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The Grand Budapest Hotel
Release date:07Mar 2014(United Kingdom)
Director: WesAnderson
Languages:English· French
Awards:AcademyAwardforBest OriginalScore·AcademyAwardforBest MakeupandHairstyling
Storyby:WesAnderson·Hugo Guinness
Musicby:AlexandreDesplat
Edited by:BarneyPilling
Productioncompany:AmericanEmpiricalPictures,IndianPaintbrush,StudioBabelsberg,ScottRudin
ProductionsandTSG Entertainment
Distributed by:FoxSearchlightPictures
Editedby:BarneyPilling
Release dates:6 February2014(Berlin)
6 March2014(Germany)
7 March2014(United States& UnitedKingdom)
Running time:100minutes
Country:United States,Germany,United Kingdom
Language:English
Budget:€23million
Boxoffice:$174.8million
THE ISSUES RAISED BY MEDIA OWNERSHIP IN CONTEMPORARY
MEDIA PRACTICE
The Grand Budapest Hotel was produced by American Empirical Pictures, Indian Paintbrush, Studio Babelsberg,
Scott Rudin Productions and TSG Entertainment
The five production companies synergised together to maximise their success. Not only did it obviously give
them a much bigger budget, as they were able to combine their money, but also to share production means, the
risk of an unsuccessful film and name and popularity.
American Empirical has a very distinctive style. All their films have a very alternative and are really recognisable.
This means that people who watched and enjoyed their past films such as Moonrise Kingdom, The Darjeeling
Limited or Fantastic Mr. Fox (a well known family film) would go and see The Grand Budapest Hotel purely
because of it’s production company.
TSG are an independent institution who are quite a well-known production company. They have produced many
successful films such as X-Men: Days of Future Past, Dawn of the Planet of the Apes and The Maze Runner. This
again would contribute to the audiences anticipation to see the film.
THE IMPORTANCE OF CROSS MEDIA CONVERGENCE
AND SYNERGY IN DISTRIBUTION, MARKETING AND
PRODUCTION
Films are usually created by two or more companies, these companies work together to produce, distribute
and market films. In this case the distribution company was Fox Searchlight Pictures. This media company
had an important role in the success of the film. They had control over how many copies of the film were
made, which is a vital job because if there is an insufficient amount of copies produced, the film could not
maximise the profit made. In addition, they also show the film to prospective buyers representing the
cinemas. This is crucial as it is marketing for the showing of the film, due to the fact that it will increase the
amount of tv adverts, internet adverts and Posters. The production team consisted of Wes Anderson, Jeremy
Dawson, Steven M. Rales and Scott Rudin. These have overall control over the films production, they put
together the crew and are responsible for the success of the film.
THE TECHNOLOGIES THAT HAVE BEEN INTRODUCED IN
RECENT YEARS AT THE LEVELS OF PRODUCTION,
DISTRIBUTION, MARKETING AND EXCHANGE.
The Grand Budapest Hotel is a modern Niche film released in 2014. This results in the
production companies having access to recently developed film technologies. However
despite this majority of The Grand Budapest Hotel was filmed on location therefore there
was little need for any dramatic special effects and advanced green screening.
They access to most new technologies available, for example internet Streaming, DVD and
Blu-ray. These have affected the way that they decided to create the film as its means they
can release it in a variety of ways, for example The Grand Budapest Hotel was released on
Blu-Ray and therefore different audiences will watch it differently.
THE SIGNIFICANCE OF PROLIFERATION IN HARDWARE AND
CONTENT FOR INSTITUTIONS AND AUDIENCES
The public now having access to phones and tablets with internet coverage now means that
modern DVD sales may begin to decrease, for example The Grand Budapest hotel will be
available on sites like Netflix and Lovefilm and therefore the public will prefer to watch it on
these rather than buy the DVD and therefore the companies that created The Grand
Budapest Hotel will lose out on money from the lack of DVD sales. Another way technologies
have come together is the creation of Blu-Ray, this allows film companies to create their films
with another new technology which naturally attracts bigger audiences.
THE IMPORTANCE OF TECHNICAL CONVERGENCE
FOR INSTITUTIONS AND AUDIENCES
• The Grand Budapest has a website, on which
you can watch the trailer, meet the cast, do
Grand Budapest themed activities and watch
extra clips. They didn’t really have any social
media however the website was a very effective
source of media and so they were fine without
it.
THE ISSUES RAISED IN THE TARGETING OF NATIONAL
AND LOCAL AUDIENCES (SPECIFICALLY, BRITISH) BY
INTERNATIONAL OR GLOBAL INSTITUTIONS
• Due to the film being American/British/German production, it would triple its potential in
success. Tis is because the big marketing campaigns will be launched in three different
countries. In contrast, for example, with American films where the big marketing campaigns
often only reach the audience who are in the same country. However The Grand Budapest
Hotel will not only have the marketing campaign cover the American audience (who take up a
large percentage of the film consumption), German audience and British audience.
THE WAYS IN WHICH THE CANDIDATES’ OWN EXPERIENCES OF
MEDIA CONSUMPTION ILLUSTRATE WIDER PATTERNS AND
TRENDS OF AUDIENCE BEHAVIOUR.
From the perspective of the younger groups of the
four quadrants we both digitally downloaded the
film. For cult films similar to the Grand Budapest
Hotel the audiences are not consuming the film in
cinemas. Instead, they choose to access the film via
the use of digital technologies on the internet
through streaming and digital downloads.

Grand budapest

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  • 3.
    The Grand BudapestHotel Release date:07Mar 2014(United Kingdom) Director: WesAnderson Languages:English· French Awards:AcademyAwardforBest OriginalScore·AcademyAwardforBest MakeupandHairstyling Storyby:WesAnderson·Hugo Guinness Musicby:AlexandreDesplat Edited by:BarneyPilling Productioncompany:AmericanEmpiricalPictures,IndianPaintbrush,StudioBabelsberg,ScottRudin ProductionsandTSG Entertainment Distributed by:FoxSearchlightPictures Editedby:BarneyPilling Release dates:6 February2014(Berlin) 6 March2014(Germany) 7 March2014(United States& UnitedKingdom) Running time:100minutes Country:United States,Germany,United Kingdom Language:English Budget:€23million Boxoffice:$174.8million
  • 4.
    THE ISSUES RAISEDBY MEDIA OWNERSHIP IN CONTEMPORARY MEDIA PRACTICE The Grand Budapest Hotel was produced by American Empirical Pictures, Indian Paintbrush, Studio Babelsberg, Scott Rudin Productions and TSG Entertainment The five production companies synergised together to maximise their success. Not only did it obviously give them a much bigger budget, as they were able to combine their money, but also to share production means, the risk of an unsuccessful film and name and popularity. American Empirical has a very distinctive style. All their films have a very alternative and are really recognisable. This means that people who watched and enjoyed their past films such as Moonrise Kingdom, The Darjeeling Limited or Fantastic Mr. Fox (a well known family film) would go and see The Grand Budapest Hotel purely because of it’s production company. TSG are an independent institution who are quite a well-known production company. They have produced many successful films such as X-Men: Days of Future Past, Dawn of the Planet of the Apes and The Maze Runner. This again would contribute to the audiences anticipation to see the film.
  • 5.
    THE IMPORTANCE OFCROSS MEDIA CONVERGENCE AND SYNERGY IN DISTRIBUTION, MARKETING AND PRODUCTION Films are usually created by two or more companies, these companies work together to produce, distribute and market films. In this case the distribution company was Fox Searchlight Pictures. This media company had an important role in the success of the film. They had control over how many copies of the film were made, which is a vital job because if there is an insufficient amount of copies produced, the film could not maximise the profit made. In addition, they also show the film to prospective buyers representing the cinemas. This is crucial as it is marketing for the showing of the film, due to the fact that it will increase the amount of tv adverts, internet adverts and Posters. The production team consisted of Wes Anderson, Jeremy Dawson, Steven M. Rales and Scott Rudin. These have overall control over the films production, they put together the crew and are responsible for the success of the film.
  • 6.
    THE TECHNOLOGIES THATHAVE BEEN INTRODUCED IN RECENT YEARS AT THE LEVELS OF PRODUCTION, DISTRIBUTION, MARKETING AND EXCHANGE. The Grand Budapest Hotel is a modern Niche film released in 2014. This results in the production companies having access to recently developed film technologies. However despite this majority of The Grand Budapest Hotel was filmed on location therefore there was little need for any dramatic special effects and advanced green screening. They access to most new technologies available, for example internet Streaming, DVD and Blu-ray. These have affected the way that they decided to create the film as its means they can release it in a variety of ways, for example The Grand Budapest Hotel was released on Blu-Ray and therefore different audiences will watch it differently.
  • 7.
    THE SIGNIFICANCE OFPROLIFERATION IN HARDWARE AND CONTENT FOR INSTITUTIONS AND AUDIENCES The public now having access to phones and tablets with internet coverage now means that modern DVD sales may begin to decrease, for example The Grand Budapest hotel will be available on sites like Netflix and Lovefilm and therefore the public will prefer to watch it on these rather than buy the DVD and therefore the companies that created The Grand Budapest Hotel will lose out on money from the lack of DVD sales. Another way technologies have come together is the creation of Blu-Ray, this allows film companies to create their films with another new technology which naturally attracts bigger audiences.
  • 8.
    THE IMPORTANCE OFTECHNICAL CONVERGENCE FOR INSTITUTIONS AND AUDIENCES • The Grand Budapest has a website, on which you can watch the trailer, meet the cast, do Grand Budapest themed activities and watch extra clips. They didn’t really have any social media however the website was a very effective source of media and so they were fine without it.
  • 9.
    THE ISSUES RAISEDIN THE TARGETING OF NATIONAL AND LOCAL AUDIENCES (SPECIFICALLY, BRITISH) BY INTERNATIONAL OR GLOBAL INSTITUTIONS • Due to the film being American/British/German production, it would triple its potential in success. Tis is because the big marketing campaigns will be launched in three different countries. In contrast, for example, with American films where the big marketing campaigns often only reach the audience who are in the same country. However The Grand Budapest Hotel will not only have the marketing campaign cover the American audience (who take up a large percentage of the film consumption), German audience and British audience.
  • 10.
    THE WAYS INWHICH THE CANDIDATES’ OWN EXPERIENCES OF MEDIA CONSUMPTION ILLUSTRATE WIDER PATTERNS AND TRENDS OF AUDIENCE BEHAVIOUR. From the perspective of the younger groups of the four quadrants we both digitally downloaded the film. For cult films similar to the Grand Budapest Hotel the audiences are not consuming the film in cinemas. Instead, they choose to access the film via the use of digital technologies on the internet through streaming and digital downloads.