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EXPLORING HORROR CONVENTIONS
MISE-EN-SCENE
• Isolated settings e.g. house,
mansion, forest, church
• Domestic settings
• Set at night time
• Dark atmosphere
• Shadowy lighting
• Expressionistic lighting
Location Props/icons
• Blood
• Gore
• Ghosts
• Masks
• Crucifix
• Bible
• Death
• Shadows
• Guns
• Darkness
• deformities
CHARACTERS
Hedonistic teenagers Innocent girls Victims become heroes
Monsters Final girl Psychologically damaged adults
MUSIC & SOUND
Heartbeats
Atmospheric suspense music
Psycho strings
Loud bangs and
crashes
ScreamsCreaks or
doors/floorboards
Diegetic vs Non-
Diegetic
CAMERAWORK AND EDITING
Crosscutting for suspense sequences
Faster cutting for violent action
Point of view shots
Handheld shots for chase scenes
Basic camerawork:
• Mid shot
• Closeup
• Long shot
• High angle
• Low angle
• Pan (left to right)
• Birds eye view
• Worms eye view
• Tracking shot
Tilted angle
NARRATIVE STRUCTURE
• Group of people venture into a strange and ultimately threatening setting
• Background information is shared with the audience
• Binary oppositions: between good and evil, life and death, supernatural and natural
• There's often a twist at the end of the film that suggests the all is not well which leaves
an effect of uneasiness to the viewer
• Todorov’s equilibrium (physical balance), then leads to disruption, restoration to the
equilibrium
• The movie begins to climax when it starts to become dramatic
• There's always a showdown between the main character/s and the monster
• At the end of the film there's always a resolution of the plot but then there's a hint that a
possibility of the monster returning
• Editing enhances confusion and disorientation
• Victims use their skills to solve the crime
NARRATIVES BASED ON ISSUES/THEMES
• Good triumphing over evil
• Confusion with identity
• Paranormal Activity
• Possession/demonic creature
• Exorcism
• Conflict played out as a battle between good and evil
• Unexplained events
• Unsolved murder
• Unfinished business with a villain coming back for revenge

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Exploring horror conventions

  • 2. MISE-EN-SCENE • Isolated settings e.g. house, mansion, forest, church • Domestic settings • Set at night time • Dark atmosphere • Shadowy lighting • Expressionistic lighting Location Props/icons • Blood • Gore • Ghosts • Masks • Crucifix • Bible • Death • Shadows • Guns • Darkness • deformities
  • 3. CHARACTERS Hedonistic teenagers Innocent girls Victims become heroes Monsters Final girl Psychologically damaged adults
  • 4. MUSIC & SOUND Heartbeats Atmospheric suspense music Psycho strings Loud bangs and crashes ScreamsCreaks or doors/floorboards Diegetic vs Non- Diegetic
  • 5. CAMERAWORK AND EDITING Crosscutting for suspense sequences Faster cutting for violent action Point of view shots Handheld shots for chase scenes Basic camerawork: • Mid shot • Closeup • Long shot • High angle • Low angle • Pan (left to right) • Birds eye view • Worms eye view • Tracking shot Tilted angle
  • 6. NARRATIVE STRUCTURE • Group of people venture into a strange and ultimately threatening setting • Background information is shared with the audience • Binary oppositions: between good and evil, life and death, supernatural and natural • There's often a twist at the end of the film that suggests the all is not well which leaves an effect of uneasiness to the viewer • Todorov’s equilibrium (physical balance), then leads to disruption, restoration to the equilibrium • The movie begins to climax when it starts to become dramatic • There's always a showdown between the main character/s and the monster • At the end of the film there's always a resolution of the plot but then there's a hint that a possibility of the monster returning • Editing enhances confusion and disorientation • Victims use their skills to solve the crime
  • 7. NARRATIVES BASED ON ISSUES/THEMES • Good triumphing over evil • Confusion with identity • Paranormal Activity • Possession/demonic creature • Exorcism • Conflict played out as a battle between good and evil • Unexplained events • Unsolved murder • Unfinished business with a villain coming back for revenge