The document discusses distribution companies and techniques for marketing films. It analyzes the pros and cons of major distributors like Warner Bros. and independent distributors like Film 4. It also examines the extensive marketing campaign for The Dark Knight Rises by Warner Bros. as an example, including viral videos, posters, apps, and social media. In the end, the author decides to use Warner Bros. as their distributor to achieve global success and profits due to their large budget and proven ability to widely market and distribute big blockbuster films.
THE STORY CUBE. Understanding the many dimensions of today's storytelling.Nick DeMartino
Here's the slides from a talk I gave to my friend Anna Marie Piersimoni's class at California State University, Northridge. The "cube" includes the three-legged stool, the traditional narrative dimensions, and those that are new in the digital world.
Fans fuel media, but how fan-centric is your media? This presentation from consultant Nick DeMartino, looks at that question from the perspective of Theatrics.com, a cloud-based collaborative storytelling platform which he advises. The presentation shows how easy it is to create a Theatrics story or brand experience in which fans can directly engage.
A review of 2011 looking at all best case studies in social media, PR, experiential, branded content, guerrilla marketing, street marketing, brand activation, advertiser funded programming.
Many of these campaigns were created by Havas Sports & Entertainment Chile, or agencies across our network (from our 30 offices in 20 countries). Many of these campaigns were created by other marketing agencies which we recognize as having produced work that we find inspiring and innovative. We encourage and recognize great ideas from anywhere, and anyone.
This document also contains some of our predictions for 2012 across PR and branded content, live and experiential marketing, digital and social media. These predictions were compiled by Rainer Grob, and Jez Jowett, our Global Head of Social Media and Digital, also known as @Jezmond.
We hope you find our review of 2011 and predictions for 2012 inspiring and thought provoking. We hope you enjoy the ideas and opportunities they might prompt you to think. If you would like to be inspired face to face then please contact:
Rainer Grob
Managing Director, Havas Sports & Entertainment Chile
rainer.grob@havas-se.com
http://www.havas-se.cl
http://www.facebook.com/havas.se
http://www.twitter.com/havas_se_
We wish you all very Happy Holidays and a wonderful 2012 and look forward to featuring your campaigns next year.
THE STORY CUBE. Understanding the many dimensions of today's storytelling.Nick DeMartino
Here's the slides from a talk I gave to my friend Anna Marie Piersimoni's class at California State University, Northridge. The "cube" includes the three-legged stool, the traditional narrative dimensions, and those that are new in the digital world.
Fans fuel media, but how fan-centric is your media? This presentation from consultant Nick DeMartino, looks at that question from the perspective of Theatrics.com, a cloud-based collaborative storytelling platform which he advises. The presentation shows how easy it is to create a Theatrics story or brand experience in which fans can directly engage.
A review of 2011 looking at all best case studies in social media, PR, experiential, branded content, guerrilla marketing, street marketing, brand activation, advertiser funded programming.
Many of these campaigns were created by Havas Sports & Entertainment Chile, or agencies across our network (from our 30 offices in 20 countries). Many of these campaigns were created by other marketing agencies which we recognize as having produced work that we find inspiring and innovative. We encourage and recognize great ideas from anywhere, and anyone.
This document also contains some of our predictions for 2012 across PR and branded content, live and experiential marketing, digital and social media. These predictions were compiled by Rainer Grob, and Jez Jowett, our Global Head of Social Media and Digital, also known as @Jezmond.
We hope you find our review of 2011 and predictions for 2012 inspiring and thought provoking. We hope you enjoy the ideas and opportunities they might prompt you to think. If you would like to be inspired face to face then please contact:
Rainer Grob
Managing Director, Havas Sports & Entertainment Chile
rainer.grob@havas-se.com
http://www.havas-se.cl
http://www.facebook.com/havas.se
http://www.twitter.com/havas_se_
We wish you all very Happy Holidays and a wonderful 2012 and look forward to featuring your campaigns next year.
"Transmedia & Advertising: What Advertisers, Marketers, Brands & Businesses Can Learn from Transmedia Storytelling" - presentation from "The Story To Sell", a conference on transmedia storytelling held in Amsterdam on 11 June 2009. Presentation by Ivan Askwith, Senior Content Strategist at Big Spaceship
Following Change on Facebook: fMC - This Evolution's Impact on BrandsLeo Burnett
February 29, 2012 was the inaugural Facebook Marketing Conference (fMC).
Announced were product evolutions in Pages and Ads that will change the way brands engage with consumers forever. The key takeaway is the emphasis on storytelling – how a brand tells its story and expresses itself through the participation of people. The scale, relevance, and reach Facebook provides for those stories is unprecedented."
Marketing also part of the movie experience. When a movie launched, despite its successful predecessor series, marketing also helps in nurturing the post-movie products. This slide conducts in Bahasa Indonesia & English.
Also, two people helped me in collecting the data: Elfarin Normalia & Septiawan Ridwan
How we watch TV is changing. With 90+ new shows launching this summer, entertainment brands are using social to tap new prospects in interesting ways. That and other July social updates from iris Worldwide!
iris Social Update: 2nd-Screen Viewing is Dead and How TV Shows are Killing i...Iris
July Platform Updates:
-Instagram Gets Clickable
-New from Facebook: Conversion Pixel & new App Ad Features
-Facebook’s Secret Study?
Special Update: ‘TV Everywhere’ is the new 2nd-Screen viewing & 5 Ways TV Shows are Piquing Interest through Social, from 'meeting' new viewers on Tinder to upping the ante on branded content.
How to pitch cross platform projects and what materials you need. Presented by Kirsty Hunter, UK MD of The Project Factory at the Documentary Campus in Sheffield in June 2011.
"Transmedia & Advertising: What Advertisers, Marketers, Brands & Businesses Can Learn from Transmedia Storytelling" - presentation from "The Story To Sell", a conference on transmedia storytelling held in Amsterdam on 11 June 2009. Presentation by Ivan Askwith, Senior Content Strategist at Big Spaceship
Following Change on Facebook: fMC - This Evolution's Impact on BrandsLeo Burnett
February 29, 2012 was the inaugural Facebook Marketing Conference (fMC).
Announced were product evolutions in Pages and Ads that will change the way brands engage with consumers forever. The key takeaway is the emphasis on storytelling – how a brand tells its story and expresses itself through the participation of people. The scale, relevance, and reach Facebook provides for those stories is unprecedented."
Marketing also part of the movie experience. When a movie launched, despite its successful predecessor series, marketing also helps in nurturing the post-movie products. This slide conducts in Bahasa Indonesia & English.
Also, two people helped me in collecting the data: Elfarin Normalia & Septiawan Ridwan
How we watch TV is changing. With 90+ new shows launching this summer, entertainment brands are using social to tap new prospects in interesting ways. That and other July social updates from iris Worldwide!
iris Social Update: 2nd-Screen Viewing is Dead and How TV Shows are Killing i...Iris
July Platform Updates:
-Instagram Gets Clickable
-New from Facebook: Conversion Pixel & new App Ad Features
-Facebook’s Secret Study?
Special Update: ‘TV Everywhere’ is the new 2nd-Screen viewing & 5 Ways TV Shows are Piquing Interest through Social, from 'meeting' new viewers on Tinder to upping the ante on branded content.
How to pitch cross platform projects and what materials you need. Presented by Kirsty Hunter, UK MD of The Project Factory at the Documentary Campus in Sheffield in June 2011.
An Insider's Prospective : From Agency to In-House - Richard Shove, Buyagift ...Linkdex
Richard’s presentation focused on his personal experiences of switching to an in-house role vs working for an agency and where he thinks both sides go wrong. There was a particular focus on reporting, in fitting with the title of the day itself.
What Do Client In-House Teams Need From Their Agencies In 216? Alex Spyrou f...Linkdex
The presentation looks ahead at how client in-house teams and capabilities are developing, how agency & client relationships are evolving as a result, and thoughts on what clients are likely to require from their agencies in 2016.
BrightonSEO 2014: SEO In the Bigger Picture Richard Kirk
SEO is an increasingly broad church, and the future of the industry seems to be more and more fragmented. Don;t worry though, as SEO specialists you are experts in owned media and the future of marketing and media is Owned First! Preso contains data proving the ever increasing influence of user experience and owned media like SEO - ensuring practicioners like you will have many opportunities in the next 24 months.
Linkdex’s Chief Strategy Officer, Matt Roberts, gave an interesting talk on ‘SEO for Brands in 2014’ at BrightonSEO.
SEO has changed significantly over the last 12 months and Matt’s presentation focuses on what SEO means to the brands that want and need to be visible and persuasive in the Organic SERPS in 2014.
2. Merchandising: in the form Merchandising
of Synergy (when two
institutions work together
for mutually beneficial
purposes.) Screen Plays
Film Life Cycle
Marketing
Cast
3. Distribution and
Marketing Techniques
Advertising Promotion Packaging Branding
TV Trailers Press and Public Reviews
“Augmented Soundtrack Experience” iOS App Synergy
Viral Marketing Campaigns Flash Game
WEBSITE Teaser Trailers Online Marketing
Online Competitions Social Media on Official Website and Blog site
Events TV Spots Vox-Pops
Phone Apps Video Content Marketing
High Concept Film Posters Use of Social Networking Sites
Marketing techniques are the tools used by the marketing department; the marketing
department will set out to identify the most appropriate techniques to engage in
order to make profits.
6. Types of Distributors
When I was considering which distribution company I
wanted to distribute my film “IMPOSTER” I first made
myself aware of the types of distributors available and I
found out that there were two main types- Major and
Independent.
MAJOR Distributor: These operate in a number of
countries world wide.
INDEPENDENT Distributor: These mainly operate in
one country.
7. The Role of a
Distributor
To acquire a film:- They are conscious of a film’s
rating because helps to indicate if they can distribute
to a mass audience, therefore creating more
potential consumer which results in profits for the
company.
Release
Publicity
8. My Unique Selling Point
(USP)
We used a ‘minority ethnic group in society’ as our
main character, which is a subversion of films with
the same genre as ours (usually crime dramas
introduce ‘White Anglo-Saxon males’ as their main
characters).
We also created a narrative that focused on an issue
that not many crime dramas explore in depth-
domestic violence.
10. Utopian view of an
Independent Distributor
An Independent Distributor would give me more
creative control, which means that my ideas would
be able to be expressed freely without the fear of
them being overly and negatively critisied. As a
result originality would be expressed and unique
creations can be viewed by my target audience.
Film 4 would enable me to be “true to my vision” as
much as possible, because they would not try to
influence, counteract or overpower the decisions I
make .
11. Dystopian view of an
Independent Distributor
An Independent Distributor typically does not have a large
budget and their releases are limited. They usually release
in select theaters before gaining attention, and therefore
being released into the mainstream. On the other hand,
the result of this could be that, I would be able to see the
response of my audience at a small scale; prior to my film
being released into the mainstream, so that I can infer the
response of my potential mainstream audience.
With distribution companies such as Film 4, there is a lack
of upscale production facilities.
13. Utopian view of a Major
Distributor
I would be provided with a large budget for my film.
Major Distributors such as Warner Bros tend to
generate a lot of revenue which could possibly go
into the creation of more of my films and better
equipment to make my film productions.
14. Dystopian view of a
Major Distributor
Directors usually have less creative control, the film
company has a lot of say and input, due their
involvement in my project. This is currently not a
problem because my film has already been created
but I am aware that during future productions their
excessive “contributions” could be a regular
occurrence.
16. Directly on the website,
the trailer of the film is the
central viewing and
WEBSITE: The website acts as a source of
the other materials that are
through the website the connected to the film such as
audience of the film can “Digital Download.” It easily
access a variety of other presents the the wide range of
distributed products products to the audience that
created by Warner Bros they can easily access.
such as the social
networking sites located at Social media is a major aspect of
the bottom (footer) of all the official website for “The Dark
the pages. Knight Rises,” because it has a
number of social access for
Twitter, Facebook, Google Plus,
and Get Glue.
The appearance of the website and it especial focus on the social aspects of
Also on the official website, Warner the media, as its main format to distribute, as well as its constant aim to
Bros offered an app that lets fans interact their characters with their audience indicates to me the possible ways
design their own Tumbler, which is that my film is going to be majorly distributed and the large focus there is
one of Batman’s vehicles. Fans can going to be on creating a relationship between my audience and my
colorise, customize and “drive” their characters using social networking sites as a marketing format. This is likely to
creations and, share them via social be due to its ‘share’ abilities- which will enable my audience to share my
media channels and rate each other’s product and therefore facilitate a wider target audience as more people can
designs. see my product.
17. High Concept Film
Posters:
This is a great way of advertising that could
be transferred to the marketing of my film-
which could show an extreme close up of
Sarah crying and the title “IMPOSTER” at
the bottom of the mural.
It would help to attract a lot of my audience
and express to them the lengths that have
been taking to get their attention, therefore
identifying the importance of the issue that
we are addressing in our film- domestic
violence.
A 150-foot mural that was hand-
painted by Dan Cohen and the rest of
his team at Art FX Murals.
18. Online Competitions:
“Fans unlock the stunning new trailer for Christopher Nolan's
upcoming blockbuster one frame at a time by spotting
strategically-placed graffiti all over the world”- The WEEK
This is an interesting way of involving the audience with the
film. Warner Bros can also release our trailer in this way as
well, it seems to be a fun way of connecting a world wide
audience and drumming . However, it is less likely that my
film would generate as much interest as “The Dark Knight”
because it is new and unlike “The Dark Knight” it has never
been introduced to our audience before and is does not
include a universal icon- Batman.
I am also aware that online competitions could not really
relate to our film due to the sensitive issue and content
within our film.
19. Video Content Marketing:
Warner Bros released a thirteen-minute viral
video clip on YouTube that contained
fragmented film footage, for free.
This would be a good way for me to attract
more of an audience, especially for a film
like mine; which is new and features topics
that could deter people-due to the severity
of the issue. By enabling our audience to
view a large snippet of our film we could
create intrigue within them and our
enigma codes would draw them to watch
the whole of the film to see how it has
been fully structured.
20. Viral Marketing
Campaigns
Requires participation from the community
Through viral marketing I could give my audience additional insight and
background information about my film’s characters, so that they
participate and interact with the characters in my film.
22. Why “The Dark Knight
Rises?”
I chose the “The Dark Knight Rises” because of the large
Box Office hit it received, and because this is the results
that I would like for my film.
By researching this film I could see the process taken by
“Warner Bros” and the amount of effort they put in to
market this film- this is the kind of effort I want during the
distribution of my film.
Although it is likely that the distribution methods for my
film by “Warner Bros” would not be as large as with “The
Dark Knight” I am aware that they have a large access to
capital that they are willing to spend to distribute their
films.
23. This is because I want a distribution company that has a large access to capital and would be
able to market and distribute my product at a large scale- preferably on a global dimension.
Warner Bros would be able to help me generate more popularity mostly based to their
availability of large funds. Also they would help continue the impact that I want my film to have
on my audience, which is engagement and from my research on “The Dark Knight” I have been
able to see that they are the company to make my requirements a reality.
Even though I had more utopian views for the independent company “Film 4” I want to make a
profit on my production and reach the widest audience I possibly can; because I have already
created my media product I have no fear of restricted creativity regarding my work (this was
the main negative of choosing a major distribution company). With the established fact of
freedom in terms of creativity, “Warner Bros” seemed to be the best distribution company for
my film production- “The Imposter”
I also want the acclaim that the film “The Dark Knight” received and I know that this is possible
with “Warner Bros” because they have a carefully planned, cohesive media campaign that
included viral and content marketing, as well as mobile and social networking.
I am certain that Warner Bros is the perfect distributor form me- especially in helping me
achieve my aspirations of global success. I am aware that in order for this to become a reality
then I will need a distributor who can reach a worldwide audience, and distribute successfully
and a with diversity to my potential audience.