Horror
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This document outlines several key conventions of horror movies, including iconography like weapons and demons; stylistic elements like lighting, music and camera work; common settings like houses and underground locations; typical narratives involving killers, fear, and trapped characters; character archetypes like teenagers and maniacs; and popular themes involving gore, survival and religion. The conventions establish familiar tropes that set the mood and drive suspense in horror films.
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Genre research.
This document discusses different genres and provides details about the horror genre. It outlines various types of horror genres including gothic horror, paranormal horror, and body horror. Key elements that make horror movies scary are discussed such as fear of death, the dark, creepy things, and spooky music. A brief history of the horror genre is given starting from early films in the 1890s to the Golden Age between the 1920s-1930s. Common codes and conventions used in horror films are described like camera angles, sound/music, subgenres, lighting, and settings.
Conventions of a horror
Horror films traditionally employ certain conventions including visual styles like red colors signifying danger, props like weapons identifying villains, and iconic monsters. Camera techniques like close-ups build suspense, while settings provide isolation. Narratives usually feature a hero battling an undefeatable villain, with stereotypical characters dying in order of weakness. However, modern horrors subvert conventions by omitting villains, having unpredictable outcomes, and featuring unconventional characters and themes.
Conventions of a horror film mr darby.pptx
The key conventions in horror films include setting, technical elements, iconography, narrative, characters, themes, and music. Settings often involve isolated or creepy locations like forests, abandoned buildings, or graveyards. Technical elements like camera angles, lighting, and editing are used to build suspense and fear. Iconography may include dark colors, weapons, masks, and monsters. Narratives usually involve heroes embarking on a quest to defeat a threat like a killer, while teenagers are often victims. Characters include protagonists, villains, and police; themes commonly explore good vs evil, the supernatural, and madness. Music and sound effects enhance the scare factor.
Codes and conventions of a horror
This document discusses the history and conventions of supernatural horror fiction and films. It outlines that supernatural horror draws from folklore involving witches, ghosts, and demons. Gothic horror novels of the 18th century incorporated these elements. Supernatural horror films aim to frighten audiences and invoke fears through their use of music, locations like churches and farms, shots styles, and credits that follow the horror theme. They also follow standard plot structures involving victims, villains and the conflict between good and evil.
Horror Genre Conventions
Horror films typically feature isolated settings like abandoned buildings, forests, or cities after dark. Cinematography aims to unsettle the audience with unnatural camera movements, point-of-view shots, and quick editing. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually involve an antagonist threatening the protagonist, with themes exploring good versus evil, religion, childhood trauma, science experiments gone wrong, zombies, insanity, envy, and suicide. Key characters are the victim protagonist, supernatural villain, creepy children, and trustworthy or corrupted police officers.
Horror Narratives
The document discusses narrative conventions and structures that are common in horror genres. It explains that horror narratives typically follow a three-act structure of an onset phase where a disorder is introduced, a discovery phase where characters learn of the disorder, and a disruption phase where characters work to restore order by defeating the source of the disorder. The document also summarizes some key narrative theories that are relevant for analyzing horror films, such as those proposed by Todorov, Propp, Barthes, and Levi-Strauss.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
Researching genre
The document discusses researching the horror genre in order to create opening titles. It summarizes that the author will research stock characters, plots, locations, props, music and sounds, and conventions of the horror genre. It provides examples of commonly used stock characters, plots involving killers stalking and killing victims, and locations like forests and abandoned buildings. It also lists examples of typical props like axes and signs like storms. Musical elements like violins and distorted sounds aim to create discomfort. Technical conventions include shaky camera work and lighting to generate fear.
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Genre research.
This document discusses different genres and provides details about the horror genre. It outlines various types of horror genres including gothic horror, paranormal horror, and body horror. Key elements that make horror movies scary are discussed such as fear of death, the dark, creepy things, and spooky music. A brief history of the horror genre is given starting from early films in the 1890s to the Golden Age between the 1920s-1930s. Common codes and conventions used in horror films are described like camera angles, sound/music, subgenres, lighting, and settings.
Conventions of a horror
Horror films traditionally employ certain conventions including visual styles like red colors signifying danger, props like weapons identifying villains, and iconic monsters. Camera techniques like close-ups build suspense, while settings provide isolation. Narratives usually feature a hero battling an undefeatable villain, with stereotypical characters dying in order of weakness. However, modern horrors subvert conventions by omitting villains, having unpredictable outcomes, and featuring unconventional characters and themes.
Conventions of a horror film mr darby.pptx
The key conventions in horror films include setting, technical elements, iconography, narrative, characters, themes, and music. Settings often involve isolated or creepy locations like forests, abandoned buildings, or graveyards. Technical elements like camera angles, lighting, and editing are used to build suspense and fear. Iconography may include dark colors, weapons, masks, and monsters. Narratives usually involve heroes embarking on a quest to defeat a threat like a killer, while teenagers are often victims. Characters include protagonists, villains, and police; themes commonly explore good vs evil, the supernatural, and madness. Music and sound effects enhance the scare factor.
Codes and conventions of a horror
This document discusses the history and conventions of supernatural horror fiction and films. It outlines that supernatural horror draws from folklore involving witches, ghosts, and demons. Gothic horror novels of the 18th century incorporated these elements. Supernatural horror films aim to frighten audiences and invoke fears through their use of music, locations like churches and farms, shots styles, and credits that follow the horror theme. They also follow standard plot structures involving victims, villains and the conflict between good and evil.
Horror Genre Conventions
Horror films typically feature isolated settings like abandoned buildings, forests, or cities after dark. Cinematography aims to unsettle the audience with unnatural camera movements, point-of-view shots, and quick editing. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually involve an antagonist threatening the protagonist, with themes exploring good versus evil, religion, childhood trauma, science experiments gone wrong, zombies, insanity, envy, and suicide. Key characters are the victim protagonist, supernatural villain, creepy children, and trustworthy or corrupted police officers.
Horror Narratives
The document discusses narrative conventions and structures that are common in horror genres. It explains that horror narratives typically follow a three-act structure of an onset phase where a disorder is introduced, a discovery phase where characters learn of the disorder, and a disruption phase where characters work to restore order by defeating the source of the disorder. The document also summarizes some key narrative theories that are relevant for analyzing horror films, such as those proposed by Todorov, Propp, Barthes, and Levi-Strauss.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
Researching genre
The document discusses researching the horror genre in order to create opening titles. It summarizes that the author will research stock characters, plots, locations, props, music and sounds, and conventions of the horror genre. It provides examples of commonly used stock characters, plots involving killers stalking and killing victims, and locations like forests and abandoned buildings. It also lists examples of typical props like axes and signs like storms. Musical elements like violins and distorted sounds aim to create discomfort. Technical conventions include shaky camera work and lighting to generate fear.
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This document discusses techniques for creating fear in horror films, including through camera work, sound, editing, and mise-en-scene. It also analyzes common audience fears that horror films play into, such as darkness, isolation, and strange noises. Additionally, it examines how the type of "monster" in a film depends on the subgenre and is meant to represent different societal fears, such as external threats, man-made creatures, or internal human corruption. Overall, the document analyzes how horror films manipulate various cinematic techniques and play on underlying societal anxieties to frighten audiences.
Horror Genre Conventions
The document outlines several conventions of horror films, including common settings like isolated or run-down urban areas with dark histories, the use of unnatural camerawork like POV shots and handheld footage to add realism, and iconic visual styles employing dark colors, low lighting, and frightening props. It also discusses narrative structures featuring protagonists battling antagonists, familiar character archetypes, and themes involving good versus evil, religion, childhood trauma, science, and mental instability that exploit human fears.
Horror Genre Conventions
The document outlines several conventions of horror films including setting, cinematography, iconography, narrative, characters, and themes. Settings often involve isolated, dark urban areas like alleys or abandoned buildings. Cinematography uses unnatural camera movements, point-of-view shots, handheld shots, and close-ups to create tension. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually follow the classic structure with an antagonist and protagonist battling for survival. Characters include victims, villains, creepy children, and corrupted officers. Popular themes involve good vs evil, religion, childhood issues, science gone wrong, zombies, insanity, envy, and suicide.
Conventions of the horror genre
This document outlines various conventions of the horror genre including common settings, characters, and iconography. It discusses how horror narratives typically involve a group being persecuted by an antagonist with an unpredictable ending. Several subgenres of horror are also described such as Gothic, slasher, psychological, paranormal, gore, and found footage. Finally, the document summarizes some genre theories including how horror provides an escape from social norms and tensions and how audience preferences can change over time.
Researching genre
This document summarizes the author's research into conventions of the horror genre for their opening titles project. It discusses common horror elements like stock characters (nerds, jocks), plots (killer stalking victims), locations (forests, asylums), props (axes, cars), sounds (distorted music), and narrative structures (hero on a quest). The author provides examples like the plot of the film Mirrors and explains how genre conventions establish settings, camera work, editing, iconography, and other technical aspects to create fear and suspense for the audience.
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The document provides guidance on summarizing and analyzing the narrative features, themes, and representations of gender in the horror films The Descent and Creep. It discusses common horror film conventions like isolation, entrapment, and monsters representing societal fears. For The Descent, it suggests the Crawlers represent a terrorist threat, reflecting anxieties about the Gulf War. Creep reflects harsh urban realities and the disconnectedness of its characters. Both films use lighting and settings effectively to unnerve audiences, while The Descent subverts expectations through its unconventional ending.
Genre research
This document summarizes genre research on horror films. It outlines the origins of the horror genre in 18th century gothic novels. It then describes common conventions of horror film trailers, including establishing shots, logos, fast editing, narratives, and title screens. Finally, it details other frequent horror conventions like isolated settings, dark color schemes, masked or supernatural killers, and the use of sound, camerawork techniques, posters, magazines, and typical trailer structure.
Horror Genre
The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
Horror Film Codes and Conventions
The document discusses the codes and conventions of horror films. It begins by defining horror films as aiming to evoke negative emotions in viewers by preying on their fears. It then lists some common conventions like isolated settings, non-diegetic music to build tension, masked killers, and violence. It also discusses Vladimir Propp's theory of common character archetypes. Finally, it examines the conventions of several horror subgenres like slashers, action, gothic, psychological, and paranormal horrors.
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Horror Genre Conventions - Supernatural
The document summarizes conventions of the horror genre related to characters, location, and sound. For characters, it describes how protagonists are typically portrayed as normal families and includes archetypes like the non-believer. Locations are usually the family home or an isolated setting. Sound conventions include using non-diegetic music to manipulate tension and silence, as well as diegetic sounds like screaming or banging.
Horror Genre
The document provides an overview of the horror genre, including what defines horror films, their history and conventions. It distinguishes horror from thriller films, noting horror plays on primal fears through supernatural or disturbing scenes. Key conventions of horror discussed include isolated settings, technical techniques like lighting and camera work, common character archetypes, and themes of good vs evil. The document also examines two horror film posters and their use of visual elements and text to convey horror themes and intrigue audiences.
Horror conventions
The document provides a history of the horror genre in cinema from the early 1900s through the 1970s-80s. It notes that early films adapted literary classics as Frankenstein and Dr. Jekyll and Mr. Hyde. The silent film era of the 1920s-30s is considered the finest. The 1970s-80s saw a focus on religious evil and possession films inspired by The Exorcist and The Omen. It also lists some early French and British horror films from 1896 and provides details on common horror movie narratives, character types, settings, sounds, costumes/makeup, props.
Conventions of the Fantasy genre
The fantasy genre uses magic and imaginary elements rather than supernatural ones. It is believed to have evolved from science fiction and contains clear differences. Fantasy films target families, teenagers, and young adults. While animated films like Snow White contain fantasy elements, they are categorized as fairy tales, a subgenre of fantasy. Successful fantasy films are often in trilogy formats like Lord of the Rings. The two main fantasy subgenres are high fantasy and sword and sorcery.
Conventions of a horror
This document discusses the genre of horror films. It provides examples of well-known horror movies and notes that they typically aim to scare viewers through themes involving psychology, religion, monsters, gore or true stories. It explains that horror films usually feature a survivor protagonist battling an identifiable villain/killer who has a trademark murder technique. Camera techniques like handheld shots, point-of-view shots, and close-ups are important for creating atmosphere and conveying fear or rage. Locations are often isolated areas that enhance feelings of being alone and vulnerable.
Textual analysis genre
The document discusses how the horror film Insidious establishes its genre through typical codes and conventions of horror films. It establishes genre through its supernatural plot involving an evil spirit attacking a family, use of low-key lighting and costumes to depict evil forces, and clear distinctions between good characters and evil demons. The film also establishes genre through its 15 age rating, use of close-ups and soundtrack to build tension and mystery.
Theory meaning pro-forma
The document discusses various theory-related topics through definitions and examples, including:
- The denotation and connotation of words like "snake," "flag," and "gun."
- Iconography related to genres like western, science fiction, and fantasy.
- Linear and non-linear narratives and examples of each.
- Stereotypes associated with groups like men/women, upper class/working class, and old/young people.
- Analysis of elements in a sample movie clip, including lighting, camera work, editing, music, and colors.
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The document analyzes three trailers for fantasy films - Twilight Saga: Eclipse, Harry Potter and the Deathly Hallows, and The Lord of the Rings: The Return of the King. It defines fantasy films as those using magic and supernatural elements. Typical conventions seen in the trailers include mystical creatures, dream-like plots unfolding in modern worlds unknown to ordinary people, secrecy around storylines, dark and mysterious tones, and quick action snippets. Elements indicating the fantasy representation are those that are supernatural or not human, as well as dramatic uneasy music.
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This document discusses various plot structures and storytelling conventions. It outlines seven common plot structures: Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides a brief outline of typical story beats or stages. It also discusses universal plot elements of beginning, middle, and end, as well as fundamental movements between states. The document provides story starters and prompts writers to identify which plot their story follows and to outline their story to incorporate essential elements. It assigns homework of posting a scene demonstrating a chosen plot convention.
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1) Latvia has over 684 protected natural areas making up 12% of the country, including national parks, nature reserves, and areas in the Natura 2000 network.
2) Several species native to Latvia are discussed, including brown bears, wolves, lynx, black storks, tree frogs, and toads, with information on population numbers and conservation objectives.
3) Latvia has taken steps to promote nature protection and renewable resources, such as opening a hazardous waste site, implementing a deposit system for recyclable containers, and requiring bio-oil for chainsaws to reduce pollution.
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This document discusses techniques for creating fear in horror films, including through camera work, sound, editing, and mise-en-scene. It also analyzes common audience fears that horror films play into, such as darkness, isolation, and strange noises. Additionally, it examines how the type of "monster" in a film depends on the subgenre and is meant to represent different societal fears, such as external threats, man-made creatures, or internal human corruption. Overall, the document analyzes how horror films manipulate various cinematic techniques and play on underlying societal anxieties to frighten audiences.
Horror Genre Conventions
The document outlines several conventions of horror films, including common settings like isolated or run-down urban areas with dark histories, the use of unnatural camerawork like POV shots and handheld footage to add realism, and iconic visual styles employing dark colors, low lighting, and frightening props. It also discusses narrative structures featuring protagonists battling antagonists, familiar character archetypes, and themes involving good versus evil, religion, childhood trauma, science, and mental instability that exploit human fears.
Horror Genre Conventions
The document outlines several conventions of horror films including setting, cinematography, iconography, narrative, characters, and themes. Settings often involve isolated, dark urban areas like alleys or abandoned buildings. Cinematography uses unnatural camera movements, point-of-view shots, handheld shots, and close-ups to create tension. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually follow the classic structure with an antagonist and protagonist battling for survival. Characters include victims, villains, creepy children, and corrupted officers. Popular themes involve good vs evil, religion, childhood issues, science gone wrong, zombies, insanity, envy, and suicide.
Conventions of the horror genre
This document outlines various conventions of the horror genre including common settings, characters, and iconography. It discusses how horror narratives typically involve a group being persecuted by an antagonist with an unpredictable ending. Several subgenres of horror are also described such as Gothic, slasher, psychological, paranormal, gore, and found footage. Finally, the document summarizes some genre theories including how horror provides an escape from social norms and tensions and how audience preferences can change over time.
Researching genre
This document summarizes the author's research into conventions of the horror genre for their opening titles project. It discusses common horror elements like stock characters (nerds, jocks), plots (killer stalking victims), locations (forests, asylums), props (axes, cars), sounds (distorted music), and narrative structures (hero on a quest). The author provides examples like the plot of the film Mirrors and explains how genre conventions establish settings, camera work, editing, iconography, and other technical aspects to create fear and suspense for the audience.
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The document provides guidance on summarizing and analyzing the narrative features, themes, and representations of gender in the horror films The Descent and Creep. It discusses common horror film conventions like isolation, entrapment, and monsters representing societal fears. For The Descent, it suggests the Crawlers represent a terrorist threat, reflecting anxieties about the Gulf War. Creep reflects harsh urban realities and the disconnectedness of its characters. Both films use lighting and settings effectively to unnerve audiences, while The Descent subverts expectations through its unconventional ending.
Genre research
This document summarizes genre research on horror films. It outlines the origins of the horror genre in 18th century gothic novels. It then describes common conventions of horror film trailers, including establishing shots, logos, fast editing, narratives, and title screens. Finally, it details other frequent horror conventions like isolated settings, dark color schemes, masked or supernatural killers, and the use of sound, camerawork techniques, posters, magazines, and typical trailer structure.
Horror Genre
The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
Horror Film Codes and Conventions
The document discusses the codes and conventions of horror films. It begins by defining horror films as aiming to evoke negative emotions in viewers by preying on their fears. It then lists some common conventions like isolated settings, non-diegetic music to build tension, masked killers, and violence. It also discusses Vladimir Propp's theory of common character archetypes. Finally, it examines the conventions of several horror subgenres like slashers, action, gothic, psychological, and paranormal horrors.
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Horror Genre Conventions - Supernatural
The document summarizes conventions of the horror genre related to characters, location, and sound. For characters, it describes how protagonists are typically portrayed as normal families and includes archetypes like the non-believer. Locations are usually the family home or an isolated setting. Sound conventions include using non-diegetic music to manipulate tension and silence, as well as diegetic sounds like screaming or banging.
Horror Genre
The document provides an overview of the horror genre, including what defines horror films, their history and conventions. It distinguishes horror from thriller films, noting horror plays on primal fears through supernatural or disturbing scenes. Key conventions of horror discussed include isolated settings, technical techniques like lighting and camera work, common character archetypes, and themes of good vs evil. The document also examines two horror film posters and their use of visual elements and text to convey horror themes and intrigue audiences.
Horror conventions
The document provides a history of the horror genre in cinema from the early 1900s through the 1970s-80s. It notes that early films adapted literary classics as Frankenstein and Dr. Jekyll and Mr. Hyde. The silent film era of the 1920s-30s is considered the finest. The 1970s-80s saw a focus on religious evil and possession films inspired by The Exorcist and The Omen. It also lists some early French and British horror films from 1896 and provides details on common horror movie narratives, character types, settings, sounds, costumes/makeup, props.
Conventions of the Fantasy genre
The fantasy genre uses magic and imaginary elements rather than supernatural ones. It is believed to have evolved from science fiction and contains clear differences. Fantasy films target families, teenagers, and young adults. While animated films like Snow White contain fantasy elements, they are categorized as fairy tales, a subgenre of fantasy. Successful fantasy films are often in trilogy formats like Lord of the Rings. The two main fantasy subgenres are high fantasy and sword and sorcery.
Conventions of a horror
This document discusses the genre of horror films. It provides examples of well-known horror movies and notes that they typically aim to scare viewers through themes involving psychology, religion, monsters, gore or true stories. It explains that horror films usually feature a survivor protagonist battling an identifiable villain/killer who has a trademark murder technique. Camera techniques like handheld shots, point-of-view shots, and close-ups are important for creating atmosphere and conveying fear or rage. Locations are often isolated areas that enhance feelings of being alone and vulnerable.
Textual analysis genre
The document discusses how the horror film Insidious establishes its genre through typical codes and conventions of horror films. It establishes genre through its supernatural plot involving an evil spirit attacking a family, use of low-key lighting and costumes to depict evil forces, and clear distinctions between good characters and evil demons. The film also establishes genre through its 15 age rating, use of close-ups and soundtrack to build tension and mystery.
Theory meaning pro-forma
The document discusses various theory-related topics through definitions and examples, including:
- The denotation and connotation of words like "snake," "flag," and "gun."
- Iconography related to genres like western, science fiction, and fantasy.
- Linear and non-linear narratives and examples of each.
- Stereotypes associated with groups like men/women, upper class/working class, and old/young people.
- Analysis of elements in a sample movie clip, including lighting, camera work, editing, music, and colors.
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The document analyzes three trailers for fantasy films - Twilight Saga: Eclipse, Harry Potter and the Deathly Hallows, and The Lord of the Rings: The Return of the King. It defines fantasy films as those using magic and supernatural elements. Typical conventions seen in the trailers include mystical creatures, dream-like plots unfolding in modern worlds unknown to ordinary people, secrecy around storylines, dark and mysterious tones, and quick action snippets. Elements indicating the fantasy representation are those that are supernatural or not human, as well as dramatic uneasy music.
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This document discusses various plot structures and storytelling conventions. It outlines seven common plot structures: Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. For each plot, it provides a brief outline of typical story beats or stages. It also discusses universal plot elements of beginning, middle, and end, as well as fundamental movements between states. The document provides story starters and prompts writers to identify which plot their story follows and to outline their story to incorporate essential elements. It assigns homework of posting a scene demonstrating a chosen plot convention.
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3) Latvia has taken steps to promote nature protection and renewable resources, such as opening a hazardous waste site, implementing a deposit system for recyclable containers, and requiring bio-oil for chainsaws to reduce pollution.
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The key conventions in horror films include setting, technical elements, iconography, narrative, characters, themes, and music. Settings often involve isolated or creepy locations like forests, abandoned buildings, or graveyards. Technical elements like camera angles, lighting, and editing are used to build suspense and induce fear in viewers. Iconography may include symbols of evil, supernatural elements, or the villain's signature weapons. Narratives usually involve heroes embarking on a quest to defeat a threat, like a killer or monster, often with themes of good vs. evil, the supernatural, or madness. Characters include victims, villains, "stupid" teenagers, and police officers investigating threats. Music and sound effects also contribute
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Specific genres like horror, thriller, and sci-fi films contain certain tropes that signal their genre. For example, horror films commonly feature a damsel in distress character, usually a woman, who is in danger or dies. They also usually include an antagonist, like Freddy Krueger from Nightmare on Elm Street, who drives the events of the film. Location and props/costumes also help characterize genres - horror films may take place where the killer is familiar, and a character's weapon or clothing can define them. Sound is used to build suspense, like Freddy Krueger's nursery rhyme that warns of impending doom.
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Horror movies typically feature certain conventions in their settings, characters, and narrative structure. Common settings include abandoned buildings, dark woods, and haunted locations. Characters usually consist of a hero battling a villain such as a serial killer or monster. Cinematography aims to make the audience feel like they are experiencing the horror themselves through techniques like point of view shots. Narratives often follow a survive or die premise with themes of good versus evil and include death and violence.
Conventions of horror movie
Horror movies typically feature certain conventions in their settings, characters, and camerawork. Settings often involve abandoned or haunted areas like houses, woods, or asylums that create a sense of isolation. Characters usually consist of heroes battling villains like serial killers or monsters. Camerawork employs techniques like point-of-view shots and handheld footage to make the audience feel like they are experiencing the horror alongside the characters. Common themes in horror movies include good versus evil, paranormal activities, and death.
Generic Horror Conventions
Generic horror films aim to appear scary and sinister. They typically feature themes of revenge, hauntings, demons, gore, zombies, serial killers, and ghosts. Mise-en-scene elements like low lighting, violent props, isolated settings, and iconic costumes are commonly used. Settings often involve graveyards, asylums, basements, woods, or run-down cities. Cinematography employs high and low angles, close-ups, and point-of-view shots to convey power dynamics and involve the audience emotionally.
6) genre research
This document discusses common elements found in horror films, including typical characters (e.g. the female victim, non-believer), themes (e.g. revenge, haunting), settings (e.g. abandoned houses, forests), and enigma codes where characters try to escape horrors. It lists the top 10 grossing horror films and notes characters usually include the vulnerable female victim, overconfident non-believer, heroic man, quiet observer, and evil antagonist like a demon or serial killer. Settings that enhance fear include dark, isolated places like forests and abandoned buildings.
Horror presentation
Horror films typically use certain visual conventions like dark colors, low lighting to emphasize shadows, and props like knives and chainsaws associated with killers. Common monsters seen are vampires, werewolves, and mummies. Characters usually include monsters, killers, victims, and someone who figures things out. Settings are often dark, abandoned places at night to build suspense. Horror narratives focus on the conflicts and dilemmas faced by main characters dealing with evil forces or characters. Common themes include good vs. evil, religion, the supernatural, and issues beyond life and death.
Conventions of a horror film
Horror films typically follow certain conventions in their narratives, themes, characters, and stylistic elements. The narrative usually involves a hero or protagonist embarking on a mission to defeat a central villain, such as a serial killer or supernatural force. Common themes include good versus evil, the supernatural, science gone wrong, and madness. Character archetypes include victims, monsters, stupid teenagers, and survivors. Visual and audio elements like dark lighting, disturbing props, isolated settings, and tense music are used to build fear and terror in viewers.
Genre research
The document provides information on common narrative themes, structures, character types, locations, mise-en-scene and camera work techniques seen in different film genres including horror, romance, thriller, and science fiction. For horror films, it discusses themes of good vs evil and the supernatural. It also describes common character archetypes like the final girl. For romance, it outlines a typical narrative of two people meeting and overcoming obstacles to be together. Thriller and sci-fi genres are also summarized in less than 3 sentences.
Repetoire of elements
The document discusses common elements of the horror genre including iconography, characters, ideological themes, settings, and narrative structure. Iconography in horror includes symbols like revenge, hauntings, serial killers, demons, and monsters. Common characters are protagonists, villains like monsters or serial killers, idiots teenagers who get killed, and creepy children. Ideological themes involve the supernatural, good vs evil, religion, and psychological issues. Typical settings are isolated areas, abandoned buildings, forests, and graveyards. Narrative structures in horror films usually involve a protagonist on a mission to kill or solve problems, with slasher films following a formula where the villain returns to prey on teenagers after some childhood trauma.
Horror genre research
The document discusses several key elements of horror genre films. It begins by defining horror films as those meant to create negative emotions in viewers by playing on their fears of the unknown, such as ghosts, monsters, and serial killers. It then summarizes some common conventions like isolated settings, dark colors and lighting, point-of-view shots, and diegetic and non-diegetic sounds. The document also briefly touches on common narrative structures, character archetypes, and ideology present in many horror films.
Horror/drama actors and conventions
This document lists many famous actors and their roles in horror and drama films, including Johnny Depp, Jamie Lee Curtis, Christopher Lee, and Danielle Harris. It also examines common conventions in the genre, such as troubled settings, dark colors and lighting, use of weapons as props, and narratives focused on death, danger, and psychological thrills. Typical male roles include strong leaders or villains like serial killers, while female roles often portray victims, though this is becoming less common as women take on stronger roles.
Conventions of Horror
The document outlines common conventions in horror films, including settings like haunted houses, woods, and graveyards that create a scary atmosphere. It notes that victims in horror films are often young and naïve, traveling in groups with stereotypes and getting killed one by one. The villain can be anything from a ghost to a serial killer and kills victims in a bloody manner. It concludes by stating some iconic visuals that are important to include when making a horror film like a zombie movie, such as gore, bite marks, running, and graveyards.
Crime and horror
This document discusses the similarities and differences between crime and horror film genres. Both genres share conventions like a weak female character, secrets, kidnapping, rapid editing, murder, tension, victims, point of view shots, close facial expressions, weapons, and adrenaline. However, crime films focus more on a hero like a detective solving a mystery or crime by the end, while horror films center around supernatural or strange events that cause dread and panic, with an evil force defeated by the end but left open to possibly return. The document provides examples of conventions for each genre and analyzes stills from crime and horror films to illustrate similarities in techniques like close-ups but differences in lighting and color usage.
Horror genre research
In horror movies, groups typically consist of 5 people - two couples and a friend. Locations are often remote areas without easy access to help. Common themes include masked killers, paranormal threats, and monsters. Generic conventions include isolated locations, dark cinematography, dumb blonde victims, cocky male characters dying first, and handheld camera work to build tension.
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Evaluation q6
The document discusses the challenges faced while producing a film project using limited equipment. Sound recording was affected by wind, limiting costume options due to a tight production schedule, and a dark scene with poor visibility had to be cut. Editing in Final Cut Pro was easy but transferring sounds from Garageband was difficult. Effects were added, but the lack of a planned voiceover hurt the storytelling. Finding suitable music also proved challenging.
Evaluation q3
This document discusses potential media institutions that could distribute a survival horror film. It suggests that a Hollywood studio could distribute it widely as a movie, as survival horror films have been very profitable at the box office recently. It also mentions the film could be adapted into video games and other media products to expand its audience. Specifically, the film discussed here would be an art house or independent film distributed straight to DVD by a company like Ghosthouse Underground that specializes in low-budget genre films. The director's vision and exploration of characters' dreams and ambitions makes it best suited to the art house model rather than a large-scale Hollywood production.
Evaluation q1
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also explores the fear of not being able to trust others as in "The Road." Close-ups are used to show power dynamics during fights. While a thriller/horror, it contains elements of action and adventure genres through fighting and chase sequences shot dynamically.
Evaluation q1
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also explores the fear of not being able to trust others as in "The Road." Close-ups are used to show power dynamics during fights. While a thriller/horror, it contains elements of action and adventure genres through fighting and chase sequences shot dynamically.
Evaluation q6
The document discusses the challenges faced while producing a film project using limited equipment. Sound recording was affected by wind, limiting costume options due to a tight production schedule, and a dark scene had to be cut due to lack of visibility. Editing in Final Cut Pro was easy but transferring sounds from Garageband proved difficult. Effects were used but the lack of a planned voiceover hurt the narrative. Overall, the equipment was used effectively despite challenges.
Evaluation q4 and q5
The document discusses strategies for attracting the target audience for a media product. It aims to attract a younger, male audience around ages 18-25 by including elements of action, violence, and mystery to draw them in. The opening sequence leaves viewers in suspense without revealing much about the story. Feedback from friends suggested adding more thrills and gore while keeping a 15 age rating. Scary elements like being alone and being chased by monsters appeal to the target audience and put them in the perspective of the survivor.
Evaluation q3
This document discusses potential media institutions that could distribute a survival horror film. It suggests that a Hollywood studio could distribute it since survival horror films like Resident Evil and Silent Hill have been very profitable. These films have become popular due to their concepts and ability to spawn sequels and spin-offs. The document also discusses distributing it as a low-budget art house film through a company like Ghosthouse Underground, which puts films straight to DVD. As a low-budget film focused more on characters and dreams than plots, an art house distribution would be suitable.
Evaluation q2
The document discusses how a media product represents teenagers in a post-apocalyptic wasteland setting. It summarizes that the story is about survival with limited resources and younger average life expectancy. The main character is a teenage male from a middle class shown through worn clothes. He is portrayed in a stereotypical way to appeal to teenage audiences, with hardy and accident-prone behaviors. No women are shown in the opening to emphasize the loneliness of the sole male character, portraying traditional gender stereotypes. The character and setting aim to interest teenagers by reflecting the isolation they may feel.
Evaluation q1
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also draws on the fear and distrust of others in "The Road." Survival relies on using all available resources, building suspense. Close-ups are used to show power dynamics during fights. While a thriller/horror, it has elements of action and adventure genres through fighting and chase sequences shot dynamically.
Nine screen thingy
This document analyzes nine different shots from a film through their camera angles and perspectives. The shots include establishing shots of characters in a boat, medium shots of family members to show their importance, montage shots of the fast-moving boat, long shots of vehicles to depict distance traveled, close-ups that don't reveal impending danger, shots from a child's perspective in a car, a close-up of a character being stabbed, and a crane shot zooming out to show a crashed car scene. The analysis examines how each shot is framed and positioned to convey meaning about the characters, scenes, and unfolding of events.
Crazies
The opening sequence establishes a deserted, burning town followed by a montage of shots two days earlier showing a normal town. A character drives into town to 1950s music, establishing the initial normal setting. Various scenes then show people going about their daily lives and routines to further convey the sense of normalcy before things become "crazy". The sequence culminates with a man shooting at police during a baseball game, with emphasized sound effects during the gunshot. This is followed by a computerized aerial view, hinting at a conspiracy regarding the people becoming "crazy".
Horror institutions
Lionsgate was formed in 1997 by Frank Giustra to capitalize on the growing film industry in his hometown of Canada. It acquired several small production companies and distributors, finding early box office success with controversial films that larger studios declined to distribute, such as American Psycho. Lionsgate went on to produce many popular horror franchises like Saw. Universal Studios, founded in 1912, is one of the oldest American film studios still in operation. It produced Jaws, directed by Steven Spielberg, which became one of the top grossing films of all time and gained significant profits. Universal is also known for producing other popular horror films.
Horror
This document outlines several key conventions of horror movies, including iconography like weapons and demons; stylistic elements like lighting, music and camera work; common settings like houses and underground locations; typical narratives involving killers, fear, and trapped characters; character archetypes like teenagers and maniacs; and popular themes involving gore, survival and religion. The conventions establish familiar tropes that set the mood and drive suspense in horror films.
History horror
Horror films seek to elicit negative emotional reactions by playing on audiences' primal fears through macabre and supernatural scenes. They overlap with fantasy and science fiction genres. Early horror films from the 1890s-1920s featured supernatural events and monsters. The 1930s-1940s saw the rise of Universal's classic monster films like Dracula and Frankenstein. The 1950s-1960s shifted tones from gothic to contemporary concerns like alien invasions and mutations from nuclear radiation. British Hammer films brought classic monsters to color for the first time. The 1970s-1980s explored themes of evil children and reincarnation as well as satirizing consumerism and technology. The 1990s-2000s saw many
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Horror
- 1. Horror Conventions By Thomas Beckensall
- 2. Iconography • Axe These are props or objects in the • butcher knife scene that make the feeling of the • Blades movie appear more dramatic and • Spikes slower, for suspense. • Saw blades • Murders • Demons • Pickaxe • Haunted house
- 3. Style • Lighting • Shaken camera • Dramatic music • Montage • Match on action to weapons or enemy The styles of the movies set the horror genre as the lighting plays a major part of the film as it gives certain points of interest within the scene.
- 4. setting • Any building during a natural disaster • The title could be the place of the films setting • Dark places • Houses as it is breaking an entering • Underground reminds the viewer of hell The setting of a horror could be classed as iconography but the setting is classed as the estate or town that makes the mood of the movie more apparent.
- 5. Narrative • The mysterious killer • Fear of the unknown • Claustrophobia • Hallucination • Trapped • Freedom but still in danger The classic narrative structure of horror movies normally ends with the harmless virgin girl being the last survivor and ends up killing the demon or beast.
- 6. Characters • Jigsaw • Teenagers • Business men • Family • Tourists • Maniac • Curious character The characters are normally split into the vulnerable and the attacker which can change around as a twist which is like the character has been transmuted throughout the story. Characters are the main part of the fear of the film as living things are the main thing that plays with the viewers emotion.
- 7. Themes • Physiological • Gore • True story • Monster • Religious • survival The themes are the basis of the movie as it makes everything originate around that one main idea. Themes attract a certain audience who would be attracted to that type of theme.