Film production risk_assessment_ig2_
•Download as DOCX, PDF•
0 likes•41 views
This document assesses risks for filming at four Manchester locations. Scene hazards identified include tripping, falling, and proximity to water. Controls already in place involve appropriate footwear, handrails, and staying away from edges. Further actions proposed are additional footwear oversight during filming, not running with equipment on stairs, and having crew oversee filming near bridges and water to prevent accidents. The risk assessment chart rates likelihood and consequences from extreme to low risk.
Report
Share
Report
Share
Recommended
Risk Assessment Form
This risk assessment document evaluates potential hazards for a film shooting activity and assigns risk levels of high, medium, or low. It identifies trips, slips, falls, falling branches, lightning, running, working at height, fire, and water as potential hazards. Precautions listed to address the risks include being cautious when walking or running, checking weather before shooting, using stable equipment like ladders in safe positions, and having fire extinguishers or water available with no electrical equipment near water. The document specifies that the risk assessment was reviewed by a named individual on a given date.
Risk assessment
This document summarizes risks and preventions for a film production. It identifies risks such as equipment damage from weather, disturbing the public, traffic in shots, power loss, actor illness, theft, injury, and equipment being blown over. Preventative measures include arranging transportation, checking weather, choosing private locations, having backup equipment and actors, securing cameras, checking for hazards, and weighing down tripods. The goal is to anticipate potential issues and have contingencies to avoid delays or lost work from risks.
Risk assesment 1
The risk assessment document summarizes potential health and safety issues for a student film shoot taking place in a tunnel in Reigate. It identifies risks such as a cast member's cat knocking over equipment or tripping actors (medium risk), water on the floor or equipment in the bathroom (high risk), and narrow landings with many people (medium risk). For each risk, it proposes control measures like keeping the cat away, ensuring no water, and limiting people on landings to reduce risks to low levels.
Risk assessment form complete
This risk assessment document evaluates various filming activities and identifies potential hazards. It rates the risk of each hazard as high, medium, or low. Precautions are outlined to minimize risks, such as having someone monitor the camera at all times when positioning it on stairs or in wooded areas. Activities like running in corridors or hanging from doors are marked as requiring awareness of surroundings to prevent falls. Filming near water also necessitates close supervision of equipment and awareness of proximity to the river to avoid equipment damage or drowning. The risk assessment should be reviewed during the activity or visit and is signed off by the reviewer.
Risk assessment form
This risk assessment document evaluates various activities and identifies associated hazards, assessing the risk level as high, medium, or low. Precautions are proposed to minimize each risk. For each activity, the review confirms whether precautions will be in place and schedules future review dates. The reviewer's name is recorded to accept responsibility for the risk assessment.
3. risk assessment
The document outlines various risks that may be encountered during filming and suggests safeguards to address each risk. It discusses securing the camera on a tripod, obtaining permission before filming in public spaces, preparing fake blood effects overnight, protecting cameras from water, timing shoots to minimize background noise, informing actors of scenes, securing cameras on tripods with weights, rescheduling shoots due to weather if needed, and waiting for traffic to slow before filming near roads. The document provides guidance to filmmakers on safely planning and executing shoots in various environments and conditions.
Film production risk assessment form
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies is also included to coordinate response for issues that may arise during production.
Risk assessment
This risk assessment evaluates hazards for filming at Harrop Fold High School in Manchester. It identifies potential risks like wires, electrical equipment, and confined spaces. Controls are in place like taping wires down, monitoring equipment use, and limiting people in small spaces. The assessment rates risks as low for wires and confined spaces due to controls, and moderate for electrical equipment. Further actions like using yellow tape and taking equipment breaks are recommended to improve safety.
Recommended
Risk Assessment Form
This risk assessment document evaluates potential hazards for a film shooting activity and assigns risk levels of high, medium, or low. It identifies trips, slips, falls, falling branches, lightning, running, working at height, fire, and water as potential hazards. Precautions listed to address the risks include being cautious when walking or running, checking weather before shooting, using stable equipment like ladders in safe positions, and having fire extinguishers or water available with no electrical equipment near water. The document specifies that the risk assessment was reviewed by a named individual on a given date.
Risk assessment
This document summarizes risks and preventions for a film production. It identifies risks such as equipment damage from weather, disturbing the public, traffic in shots, power loss, actor illness, theft, injury, and equipment being blown over. Preventative measures include arranging transportation, checking weather, choosing private locations, having backup equipment and actors, securing cameras, checking for hazards, and weighing down tripods. The goal is to anticipate potential issues and have contingencies to avoid delays or lost work from risks.
Risk assesment 1
The risk assessment document summarizes potential health and safety issues for a student film shoot taking place in a tunnel in Reigate. It identifies risks such as a cast member's cat knocking over equipment or tripping actors (medium risk), water on the floor or equipment in the bathroom (high risk), and narrow landings with many people (medium risk). For each risk, it proposes control measures like keeping the cat away, ensuring no water, and limiting people on landings to reduce risks to low levels.
Risk assessment form complete
This risk assessment document evaluates various filming activities and identifies potential hazards. It rates the risk of each hazard as high, medium, or low. Precautions are outlined to minimize risks, such as having someone monitor the camera at all times when positioning it on stairs or in wooded areas. Activities like running in corridors or hanging from doors are marked as requiring awareness of surroundings to prevent falls. Filming near water also necessitates close supervision of equipment and awareness of proximity to the river to avoid equipment damage or drowning. The risk assessment should be reviewed during the activity or visit and is signed off by the reviewer.
Risk assessment form
This risk assessment document evaluates various activities and identifies associated hazards, assessing the risk level as high, medium, or low. Precautions are proposed to minimize each risk. For each activity, the review confirms whether precautions will be in place and schedules future review dates. The reviewer's name is recorded to accept responsibility for the risk assessment.
3. risk assessment
The document outlines various risks that may be encountered during filming and suggests safeguards to address each risk. It discusses securing the camera on a tripod, obtaining permission before filming in public spaces, preparing fake blood effects overnight, protecting cameras from water, timing shoots to minimize background noise, informing actors of scenes, securing cameras on tripods with weights, rescheduling shoots due to weather if needed, and waiting for traffic to slow before filming near roads. The document provides guidance to filmmakers on safely planning and executing shoots in various environments and conditions.
Film production risk assessment form
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies is also included to coordinate response for issues that may arise during production.
Risk assessment
This risk assessment evaluates hazards for filming at Harrop Fold High School in Manchester. It identifies potential risks like wires, electrical equipment, and confined spaces. Controls are in place like taping wires down, monitoring equipment use, and limiting people in small spaces. The assessment rates risks as low for wires and confined spaces due to controls, and moderate for electrical equipment. Further actions like using yellow tape and taking equipment breaks are recommended to improve safety.
Film production risk Assessment
This document provides a template for conducting a risk assessment for film production activities. It includes an example risk assessment that identifies hazards such as riding a bike on the road and carrying a TV, the persons and property that could be harmed, existing risk controls, the risk level, and any further actions needed. A table is also included to help determine the risk level based on the likelihood and consequences of each hazard. Contact numbers for emergency services are listed at the end.
Film production risk assessment form
This document provides a template for conducting a risk assessment for a film production. It involves identifying hazards, who may be harmed, existing controls, risk levels, and further actions needed. Examples given include risks from hot sand, an on-set dog, and campfires. The assessment should also consider emergency contact information and communication abilities on location. Completing a full risk assessment with proper controls is important for safety on a film shoot.
Risk Assessment Form
Brett Tinnion conducted a risk assessment for Orbit Studios' graduation production taking place from October 6th-20th. Several risks were identified including bottles being smashed and causing injury, loose wires posing tripping hazards, actors being hit by vehicles while filming outdoors, and collisions between people in crowded scenes. Controls like choreographing scenes, tying up loose wires, and wearing high-visibility clothing were already in place. Further actions proposed included rehearsing crowded scenes and having first aid supplies and emergency contact numbers on hand.
Risk assement
The document discusses safety considerations for filming outdoors including checking weather forecasts, protecting equipment from rain, being aware of surroundings like a skate park to avoid interfering with others, checking that ground near a river and bridge is dry to prevent slipping, and ensuring sufficient lighting for late filming to avoid needing to re-shoot dark shots.
Film production risk assessment form
This document is a risk assessment for a music video production that will take place over multiple dates in November 2012. It identifies several potential risks such as an artist standing on a high ledge and the possibility of rain. For the high ledge risk, the assessment recommends getting extra helpers on set to ensure the artist's safety. For the rain risk, it recommends stopping filming and packing up equipment if rain starts. An action plan is included to address getting extra helpers on set for the high ledge scene before filming. Contact numbers for emergency services and persons/locations involved are also listed.
Risk assessment sheet
This document provides a risk assessment for a film production. It identifies several hazards like actors falling off the stage, uncontrolled dog behavior, and burns from campfires. For each hazard, it lists who may be harmed, what property could be damaged, existing risk controls, the assessed risk level, and any further actions needed. It also includes a risk assessment matrix that rates likelihood and consequences to determine risk levels. Contact numbers for emergency services are listed in case of problems during filming.
Blank risk assessment
This document provides a template for conducting a risk assessment for film production activities. It explains that all potential hazards should be considered along with who may be harmed, property damage, and existing risk controls. For each hazard, the risk level is determined based on likelihood and consequences, and any further actions needed to control risks are identified. An example risk assessment is provided covering hazards of hot sand, a dog's behavior, and burns from a campfire.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass near windows, trip hazards from props and debris, potential for splinters, risk of injury when removing items from the house, and the building collapsing. Control measures to lower the risks include removing glass, clearing trip hazards, sanding edges, being careful during removal and ensuring structural stability. The benefits of using this location for filming outweigh the risks if proper control measures are implemented.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass, trip hazards from props, splinters, risks when removing items from inside a house, and the potential for a building collapse. Control measures to lower the risks include removing glass near filming areas, storing props neatly, sandpapering wood edges, being careful when moving items and wearing gloves, and ensuring building stability before filming. The location carries some risks but benefits the story, and controlling the risks makes the benefits outweigh the risks.
Film production risk_assessment Mark Grayson
This document provides a template for assessing risks associated with film production activities. It outlines how to identify hazards, who or what may be harmed, existing controls, and determining risk levels. Examples of hazards included are wet floors, props, trailing wires/cables, and cars. For each hazard, the relevant scene, those affected, any property damage, existing controls, risk level, and further actions needed are considered. A risk assessment chart is also included to help evaluate likelihood and consequences of hazards. The overall goal is to anticipate risks and take appropriate steps to protect cast, crew and equipment during movie production.
Risk assessment[ 2outside
This risk assessment evaluates hazards for filming at Harrop Fold High School in Manchester. It identifies potential risks like wires, electrical equipment, and confined spaces. Controls are in place like taping wires down, monitoring equipment use, and limiting people in small spaces. The assessment rates risks as low for wires and confined spaces due to controls, and moderate for electrical equipment. Further actions like using yellow tape and taking equipment breaks are recommended to improve safety.
Risk assessment template
This document summarizes the risks and preventative measures for a music video and photo shoot. Locations include a studio, bus, and on the road. Potential hazards include tripping over equipment, getting hit by doors, overcrowding in the studio, tripping or falling on the bus, and getting hit by cars while filming on the road. Preventive measures include taping down wires, keeping equipment away from performance areas, having clear spaces, supervising areas, and finding low traffic areas for filming. Emergency measures include first aid kits and contacting local hospitals if accidents occur.
Risk assessment
This risk assessment record summarizes potential hazards and control measures for filming in a field and woods location. It identifies hazards such as trips, slips and falls on wet grass or unseen objects, fire hazards from dry grass, and electrical hazards from equipment. Control measures already in place include bringing food and water, taking care on wet grass, avoiding lighters, and only filming when dry to prevent equipment damage. The assessment rates likelihood, severity, and overall risk of each hazard with controls in place. Hazards with very high or moderate risk require immediate action or further controls.
Risk assessment of woodland area
This is the risk assesment for my A2 media studies production. This is for filming in the woodland area.
Risk assessment
The risk assessment identifies risks associated with shooting a film on a rural road including ensuring safe transportation of equipment, blocking the road from traffic during filming, having appropriate clothing for muddy conditions, monitoring the weather, and using sugarglass instead of real glass if needed. Actions are outlined such as checking weather forecasts, blocking the road from entry during shoots, safely transporting and storing equipment, and informing others of the filming location for personal safety.
Film Production Risk Assessment Form
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies and essential personnel involved in the production is also to be documented.
Camera settings yeee
Aperture controls the depth of field in a photograph by adjusting the size of the opening through which light enters the camera. A smaller aperture number means more light is let in, resulting in a shallower depth of field, while a larger number allows less light and a greater depth of field. Many photographers prefer using aperture priority mode to creatively control how their photographs look by adjusting the depth of field.
Photography rules powerpoint
The document discusses several rules and techniques for photography composition, including the rule of thirds for framing images, using leading lines and balancing elements to guide the viewer's eye, considering symmetry and patterns, and controlling depth of field through aperture settings. It provides examples and explanations of these compositional techniques to improve photographic practice.
Camera settings oliver
Aperture controls the depth of field in a photograph by adjusting the size of the opening through which light enters the camera. A smaller aperture number means more light is let in, resulting in a shallower depth of field, while a larger number allows less light and a greater depth of field. Many photographers prefer using aperture priority mode to creatively control how their photographs look through depth of field adjustments.
Oliver toone second draft music video
This document is a first draft script for a video titled "Infinity-Infinity Ink". It outlines 30 scenes with descriptions of shots, camera angles, character actions, and lyrics or narration that would accompany each scene. The script follows two characters who discover they are both part of the same group after finding money and items related to "Mr. Infinity" around the city and interacting with each other.
Employment opportunities in the creative media sector
Full-time employment involves working a minimum number of hours defined by the employer. It often includes benefits like paid leave and health insurance. Part-time jobs involve fewer weekly working hours, usually less than 30-35 hours. Freelance workers are self-employed and not committed to a single long-term employer. Shift work divides the day into different shifts that various worker groups take on to provide 24/7 services. Permanent employees have a single long-term employer and receive benefits, while temporary employees have short-term contracts and may be called contractors.
More Related Content
What's hot
Film production risk Assessment
This document provides a template for conducting a risk assessment for film production activities. It includes an example risk assessment that identifies hazards such as riding a bike on the road and carrying a TV, the persons and property that could be harmed, existing risk controls, the risk level, and any further actions needed. A table is also included to help determine the risk level based on the likelihood and consequences of each hazard. Contact numbers for emergency services are listed at the end.
Film production risk assessment form
This document provides a template for conducting a risk assessment for a film production. It involves identifying hazards, who may be harmed, existing controls, risk levels, and further actions needed. Examples given include risks from hot sand, an on-set dog, and campfires. The assessment should also consider emergency contact information and communication abilities on location. Completing a full risk assessment with proper controls is important for safety on a film shoot.
Risk Assessment Form
Brett Tinnion conducted a risk assessment for Orbit Studios' graduation production taking place from October 6th-20th. Several risks were identified including bottles being smashed and causing injury, loose wires posing tripping hazards, actors being hit by vehicles while filming outdoors, and collisions between people in crowded scenes. Controls like choreographing scenes, tying up loose wires, and wearing high-visibility clothing were already in place. Further actions proposed included rehearsing crowded scenes and having first aid supplies and emergency contact numbers on hand.
Risk assement
The document discusses safety considerations for filming outdoors including checking weather forecasts, protecting equipment from rain, being aware of surroundings like a skate park to avoid interfering with others, checking that ground near a river and bridge is dry to prevent slipping, and ensuring sufficient lighting for late filming to avoid needing to re-shoot dark shots.
Film production risk assessment form
This document is a risk assessment for a music video production that will take place over multiple dates in November 2012. It identifies several potential risks such as an artist standing on a high ledge and the possibility of rain. For the high ledge risk, the assessment recommends getting extra helpers on set to ensure the artist's safety. For the rain risk, it recommends stopping filming and packing up equipment if rain starts. An action plan is included to address getting extra helpers on set for the high ledge scene before filming. Contact numbers for emergency services and persons/locations involved are also listed.
Risk assessment sheet
This document provides a risk assessment for a film production. It identifies several hazards like actors falling off the stage, uncontrolled dog behavior, and burns from campfires. For each hazard, it lists who may be harmed, what property could be damaged, existing risk controls, the assessed risk level, and any further actions needed. It also includes a risk assessment matrix that rates likelihood and consequences to determine risk levels. Contact numbers for emergency services are listed in case of problems during filming.
Blank risk assessment
This document provides a template for conducting a risk assessment for film production activities. It explains that all potential hazards should be considered along with who may be harmed, property damage, and existing risk controls. For each hazard, the risk level is determined based on likelihood and consequences, and any further actions needed to control risks are identified. An example risk assessment is provided covering hazards of hot sand, a dog's behavior, and burns from a campfire.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass near windows, trip hazards from props and debris, potential for splinters, risk of injury when removing items from the house, and the building collapsing. Control measures to lower the risks include removing glass, clearing trip hazards, sanding edges, being careful during removal and ensuring structural stability. The benefits of using this location for filming outweigh the risks if proper control measures are implemented.
Risk assessment
This risk assessment document identifies several hazards associated with filming at an outdoor location and measures to control the risks. The hazards include broken glass, trip hazards from props, splinters, risks when removing items from inside a house, and the potential for a building collapse. Control measures to lower the risks include removing glass near filming areas, storing props neatly, sandpapering wood edges, being careful when moving items and wearing gloves, and ensuring building stability before filming. The location carries some risks but benefits the story, and controlling the risks makes the benefits outweigh the risks.
Film production risk_assessment Mark Grayson
This document provides a template for assessing risks associated with film production activities. It outlines how to identify hazards, who or what may be harmed, existing controls, and determining risk levels. Examples of hazards included are wet floors, props, trailing wires/cables, and cars. For each hazard, the relevant scene, those affected, any property damage, existing controls, risk level, and further actions needed are considered. A risk assessment chart is also included to help evaluate likelihood and consequences of hazards. The overall goal is to anticipate risks and take appropriate steps to protect cast, crew and equipment during movie production.
Risk assessment[ 2outside
This risk assessment evaluates hazards for filming at Harrop Fold High School in Manchester. It identifies potential risks like wires, electrical equipment, and confined spaces. Controls are in place like taping wires down, monitoring equipment use, and limiting people in small spaces. The assessment rates risks as low for wires and confined spaces due to controls, and moderate for electrical equipment. Further actions like using yellow tape and taking equipment breaks are recommended to improve safety.
Risk assessment template
This document summarizes the risks and preventative measures for a music video and photo shoot. Locations include a studio, bus, and on the road. Potential hazards include tripping over equipment, getting hit by doors, overcrowding in the studio, tripping or falling on the bus, and getting hit by cars while filming on the road. Preventive measures include taping down wires, keeping equipment away from performance areas, having clear spaces, supervising areas, and finding low traffic areas for filming. Emergency measures include first aid kits and contacting local hospitals if accidents occur.
Risk assessment
This risk assessment record summarizes potential hazards and control measures for filming in a field and woods location. It identifies hazards such as trips, slips and falls on wet grass or unseen objects, fire hazards from dry grass, and electrical hazards from equipment. Control measures already in place include bringing food and water, taking care on wet grass, avoiding lighters, and only filming when dry to prevent equipment damage. The assessment rates likelihood, severity, and overall risk of each hazard with controls in place. Hazards with very high or moderate risk require immediate action or further controls.
Risk assessment of woodland area
This is the risk assesment for my A2 media studies production. This is for filming in the woodland area.
Risk assessment
The risk assessment identifies risks associated with shooting a film on a rural road including ensuring safe transportation of equipment, blocking the road from traffic during filming, having appropriate clothing for muddy conditions, monitoring the weather, and using sugarglass instead of real glass if needed. Actions are outlined such as checking weather forecasts, blocking the road from entry during shoots, safely transporting and storing equipment, and informing others of the filming location for personal safety.
Film Production Risk Assessment Form
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies and essential personnel involved in the production is also to be documented.
What's hot (16)
Viewers also liked
Camera settings yeee
Aperture controls the depth of field in a photograph by adjusting the size of the opening through which light enters the camera. A smaller aperture number means more light is let in, resulting in a shallower depth of field, while a larger number allows less light and a greater depth of field. Many photographers prefer using aperture priority mode to creatively control how their photographs look by adjusting the depth of field.
Photography rules powerpoint
The document discusses several rules and techniques for photography composition, including the rule of thirds for framing images, using leading lines and balancing elements to guide the viewer's eye, considering symmetry and patterns, and controlling depth of field through aperture settings. It provides examples and explanations of these compositional techniques to improve photographic practice.
Camera settings oliver
Aperture controls the depth of field in a photograph by adjusting the size of the opening through which light enters the camera. A smaller aperture number means more light is let in, resulting in a shallower depth of field, while a larger number allows less light and a greater depth of field. Many photographers prefer using aperture priority mode to creatively control how their photographs look through depth of field adjustments.
Oliver toone second draft music video
This document is a first draft script for a video titled "Infinity-Infinity Ink". It outlines 30 scenes with descriptions of shots, camera angles, character actions, and lyrics or narration that would accompany each scene. The script follows two characters who discover they are both part of the same group after finding money and items related to "Mr. Infinity" around the city and interacting with each other.
Employment opportunities in the creative media sector
Full-time employment involves working a minimum number of hours defined by the employer. It often includes benefits like paid leave and health insurance. Part-time jobs involve fewer weekly working hours, usually less than 30-35 hours. Freelance workers are self-employed and not committed to a single long-term employer. Shift work divides the day into different shifts that various worker groups take on to provide 24/7 services. Permanent employees have a single long-term employer and receive benefits, while temporary employees have short-term contracts and may be called contractors.
Film poster analysis, oliver
This document discusses key elements of a film poster including a blood-like face, films it is linked to, characters, and quotes about the film. It also mentions a face-resembling weapon, slogans, and release dates. Finally, it lists actors, scenery, titles, atmosphere, filming crews, and main characters as elements to analyze in the poster.
Contact sheet manchester
The contact sheet is from Manchester. It contains contact information for various individuals and businesses located in the area. Key details include names, addresses, phone numbers, and other essential contact details to get in touch with locals in Manchester.
Reality tv show
A reality TV show called "Job Swap" is pitched where two celebrities with very different careers would swap jobs for a week. Like the show "Wife Swap", the celebrities would be given tasks in each other's professions that would normally take years of training to accomplish, testing if they can survive and cope in the other person's role. An example pitch is swapping famous chef Gordon Ramsay and outdoors expert Ray Mears so they each have to perform the other's job.
Magazine cover presntation
This document analyzes the front cover of the Kerrang magazine. Some key points:
- Kerrang targets people who listen to rock and metal music genres.
- The masthead font simulates broken glass to appeal to rock/metal fans.
- The main image features Oliver Sykes, singer of the band Bring Me The Horizon, to promote them.
- Cover lines promote other bands in a similar genre to attract readers.
Ig3 music_video_assignment_updated_02.2013
This document provides the details of an assignment for a Level 3 Extended Diploma in Creative Media Production. The assignment involves students working in teams to produce a music video, including shooting footage, producing a production diary, and creating rough and final edits of the video. It outlines the tasks, grading criteria, and scenario for the assignment, which is focused on developing single camera techniques and music video production skills through a collaborative project.
Ig2 assignment_2012_to_2013
This 3 sentence summary provides the key details about the music video planning assignment:
The assignment requires students to plan the production of a music video by researching and assigning production roles, developing scripts and storyboards, and producing comprehensive pre-production documentation through regular production team meetings, to be uploaded to their blog by the January 2nd deadline.
Regulatorybobies
The document discusses several regulatory and professional bodies that regulate the UK creative media sector, including the British Board of Film Classification (BBFC) which classifies films and videos, the British Video Association (BVA) which represents video publishers and owners, the Film Distributors Association (FDA) which oversees film licensing, the Video Standards Council (VSC) which promotes standards in video and games, and Ofcom which regulates broadcasting and communications. It also mentions Trading Standards which protects consumers, the Press Complaints Commission (PCC) which deals with print media complaints, and the Advertising Standards Authority (ASA) which regulates advertising across all media.
Employment opportunities in the creative media sector
The document discusses different types of employment contracts, including their advantages and disadvantages. It describes full-time employment as working a minimum number of hours defined by the employer, often with benefits. Part-time jobs have fewer weekly hours, usually under 30-35. Freelance workers are self-employed and not committed to a single employer long-term. Shift work divides the day into shifts so that work can be provided 24/7. Permanent employees work directly for a single employer, while temporary positions have defined end dates. Voluntary work is unpaid assistance. Casual and contingent work can include hourly pay or piecework. Recruitment in the creative sector can occur through job centers, newspapers, personal contacts, networking,
Oliver toone fmp script finished yeeeee
The group of survivors, James, Danny, and Matty, discuss their lack of success finding supplies at other houses in the area. Matty wants to leave for somewhere with more shelter options, but James thinks it's too dangerous to split up given the increasing number of "dead" spotted each day. They decide to gather what supplies they have and consider their next steps. Later, while checking another house, Matty screams and is cornered by a zombie. Danny rescues Matty and they flee in their car to take shelter in another abandoned house, surrounded by zombies.
Pr2 carrie v
The document provides information about the 1976 and 2013 film adaptations of Carrie, including directors, release years, distributors, budgets, and box office earnings. It also includes interview information about why director Kimberly Peirce chose to remake Carrie in 2013. Students are tasked with writing an article comparing the two films and discussing factors involved in the remake, such as trends, financial factors, synergy between related products, and the relationship between production companies.
Ig3 music_video_assignment_updated_02.2013
This document outlines the tasks and criteria for a student's assignment to produce a music video as part of their qualifications in creative media production. The student is expected to work in a team to shoot footage for their music video based on their pre-production materials. They must document the production process with photos and a weekly production log detailing any issues encountered. Individually, the student must complete rough and final edits of the music video and submit an evaluation critiquing their final edit while demonstrating editing techniques used. The assignment aims to develop the student's skills in single camera techniques, music video production, and addressing challenges that may arise during the production and post-production process.
Fmp moodboard
Oliver Toone is developing initial ideas for a short horror film as his final major project. The mood board contains images from other horror movies that will inspire settings, atmospheres, and character types for his own film. It also shows different camera angles commonly used in horror films, including close-ups to convey fear, long shots to show surrounding areas, point-of-view shots to involve the viewer, and high angles to reveal unseen events.
Photography rules powerpoint
The document discusses rules and terminology for photography practice, including the rule of thirds which divides photographs into thirds so the focal point falls on the intersections, as well as framing, leading lines, balancing elements, symmetry and patterns, and depth of field.
Viewers also liked (19)
Employment opportunities in the creative media sector
Employment opportunities in the creative media sector
Employment opportunities in the creative media sector
Employment opportunities in the creative media sector
More from Tooney1994
Front cover analysis
The document discusses the design choices made for the magazine cover. The title "Mash-up" was selected to appeal to fans of rock and metal music. A centered photo of the author with a serious expression was used as the main visual. Additional elements like a barcode, advertisements of interior articles, and colored text against a gradient background were included to make the cover appealing while clearly presenting information to the target audience.
Double page spread evaluation
This document discusses the layout of a double page magazine spread. It explains that columns are used to organize text neatly, and that including photos can help illustrate concepts for readers but too many photos may clutter the page. The author placed photos along the outside of the page and used different colored text to distinguish speakers and questions. A plain black background and default font were chosen to keep the layout clear and easy to read.
Process of editing
The document discusses editing a commercial podcast. It imported background music that was a well-known song to make the listener more engaged. It used audio effects to smoothly mix the music in at a consistent volume level. A level bar shows how loud the music was at different times, with higher levels being louder. The original voiceover was too long, so it removed some lines from the script to reduce the runtime to 28 seconds to meet the 30 second limit.
VO booking
Harry Arnold was booked to do a voiceover for a Pizza Hut radio commercial on June 18th, 2014 at 10:00AM at the E6 Radio Studios located on Chatsworth Road in Eccles. The producer for the session was Oliver Toone.
Script final draft
This appears to be a final draft of a script. While no details of the script's plot or characters are provided in this single-line document, it indicates that a full script has been written and edited to a final version ready for production or performance. The brevity of the document title suggests this is intended as a concise reference to an existing script, rather than a substantive description of its content.
anchorage
Pre-production research involves surveys to define the target audience for a film. Post-production research includes test screenings where members of the target demographic view an early edit and provide feedback via surveys. Anchorage refers to using signs, symbols, and context to assign meaning, like centering a popular actor on a film poster to imply it will be good. The Need for Speed posters use anchorage techniques like featuring cars, roads, and Aaron Paul to attract the target demographic of 15-35 year old males.
Oliver toone pr4
The document discusses three action/sci-fi films: Godzilla (2014), Jurassic Park (1993), and The Avengers (2012). It provides a brief synopsis of each film's plot. Godzilla battles two other monsters to save San Francisco. Jurassic Park features a man who brings dinosaurs back to life and opens a park, but the dinosaurs escape. The Avengers features a group of enhanced people who defend against an alien invasion. The document discusses why the author enjoys these genres, particularly for the storylines, monsters, and ability to follow characters across films. Social media and websites like YouTube and IMDb are discussed as sources to learn about and decide whether to watch films.
Word article
Oliver Toone was interviewed about his band Ignite. He discussed that the band formed 1.5 years ago among friends who practiced anywhere they could. They came in second place in a competition which helped them get noticed and get some small festival slots. Their first album is coming out in November. In 5 years, Oliver hopes the band will have a bigger fan base, sign with a bigger company, and be able to tour abroad beyond just England. They recently played at Download Festival and hope to play there again or even the main stage next year. Oliver considers their genre to be rock/metal but they have been labeled other genres depending on individual songs. Their main musical inspirations growing up were heavier bands but their clean singer
Pr3 market research task
The document discusses pre-production, post-production, anchorage, synergy, and USP as they relate to blockbuster films. In pre-production, market research is important to identify the target audience. Post-production involves test screenings where the target audience provides feedback to refine the film. Anchorage uses signs and connotations in advertising to fix meaning, like featuring women and cars to appeal to the target demographic of Need for Speed. Synergy involves related products being sold, like Need for Speed video games. A film's USP is what makes people want to see it, such as attractive posters that draw in younger male viewers.
Photo shoot plan
Oliver Toone documented a photography shoot for a magazine aimed at rock music fans. The shoot took place on March 11th in the college studio, using a Nikon D3100 camera, soft boxes, reflectors, and a model. Oliver applied techniques like rule of thirds but focused most on the model's face, using lighting to draw attention there and convey the magazine's visual message. Safety was ensured by keeping the lights, props, camera, and wires secure in the studio.
Front cover analysis
The document discusses the design choices for a magazine masthead and cover. The title "Mash-up" was selected to appeal to fans of rock and metal music. A distinctive but readable font was used for the masthead. A centered photo of the author with a serious expression was used as the main cover image to suit the magazine's tone. A barcode was placed in the bottom corner out of the way but following industry standard. A brief advertisement on the cover highlights some inside content and aims to attract the target readership.
Ig4 final major project evaluation
1) The student planned to create a short film for their final project but due to time management issues, they were unable to complete it. Instead, they created four posters advertising a fictional film.
2) They learned new Photoshop and script writing skills over the course of the project.
3) Due to falling behind schedule, they had to change their project from a short film to film posters. They would manage their time better if they did the project again.
Final major project_proposal_form_updated, oliver
Oliver Toone is proposing a short horror film set around Halloween as his final media production project. The film will be based around zombies attacking a house and surrounding streets. It will include conventions of the horror genre like creepy settings, dark lighting, and spooky events. The target audience is teenagers through middle-aged adults who enjoy horror films. To appeal to this audience, the film will include scary scenes, suspense, violence, and monsters. It will keep the audience engaged with no dry scenes. Oliver plans to film on location near his home to capture foggy, unsettling outdoor environments and flickering street lights. He will use point-of-view and standard camera shots along with camera techniques like zoom,
Survey monkey answers, oliver
Oliver Toone conducted a survey of their college classmates about horror movies. The results showed that supernatural horror movies were the most popular among teenagers. Respondents also favored hero characters and films set in wooded locations. Common props like blood and knives in slasher films were two of the most popular answers regarding horror movie elements.
Pr4
The document discusses three films that Oliver enjoys: Godzilla (2014), Jurassic Park (1993), and The Avengers (2012). Godzilla involves battling monsters to save San Francisco. Jurassic Park features a park with cloned dinosaurs that escape. The Avengers sees a group with powers defend Earth from an alien invasion. Oliver likes the storylines, CGI effects, and following characters across sequels in these action/sci-fi genre films.
Rate cards
This document provides an example rate card for commercial radio stations in Singapore, showing the costs of advertising at various times of day for different stations. The more money spent on advertising across stations, the higher the discount received - between £10,000-£75,000 spent results in an 8% discount, while over £500,000 gets a 35% discount.
Research task rec_and_quarantine (1) yeeeeeeee
This document discusses the Spanish horror film REC and its American remake Quarantine. REC was made in 2007 with a budget of $1.5 million and grossed $33 million. It was directed by Jaume Balagueró in a handheld documentary style. Quarantine was released in 2008 with a much larger budget of $12 million, earning $31 million. It was produced and distributed by Screen Gems quickly after REC's success to capitalize on the growing popularity of found footage horror films and reach a wider English-speaking audience. Factors like trends, finances, and vertical integration influenced the quick turnaround of the American remake.
How to analyse a film yeeee
1) The document discusses how to analyze films by looking at genres, codes and conventions, directors, characters, and narratives.
2) There are two types of directors - conventional directors who follow genre codes and auteur directors who break conventions.
3) The film Leon is provided as an example of an auteur film, breaking conventions by having the main character train a young girl in killing despite their age difference atypical for an action thriller.
Photoshop manipulation
The document describes editing a photograph taken in a normal environment using Photoshop. The editor first created a path around the subject, Ken, then added color to the stroke to make it stand out as it swirled around him. Effects like outer glow were added subtly to enhance the spiraling line and give it a 3D appearance, making the picture more lively without overpowering the image.
More from Tooney1994 (20)
Film production risk_assessment_ig2_
- 1. FILM PRODUCTION RISK ASSESSMENT Location Details: 1. Kelso Place, Castlefield, M15 4GY 2. Block 5 St. Georges Island Apartments, 5 Kelso Place 3. Pedestrian Bridge, Castle Street, Castlefield, Manchester, M3 4LZ 4. Bridgewater canal (deansgate) HAZARD IN WHICH SCENE PERSON WHO MAY PROPERTY THAT RISK CONTROLS RISK ASSESSMENT FURTHER ACTION IS THIS HAZARD BE HARMED COULD BE ALREADY IN PLACE *See chart TO BE TAKEN PRESENT? DAMAGED 1.Tripping Scene 4 and 5 Cast and crew Camera Appropriate MODERATE Additional Footwear footwear and one of our cast will be overseeing while filming to make sure equipment isn’t damaged. 2.Falling Scene 2-3 Cast and crew Camera Always use HIGH Don’t run down handrails stairs while carrying equiptment. 3.Water Scene 7-9 Cast and crew Camera and props Try to stay in the MODERATE One of our crew will centre of the bridge be overseeing the filming so no one goes too close to
- 2. the side of the bridge. 4.Water 5-6 Cast and crew Camera and props Stay 2m away from HIGH One of our crew will the water make sure that everyone is reasonable away from the edge of the water. Risk Assessment Chart Hazard likelihood / Consequences RISK ASSESSMENT VERY LIKELY TO HAPPEN or SEVERE CONSEQUENCES (ie. Someone could get EXTREME seriously hurt) Could happen or mild consequences (i.e. someone could suffer a minor HIGH injury) Unlikely to happen or minor consequences (i.e. production could be slightly MODERATE delayed)
- 3. Rarely happens and very insignificant consequences LOW