GENRE CASE STUDY Abi Baxter
FILM NOIR
The film noir genre refers to mystery and crime dramas that were
produced in the early 1940’s to the last 1950’s. Films of this genre was
shot in black and white and often featured storylines including doomed
heroes, cynical detectives and femmes fatales.
‘Film Noir’ is French for ‘black film’ and was first
applied to Hollywood films by a man called Nico Frank
in 1946..
Before the 1970’s, many of the class film noirs
were referred to as ‘melodramas’
FILM NOIR TIMELINE
1910’s and 1920’s
Influences for film noir
genre films come from
German Expressionism
– an artistic movement
of the 1910’s and
1920’s. It involved
theatre, photography,
painting, sculpture,
architecture and
1930’s
The film movement
‘French poetic realism’
was introduced in the
1930’s. These films
usually had a fatalistic
view of life and stared
characters living on the
margins of society.
1932
Michael Curtiz
released a film
called 20,000
Years in Sing Sing
and it was one of
the earliest
Hollywood films to
be classified as
noir.
1941
The Maltese
Falcon (film)
was released
and was
regarded as the
first major film
noir classic of
the era.
Present day
Film noir
remains a
popular
film genre.
ICONIC FILMS WITHIN THIS GENRE
The Maltese Falcon (1941) John
Huston
Synopsis:
Classic mystery
about a private
eye who becomes
involved in a
dangerous quest
for a priceless
16th century
statuette. His
partner is
murdered and he
has to take on
angry cops and
villains.
Screenshots from the trailer:
The Maltese
Falcon was
directed by
John Huston.
The Third Man (1949) Carol
Reed Synopsis:
Holly Martins arrives in post-war Vienna
on invitation from his childhood friend
Harry Lime. On arrival he finds out that
Harry was recently killed by a car
crossing the street, whilst in a argument
with his lover Anna. It comes to light
that Harry was a criminal so Martins
decides to stay in town to clear his
friend’s name. Whilst investigating
Harry’s death Martins comes across a
third man at the scene of the accident
who may hold the key to the mystery
surrounding Harry’s death.
The Third
Man was
directed by
Sir Carol
Reed.
Sunset Boulevard (1950) Billy
Wilder
Synopsis:
Norma Desmond is on
a downward curve
who is desperate to
hitch her way back up
to the top. She rests
her hopes upon
William Holden who
narrates the tale from
beyond the grave: he
is seem as dead in the
opening scene.
Sunset Boulevard was
directed by Billy Wilder.
This is a photo of Billy
Wilder and Gloria
Swanson during the
filming of Sunset
Influential film directors within this genre: John Houston, Bill Wilder, Carol Reed, George Stevens,
Alfred Hitchcock and Edmund Goulding.

Genre case study

  • 1.
    GENRE CASE STUDYAbi Baxter
  • 2.
    FILM NOIR The filmnoir genre refers to mystery and crime dramas that were produced in the early 1940’s to the last 1950’s. Films of this genre was shot in black and white and often featured storylines including doomed heroes, cynical detectives and femmes fatales. ‘Film Noir’ is French for ‘black film’ and was first applied to Hollywood films by a man called Nico Frank in 1946.. Before the 1970’s, many of the class film noirs were referred to as ‘melodramas’
  • 3.
    FILM NOIR TIMELINE 1910’sand 1920’s Influences for film noir genre films come from German Expressionism – an artistic movement of the 1910’s and 1920’s. It involved theatre, photography, painting, sculpture, architecture and 1930’s The film movement ‘French poetic realism’ was introduced in the 1930’s. These films usually had a fatalistic view of life and stared characters living on the margins of society. 1932 Michael Curtiz released a film called 20,000 Years in Sing Sing and it was one of the earliest Hollywood films to be classified as noir. 1941 The Maltese Falcon (film) was released and was regarded as the first major film noir classic of the era. Present day Film noir remains a popular film genre.
  • 4.
    ICONIC FILMS WITHINTHIS GENRE The Maltese Falcon (1941) John Huston Synopsis: Classic mystery about a private eye who becomes involved in a dangerous quest for a priceless 16th century statuette. His partner is murdered and he has to take on angry cops and villains. Screenshots from the trailer: The Maltese Falcon was directed by John Huston. The Third Man (1949) Carol Reed Synopsis: Holly Martins arrives in post-war Vienna on invitation from his childhood friend Harry Lime. On arrival he finds out that Harry was recently killed by a car crossing the street, whilst in a argument with his lover Anna. It comes to light that Harry was a criminal so Martins decides to stay in town to clear his friend’s name. Whilst investigating Harry’s death Martins comes across a third man at the scene of the accident who may hold the key to the mystery surrounding Harry’s death. The Third Man was directed by Sir Carol Reed. Sunset Boulevard (1950) Billy Wilder Synopsis: Norma Desmond is on a downward curve who is desperate to hitch her way back up to the top. She rests her hopes upon William Holden who narrates the tale from beyond the grave: he is seem as dead in the opening scene. Sunset Boulevard was directed by Billy Wilder. This is a photo of Billy Wilder and Gloria Swanson during the filming of Sunset Influential film directors within this genre: John Houston, Bill Wilder, Carol Reed, George Stevens, Alfred Hitchcock and Edmund Goulding.