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Dr Steve Gaunson
Textual Crossings
RMIT University
Comics to moving pictures
Shots, dialogue, and no narrator who has to be removed for film
interpretation
Celebration
 Daniel Clowes and Terry Zwigoff co-wrote the screenplay
 How do we know what sort of adaptation this is?
 Edgy, raw, rough
 About loners and isolation
 These themes are nicely suited to the myth of the comic book reader
 Enid is a comic drawer
 There are several references to other comic strips written and drawn
by Daniel Clowes.
 coffee shop patron in the wheelchair is from Clowes' strip "Feldman" and
the "tampon in a teacup" gag is from a strip called "Art School
Confidential".
 Both strips appeared in a comic book called "Eightball" which also
contained "Ghost World".
Adjustment to form
 X-Men, Dick Tracey and Sin
City were dismissed as
literal-minded and "insulting"
to the (comic) art form.
 Ghost World goes for a real
world aesthetic — which was
criticised for not being
saturated in a blue tinge.
Black and white with hint of pale
blue
Pastiche
 Performances are not pushed too far like many comic
book adaptations.
 Its characters are real people
 Characters look ordinary
 Thora Birch gained 20 pounds for the role of Enid
 Care about Seymour and Enid
Parody
 Laughing with the comic – not at the comic
 Terry Zwigoff unintentionally cast the actor who played the
high school principal as a customer in the porn shop.
 Great moments of slapstick humour
 Witty one-liners
Revision
 Ghost world = ghost town
 Discontent
 Nothing to do — no culture, no value
 Stronger plot
 Deep engagement through music and listening
 Comic: The character of Seymour appears only as the
victim of the girls' prank
 Film: Rebecca has a rather diminished role
Allusion
The two original movie posters on Enid's wall are Pufnstuf (1970) and
The World of Henry Orient (1964), a film about two teenage girls with
similarities to this film.
“Devil go my women”
Colonisation
Terry Zwigoff
 Art School Confidential (2006) Daniel Clowes
adaptation
 Crumb (1994)
 Misfits, antiheroes, and themes of alienation.
 The character of Seymour is based in part on Zwigoff.
 Like Seymour, Zwigoff is an avid collector of 1920's
jazz and blues records.
Conclusion
 Visual to visual is too often overlooked as adaptation
 When we think of comics we think of superheroes
 What happens when a creator of the source adapts?
 Comic adaptation is about performance
 Think of how the actors perform these characters

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Ghost World

  • 1. Dr Steve Gaunson Textual Crossings RMIT University
  • 2. Comics to moving pictures Shots, dialogue, and no narrator who has to be removed for film interpretation
  • 3. Celebration  Daniel Clowes and Terry Zwigoff co-wrote the screenplay  How do we know what sort of adaptation this is?  Edgy, raw, rough  About loners and isolation  These themes are nicely suited to the myth of the comic book reader  Enid is a comic drawer  There are several references to other comic strips written and drawn by Daniel Clowes.  coffee shop patron in the wheelchair is from Clowes' strip "Feldman" and the "tampon in a teacup" gag is from a strip called "Art School Confidential".  Both strips appeared in a comic book called "Eightball" which also contained "Ghost World".
  • 4. Adjustment to form  X-Men, Dick Tracey and Sin City were dismissed as literal-minded and "insulting" to the (comic) art form.  Ghost World goes for a real world aesthetic — which was criticised for not being saturated in a blue tinge.
  • 5. Black and white with hint of pale blue
  • 6. Pastiche  Performances are not pushed too far like many comic book adaptations.  Its characters are real people  Characters look ordinary  Thora Birch gained 20 pounds for the role of Enid  Care about Seymour and Enid
  • 7. Parody  Laughing with the comic – not at the comic  Terry Zwigoff unintentionally cast the actor who played the high school principal as a customer in the porn shop.  Great moments of slapstick humour  Witty one-liners
  • 8. Revision  Ghost world = ghost town  Discontent  Nothing to do — no culture, no value  Stronger plot  Deep engagement through music and listening  Comic: The character of Seymour appears only as the victim of the girls' prank  Film: Rebecca has a rather diminished role
  • 9. Allusion The two original movie posters on Enid's wall are Pufnstuf (1970) and The World of Henry Orient (1964), a film about two teenage girls with similarities to this film. “Devil go my women”
  • 10. Colonisation Terry Zwigoff  Art School Confidential (2006) Daniel Clowes adaptation  Crumb (1994)  Misfits, antiheroes, and themes of alienation.  The character of Seymour is based in part on Zwigoff.  Like Seymour, Zwigoff is an avid collector of 1920's jazz and blues records.
  • 11. Conclusion  Visual to visual is too often overlooked as adaptation  When we think of comics we think of superheroes  What happens when a creator of the source adapts?  Comic adaptation is about performance  Think of how the actors perform these characters