Film classifications
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The British Board of Film Classification (BBFC) is a non-governmental organization that is responsible for classifying films, videos, and video games in the UK. It assigns ratings to help protect children and other vulnerable groups from unsuitable material. Films that are considered obscene or would deprave/corrupt viewers can be refused a certificate or banned. In the past, controversial "video nasties" led to increased regulation and bans. While classifications aim to curb harmful influences, some question if they are still effective in the digital age.
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Film classification
The British Board of Film Classification (BBFC) is a non-governmental organization that classifies films, videos, and video games in the UK according to their age suitability. The BBFC considers factors like violence, language, sex, and discrimination to determine if a work requires cuts or should be banned. In the 1980s, many "video nasties" were prosecuted for being too violent or depraved, leading to the Video Recordings Act of 1984. While classifications aim to protect children, it is now easy for them to access any content online regardless of age rating.
British board of film classification
The British Board of Film Classification (BBFC) is responsible for classifying films and some video games shown in the UK with age ratings to protect viewers. Films can receive ratings of U, PG, 12, 12A, 15, or 18, or be banned entirely if considered unsuitable. The BBFC banned the film The Human Centipede 2 due to its violent and sexually graphic content. While initially banned, the film was eventually rated 18 after cuts were made. The BBFC aims to prevent exposure of minors and other vulnerable groups to inappropriate themes that could corrupt or deprave viewers, as was demonstrated in the Bobo doll experiment which showed children copying violent behaviors.
Film; 1971 1989
The document discusses censorship of films in the UK from 1971-1989, including several films that were initially banned but later passed with cuts or higher age ratings. Key bans and policies during this period include The Last House on the Left being banned until 2002, the creation of the "video nasties" list in 1984 that banned 74 films, and Stanley Kubrick removing A Clockwork Orange from theaters in 1973 due to public backlash rather than its content.
Legislation worksheet
Legislation refers to the rules and regulations that govern institutions like the BBFC. The BBFC must consider whether material submitted for classification is likely to infringe criminal law. It must also consider the potential for harm to viewers or society that could result from criminal behavior, illegal drugs, violent or horrific behavior, indecent images of children, animal cruelty, obscentity, racial hatred, or human rights infringements depicted in films. Local authorities have powers over the BBFC such as granting licenses and changing film certificates.
BBFC and PEGI
The BBFC (British Board of Film Classification) regulates films and videos in the UK to ensure they are suitable for different age groups. It was established in 1912 and operates independently of the government. The BBFC uses a rating system of U, PG, 12/12A, 15, 18, and R18 to help the public make informed choices about what they watch. PEGI (Pan European Game Information) regulates video games in Europe and uses a similar age rating system of 3+, 7+, 12+, 16+, 18+ to provide guidance to consumers about game content. Both organizations aim to balance protecting viewers from potentially harmful content with respecting adult freedom of choice.
Bbfc work
The BBFC is the British Board of Film Classification that regulates films and assigns them ratings. Current UK ratings include U, PG, 12A, 12, 15, and 18. Historically, ratings have become more lenient with the introduction of the 12A rating in 2002, which allows children under 12 to view 12A films as long as they are accompanied by an adult. The 12A rating was controversial as it gave parents the decision about a film's suitability without viewing it first. While film classification aims to protect viewers, some argue it is overly restrictive and that viewers can understand fiction versus reality.
BBFC WORK
The BBFC (British Board of Film Classification) regulates films in the UK by assigning them ratings. Contemporary BBFC ratings are more lenient than historical ones, as there is now a 12A rating allowing under-12s to view films if accompanied by an adult. The 12A rating was introduced in 2002 and sparked controversy over what types of content were appropriate for this age group. There is ongoing debate around censorship and protecting young audiences within the 12A category. Infamously, Stanley Kubrick's 1971 film A Clockwork Orange was withdrawn from UK release in 1973 due to intense backlash over its graphic and violent content.
Hobbfc
The BBFC was founded in 1912 by the film industry to apply consistent censorship standards across the UK. In 1984, the Video Recordings Act expanded the BBFC's role to classify videos. Throughout its history, the BBFC has adapted its guidelines and classification system in response to social changes and public feedback, introducing concepts like an "adults only" rating in the 1950s. Key figures like T.P. O'Connor and Arthur Watkins helped shape the BBFC's approach over the decades.
Recommended
Film classification
The British Board of Film Classification (BBFC) is a non-governmental organization that classifies films, videos, and video games in the UK according to their age suitability. The BBFC considers factors like violence, language, sex, and discrimination to determine if a work requires cuts or should be banned. In the 1980s, many "video nasties" were prosecuted for being too violent or depraved, leading to the Video Recordings Act of 1984. While classifications aim to protect children, it is now easy for them to access any content online regardless of age rating.
British board of film classification
The British Board of Film Classification (BBFC) is responsible for classifying films and some video games shown in the UK with age ratings to protect viewers. Films can receive ratings of U, PG, 12, 12A, 15, or 18, or be banned entirely if considered unsuitable. The BBFC banned the film The Human Centipede 2 due to its violent and sexually graphic content. While initially banned, the film was eventually rated 18 after cuts were made. The BBFC aims to prevent exposure of minors and other vulnerable groups to inappropriate themes that could corrupt or deprave viewers, as was demonstrated in the Bobo doll experiment which showed children copying violent behaviors.
Film; 1971 1989
The document discusses censorship of films in the UK from 1971-1989, including several films that were initially banned but later passed with cuts or higher age ratings. Key bans and policies during this period include The Last House on the Left being banned until 2002, the creation of the "video nasties" list in 1984 that banned 74 films, and Stanley Kubrick removing A Clockwork Orange from theaters in 1973 due to public backlash rather than its content.
Legislation worksheet
Legislation refers to the rules and regulations that govern institutions like the BBFC. The BBFC must consider whether material submitted for classification is likely to infringe criminal law. It must also consider the potential for harm to viewers or society that could result from criminal behavior, illegal drugs, violent or horrific behavior, indecent images of children, animal cruelty, obscentity, racial hatred, or human rights infringements depicted in films. Local authorities have powers over the BBFC such as granting licenses and changing film certificates.
BBFC and PEGI
The BBFC (British Board of Film Classification) regulates films and videos in the UK to ensure they are suitable for different age groups. It was established in 1912 and operates independently of the government. The BBFC uses a rating system of U, PG, 12/12A, 15, 18, and R18 to help the public make informed choices about what they watch. PEGI (Pan European Game Information) regulates video games in Europe and uses a similar age rating system of 3+, 7+, 12+, 16+, 18+ to provide guidance to consumers about game content. Both organizations aim to balance protecting viewers from potentially harmful content with respecting adult freedom of choice.
Bbfc work
The BBFC is the British Board of Film Classification that regulates films and assigns them ratings. Current UK ratings include U, PG, 12A, 12, 15, and 18. Historically, ratings have become more lenient with the introduction of the 12A rating in 2002, which allows children under 12 to view 12A films as long as they are accompanied by an adult. The 12A rating was controversial as it gave parents the decision about a film's suitability without viewing it first. While film classification aims to protect viewers, some argue it is overly restrictive and that viewers can understand fiction versus reality.
BBFC WORK
The BBFC (British Board of Film Classification) regulates films in the UK by assigning them ratings. Contemporary BBFC ratings are more lenient than historical ones, as there is now a 12A rating allowing under-12s to view films if accompanied by an adult. The 12A rating was introduced in 2002 and sparked controversy over what types of content were appropriate for this age group. There is ongoing debate around censorship and protecting young audiences within the 12A category. Infamously, Stanley Kubrick's 1971 film A Clockwork Orange was withdrawn from UK release in 1973 due to intense backlash over its graphic and violent content.
Hobbfc
The BBFC was founded in 1912 by the film industry to apply consistent censorship standards across the UK. In 1984, the Video Recordings Act expanded the BBFC's role to classify videos. Throughout its history, the BBFC has adapted its guidelines and classification system in response to social changes and public feedback, introducing concepts like an "adults only" rating in the 1950s. Key figures like T.P. O'Connor and Arthur Watkins helped shape the BBFC's approach over the decades.
Regulations in the media
The British Board of Film Classification (BBFC) is responsible for classifying films and some video games before release in the UK. They classify content based on factors like violence, sexual content, and drug use to determine appropriate age ratings. Films can be banned if the content is deemed inappropriate even for adults or breaches obscenity laws. While most films receive a rating, some like Human Centipede 2 have been denied a rating initially but received one after edits were made. Research like the 1961 Bobo doll experiment by Albert Bandura showed that viewing violent content can influence children's own behavior, supporting the need to regulate what minors see.
BBFC
The document discusses film classification and censorship in the UK by the British Board of Film Classification (BBFC). The BBFC aims to protect children from harmful content and empower consumers to make informed viewing decisions. It classifies films and videos released in the UK based on factors like content, themes, language and imitable behavior. Films may be passed without cuts, passed with compulsory cuts to receive a less-restrictive rating, or refused classification and effectively banned. Debate surrounds whether censorship is still needed in the digital age and if banning films paradoxically gives them more publicity.
UK film classification 2010
The document provides an overview of film classification in the UK, including a brief history and the current structure and process. It notes that censorship trends have liberalized over time from moralistic paternalism to child protection. Key decades included the 1920s-1940s which established the British Board of Film Censors and symbols, and the 1960s-1970s which saw social changes and the ratings become more permissive. Today the BBFC aims to empower viewers while protecting children.
Ethical issues
The British Board of Film Classification (BBFC) is responsible for classifying films and some video games before release in the UK. The BBFC considers factors like violence, sexual content, and drug use when deciding on a rating. Films can be banned if the content is deemed inappropriate even for adults or breaches obscenity laws. A film may appeal a ban by suggesting edits. In 2011, the film Human Centipede 2 was initially denied classification but received an 18 rating after cuts were made.
LO4 BBFC
The British Board of Film Classification (BBFC) is an independent non-profit organization established in 1912 to classify films shown in UK cinemas. It has classified both films and videos since the Video Recordings Act of 1984. The BBFC aims to provide uniform classification nationally while allowing for local council overrides. It charges fees to review and classify films and videos based on their content and assigns ratings to help audiences and retailers determine suitability. Major acts like the Obscene Publications Act and Video Recordings Act guide the BBFC's classifications and censorship of content deemed obscene or corrupting to audiences.
Ethical issues in the media industry
The British Board of Film Classification (BBFC) was established in 1912 to classify and censor films shown in the UK. It is responsible for classifying videos, DVDs, and some video games based on their suitability for different age groups, with the goal of protecting children and other vulnerable groups. The BBFC banned the film The Human Centipede Two due to its extremely violent and graphic content, but later gave it an 18 certificate after significant cuts were made. Studies like the Bobo Doll Experiment provide evidence that watching violent media can influence children's aggressive behaviors. The murder of James Bulger by two 10-year-olds was attributed in part to the violent media they were exposed to.
LO3 Workbook
The document discusses regulation of the media in the UK by the British Board of Film Classification (BBFC). It provides details on:
- The BBFC's role in classifying and regulating films and videos in the UK.
- How the BBFC was established in 1912 by film producers to self-regulate, and the legal acts that give it power to enforce ratings.
- Two case studies that demonstrate how the BBFC applied ratings to films and considered public opinion over time.
- The student's view that some regulation of media content is necessary to protect children, but it should only apply to those under 16, and regulators should be independent and consider public opinion.
Horror and Censorship
The document discusses the censorship of horror movies and whether it can truly be controlled. It provides examples of movies that have been banned or cut by censorship boards, such as the British Board of Film Classification (BBFC) banning the movie Human Centipede 2. However, it notes that censorship does not fully prevent access, as banned movies can still be easily accessed online. Overall, the document explores the challenges of censorship and how opinions vary on whether some horrors should be censored but not others.
BBFC
The British Board of Film Classification (BBFC) is an independent non-profit organization established in 1912 to classify films shown in British cinemas. It has classified both films and videos since the Video Recordings Act of 1984. The BBFC aims to provide uniform classification nationally while allowing for local council overrides. It charges fees to review and classify films and videos based on their content and potential effects on audiences. The BBFC must apply and consider various British acts regarding obscenity, child protection, and video content when making classification decisions.
Legislation powerpoint
This document provides a timeline and overview of key legislation related to film classification in the UK:
- The Cinematograph Act of 1909 introduced cinema licensing by local authorities for safety reasons and led to the BBFC being established in 1912 to standardize classification decisions.
- Subsequent acts in the 1930s-1950s addressed issues like animal cruelty in films and prohibiting children from viewing "unsuitable" films.
- The 1960s saw acts passed around obscenity and protecting children. The 1978 Protection of Children Act prohibited indecent images of those under 16.
- The 2003 Licensing Act formally recognized the BBFC role in cinema classification for the first time. Throughout, local authorities maintained final say over film licenses
CMR L3 - video nasties, the vpa and opa
The BBFC was founded in 1912 by film distributors to provide standardized film classification across the UK. It is an independent body that classifies films, DVDs, and video games based on their published Guidelines and assigns ratings of U, PG, 12A, 15, 18 or 18R. Compliance Officers consider issues like discrimination, drugs, horror, language, imitable behaviour, nudity, sex, sexual violence and violence when making classification decisions. In the 1970s, as video recorders became publicly available, some films released without cuts on video that had been cut for cinema caused concern, leading to the extension of the OPA in 1977 and eventual establishment of the VRA in 1984 to regulate video content.
Ethical issues in the media industry
The BBFC is a non-governmental organization that is responsible for classifying films in the UK based on their content. It was established over 100 years ago and considers factors like violence, language, sexual content and more when rating films. The BBFC aims to restrict children from viewing inappropriate content and ensure they only watch age-appropriate movies. One film that was heavily cut by the BBFC was The Human Centipede 2, which they wanted to remove over 2 minutes of footage from due to its graphic and violent nature. If the filmmakers did not agree to these edits, the film would not have received a classification to be released in the UK.
Classification
The document discusses the history and role of the British Board of Film Classification (BBFC) in regulating and classifying films shown in the UK. It outlines the BBFC's guidelines and rating system, how censorship has changed over time due to social changes, and some of the challenges faced in classifying films for different formats and platforms. The BBFC is a self-regulatory body made up of film industry representatives that can impose age ratings, though local authorities can overrule their decisions. Classification considers legal, protective, and societal factors, and aims to balance freedom of expression with protecting viewers.
Bbfc
The British Board of Film Classification (BBFC) is an independent non-governmental organization that has been classifying films in the United Kingdom since 1912. The BBFC classifies films, videos, DVDs, and video games to determine the appropriate age rating based on the content. It has the power to require cuts or ban media entirely if it violates laws around obscenity, child protection, or could influence the public in a negative way. The BBFC's ratings and restrictions have had a significant impact on the film industry in the UK by banning many controversial or violent films over the years.
Unit 8 task 3 (1)
An industry code of practice sets rules and guidelines to control industry conduct and the relationship with consumers. Codes aim to improve standards and comply with laws. They promote equality of opportunity and diversity within organizations.
The BBFC classifies films in the UK with ratings like U, PG, 12A to ensure children are protected from harmful content. It was established in 1912 to bring uniformity to film classification nationally.
Ofcom regulates TV, radio, telecoms and postal services in the UK. It has a code for broadcasting covering standards, fairness and privacy. Broadcasters must follow the rules or face sanctions like fines or show cancellation.
Unit 8 task 3
The document discusses several industry codes of practice and regulations. It states that industry codes aim to improve standards, follow legal requirements, and promote equality and diversity. Organizations work to promote choice, secure standards, and prevent harm by ensuring all levels of the organization have an inclusive culture.
Unit 8 task 3
The document discusses several industry codes of practice and regulations in the UK media industries. It explains that industry codes aim to improve standards, ensure professional conduct, and promote equality and diversity. Organizations work to promote choice, secure standards, and prevent harm through inclusive company cultures. The document also provides examples of regulatory bodies for different media in the UK, including the BBFC (film ratings), Ofcom (broadcasting standards), and laws around copyright and defamation.
127 hours essay
The document discusses the British Board of Film Classification (BBFC) and their process for classifying films in the UK. It focuses on the case of the film 127 Hours, which depicts a real-life event where a climber cuts off his own arm after it becomes trapped. While this scene contains graphic imagery, the BBFC classified the film as 15 rather than 18 because the scene is meant to depict a real-life survival situation rather than gratuitous violence. The author agrees with this decision, as banning the key scene would undermine the film. However, the author also questions the relevance of the BBFC today given most people can access any content online.
The bbfc
The BBFC is the independent British Board of Film Classification that has been classifying films since 1912 and videos/DVDs since 1984. It examines issues like violence, sex, language and more to assign age ratings like U, PG, 12, 15, 18. The BBFC must follow legal acts around censorship that protect viewers and performers, like the Obscene Publications Act and Child Protection Act. For the film The Descent, the BBFC took a lenient approach by not explicitly showing the death of a child character, allowing the film to receive a 15 rating instead of an 18.
Final Major Project Evaluation
1) The author evaluates the technical skills and production processes used in their final major project film opening title sequence.
2) They discuss the quality of the footage shot on a Canon DSLR camera and challenges with color correcting due to light exposure.
3) The author believes they effectively used editing software like Adobe After Effects and Premiere Pro to composite footage, apply titles, and construct the narrative, though some aspects like rendering took longer than expected.
PR23 Preparing Images
The author displays an unedited image that will be used on the front cover of their magazine. They state that the image is dull and boring, so they will need to substantially increase the lighting, color, and crop out any distractions to make it more visually appealing to their target demographic audience. The author then shows the edited version of the image, where they increased saturation, brightness/contrast, and cropped out a distracting bin to better focus attention on the main subject, a member of the Manchester public. The author believes these edits will help appeal to their target audience of photography lovers and critics.
More Related Content
Similar to Film classifications
Regulations in the media
The British Board of Film Classification (BBFC) is responsible for classifying films and some video games before release in the UK. They classify content based on factors like violence, sexual content, and drug use to determine appropriate age ratings. Films can be banned if the content is deemed inappropriate even for adults or breaches obscenity laws. While most films receive a rating, some like Human Centipede 2 have been denied a rating initially but received one after edits were made. Research like the 1961 Bobo doll experiment by Albert Bandura showed that viewing violent content can influence children's own behavior, supporting the need to regulate what minors see.
BBFC
The document discusses film classification and censorship in the UK by the British Board of Film Classification (BBFC). The BBFC aims to protect children from harmful content and empower consumers to make informed viewing decisions. It classifies films and videos released in the UK based on factors like content, themes, language and imitable behavior. Films may be passed without cuts, passed with compulsory cuts to receive a less-restrictive rating, or refused classification and effectively banned. Debate surrounds whether censorship is still needed in the digital age and if banning films paradoxically gives them more publicity.
UK film classification 2010
The document provides an overview of film classification in the UK, including a brief history and the current structure and process. It notes that censorship trends have liberalized over time from moralistic paternalism to child protection. Key decades included the 1920s-1940s which established the British Board of Film Censors and symbols, and the 1960s-1970s which saw social changes and the ratings become more permissive. Today the BBFC aims to empower viewers while protecting children.
Ethical issues
The British Board of Film Classification (BBFC) is responsible for classifying films and some video games before release in the UK. The BBFC considers factors like violence, sexual content, and drug use when deciding on a rating. Films can be banned if the content is deemed inappropriate even for adults or breaches obscenity laws. A film may appeal a ban by suggesting edits. In 2011, the film Human Centipede 2 was initially denied classification but received an 18 rating after cuts were made.
LO4 BBFC
The British Board of Film Classification (BBFC) is an independent non-profit organization established in 1912 to classify films shown in UK cinemas. It has classified both films and videos since the Video Recordings Act of 1984. The BBFC aims to provide uniform classification nationally while allowing for local council overrides. It charges fees to review and classify films and videos based on their content and assigns ratings to help audiences and retailers determine suitability. Major acts like the Obscene Publications Act and Video Recordings Act guide the BBFC's classifications and censorship of content deemed obscene or corrupting to audiences.
Ethical issues in the media industry
The British Board of Film Classification (BBFC) was established in 1912 to classify and censor films shown in the UK. It is responsible for classifying videos, DVDs, and some video games based on their suitability for different age groups, with the goal of protecting children and other vulnerable groups. The BBFC banned the film The Human Centipede Two due to its extremely violent and graphic content, but later gave it an 18 certificate after significant cuts were made. Studies like the Bobo Doll Experiment provide evidence that watching violent media can influence children's aggressive behaviors. The murder of James Bulger by two 10-year-olds was attributed in part to the violent media they were exposed to.
LO3 Workbook
The document discusses regulation of the media in the UK by the British Board of Film Classification (BBFC). It provides details on:
- The BBFC's role in classifying and regulating films and videos in the UK.
- How the BBFC was established in 1912 by film producers to self-regulate, and the legal acts that give it power to enforce ratings.
- Two case studies that demonstrate how the BBFC applied ratings to films and considered public opinion over time.
- The student's view that some regulation of media content is necessary to protect children, but it should only apply to those under 16, and regulators should be independent and consider public opinion.
Horror and Censorship
The document discusses the censorship of horror movies and whether it can truly be controlled. It provides examples of movies that have been banned or cut by censorship boards, such as the British Board of Film Classification (BBFC) banning the movie Human Centipede 2. However, it notes that censorship does not fully prevent access, as banned movies can still be easily accessed online. Overall, the document explores the challenges of censorship and how opinions vary on whether some horrors should be censored but not others.
BBFC
The British Board of Film Classification (BBFC) is an independent non-profit organization established in 1912 to classify films shown in British cinemas. It has classified both films and videos since the Video Recordings Act of 1984. The BBFC aims to provide uniform classification nationally while allowing for local council overrides. It charges fees to review and classify films and videos based on their content and potential effects on audiences. The BBFC must apply and consider various British acts regarding obscenity, child protection, and video content when making classification decisions.
Legislation powerpoint
This document provides a timeline and overview of key legislation related to film classification in the UK:
- The Cinematograph Act of 1909 introduced cinema licensing by local authorities for safety reasons and led to the BBFC being established in 1912 to standardize classification decisions.
- Subsequent acts in the 1930s-1950s addressed issues like animal cruelty in films and prohibiting children from viewing "unsuitable" films.
- The 1960s saw acts passed around obscenity and protecting children. The 1978 Protection of Children Act prohibited indecent images of those under 16.
- The 2003 Licensing Act formally recognized the BBFC role in cinema classification for the first time. Throughout, local authorities maintained final say over film licenses
CMR L3 - video nasties, the vpa and opa
The BBFC was founded in 1912 by film distributors to provide standardized film classification across the UK. It is an independent body that classifies films, DVDs, and video games based on their published Guidelines and assigns ratings of U, PG, 12A, 15, 18 or 18R. Compliance Officers consider issues like discrimination, drugs, horror, language, imitable behaviour, nudity, sex, sexual violence and violence when making classification decisions. In the 1970s, as video recorders became publicly available, some films released without cuts on video that had been cut for cinema caused concern, leading to the extension of the OPA in 1977 and eventual establishment of the VRA in 1984 to regulate video content.
Ethical issues in the media industry
The BBFC is a non-governmental organization that is responsible for classifying films in the UK based on their content. It was established over 100 years ago and considers factors like violence, language, sexual content and more when rating films. The BBFC aims to restrict children from viewing inappropriate content and ensure they only watch age-appropriate movies. One film that was heavily cut by the BBFC was The Human Centipede 2, which they wanted to remove over 2 minutes of footage from due to its graphic and violent nature. If the filmmakers did not agree to these edits, the film would not have received a classification to be released in the UK.
Classification
The document discusses the history and role of the British Board of Film Classification (BBFC) in regulating and classifying films shown in the UK. It outlines the BBFC's guidelines and rating system, how censorship has changed over time due to social changes, and some of the challenges faced in classifying films for different formats and platforms. The BBFC is a self-regulatory body made up of film industry representatives that can impose age ratings, though local authorities can overrule their decisions. Classification considers legal, protective, and societal factors, and aims to balance freedom of expression with protecting viewers.
Bbfc
The British Board of Film Classification (BBFC) is an independent non-governmental organization that has been classifying films in the United Kingdom since 1912. The BBFC classifies films, videos, DVDs, and video games to determine the appropriate age rating based on the content. It has the power to require cuts or ban media entirely if it violates laws around obscenity, child protection, or could influence the public in a negative way. The BBFC's ratings and restrictions have had a significant impact on the film industry in the UK by banning many controversial or violent films over the years.
Unit 8 task 3 (1)
An industry code of practice sets rules and guidelines to control industry conduct and the relationship with consumers. Codes aim to improve standards and comply with laws. They promote equality of opportunity and diversity within organizations.
The BBFC classifies films in the UK with ratings like U, PG, 12A to ensure children are protected from harmful content. It was established in 1912 to bring uniformity to film classification nationally.
Ofcom regulates TV, radio, telecoms and postal services in the UK. It has a code for broadcasting covering standards, fairness and privacy. Broadcasters must follow the rules or face sanctions like fines or show cancellation.
Unit 8 task 3
The document discusses several industry codes of practice and regulations. It states that industry codes aim to improve standards, follow legal requirements, and promote equality and diversity. Organizations work to promote choice, secure standards, and prevent harm by ensuring all levels of the organization have an inclusive culture.
Unit 8 task 3
The document discusses several industry codes of practice and regulations in the UK media industries. It explains that industry codes aim to improve standards, ensure professional conduct, and promote equality and diversity. Organizations work to promote choice, secure standards, and prevent harm through inclusive company cultures. The document also provides examples of regulatory bodies for different media in the UK, including the BBFC (film ratings), Ofcom (broadcasting standards), and laws around copyright and defamation.
127 hours essay
The document discusses the British Board of Film Classification (BBFC) and their process for classifying films in the UK. It focuses on the case of the film 127 Hours, which depicts a real-life event where a climber cuts off his own arm after it becomes trapped. While this scene contains graphic imagery, the BBFC classified the film as 15 rather than 18 because the scene is meant to depict a real-life survival situation rather than gratuitous violence. The author agrees with this decision, as banning the key scene would undermine the film. However, the author also questions the relevance of the BBFC today given most people can access any content online.
The bbfc
The BBFC is the independent British Board of Film Classification that has been classifying films since 1912 and videos/DVDs since 1984. It examines issues like violence, sex, language and more to assign age ratings like U, PG, 12, 15, 18. The BBFC must follow legal acts around censorship that protect viewers and performers, like the Obscene Publications Act and Child Protection Act. For the film The Descent, the BBFC took a lenient approach by not explicitly showing the death of a child character, allowing the film to receive a 15 rating instead of an 18.
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1) The author evaluates the technical skills and production processes used in their final major project film opening title sequence.
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The author displays an unedited image that will be used on the front cover of their magazine. They state that the image is dull and boring, so they will need to substantially increase the lighting, color, and crop out any distractions to make it more visually appealing to their target demographic audience. The author then shows the edited version of the image, where they increased saturation, brightness/contrast, and cropped out a distracting bin to better focus attention on the main subject, a member of the Manchester public. The author believes these edits will help appeal to their target audience of photography lovers and critics.
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3) In analyzing three thriller films - Taken, London Has Fallen, and Prisoners - the author believes their interpretation was influenced by contextual factors like their demographic identity and comfortable viewing circumstances, leading to a preferred
PR20 Interview Analysis
Declan Tyldesley conducted a survey after interviewing a teacher about cuts affecting disabled children. The 9 question survey asked respondents about aspects of the interview like the target audience, broadcast channel, news style, structure, questions, and interviewee. All respondents agreed the interview met its purposes and was well structured, while some minor improvements were identified. Declan concluded the survey increased their confidence for future interviews but they could have selected a more knowledgeable interviewee like a Conservative MP.
Ethics and News Values
Radio news researchers must consider ethics and news values when selecting stories to avoid regulatory issues. They look at whether stories are serious, sensational, invade privacy, or interest the public. News values provide guidelines for integrity, reliability, impartiality, and serving the public interest. When writing stories, journalists must comply with these values.
Ethics and News Values
This document discusses ethics and news values that radio news researchers must consider when selecting news stories. It provides examples of two news stories that effectively utilized ethics and news values to increase public interest: 1) A story about former footballer Adam Johnson being convicted of sexually assaulting a teenage girl that invaded his privacy but kept public interest due to the serious nature of the crime. 2) A story about World War 2 anti-tank rockets being found at a bus stop that was both serious, concerning public safety, and sensational due to local history. It also discusses how a story accusing UK Prime Minister David Cameron of tax avoidance is serious and invades his privacy, maintaining public interest.
Legal and Regulatory Constraints
The document discusses the various legal and regulatory constraints that television and radio broadcasters in the UK must comply with. There are multiple codes and guidelines set forth by organizations like Ofcom and the BBC to regulate content and ensure harm is not caused. These constraints cover protecting those under 18, scheduling appropriate content, contempt of court, defamation, election coverage, and handling stories involving official secrets. Radio news producers must carefully consider these different laws and standards to avoid suspensions or other penalties from regulatory bodies that oversee broadcasting in the UK.
GWL6 Assignment
Film producers conduct research to identify a target demographic audience for their films. They examine social demographic profiles defined by factors like age, gender, interests and income. Producers analyze data from surveys, focus groups, online reviews and other sources to understand their audience. Effective market research allows producers to tailor their marketing campaign, such as placing ads in magazines aimed at the target demographic, to attract the intended audience and maximize box office profits.
Analysing Styles of Radio News
Commercial radio stations must attract audiences and sell advertisements to make a profit. They broadcast news styles that entertain and inform to keep listeners interested and gain more listeners. A local commercial station called Key103 broadcasts news every half hour and recently reported on Hollywood stars visiting Manchester to promote their new film. The tone of language is happy to brighten listeners' moods and appeal to audiences. Public service stations like the BBC broadcast to inform, educate, and entertain all of the UK and use varied tones and styles to appeal to different demographics. BBC Radio 5 Live aims to inform audiences of ongoing news stories throughout the day in both formal and informal tones.
Analysing Forms of Radio News (World at One)
The World at One is a BBC Radio 4 news program that uses various forms of radio news to inform its target audience. It begins with headlines of important ongoing stories to pique listeners' interest. Next, it airs bulletins that include news on topics like royalty, sports, and politics. It also uses copy only segments where the newsreader only reads news stories without interviews. Audio clips and voicers are incorporated to provide context and actuality. Wraps and live crosses give listeners a sense of being at the location of news events. Two ways, with a presenter and correspondent discussing a topic live, further engage the audience. All these forms work together to efficiently educate the program's middle to upper class audience on recent events
Task 4 Final Images Review Work Sheet Landscape
Declan Tyldesley selected 5 photographs to promote Manchester in a positive way and attract visitors. The photos focused on the Manchester Town Hall and memorial poppies. For each photo, Declan discusses the theme/focus, techniques used like rule of thirds and depth of field, and strengths like vibrance and depth of field. Declan could improve the photos by adjusting angles, establishing central shots, and experimenting with different settings to enhance depth of field ranges. Overall, Declan believes the photos effectively portray Manchester as a caring community and destination worth visiting.
Task 4 Final Images Review Work Sheet Landscape
Declan Tyldesley selected 5 photographs to promote Manchester in a positive light and attract visitors. The photos focused on the Manchester Town Hall and memorial poppies. For each photo, Declan discusses the theme/focus, techniques used like rule of thirds and depth of field, and strengths/areas for improvement. The techniques were aimed at directing the viewer's eye and making Manchester appealing. Declan believes the photos successfully portray Manchester as a caring community and destination worth visiting.
Production Log_Declan Tyldesley
Declan created a commercial radio advertisement for Samsung using the Reaper (x64) software. He was able to cut up soundtracks, fade in and out sound effects, and adjust volumes within the software. Declan provided screenshots showing how he faded in and out crowd noise to make the advertisement flow smoother and adjusted volumes by creating diagonal fades to avoid distracting drops in volume. He also showed how he imported the song "Uptown Funk" and cut up voiceover files to efficiently edit his tracks into the proper order.
Radio Production Schedule Call Sheet
This call sheet is for a Samsung commercial radio advertisement produced by Declan Tyldesley on November 11th, 2015. It will take place at the E6 Radio Studio starting at 3:30pm and involve a crew of Chris Gladwin for sound, JME music, and SFX from the Q Drive. Voice actors include Hemit Dhanji, Nicole Melia, and Paul Rossington.
More from DeclanTyldsley (20)
Film classifications
- 1. Regulations in Media Film Classifications
- 2. Who does it? British Board of Film Classification (BBFC) A non-governmental organisation, funded by the film industry
- 3. What do they do? The BBFC is responsible for giving films DVDs and some video games classifications It is a statutory requirement to classify videos, under the Video Recordings Act 2010 The primary aims is to protect children and other vulnerable groups from harm through being exposed to unsuitable material
- 4. Banning Films If a film is considered unsuitable even for adults to watch it will be refused a certificate without a certificate a film can’t be shown It will not classify material that is in breach of the Obscene Publications Acts 1959 & 1964 Films can appeal & cuts can be suggested to make it suitable for a certificate If the main concept is unacceptable or cuts would be too extensive the work may be refused a classification at any category.
- 5. Videos Nasties & the DPP 39s "Video nasty" was a term started in 1982 in the UK It applied to a number of films distributed on video cassette that were criticized for their violent content by the press, Mary Whitehouse (conservative campaigner), and various religious organizations.
- 6. 'Video Recordings Act of 1984' (VRA) The Director of Public Prosecutions (DPP) drew up a list of videos that were liable for prosecution as they believed they would "deprave or corrupt" the viewer. Known as the DPP 39 At some point there was 72 on the list but 39 received prosecutions This led to the 'Video Recordings Act of 1984
- 7. Factors which effect Classification? Violence Violence against animals Weapons Imitable techniques Sex & nudity Sexual language Sexual violence Drugs Horror Criminal activity Language Discrimination Theme Tone
- 8. To Ban Or Not to Ban….
- 9. The Human Centipede 2…What happened http://www.youtube.com/watch?v=okZZca4Ef AQ In June 2011, the (BBFC) refused to classify The Human Centipede 2 (Full Sequence) for release, meaning that the film could not be supplied in any format in the UK The BBFC stated that they would not reclassify the film in future, as "no amount of cuts would allow them to give it a certificate"
- 10. But then… In October 2011, the BBFC granted the film an 18 certificate after 32 compulsory cuts totalling 2 minutes and 37 seconds were made. Did it just give the film more publicity?
- 11. Do Classifications Matter Anymore? Do the BBFC actually have any control? http://trustedmoviedownloads.com/human-centipede- 2-uncensored/ Should they have control?
- 12. Do Classifications Matter Anymore? Remember the aim... “to protect children and other vulnerable groups from harm through being exposed to unsuitable material” Psychologists believe Children DO copy violence & anti social behavior
- 13. The Bobo Doll Experiment Performed in 1961 by Albert Bandura, He believed human behaviour was learned, through imitation & copying The experiment was to try to show that children would copy adult role model’s behaviour, even violence behaviour.
- 14. http://www.youtube.com/watch?v=hHHdovKHDNU LAST CHANCE TO VOTE... DID IT EFFECT THE CHILD'S BEHAVIOUR?