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FILM OPENING’S ANALYSIS 
Analysis of a couple of movie openings 
Caelum Allett
RAGING BULL (1980) 
• The opening of Martin Scorsese’s Raging bull’s setting is a smokey boxing ring in 
the 1940s 
• The character featured in this sequence is Robert De Niro’s character who is 
also the main character in the film, and he is wearing his robe while he shadow 
boxes air and practises footwork, as if before a fight. This is to symbolise the 
characters troubles and career as a whole. 
• The opening tells the audience what the film is going to be focusing on, the 
athletes boxing career 
• The lighting is interesting as the ring is very dimly lit, perhaps to show the 
audience what to come as the life story of Jake Lamotta is dark and brutal, this 
is signified in the opening credits as it shows Lamotta fighting the air, this is to 
symbolise Lamotta’s fight/struggle in life and in his career. Lamotta’s character 
is always fighting something not only in the ring but in his personal life.
THE GOOD THE BAD AND THE UGLY (1966) 
• The opening sequence of The good the bad and the ugly starts with an image of 
splashed blood, in the blood a little figure of a man riding a horse can bee seen 
until the whole screen goes red and the horseman is blows up in to thin air. This 
image is followed by with an amazing soundtrack by Ennio Morricone a very 
famous composer known for his works on many Sergio Leone movies. 
• The soundtrack combines cheerfulness along with sorrow and hope, death and 
victory these themes expressed in the sequence suite the movie’s storyline very 
well thus making a very well rounded feeling towards the film as the music fits 
well with the film. The sequence continues to go through names and credits to 
those who worked on the film while images flash through the screen drawings of 
the characters to come in the film, along with other images of characters, old 
western towns villages, armies and so on. 
• The opening sequence exudes themes of old western times in America, greed 
money and power all in one opening sequence.
The Godfather (1972) 
• The opening to the Godfather is quite simple, after the conglomerate 
corporations such as Paramount show up on screen the movie begins with quite a 
simple yet strong opening sequence. 
• The screen is dark, with the soundtrack keeping a tense, strong atmosphere, The 
Godfather (title) appears on screen, with puppet strings, perhaps symbolising the 
way in which organises crime families can manipulate and control areas of the 
government like a puppet. 
• The opening sequence still just a dark screen continuing with someone talking 
about America, this is perhaps to symbolise the dark times of the great 
depression in America at the time the film is set.The unknown character then 
talks about his daughter getting assaulted, facing the audience, then we see 
finally that he is talking to Don Corleone (Marlon Brando).
Goodfellas (1990) 
• The film begins with credits, then follows a car travelling down a dark road, then 
back to a black screen with New York, 1970 then back to the interior of the car 
with the films main characters in the car, there’s a muffled noise in the car which 
raises a mysterious question of….who else is in the car? Soon enough we find out 
that there is someone in the trunk of the car. 
• The films protagonist played by Ray Liota parks the car, all three characters are 
waiting weapons ready, the trunk of the car is opened and Joe Pesci’s character 
repeatedly stabs the bloody character in the trunk of the car, then Robert De 
Niro’s character shoots the body a few times just to make sure. 
• The films protagonist then closes the trunk with the camera focusing on him, with 
this movies protagonist’s voice can be heard saying “As far back as I can remember 
I’ve always wanted to be a gangster” This line is quite funny as it is said right 
after a horrible, gruesome scene

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Film opening’s analysis

  • 1. FILM OPENING’S ANALYSIS Analysis of a couple of movie openings Caelum Allett
  • 2. RAGING BULL (1980) • The opening of Martin Scorsese’s Raging bull’s setting is a smokey boxing ring in the 1940s • The character featured in this sequence is Robert De Niro’s character who is also the main character in the film, and he is wearing his robe while he shadow boxes air and practises footwork, as if before a fight. This is to symbolise the characters troubles and career as a whole. • The opening tells the audience what the film is going to be focusing on, the athletes boxing career • The lighting is interesting as the ring is very dimly lit, perhaps to show the audience what to come as the life story of Jake Lamotta is dark and brutal, this is signified in the opening credits as it shows Lamotta fighting the air, this is to symbolise Lamotta’s fight/struggle in life and in his career. Lamotta’s character is always fighting something not only in the ring but in his personal life.
  • 3. THE GOOD THE BAD AND THE UGLY (1966) • The opening sequence of The good the bad and the ugly starts with an image of splashed blood, in the blood a little figure of a man riding a horse can bee seen until the whole screen goes red and the horseman is blows up in to thin air. This image is followed by with an amazing soundtrack by Ennio Morricone a very famous composer known for his works on many Sergio Leone movies. • The soundtrack combines cheerfulness along with sorrow and hope, death and victory these themes expressed in the sequence suite the movie’s storyline very well thus making a very well rounded feeling towards the film as the music fits well with the film. The sequence continues to go through names and credits to those who worked on the film while images flash through the screen drawings of the characters to come in the film, along with other images of characters, old western towns villages, armies and so on. • The opening sequence exudes themes of old western times in America, greed money and power all in one opening sequence.
  • 4. The Godfather (1972) • The opening to the Godfather is quite simple, after the conglomerate corporations such as Paramount show up on screen the movie begins with quite a simple yet strong opening sequence. • The screen is dark, with the soundtrack keeping a tense, strong atmosphere, The Godfather (title) appears on screen, with puppet strings, perhaps symbolising the way in which organises crime families can manipulate and control areas of the government like a puppet. • The opening sequence still just a dark screen continuing with someone talking about America, this is perhaps to symbolise the dark times of the great depression in America at the time the film is set.The unknown character then talks about his daughter getting assaulted, facing the audience, then we see finally that he is talking to Don Corleone (Marlon Brando).
  • 5. Goodfellas (1990) • The film begins with credits, then follows a car travelling down a dark road, then back to a black screen with New York, 1970 then back to the interior of the car with the films main characters in the car, there’s a muffled noise in the car which raises a mysterious question of….who else is in the car? Soon enough we find out that there is someone in the trunk of the car. • The films protagonist played by Ray Liota parks the car, all three characters are waiting weapons ready, the trunk of the car is opened and Joe Pesci’s character repeatedly stabs the bloody character in the trunk of the car, then Robert De Niro’s character shoots the body a few times just to make sure. • The films protagonist then closes the trunk with the camera focusing on him, with this movies protagonist’s voice can be heard saying “As far back as I can remember I’ve always wanted to be a gangster” This line is quite funny as it is said right after a horrible, gruesome scene