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Dr Steve Gaunson
RMIT University
Picture book adaptation
• The convention of the picture book adaptation is to play
with objects drawn from the illustration
• This is how we assess them
• Adaptations is how stories evolve
• Criticism of film…
Colonisation
The adapter puts their own unique style on the source.
• “Revision: Revisions seek to alter the meaning and spirit
of the source”
• Is it altering the spirit — or updating it. Is Jonze finding his
way inside it?
• What was the theme of this adaptation? Book?
• How does it relate to his other films:
• Adaptation
• Being John Malkovich
• Parallel universes
Celebration
• Both tell the story from third person — but see the world
through Max’s POV.
• Both have Max angry over the lack of power he has in his
own life.
• The visual look is very similar to the picture book.
Celebration: Basic plot remains
• Max is playing
• Max is sent to his room
• Max begins his journey
• Max arrives at the Land of the Wild Things
• Max stands up to the Wild Things
• Max is made King
• Max organises the Wild Rumpus
• Max sends everyone to bed
• Max decides to return home
• Max is back in his bedroom
Expansion — doesn’t lose sentiment
• 10 sentences & 338 words = 144 minutes
• What do the critics of the film expect?
• Characters are fleshed out.
• Backstory: We see the mother (Catherine Keener) & boyfriend
(Mark Ruffalo)
• Traumatising scene with sister.
• Think how this is different to Rear Window
Revision
Film is more realistic (and scary)
• Book = anger
• Film = sadness
• Film is more character focused and less image focused
• Film is too dark & characters too complicated
• It doesn’t treat audience like idiots
Revision
Max stays longer — more than 1 day
His departure is emotional
WildThings don’t try to stop him
Final thought
• Is this a successful adaptation?
• How do we assess this?
• Is film the right mode for a picture book adaptation?
• What happens when a simple and ambiguous story is
fleshed-out?
• Can it become anything but disappointing?
• What are the problems of changing the age demographic
of the adaptation?
• Does the casting take you away from the book source?

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Where the Wild Things Are

  • 2. Picture book adaptation • The convention of the picture book adaptation is to play with objects drawn from the illustration • This is how we assess them • Adaptations is how stories evolve • Criticism of film…
  • 3. Colonisation The adapter puts their own unique style on the source. • “Revision: Revisions seek to alter the meaning and spirit of the source” • Is it altering the spirit — or updating it. Is Jonze finding his way inside it? • What was the theme of this adaptation? Book? • How does it relate to his other films: • Adaptation • Being John Malkovich • Parallel universes
  • 4. Celebration • Both tell the story from third person — but see the world through Max’s POV. • Both have Max angry over the lack of power he has in his own life. • The visual look is very similar to the picture book.
  • 5. Celebration: Basic plot remains • Max is playing • Max is sent to his room • Max begins his journey • Max arrives at the Land of the Wild Things • Max stands up to the Wild Things • Max is made King • Max organises the Wild Rumpus • Max sends everyone to bed • Max decides to return home • Max is back in his bedroom
  • 6. Expansion — doesn’t lose sentiment • 10 sentences & 338 words = 144 minutes • What do the critics of the film expect? • Characters are fleshed out. • Backstory: We see the mother (Catherine Keener) & boyfriend (Mark Ruffalo) • Traumatising scene with sister. • Think how this is different to Rear Window
  • 7. Revision Film is more realistic (and scary)
  • 8. • Book = anger • Film = sadness • Film is more character focused and less image focused • Film is too dark & characters too complicated • It doesn’t treat audience like idiots
  • 9. Revision Max stays longer — more than 1 day His departure is emotional WildThings don’t try to stop him
  • 10. Final thought • Is this a successful adaptation? • How do we assess this? • Is film the right mode for a picture book adaptation? • What happens when a simple and ambiguous story is fleshed-out? • Can it become anything but disappointing? • What are the problems of changing the age demographic of the adaptation? • Does the casting take you away from the book source?