The document discusses the production of a music video for an electronic song. Some key points:
1) The music video uses locations in Manchester like student housing and urban areas to develop a youthful, metropolitan style and relate to the target audience.
2) Shots are taken from various angles to put the viewer in the perspective of the main character and show his journey through the day in reverse order.
3) Elements like a bottle of alcohol, youthful clothing, and blurred/abstract imagery are used to represent the character's state of intoxication and conform to conventions of the electronic music genre.
4) Unconventional editing techniques like reversing shots and syncing shots to the music help challenge
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
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In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
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Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
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From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Evaluation question one finished without one screengrab = title
1. 1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
A convention is the key elements and features that is identified with a specific genre and will allow the audience to distinguish the stylistic choices a producer has used.
Conventions of the electronic genre come in many forms usually more relatable to the younger generation. ‘Berlin’ is the song title that I have produced a music video for.
Conforming to the conventions of an electronic music product, it is associated with the origins of this genre. It is a key location in the development of the electronic scene and a
city that has produced a number of groundbreaking artists, Berlin is said to be the home of electronic music. Encoding this on my ancillary tasks and music video will instigate the
audience to associate it with this genre and its conventions.
One of the most important stylistic choices in the production of my music video was the setting and location. In order to deliver the right emotion and overall effect, I
had to shoot in specific places that I knew would work well with my themes. The video is set in Manchester, to deliver this to the audience I included close ups of sigs
stating where the location is. To the right you can see examples of signs saying “Salford Crescent” and “City of Manchester”. To develop the idea that it is youth
orientated, I decided to film in my friend’s student accommodation and capture footage of the group socialising. If I were to make any changes to this, I would capture
more of the socialising up close, in order to really deliver the message that the main character is in a party environment. The choice of urban locations was to drive
the industrialised look of the video. The underpasses and arch ways that I filmed successfully achieve this as it projects more of a metropolitan style, compared to
later shots of fields and houses that represent rural areas. It gives the video a sense of grittiness and realism, something that my target audience can relate to. I did
this via using graffiti and inner-city locations to dominate most of my shots. This has challenged the conventions of the electronic music genre with the use of Graffiti
as it is most commonly seen in Hip Hop videos. It has given my video diversification in terms of connotations of the locations used. This is because in hip hop, graffiti
can relate to gang culture, whereas I have used it for the creativity and vibrancy which is expected of my genre. However in filming, I unexpectedly came across
locations that I found very useful for the stylistic look. An example of this is the large street art of the Sumo wrestler and Christopher Walken. This adds to the abstract
characteristics that I was trying to achieve. I think that I have been successful in doing this as it is common to find obscure footage within this genre that adds to the
personality of the video. An influence on this would be the Sky Diving by Hot Natured, an electro music video that features abstract imagery. Example right. To
encode the idea that the character is going on journey from one location to another, i captured all stages of the travelling process. I feel that this was done very
successfully as we managed to acquire all of our shots with just one train journey. If i was not happy with something, i would have had to either wait for another train
or do the same journey again; therefore i saved a lot of time by achieving the shots i wanted. Other key locations such as the wall and steps project the loneliness of
the character; this is synchronous to the lyrics that we are hearing “got nowhere to go”. This was influenced by the music video Carbonated by Mount Kimbe which
shows footage of various people walking through the city, then getting on public transport and ending up at home like my main character. I knew that I wanted to
include this as I analysed this music video for part of my primary research. Examples of this are given to the right.
A reoccurring prop that can be found is a bottle. An example is given to the left. On many occasions a bottle is in the main characters possession
suggesting that he is under the influence of alcohol. In two of the scenes, he is throwing it into water stating that it is empty and the contents have been
consumed. The idea of being intoxicated is a stereotypical convention for this genre. In many videos I have researched, the subjects are under the
influence of something as it is a common aspect. An example of this would be Infinity Ink – Infinity where the main protagonist is hallucinating and
experiencing a bad trip. However my video differs to this as I do not involve the consumption of drugs, only alcohol. This is because I felt it to be cliché
to film a music video about drugs and it may provoke an oppositional response. When looking at the costume of the character it has clear conventions.
The 5 panel cap that he is wearing is fashionable amongst the consumers of this music and to the younger generation as a whole, therefore something
very relatable. The blue and black jacket contrasts with the locations used and causes the main character to stand out in all scenes. An example can his
can be found to he left. The vibrancy projects the personality of the character and reflects a similar person who may listen to this music. The theme of
vibrancy runs throughout my ancillaries and main piece as I want to create an innovative and youthful feel. As for the jeans, slim fitting is stereotypical of
a teenager. Something that most people no matter what genre they listen to will recognize.
The title font and style from my ancillary projects is to captivate both the conventions of the chosen genre and also challenge stereotypes. ‘Boiler room’ is the
name of the artist and ‘Berlin’ is the name of the album. The font I chose on my CD cover, CD and poster is Alien League. This is because the font is easy to
read whilst also giving off a sophisticated effect, its slim letters contrast with the hectic image behinds it. I think this text relates to the conventions of this genre
as although it has some formality to it, the lettering looks somewhat futuristic. This can relate to an electro genre convention as DJs are constantly
experimenting with new sounds of music therefore the experimental style of text can relate to this. With the text I used an effect that I created myself. This was
duplicating the layers twice and them moving them slightly apart from one another this is so that the lettering stands out and looks 3D. Examples given to the
left. After this I then gave one layer a red drop shadow and the other blue. This contrasts with each other hopefully applying the traditional 3D colour effect. On
the reverse, the track listing uses the font Orator Std. Again this is an easy to read text with a white colouring in order to highlight itself from the background.
To give the text some depth I again duplicated the layers building on it. However I this time I kept them in the same place so that the title would look unique.
The record label is shown on the CDs back cover, on the CD itself and on the poster. Usually on albums the record label has its own logo of its own. Therefor I
decided to use a block font called BebasNeue that differs from others that I have used. This is because it is more solid and compact, however this still fits in
with the conventions of my genre as the title “Church Sounds” is unusual, it is juxtaposing what you would hear coming from a church therefore challenging
stereotypes. It is common to find within the electro genre names with two meanings and surprising labels such as FoodMusic. Example given left. As for the
main piece, there is a title at the beginning of the music video. We chose to put this in a graffiti style font, this instantly associates the music video with the
youth target audience. It also highlights one of the key features of the music video which is the use of graffiti. The font we chose was El & Font Urban
Calligraphy, this font really stood out to us as it has a very urban and stylistic feel. During my research I discovered that some videos that had titles gave a
bigger impact to the audience. TNGHT- Buggn’ is another one of the videos that I analysed, the video uses this therefore I knew that I wanted to include it.
When story boarding my music video I had a list of all the camera shots I intended to use. The list helped me to establish what kind of feel I wanted for the shot and how I
wanted the scene to look. It was crucial to me that I used as big as variety of shots possible so that my music video would look good from all angles. The main idea was
that it was in first person, looking through the eyes of the character as he goes backwards through his day. This was influenced by first person shooter video games such
as Halo or Call of Duty. Although it is a different format of media, the way that the audience is put into the characters position is something that we wanted to capture. To
do this I used a number of POV and over the shoulder shots. I did this by looking down at his feet at various times to give a sense that we are travelling with the character,
this was: getting off the train, walking up stairs and down the street, and also getting into bed at the end. Examples given left. This puts the audience in the place of the
character allowing them to see and feel as he does. The POV idea was first established so that we do not see the characters face throughout the video and then at the end
it is revealed. Originally I planned for it to be a girl in order to challenge the stereotype the audience would have made. However I did not do this as when we came to
shooting; there would be some long shots and close ups that made it clear what gender the character was as their face was shown, therefore adapted to what we had to
work with. An example of this would be close up of him throwing up in the toilet. Working with the environment around me I adapted to the shots which I could get. The
scene where the character is walking under the motorway and then through the underpass was useful as I captured the character walking from many angles allowing the
audience to see the environment. I used an extreme long panning shot to start the scene off in order to show the surroundings and follow the character; this gives off the
feel as though we are watching him. This then cuts to a long shot of the under pass and then a shot from behind the character as if he is walking away then towards us.
Along with the high angle long shot through the railings, this entire camera sequence shows the character walking on the same path but from many angles. Adding a close
up of the graffiti after this then puts us back into the characters mind as the audience can see what he sees. I believe I did this successfully as the continuity style of editing
gives this scene a sense of surveillance; it puts the audience into two perspectives: watching the character and being the character. Examples given left. This can be found
again with the long shot of watching the character walk over the bridge and then cuts back to his perspective of the bridge and down the stairs.
2. The long shots of the arch ways were a crucial element when planning the video. I believe that it adds to the urbanised feel whilst also allowing the dirty graffiti to stand
out giving personality to the video. In terms of proxemics it puts the character into perspective with the large arch ways as it makes him seem small in the middle of the
large brick work. This is used a number of times to show how insignificant the character is. A low angle shot of the church allows the audience to feel as though they
are looking up at it whilst it towers over them, also the extreme long shot of him standing against the wall does this as he takes up very little of the shot. Examples
given right. This shot starts out of focus so that it makes it seem hazy, that he is in an unsettled mind state about his day. The use of focus is a reoccurring technique
used throughout the video, an example of this is when the extreme long shot of “be happy” is shown, first out of focus. Also at the beginning it is to deliver the message
that the main character is under the influence of alcohol and his vision is blurred. This is projected in the scene of the city skyline, rapidly going in and out of focus,
zooming in and out. This highlights the fact that he is in a drunk and confused state. The blurry colours represent his eyes trying to focus on something but his head is
spinning hence the quick edited shot changes from zooms, to pans then back to a long shot. This also offers abstractness and obscurity; I wanted to involve shots like
this to create a sense of curiosity for the audience. This can also be found with the mid shots of the street art and also the tracking shot of the characters shadow
travelling along the fence. Another technique used to develop the sense of socialising was close-ups of the character drinking and also extreme close-ups of empty
beer bottles. This tells the audience that he is consuming alcohol with his friends; this is very common with this genre and most videos such as The Bloody Beetroots –
Cornelius. Examples right.
After shooting the music video, we came to editing it. However the idea that we would put the video in reverse only came after we had acquired all of our footage. This is
because with the shot of the character throwing the bottle into water, i went to adjust the speed duration of the clip and discovered a reverse speed option. In doing this, the
effect that the bottle was coming out of the water and back into his hand looked unusual and imaginative. After later research, an influence on our music video was Cold
Play – The Sceintist. This video also uses the reverse technique to do similar effects as did we, the surreal feeling that it gives to the video looks as though we are defying
the laws of physics. From this, the idea developed that we would start at the end of his day and work backwards in order to reveal to the audience how he got into this mess
like in The Scientist where it is revealed he has been in a car crash. Example left. This challenged the conventions of music videos as more often than not most of what you
see is in forward motion. The scenes with the cereal and pizza use this to its full advantage, it shows the effects of the editing as it seems as though he is spitting it back out
which looks surreal to the audience and creative. Adding to the idea of his day moving backwards, it is clear to see this with the fruit and egg as it transforms from being
eaten and cracked to becoming whole again. An influence on this is Ratatat – Drugs. In this video props are used to emphasise the reverse speed similar to what we used.
Example right.This also reflects on the messages of the music video, his backwards life as a teenager which is relatable to many of the target audience. However there are
some parts where he stops and takes a moment to look. This is when the train is leaving ‘Salford crescent, the camera movement slows down to look at the sign and then
speeds up again. The second time it does this is when he is leaving his house (in reverse) he walks to the end of his garden and it switches back to real time showing that
his is thinking about his day. Learning about the use of speeds and durations was very successful and productive for my music video; this is because it helps the audience
to understand that we are seeing the entirety of his day. Synchronous sound editing was a crucial point for me when coming to the final stages of production; this is because
the music video looks more professional if it fits in with the song. A scene that is very well synchronised to the music is when the characters are moving very fast in the
apartment, the sound breaks down and various noises can be heard. This was ten minutes of footage sped up six thousand times to make it seem as if time was passing by
very quickly. We also used this again with the train journey to show how fast his life is going. The shot of the traffic lights was edited to fit this as we see it go red, yellow and
green 3 times with the beat of the song. This was done by playing it forward, then in reverse and then forward again. It looks as if we had stood there and shot this but
instead used one shot but edited it accordingly.
The narrative structure plays a big part in my music video. It is the key feature as to what makes it different from others, although it has a linear narrative it has some
elements of a circular structure. This is because the audience are presented with a set of events at the very end of the day and unfold to see how the day started.
Our main idea was to present to the audience ‘a day in the life of a teenager’. This conforms and challenges conventions of a music video as it is most common to
see a beginning middle and end, whereas we have reversed this process. However also it is conventional to associate the narrative we see with teenagers. It begins
with Todorovs theory of dis-equilibrium as the main character is throwing up in the toilet; this provokes the question to the audience as to how he got there. Later
this is resolved back to equilibrium when he leaves the flat. A symbolic code is offered to the audience in order for them to perceive the character as a typical
teenager; this is the crude message on the toilet in the very first shot. Along with other symbols such as the cap and brightly coloured jacket, it constructs a
representation of the character as juvenile within the unconventional narrative. We know it is clearly night time as the extreme long shots of the city skyline are dark,
however when he leaves the apartment it is light indicating we have gone back in time, this also links in with Levi Strauss theory of opposition because in the seedy
flat it is dark, and when he leaves colours start to appear and natural light opens up the shots; bringing in a sense of opposition. Examples right. As events start to
pan out it takes the audience on a journey with the character through his day. Allowing the audience to do this causes them to feel some relate ability with the
character due to us being put in his place. If I was to film again I would capture more footage of the flat scene. A key point is to highlight the fact that he is in a
situation and make the audience want to know how he got there. As it stands in my opinion I think that this scene is too brief in terms of the activities going on, more
shots of alcohol should be used to give it a sense of confusion and also make the character throwing up look more realistic so it is clear what is happening to him.
This would establish a bigger sense of a dilemma that the character is in, resulting in gaining the audience’s attention and manipulating them into wanting to know
what has happened further on in the narrative. However I think that the structure delivered the message well in parts such as walking back into the train station and
getting onto the train, after this we see the character getting off the train and then walking down the steps backwards. This clearly shows he has travelled from one
place to another, but in reverse. Aspect such as this is successful in the narrative as it puts it in basic terms what we are doing.
A preferred response to the genre of my media product would be the best outcome in what I was trying to achieve with my target audience. Stuart Hall’s theory of encoding and
decoding can be applied to most aspects of my video. The audience’s position within my music video is very much so from the main protagonists point of view. In doing this, I am
allowing the audience to share the point of view of the main character which allows them to construct a representation of how he thinks. As this is where the audience is
positioned, it is a conventional narrative in terms of audience placement. However with other key aspects, this may provoke a certain response. Some of the environments used
in the production encode centralised themes which come from the industrial areas. A main priority was to allow the audience to decode that they feel like they were in an urban
setting towards the middle, and then off into the suburbs as it gets closer to the end. Underpasses and graffiti are usually associated with seedy activities; this being the case the
audience may share the same expectations of these environments. Evidence of this can be found within the graffiti on the music video as we came across aggressive swearing
that shows the mind of the graffiti writer and the attitude some people may associate with this activity. Example left. Looking at the genre, this challenges conventions of
electronic as we see predominantly footage of clubs and live DJ acts such as Justice – Phantom part 2. Drawing upon these expectations of the connotations of environments, it
will allow for a preferred reading into the settings used. However the first images we see are of the character in the toilet, then the drinking and socialising he was involved with
earlier on. This sets the mood and themes for the video being a clear convention of the electronic genre. On the other hand the reader may not be associated or familiar with
activities such as this and also disagree with the bad language, which may present an oppositional response due to it being frowned upon. Encoding the messages of a reversed
day is uncommon within any music video. Challenging this will allow the audience to decode a negotiated response. This is because it may be confusing to some viewers and
understandable to others. Referring to my ancillary tasks, the image presented on my poster is of Christopher Walken. Example left. He is a well respected actor that people may
recognize and at has nothing to do with this genre of music. As a creator i have used this for the audience to decode as they see fit, i did not involve this for any underlying
messages but only to give the video some personality. However the audience may read into this more and believe that he is a significant aspect. Putting this on my poster will
cause people to notice and remember my work, therefore giving me publicity if it was a real product.
3. The main protagonist is introduced into the video within the very first scene. We see his head sticking out of the toilet with clothes scattered nearby. Example
right. The very first impression of this character is irresponsible and youthful. This is then supported by later close ups of him drinking and smiling with his
friends. This presents him as a stereotypical teenager, socialising and having a good time. As there are no other characters in the video it is easy for the
audience to establish a relationship. The video becomes less confusing about centralised characters as the focus is on just one. We did this by focusing most
of the shots on the main character leaving very little that he is not in. Other people that are involved are his friends in the flat. None of these people have an
impact on the narrative but are there to add to the sense of social activities. The characters confine with the themes of this genre as they are wearing similar
costumes in the flat, casual shirts and trainers are what is expected of teenagers. A music video that is similar to this would be Skream – Shot yourself in the
foot again, where you can see a group of friends socialising in a pub. Example Right.
The image manipulation used on my ancillary tasks is so that it brings the images to life. Firstly i used auto correct, this automatically adjusts colours to become more vibrant
and lively. I then tampered with the colour balances of the images. On the front cover it has more of a yellow filter this is to make the photo look used and old. However the back
cover is bleaker, this is so that the text is easy to read. The poster however brings out both the colours in the main characters jacket and also the artwork behind him. This is to
draw the audience’s attention to both features as they are just important as each other. After this, i manipulated the saturation and hues of the image, this was so give it a
finished affect in order to make both of my ancillaries look like something you would expect to see within this genre. As for my main product the overall look of the music video
is a grainy, gritty feel. This is a convention of this genre that we found in numerous videos such as Crystal Castles – Baptism where they have filtered the footage to become
more colourful and also used duplicate layers to give off a psychedelic affect. Example left. Doing this makes the footage look used and washed, it gives the scenes more
extravagance also on top of this i adjusted the colour levels and balances. This made it to look more intense and contrasting; it helps the graffiti to stand out and brings out key
features in the environment used such as the traffic light scene. Example left.