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Failure developing inter-disciplinary perspectives on an 
emerging pedagogy for art/design and 
entrepreneurship. 
Chris Fremantle and Dr Gemma Kearney 
IDEAS/Gray's School of Art 
The Robert Gordon University
Ever tried. Ever failed. No matter. Try again. Fail 
again. Fail better. 
Samuel Beckett 
Do not be embarrassed by your failures, learn 
from them and start again. 
Richard Branson 
If you're not failing every now and again, it's a sign 
you're not doing anything very innovative. 
Woody Allen 
Prescriptions
Why does it matter? 
Individuals consciously exercise choice and 
judgement in its most heightened and skilled form in 
the making and experiencing of art. 
This is true for the artist in declaring a musical 
composition or drawing as a success or a failure, and 
also for the audience correspondingly experiencing 
the work as a process of completing or resisting and 
rejecting it. 
Anne Douglas
Contents 
Two Fables 
+ 
Some Experience
...a readiness to attack even those 
presuppositions which for less critical thought 
determine the limits of the range from which trials 
(conjectures) are selected; with an imaginative 
freedom that allows us to see so far unsuspected 
sources of error: possible prejudices in need of 
critical examination. 
Karl Popper 
The Positivist View
Post Colonial Critique 
I think we can let go of the modern myth of 
progress – the grandiose meta-narrative of 
humanity gradually marching towards a better 
world; “the progress of mankind” - and maintain a 
relationship to failure just as long as we don't 
understand failure in the same absolute terms. 
Yoshua Okòn
C ategory D: Rejected . Amend the Submitted Item and Resubmit
Fable of Modernism 
We think of art and failure together, however, 
precisely because their conjunction is one of the 
deep themes in the history of modernism, one of 
its commanding plots, especially in the writings of 
artists themselves, authors of imaginative 
literature who anxiously but tellingly return time 
and time again to the theme of the failed artist. 
Barolsky,
Major Themes 
8 (anonymised) members of art and design 
teaching staff, 
Semi-structured interviews: 
 Questioning of the concept of failure, 
specifically, considering if failure is an end-point 
or part of an overall trajectory; 
 the potential to learn from failure; 
 the role of failure in assessment.
Failure and Process 
‘There are pieces that I’ve made over the years 
that I’ve not been pleased with, but they’ve always 
been ‘not a failure’ because they’ve stepped onto 
something else.’ 
Jack
Context on Process 
Artistic practice and its surrounding discourses, 
though, operate somewhat differently: speculation 
here is not necessarily intent on reaching a goal, 
questions are no less powerful than answers and 
the production of ideas has no end point. 
Lisa Le Feuvre
Jeremy Deller
Failure and Learning 
‘If I saw myself in the light of all the failures that 
I’ve made – I’m much more of a failure than a 
success – but then, I’ve learned much more from 
those failures than the successes.’ 
Andrew
Failure and Assessment 
‘…so, if you can have a discussion whereby you 
say that failure is OK and that it might even be a 
good thing, then the student is only going to say 
“Yes, but what will that mean if I actually fail? I 
can’t fail my assessment.”… It is really, really 
difficult. I think the whole assessment process 
makes it difficult to have a proper discussion 
about failure’. 
Margaret
Conclusion 
Failure defines success. 
Success has been constructed as progress. 
Failure has been mythologised. 
But artists and designers do live with failure. 
It can be understood in as integral to process. 
There are some double binds, such as between 
practice and assessment. 
Some failures become highly sought after...
References 
Antebi, Nicole, Dickey, Colin and Herbst, Robby. (2008). Failure! Experiments in 
Aesthetic and Social Practices. Los Angeles: Journal of Aesthetics and Protest. 
Barolsky, Paul. (1997). The Fable of Failure In Modern Art. VQR: A National Journal for 
Literature and Discussion. Summer, Volume 73 # 3 
http://www.vqronline.org/essay/fable-failure-modern-art accessed on 16 October 2014 
Danchev, Alex. (2012). Cezanne, A Life. Profile Books. 
Deller, Jeremy. (2007). Rejected Tube Map Cover Illustration. Artist's website 
http://www.jeremydeller.org/MyFailures/MyFailures.php accessed on 16 October 2014. 
Douglas, Anne. (2014). Educating the artist as researcher: A case study of a 
doctoral/postdoctoral research culture-On the Edge in Cartiere, Cameron and 
Zebracki, Martin. The Everyday Practice of Public Art: Art, Space and Social 
Inclusion. Forthcoming 
Le Feuvre, Lisa. (2010). If at First you Don’t Succeed.... Tate etc(18, Sp), pp. 30-37. 
[Article] : Goldsmiths Research Online. Available at: http://research.gold.ac.uk/2920/ 
accessed 16 October 2014 
Popper, Karl. (1974). Autobiography. Extract in Le Feuvre, Lisa. (2010). Failure. 
Documents of Contemporary Art. London and Cambridge MA, Whitechapel Gallery 
and MIT Press.

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Failure and the creative process

  • 1. Failure developing inter-disciplinary perspectives on an emerging pedagogy for art/design and entrepreneurship. Chris Fremantle and Dr Gemma Kearney IDEAS/Gray's School of Art The Robert Gordon University
  • 2. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better. Samuel Beckett Do not be embarrassed by your failures, learn from them and start again. Richard Branson If you're not failing every now and again, it's a sign you're not doing anything very innovative. Woody Allen Prescriptions
  • 3.
  • 4. Why does it matter? Individuals consciously exercise choice and judgement in its most heightened and skilled form in the making and experiencing of art. This is true for the artist in declaring a musical composition or drawing as a success or a failure, and also for the audience correspondingly experiencing the work as a process of completing or resisting and rejecting it. Anne Douglas
  • 5.
  • 6. Contents Two Fables + Some Experience
  • 7. ...a readiness to attack even those presuppositions which for less critical thought determine the limits of the range from which trials (conjectures) are selected; with an imaginative freedom that allows us to see so far unsuspected sources of error: possible prejudices in need of critical examination. Karl Popper The Positivist View
  • 8. Post Colonial Critique I think we can let go of the modern myth of progress – the grandiose meta-narrative of humanity gradually marching towards a better world; “the progress of mankind” - and maintain a relationship to failure just as long as we don't understand failure in the same absolute terms. Yoshua Okòn
  • 9. C ategory D: Rejected . Amend the Submitted Item and Resubmit
  • 10. Fable of Modernism We think of art and failure together, however, precisely because their conjunction is one of the deep themes in the history of modernism, one of its commanding plots, especially in the writings of artists themselves, authors of imaginative literature who anxiously but tellingly return time and time again to the theme of the failed artist. Barolsky,
  • 11.
  • 12. Major Themes 8 (anonymised) members of art and design teaching staff, Semi-structured interviews:  Questioning of the concept of failure, specifically, considering if failure is an end-point or part of an overall trajectory;  the potential to learn from failure;  the role of failure in assessment.
  • 13. Failure and Process ‘There are pieces that I’ve made over the years that I’ve not been pleased with, but they’ve always been ‘not a failure’ because they’ve stepped onto something else.’ Jack
  • 14. Context on Process Artistic practice and its surrounding discourses, though, operate somewhat differently: speculation here is not necessarily intent on reaching a goal, questions are no less powerful than answers and the production of ideas has no end point. Lisa Le Feuvre
  • 16. Failure and Learning ‘If I saw myself in the light of all the failures that I’ve made – I’m much more of a failure than a success – but then, I’ve learned much more from those failures than the successes.’ Andrew
  • 17. Failure and Assessment ‘…so, if you can have a discussion whereby you say that failure is OK and that it might even be a good thing, then the student is only going to say “Yes, but what will that mean if I actually fail? I can’t fail my assessment.”… It is really, really difficult. I think the whole assessment process makes it difficult to have a proper discussion about failure’. Margaret
  • 18. Conclusion Failure defines success. Success has been constructed as progress. Failure has been mythologised. But artists and designers do live with failure. It can be understood in as integral to process. There are some double binds, such as between practice and assessment. Some failures become highly sought after...
  • 19.
  • 20. References Antebi, Nicole, Dickey, Colin and Herbst, Robby. (2008). Failure! Experiments in Aesthetic and Social Practices. Los Angeles: Journal of Aesthetics and Protest. Barolsky, Paul. (1997). The Fable of Failure In Modern Art. VQR: A National Journal for Literature and Discussion. Summer, Volume 73 # 3 http://www.vqronline.org/essay/fable-failure-modern-art accessed on 16 October 2014 Danchev, Alex. (2012). Cezanne, A Life. Profile Books. Deller, Jeremy. (2007). Rejected Tube Map Cover Illustration. Artist's website http://www.jeremydeller.org/MyFailures/MyFailures.php accessed on 16 October 2014. Douglas, Anne. (2014). Educating the artist as researcher: A case study of a doctoral/postdoctoral research culture-On the Edge in Cartiere, Cameron and Zebracki, Martin. The Everyday Practice of Public Art: Art, Space and Social Inclusion. Forthcoming Le Feuvre, Lisa. (2010). If at First you Don’t Succeed.... Tate etc(18, Sp), pp. 30-37. [Article] : Goldsmiths Research Online. Available at: http://research.gold.ac.uk/2920/ accessed 16 October 2014 Popper, Karl. (1974). Autobiography. Extract in Le Feuvre, Lisa. (2010). Failure. Documents of Contemporary Art. London and Cambridge MA, Whitechapel Gallery and MIT Press.