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FILM NOIR
CONVENTIONS
CONVENTIONS OF FILM NOIR
 CHARACTER ROLES
 THEMES
 ICONOGRAPHY & MISE EN SCENE
 VISUAL STYLE
CHARACTER ROLES
 MALE PROTAGONIST
 FEMME FATALE
 CORRUPT COPS
 GANGSTERS/THUGS
 DETECTIVES
MALE PROTAGONIST
 THE MALE PROTAGONIST IS OFTEN HARD HEARTED
 LONELY/ALIENATED
 CYNICAL
 PHYSICALLY STRONG
THE MALE PROTAGONIST OFTEN MEETS AN ENTICING, BEAUTIFUL
FEMME FATALE THAT LURES HIM INTO A DANGEROUS SITUATION. THE
ENVIRONMENTS THEY USUALLY WORK AND LIVE IN ARE DARK AND
SCARY CITIES, OFTEN SUPPRESSED BY DEHUMANIZING
SURROUNDINGS. THEY OFTEN HAVE A PARTICULARLY STRONG GIFT
WITH REGARDS TO VERBAL WIT, DESPITE NOT BEING THE MOST
INTELLECTUAL OF PEOPLE.
FEMME FATALE
 THE FEMME FATALE IS AN ATTRACTIVE, SEDUCTIVE WOMAN THAT
ULTIMATELY CAUSES THE DOWNFALL OF A MAN THAT BECOMES
INVOLVED WITH HER.
 SHE OFTEN USES HER SEXUAL APPEAL AND DESIRES TO MANIPULATE
THE PROTAGONIST INTO SUCCUMBING TO HER – HENCE CAUSING
THE PROTAGONIST TO BECOME A SCAPEGOAT – A PERSON WHO IS
IS BLAMED FOR THE WRONGDOINGS, MISTAKES AND FAULTS OF
OTHERS.
CORRUPT COPS
 FILM NOIR OFTEN FEATURES A CHARACTER WITHIN A POSITION OF
AUTHORITY. THEIR STATUS AND ROLE IS ABUSED FOR THEIR OWN
PERSONAL PROFIT. THIS IS REMINISCENT OF THE SOCIAL SITUATIONS
AS CORRUPTION WAS ‘ON THE RISE’ IN THE 1950s.
THEMES
 EXTORTION
 GREED
 MONEY
 JEALOUSY
 PARANOIA
 DEPRESSION
 DARKNESS
 POWER
 UNCERTAIN
ROMANCE
 LONE INTROVERTED
HERO
 CORRUPTION
 LITTLE HOPE
 SEX
 FATALISM
 BLEAK VISION OF THE
WORLD
 ALIENATION/LONLINES
S
 CRIME
ICONOGRAPHY & MISE EN SCENE
 THE CITY
 DANGEROUS
 HOSTILE
 LONELY BLEAK
 ISOLATING PLACE
 RAIN DRENCHED STREETS
 NEON SIGNS
 GUNS
 CIGARETTES
 ALCOHOL/ALCOHOLICS
VISUAL STYLE
 USE OF FILTETRS – LOW KEY CHIAROSCURO LIGHTING
 NIGHT SCENES
 OBSCURED VISION
 RAIN
 TILT OR CANTED CAMERA ANGLES
 CUTS FAVOURED OVER TRANSITIONS
 SILHOUETTE
 SHADOWS
 SMOKE/FOG

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Film Noir Conventions

  • 2. CONVENTIONS OF FILM NOIR  CHARACTER ROLES  THEMES  ICONOGRAPHY & MISE EN SCENE  VISUAL STYLE
  • 3. CHARACTER ROLES  MALE PROTAGONIST  FEMME FATALE  CORRUPT COPS  GANGSTERS/THUGS  DETECTIVES
  • 4. MALE PROTAGONIST  THE MALE PROTAGONIST IS OFTEN HARD HEARTED  LONELY/ALIENATED  CYNICAL  PHYSICALLY STRONG THE MALE PROTAGONIST OFTEN MEETS AN ENTICING, BEAUTIFUL FEMME FATALE THAT LURES HIM INTO A DANGEROUS SITUATION. THE ENVIRONMENTS THEY USUALLY WORK AND LIVE IN ARE DARK AND SCARY CITIES, OFTEN SUPPRESSED BY DEHUMANIZING SURROUNDINGS. THEY OFTEN HAVE A PARTICULARLY STRONG GIFT WITH REGARDS TO VERBAL WIT, DESPITE NOT BEING THE MOST INTELLECTUAL OF PEOPLE.
  • 5. FEMME FATALE  THE FEMME FATALE IS AN ATTRACTIVE, SEDUCTIVE WOMAN THAT ULTIMATELY CAUSES THE DOWNFALL OF A MAN THAT BECOMES INVOLVED WITH HER.  SHE OFTEN USES HER SEXUAL APPEAL AND DESIRES TO MANIPULATE THE PROTAGONIST INTO SUCCUMBING TO HER – HENCE CAUSING THE PROTAGONIST TO BECOME A SCAPEGOAT – A PERSON WHO IS IS BLAMED FOR THE WRONGDOINGS, MISTAKES AND FAULTS OF OTHERS.
  • 6. CORRUPT COPS  FILM NOIR OFTEN FEATURES A CHARACTER WITHIN A POSITION OF AUTHORITY. THEIR STATUS AND ROLE IS ABUSED FOR THEIR OWN PERSONAL PROFIT. THIS IS REMINISCENT OF THE SOCIAL SITUATIONS AS CORRUPTION WAS ‘ON THE RISE’ IN THE 1950s.
  • 7. THEMES  EXTORTION  GREED  MONEY  JEALOUSY  PARANOIA  DEPRESSION  DARKNESS  POWER  UNCERTAIN ROMANCE  LONE INTROVERTED HERO  CORRUPTION  LITTLE HOPE  SEX  FATALISM  BLEAK VISION OF THE WORLD  ALIENATION/LONLINES S  CRIME
  • 8. ICONOGRAPHY & MISE EN SCENE  THE CITY  DANGEROUS  HOSTILE  LONELY BLEAK  ISOLATING PLACE  RAIN DRENCHED STREETS  NEON SIGNS  GUNS  CIGARETTES  ALCOHOL/ALCOHOLICS
  • 9. VISUAL STYLE  USE OF FILTETRS – LOW KEY CHIAROSCURO LIGHTING  NIGHT SCENES  OBSCURED VISION  RAIN  TILT OR CANTED CAMERA ANGLES  CUTS FAVOURED OVER TRANSITIONS  SILHOUETTE  SHADOWS  SMOKE/FOG