corridor left.
40
xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc
POV corridor right.
41cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvs
h
MCU Jason walks toward living room.
42dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb
jj
POV walk to living room. Picks up drawing
of mother being murdered.
43ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rbd
g
MS Jason, drops painting turns silhouette
Sammie raises knife. CUT
Scene 7 - INT - HALLWAY AND LIVING ROOM - NIGHT

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HOME Shot list

  • 1. Scene 1 - EXT - SERIES OF FLATS - DAY Shot Number Shot Description 1 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc Establishing long shot of flats then tilts down to a person walking towards it. 2 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc MS of David walking. 3 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh OTS shot of David checking paper in his hand then tilts up to shot of him pressing button for flat. 4dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcbjj Low angle long shot of window. We see Sammie pull the curtains and peek through the window. 5xvxvxvxvxvxvxvxvxvxvxvxvxvxvxvxvxvxvx WS of the exterior with the title ‘HOME’ Shot Number Shot Description 6 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc MLS of Sammie lying on the floor colouring. Pulls focus to the door to where David and Jason walk in. Shoot the whole scene when shot 5 filming. 7 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc MS of Sammie colouring (reaction) 8 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh ML two shot of David and Jason. 9dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcbjj MS Sammie 10ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rbd g Shot reverse shot between Sammie and Jason. Then into two shot of Jason and David then shot reverse shot between David and Sammie. 11sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf Jason exists FWF from hallway as door closes. Scene 2 - INT - LIVING ROOM - DAY Shot Number Shot Description 12 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc WS as flat doors open, David is shown out by Jason. 13 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc MTS of Jason and David dialogue 14 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh CU of Jason - same dialogue 15dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb jj CU of David - same dialogue 16jbf;bf;ubs;ugbsdogb’iosgb’ioebg’obg'rbdg Low angle shot of window where Sammie sees David leave. 17sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf Same exterior but at night. Scene 3 - EXT - FRONT DOOR OF FLAT- DAY
  • 2. 
 Scene 4 - INT - THE LIVING ROOM - NIGHT Shot Number Shot Description 18 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc CU of digital clock saying 2.34. 19 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc Start CU of Jason. Handheld move from bedroom ends on CU Sammie. She rises out of shot. 20 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh LS of Jason and Sammie as he lifts her and leaves room and camera follows both to Scene 5 - INT - JASONs BEDROOM - NIGHT Shot Number Shot Description 21 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc Bedroom, he carefully puts her in his bed. End on WS. Hold. 22 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc CU of Jason in bed and he turns over and we see the clock, then he turns back. 23 cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvsh Hard cut to: Empty bed MS 24dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb jj Jason sits up MLS whip pan to Sammie CU. 25ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rb Low angle CU shot of Jason talking to Sammie. 26sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf sj Sammie CU. 27cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvvcvcvv v Mid shot of Sammie (silhouette) holding knife. 28cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcv c CU of the lamp getting turned on. Handheld of Jason to arm back to Jason. Snaps back to the doorway and Sammie is gone. 29cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcc c CU of Jason’s shock as Sammie’s gone. 30cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcv POV shot of his arm with a cut. 31cvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcvcc OTS track of Jason walking towards the corridor. He checks corners and goes to bathroom.
  • 3. Scene 6 - INT - JASONs BATHROOM - NIGHT Shot Number Shot Description 32 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc CU of bathroom light bulb switched on. Tilt down to Jason entering the bathroom. 33 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc CU of the sink. Jason turns on the tap and washes his hands. 34cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvs h CU of the sink drain while the blood rushes down. 35dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb jj CU of Jason turning off tap and drying his hands on nearest towel. 37ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rbd g CU of the mirror reflecting Jason and the door behind him closes. 38sfsfsfbjb;jkfbsjbfjsbfjbsjfbdsbfjkdsbfjbfsbf sj Pans as he rushes to the door and opens it. CU Jason “open the door” Shot Number Shot Description 39 hsihcsxxs n n scjisjiskxcskckscksnkcnkscksc POV corridor left. 40 xjcbjx;bc;jxbcjxc;jbxjcbjxbcjkxbcjbcjkbxjcbxjbc POV corridor right. 41cvhsvhvsdhldlhvlfhvhlfvlhjvfhvdhfvjhvhvs h MCU Jason walks toward living room. 42dcdcdbcbjdbjcbjbcjbcjbxjbcjxbcjxbcjbxjcb jj POV walk to living room. Picks up drawing of mother being murdered. 43ljbf;bf;ubs;ugbsdogb’iosgb’ioebg'obg'rbd g MS Jason, drops painting turns silhouette Sammie raises knife. CUT Scene 7 - INT - HALLWAY AND LIVING ROOM - NIGHT