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By Sharan Jayachandran
& Karlie Repp
• John Cage – Music for Marcel Duchamp
• 1947
• http://www.youtube.com/watch?v=VdWS4g6Xv8k&list=P
LHByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
• The innovative
development in
musical language at
the turn of the 20th
century that
challenged and re-
interpreted older
categories of music.
• New ways of looking at music
• Rhythm
• Organization
• Atonality
• Materials
• Involved the listener much more than previous
movements.
• Historically, art has been a communication of feelings
• “All art is a form of escape, but music is in particular.” –
Laurie Anderson
• In the Modern Music Movement, traditional forms of
music were broken up and recreated during the 20th
century using
• Eastern musical techniques
• Abstract composing ideas
• Technology
• Recording tapes
• Amplifiers and Microphones
• And more…
• Music is a succession of sounds and the composer the
organizer of the sounds
• Requested a new attitude toward listening and the
concept of music itself
• The desire to make it new
• Explore new ideas and new sounds
• New modes of expression
• New techniques
• Innovative aesthetics
• Cultural effects
• John Cage‟s Prepared Piano
• The use of recording technology
for production
• Preserving individual performances
• Archiving composition
• New technology for composing
• The performance as an event
• Involves the audience
• Makes the audience think
• Focuses on audience reaction
• Away from the composer doing all the work
• John Cage‟s 4‟33”
• Started around 1890
• Development of new technology
• Recording devices
• Amplifiers
• Electronic generators
• Manipulation
• World War 1
• Looked to past for inspiration
• Wanted to be unlike previous movements
• More serious and commonplace
• Classical
• Romantic
• Impressionist
• Went from
• Harmony  Rhythm
• Tonal  Atonal
• Composition  Chance
• He was more
interested in rhythmic
ideas than harmonic
ideas
• Searched for new
sounds to use
• “If someone says
„can‟t‟ that shows you
what to do.”
• Coined the “Prepared Piano”
• Originally done by Henry Cowell
• Used any sort of materials Including:
• Iron Pipes
• Screw
• Nuts/bolts
• Blenders
• Rubber ducks
• Ice cubes
• Even amplified cacti…….
• John Cage - 4‟33”
• http://www.youtube.com/watch?v=gN2zcLBr_VM&list=PL
HByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
• Not supposed to be actual silence or the audience‟s
disgruntled reactions to the piece
• Consisted of ambient and unintentional sounds the
audience heard during the time frame
• Was different each time
• Audience‟s experience varied
• He was the composer, but he chose to exercise no
control over the piece whatsoever
• He was repetitive and
liked patterns
• He was the founder of
minimalistic music
• “When I struck out in my
own music language, I
took a step out of the
world of serious music,
according to most of my
teachers. But I didn't care.
I could row the boat by
myself, you know? I didn't
need to be on the big liner
with everybody else.”
• Emphasized the musical process
• Instead of complex musical structures
• Used Repetitive cycles of rhythm
• Complex layers of sound
• Philip Glass – Night Train
• http://www.youtube.com/watch?v=G6rt8rHM2Us
• He is an expressionist
composer
• Created the twelve
tone technique
• “Great art
presupposes the mind
of the alert listener.”
• Twelve-Tone Technique.
• No Keys
• Atonal
• Arnold Schoenberg – Five Piano Pieces
• http://www.youtube.com/watch?v=iMF41nXncEo&list=PL
HByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
• Each note in the Chromatic scale played exactly once
• No emphasis on one particular note
• Played in any octave
• Known for his electronic
work, aleatory
(controlled chance),
serial composition, and
spatialization.
• “The invention of
transformations of
certain figures has
become the most
important in musical
composition.”
• Electronic work
• Tape manipulation
• Karlheinz Stockhausen – Stimmung
• 1968
• http://www.youtube.com/watch?v=3hPkJW95jsw&list=PL
HByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
• He is a minimalistic
composer
• He used tape loops to
create phasing patterns
• “I discovered that the
most interesting music
of all was made by
simply lining the loops
in unison, and letting
them slowly shift out of
phase with other.”
• Tape Loops and Phasing
• Rhythmic figures move out of phase with themselves
• (Like a car blinker)
• Steve Reich - It‟s Gonna Rain
• http://vimeo.com/3473292
• Steve Reich - Piano Phasing
• http://www.youtube.com/watch?v=AnQdP03iYIo
• Systematic Music
• Sound continuously evolves
• Slowly changes over time
• Steve Reich - Clapping Music
• http://www.youtube.com/watch?v=FcFyl8amoEE
• Much different from past movements
• Listen to music to enjoy it
• harmonic
• Most do not like to think about the music they listen to
• Did not appreciate the concept behind the works of art
• Difficult to wrap your mind around
• Influences- helped break free from old traditions and help
the world see music differently

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Final music

  • 2. • John Cage – Music for Marcel Duchamp • 1947 • http://www.youtube.com/watch?v=VdWS4g6Xv8k&list=P LHByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
  • 3.
  • 4. • The innovative development in musical language at the turn of the 20th century that challenged and re- interpreted older categories of music.
  • 5. • New ways of looking at music • Rhythm • Organization • Atonality • Materials • Involved the listener much more than previous movements. • Historically, art has been a communication of feelings • “All art is a form of escape, but music is in particular.” – Laurie Anderson
  • 6. • In the Modern Music Movement, traditional forms of music were broken up and recreated during the 20th century using • Eastern musical techniques • Abstract composing ideas • Technology • Recording tapes • Amplifiers and Microphones • And more… • Music is a succession of sounds and the composer the organizer of the sounds • Requested a new attitude toward listening and the concept of music itself
  • 7. • The desire to make it new • Explore new ideas and new sounds • New modes of expression • New techniques • Innovative aesthetics • Cultural effects • John Cage‟s Prepared Piano
  • 8. • The use of recording technology for production • Preserving individual performances • Archiving composition • New technology for composing
  • 9. • The performance as an event • Involves the audience • Makes the audience think • Focuses on audience reaction • Away from the composer doing all the work • John Cage‟s 4‟33”
  • 10.
  • 11. • Started around 1890 • Development of new technology • Recording devices • Amplifiers • Electronic generators • Manipulation • World War 1 • Looked to past for inspiration
  • 12. • Wanted to be unlike previous movements • More serious and commonplace • Classical • Romantic • Impressionist • Went from • Harmony  Rhythm • Tonal  Atonal • Composition  Chance
  • 13.
  • 14. • He was more interested in rhythmic ideas than harmonic ideas • Searched for new sounds to use • “If someone says „can‟t‟ that shows you what to do.”
  • 15. • Coined the “Prepared Piano” • Originally done by Henry Cowell • Used any sort of materials Including: • Iron Pipes • Screw • Nuts/bolts • Blenders • Rubber ducks • Ice cubes • Even amplified cacti…….
  • 16. • John Cage - 4‟33” • http://www.youtube.com/watch?v=gN2zcLBr_VM&list=PL HByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
  • 17. • Not supposed to be actual silence or the audience‟s disgruntled reactions to the piece • Consisted of ambient and unintentional sounds the audience heard during the time frame • Was different each time • Audience‟s experience varied • He was the composer, but he chose to exercise no control over the piece whatsoever
  • 18. • He was repetitive and liked patterns • He was the founder of minimalistic music • “When I struck out in my own music language, I took a step out of the world of serious music, according to most of my teachers. But I didn't care. I could row the boat by myself, you know? I didn't need to be on the big liner with everybody else.”
  • 19. • Emphasized the musical process • Instead of complex musical structures • Used Repetitive cycles of rhythm • Complex layers of sound • Philip Glass – Night Train • http://www.youtube.com/watch?v=G6rt8rHM2Us
  • 20. • He is an expressionist composer • Created the twelve tone technique • “Great art presupposes the mind of the alert listener.”
  • 21. • Twelve-Tone Technique. • No Keys • Atonal • Arnold Schoenberg – Five Piano Pieces • http://www.youtube.com/watch?v=iMF41nXncEo&list=PL HByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner • Each note in the Chromatic scale played exactly once • No emphasis on one particular note • Played in any octave
  • 22. • Known for his electronic work, aleatory (controlled chance), serial composition, and spatialization. • “The invention of transformations of certain figures has become the most important in musical composition.”
  • 23. • Electronic work • Tape manipulation • Karlheinz Stockhausen – Stimmung • 1968 • http://www.youtube.com/watch?v=3hPkJW95jsw&list=PL HByJKH9Fvin8lP6v7eVKy1U-4oCD_Ner
  • 24. • He is a minimalistic composer • He used tape loops to create phasing patterns • “I discovered that the most interesting music of all was made by simply lining the loops in unison, and letting them slowly shift out of phase with other.”
  • 25. • Tape Loops and Phasing • Rhythmic figures move out of phase with themselves • (Like a car blinker) • Steve Reich - It‟s Gonna Rain • http://vimeo.com/3473292 • Steve Reich - Piano Phasing • http://www.youtube.com/watch?v=AnQdP03iYIo
  • 26. • Systematic Music • Sound continuously evolves • Slowly changes over time • Steve Reich - Clapping Music • http://www.youtube.com/watch?v=FcFyl8amoEE
  • 27.
  • 28. • Much different from past movements • Listen to music to enjoy it • harmonic • Most do not like to think about the music they listen to • Did not appreciate the concept behind the works of art • Difficult to wrap your mind around • Influences- helped break free from old traditions and help the world see music differently