Evaluation 2
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This document discusses how a media product represents intelligent females. It notes that most thrillers portray females as passive, submissive, unintelligent and illogical. The creators wanted to portray females in a different light and took inspiration from thrillers like Texas Chainsaw Massacre and Silence of the Lambs that featured strong female leads similar to their target social group. They believe their thriller will appeal to intelligent females because they can see themselves represented in the main character Sasha.
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This document discusses the representation of a femme fatale character in a media product's title sequence. The femme fatale is stereotypically portrayed as mysterious, seductive, manipulative, untruthful, deceitful, charming, alluring, lacking morals, and having sex appeal. Specifically, the title sequence aims to portray her as provocative. The character refuses traditional female gender roles of wife and mother. Marlene Dietrich served as inspiration for the femme fatale character, though some differences in appearance exist between the inspiration and the character, such as the latter having curves emphasized by her tight costume.
Evaluation: Question 2
The document summarizes how different social groups are represented in the media production "The Last Resource". Males are represented by the antagonist character Chris, who uses any means necessary to find the last resource. Females are represented by the characters Olivia, who is whiny and vulnerable, and Sophie, who is strong and independent as the protagonist. All of the characters are teenagers between ages 16-17, suggesting their youth gives them an advantage for survival in the post-apocalyptic world over older generations.
Representation Investigation
Representation can be defined as how something or someone is portrayed to present a particular meaning. Media texts create representations of various social groups through the perceptions of their creators to target specific audiences. Scholars have developed several theories of representation.
Laura Mulvey's "male gaze" theory from 1975 argues that audiences view characters from the perspective of a heterosexual male. Paul Willis stated in 1990 that pop stars shape young women's understanding of themselves. Branston and Stafford's theory described characteristics of stereotyping groups through often negative evaluations. Merrin argued in 2005 that the media produce, not reflect, social reality through simulation.
These representation theories relate to the horror genre, where Mulvey's theory explains the use of beautiful
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
Prime suspect slides
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins finding evidence suggesting Frank is the killer. Due to her friendship and trust in Frank, she ignores the evidence in an attempt to prove his innocence. On Charlotte's birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing people similar to her to make her unique. When Charlotte realizes the truth, a fight ensues where they draw their guns on each other. Gunshots are heard and everything goes black, but it's unclear who shot whom.
Genres driscoll 015
This document lists and defines several sub-genres of realistic fiction including chick lit, humorous fiction, sports fiction, friendship fiction, and romance or relationship fiction.
AS Media Studies Question 2 Evaluation
A social group is a collection of people who interact and share characteristics. Social groups form through work, friends, clubs, family, and relationships. The characters and audience of the opening sequence will belong to particular social groups, meaning the sequence will appeal more to some groups than others.
The document discusses how the characters Ella and 'The Prince' could belong to different social groups based on inferences from the opening sequence - Ella to a group of abuse victims, and 'The Prince' to a group of wealthy elites due to his power and control over Ella.
It also suggests the target audience could be females interested in psychology to understand the opening sequence, which depicts Ella as a strong hero who escapes her captor
Our characters
The document describes two main characters for a horror/thriller plot. The first is a "Damsel in Distress" character named Lucie, who is inspired by characters like Marion Crane from Psycho. She is stalked and abducted. The second character is the villainous stalker/murderer, stereotypically portrayed as a man, who is inspired by characters like Norman Bates from Psycho and creates suspense by his obscured appearance and sense of being watched.
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This document discusses the representation of a femme fatale character in a media product's title sequence. The femme fatale is stereotypically portrayed as mysterious, seductive, manipulative, untruthful, deceitful, charming, alluring, lacking morals, and having sex appeal. Specifically, the title sequence aims to portray her as provocative. The character refuses traditional female gender roles of wife and mother. Marlene Dietrich served as inspiration for the femme fatale character, though some differences in appearance exist between the inspiration and the character, such as the latter having curves emphasized by her tight costume.
Evaluation: Question 2
The document summarizes how different social groups are represented in the media production "The Last Resource". Males are represented by the antagonist character Chris, who uses any means necessary to find the last resource. Females are represented by the characters Olivia, who is whiny and vulnerable, and Sophie, who is strong and independent as the protagonist. All of the characters are teenagers between ages 16-17, suggesting their youth gives them an advantage for survival in the post-apocalyptic world over older generations.
Representation Investigation
Representation can be defined as how something or someone is portrayed to present a particular meaning. Media texts create representations of various social groups through the perceptions of their creators to target specific audiences. Scholars have developed several theories of representation.
Laura Mulvey's "male gaze" theory from 1975 argues that audiences view characters from the perspective of a heterosexual male. Paul Willis stated in 1990 that pop stars shape young women's understanding of themselves. Branston and Stafford's theory described characteristics of stereotyping groups through often negative evaluations. Merrin argued in 2005 that the media produce, not reflect, social reality through simulation.
These representation theories relate to the horror genre, where Mulvey's theory explains the use of beautiful
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
Prime suspect slides
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins finding evidence suggesting Frank is the killer. Due to her friendship and trust in Frank, she ignores the evidence in an attempt to prove his innocence. On Charlotte's birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing people similar to her to make her unique. When Charlotte realizes the truth, a fight ensues where they draw their guns on each other. Gunshots are heard and everything goes black, but it's unclear who shot whom.
Genres driscoll 015
This document lists and defines several sub-genres of realistic fiction including chick lit, humorous fiction, sports fiction, friendship fiction, and romance or relationship fiction.
AS Media Studies Question 2 Evaluation
A social group is a collection of people who interact and share characteristics. Social groups form through work, friends, clubs, family, and relationships. The characters and audience of the opening sequence will belong to particular social groups, meaning the sequence will appeal more to some groups than others.
The document discusses how the characters Ella and 'The Prince' could belong to different social groups based on inferences from the opening sequence - Ella to a group of abuse victims, and 'The Prince' to a group of wealthy elites due to his power and control over Ella.
It also suggests the target audience could be females interested in psychology to understand the opening sequence, which depicts Ella as a strong hero who escapes her captor
Our characters
The document describes two main characters for a horror/thriller plot. The first is a "Damsel in Distress" character named Lucie, who is inspired by characters like Marion Crane from Psycho. She is stalked and abducted. The second character is the villainous stalker/murderer, stereotypically portrayed as a man, who is inspired by characters like Norman Bates from Psycho and creates suspense by his obscured appearance and sense of being watched.
Presentation social groups
The document discusses how different characters in a potential film would represent various social groups:
- Detective Crawford represents detectives, who share the casual clothing and authority of detectives in films like Se7en.
- Jane Crawford belongs to the victim social group as the detective's girlfriend targeted by the serial killer.
- The villain Roman Mortem belongs to the murderer social group, wearing black and keeping their identity secret like villains in Face/Off.
- The assistant detective belongs to the assistant social group, remaining professional and working under the main detective's authority, similar to the assistant in Silence of the Lambs.
Representation in 'After Hours':Theory Revision
The document discusses several film and media theories and how they relate to the short film "After Hours". It summarizes how the film uses shortcuts to represent characters without lengthy introductions. It also examines how the film challenges social constructionist views of gender and success. Finally, it analyzes how the film's narrative structure fits Todorov's theory of narrative patterns and contains postmodern elements that critique modernist ideologies.
Poster media
This psychological thriller film poster features a couple embracing in the foreground with a chalkboard in the background, hinting at a typical teen romance but the mention of a "trigger" suggests more violence. The tagline "From the first blush of romance to the last pull of the trigger" plays on this contrast. Another poster shows a pale woman against a black background, representing how separated from reality she is and potentially her "black swan" and "white swan" personalities cracking under pressure. A third poster depicts a character admiring himself in a knife reflection, with the tagline "Killer looks" hinting at his narcissism and danger, though he looks away from his reflection showing a refusal to accept who he
New Film Plot
The film follows two high school students, Charlotte and Frank, who are attempting to solve a series of killings after their friend Tom goes missing. Charlotte finds evidence that Frank is the killer, as he has only targeted males, like Tom. In a climactic confrontation, Charlotte discovers that Frank has been killing to impress her, believing she had feelings for Tom. This leads to a fight between the two students. The film has been altered from the original plot involving detectives, to better suit the age range of available actors and end without guns. Charlotte and Frank have been friends since high school, though Frank has romantic feelings for Charlotte, which were exacerbated by Tom expressing interest in her.
How does your media product represent particular social
The media product uses some stereotypes to quickly establish roles and provide context. In the opening scene, gang members are shown wearing hoodies to imply their involvement in suspicious activities. This stereotype, while clichéd, aims to add clarity. The portrayal of a boy and his friend also relies on stereotypes to convey they are ordinary teens, such as references to popular teen culture and gaming. The bedroom setting furthers this stereotype by suggesting a normal atmosphere.
How does your media product represent particular social groups?
My thriller film represents the social groups of two close female friends, a dyad relationship between the friends, and the main character as an out-group who feels opposition to others. The film focuses on a female villain stalking her former best friend, representing relationships not typically seen in the genre. Cinematography and editing techniques like limited lighting, framing, and shot composition mirror the unfamiliar and obscure nature of these social groups to most audiences.
How we used representation theory
1) The document discusses several theories of media representation, including Stuart Hall's theory of cultural hegemony, Laura Mulvey's Male Gaze theory, and Daniel Chandler's theory of representation.
2) It describes an original neo-noir film teaser the group created about a man named Sam who loses his memory and is manipulated by a woman named Mary.
3) The summary concludes that the pluralist theory provides the most accurate view of mainstream media overall, though Laura Mulvey's theory best captures conventions of film noir that the group aimed to subvert in their teaser.
Representation and Ideology in Film
This document discusses ideology and its representation in film. It defines ideology as a set of dominant beliefs in society like capitalism, patriotism, and religion. Karl Marx believed the bourgeoisie class manipulated ideology to benefit their wealth and control the lower classes. Antonio Gramsci's theory of cultural hegemony also suggested the ruling class manipulates society's value systems. In film, ideology can be seen in the representation of different social groups. Working class characters are often shown as unemployed, alcoholic, or foolish while upper class characters appear happy and well-behaved. Superhero films promote individualism and patriotism. The document proposes a film called "After Hours" that represents ideology as unattainable by showing a character who
Evaluation q2
The document discusses how social groups are represented in the media product. It represents women and racial minorities in stereotypical ways, following conventions of other thrillers where women are vulnerable victims and racial minorities are more likely to die. However, it subverts some stereotypes by having the killer be a girl, showing women can be strong. It also positively portrays young girls through their costumes and caring nature, rather than ignoring stereotypes of promiscuity. So while some stereotypes are followed, the media product also challenges conventions and represents social groups in a more positive light at times.
Evaluation slideshow
Our film represents introverted, gothic teenagers aged 15-17 who enjoy original horror. It implies suicide and teenage confusion through a knife scene and newspaper clippings about rape, which attracts a wider audience through emotional themes. The film takes inspiration from "The Turn of the Screw" through its black-and-white cinematography. It portrays females stereotypically as powerless and depressed, with males as monsters mentioned only as the father with power over the main character. The film appeals to "emo" teenagers seeking a range of emotions to feel depression and express grimness.
Evaluation slideshow
Our film represents introverted and gothic teenagers aged 15-17 who enjoy original horror. It implies suicide and teenage confusion through a knife scene and newspaper clippings about rape, which attracts a wider emotional audience. The film takes inspiration from "The Turn of the Screw" with its black-and-white color scheme and narrative style. It portrays females stereotypically as powerless and depressed, with males as monsters mentioned only as the powerful father of the main character. The film appeals to "emo" teenagers seeking a range of emotions to feel depression and express their darker interests through alternative music and style.
Evaluation slideshow
Our film represents introverted and gothic teenagers aged 15-17 who enjoy original horror. It implies suicide and teenage confusion through a knife scene and newspaper clippings about rape, which attracts a wider emotional audience. The film takes inspiration from "The Turn of the Screw" with its black-and-white color scheme and narrative style. It portrays females stereotypically as powerless and depressed, with males as monsters mentioned only as the powerful father of the main character. The film appeals to "emo" teenagers seeking a range of emotions to feel depression and express their darker interests through alternative music and style.
Question 2 - Media AS Evaluation
The film represents several main social groups: male, middle class, white, and female. The only female portrayed is the victim of a murder, reinforcing the stereotype that women are often shown as victims unable to oppose threats. She is isolated from a group of two men, shot separately, and portrayed as an outcast. The protagonist killer is a standardized white male, used to show that danger could come from anyone and create an unsettling feeling for the audience. He is shown in a suit, symbolizing wealth and power over the victim, possibly alluding to real world implications.
Evaluation question 2
This document discusses how a media product represented different social groups through its portrayal of clones. It explains that each clone was given a distinct personality to portray them as individuals, despite being clones. Each clone represents a different social group - the popular clone through flashy clothes and technology use, the angry clone through isolation and dark clothing, the nerd clone through stereotypical nerdy traits and props, and a clone with no identity who is portrayed as distant from society through filming techniques and plain clothing.
Destroying your Brand: DC Comics and Catwoman
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Evaluation question 2 (2)
Our thriller features a female protagonist who plays the victim, fitting stereotypical roles that portray women as weak. The other character's gender is ambiguous to create mystery. The park setting was chosen for its familiarity and ability to appeal to wide audiences. Mental illness is portrayed in the villain similarly to other thrillers, to match audience expectations of the genre. The target audience includes teenagers, students, and those who enjoy thrillers.
Destroying your Brand: DC Comics and Catwoman Part 2
The document discusses how DC Comics has made poor decisions regarding their handling and reimagining of Catwoman over the years, from overusing Frank Miller's dark vision to poorly rebooting her origin story and costume in a way that alienated fans and hurt sales. It argues that DC has shown a lack of understanding of their characters and brands by not recognizing the transitory nature of trends and overreacting to hype, and that their treatment of Catwoman is emblematic of a failure to properly manage their flagship properties and franchises.
MEDIA STUDIES: QUESTION FOUR
The target audience for the media thriller is 15-21 year old Caucasian females interested in mainstream and big budget independent films. Specifically, the film focuses on the suffering of a female lead character that would appeal most to fellow females who could empathize with her struggles. While thrillers generally attract male audiences, this film emphasizes character development and psychology over action scenes. It aims to attract a mainstream yet intellectual audience interested in straightforward plots.
Recurring patterns
The document discusses the German Expressionist film movement of the 1920s. It reflects the isolation Germany experienced during WWI through abstract psychological landscapes and distorted scenes representing characters' states of mind. Many German filmmakers then emigrated to Hollywood and subtly adapted these techniques into 'B' films, influencing the new era of 'Film Noir' through shadows and lighting. Film Noir crime dramas were stylish Hollywood films from the 1940s-1950s influenced by German Expressionism's visual style using shadows and low key lighting to highlight situations and emotions.
Evaluation Question 2
This document evaluates how social groups are represented in a film opening. It discusses two main characters - a young, upper middle class, white male killer and a young, upper middle class, white female victim. While the killer challenges stereotypes of his demographics by committing a violent act, he meets the stereotype of being strong and powerful as a male. The female victim meets the gender stereotype of being weaker but challenges expectations of her social class by being in danger. Both characters' social classes are demonstrated through their costumes and the woodland setting of the crime, challenging some stereotypes while developing others.
María camila pereira santos 9 1 j diapositivas de superacion
Un ser humano representa a la humanidad entera. La palabra responsabilidad debe comprenderse como la capacidad de responder de manera completa e integral, apelando al propio condicionamiento. Sin embargo, nuestra cultura y sociedad condicionan la mente, limitando así nuestra responsabilidad ya que respondemos desde ese condicionamiento particular.
Pc8-2 Vectors2
Vectors can be represented algebraically using ordered pairs. The magnitude of a vector can be found using the Pythagorean theorem by treating the horizontal and vertical components as the legs of a right triangle. Vectors can be added and subtracted by adding or subtracting their corresponding components, and multiplied by a scalar by multiplying each component by the scalar. A unit vector has a magnitude of 1 and vectors can be expressed as the sum of unit vectors in the x and y directions.
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Presentation social groups
The document discusses how different characters in a potential film would represent various social groups:
- Detective Crawford represents detectives, who share the casual clothing and authority of detectives in films like Se7en.
- Jane Crawford belongs to the victim social group as the detective's girlfriend targeted by the serial killer.
- The villain Roman Mortem belongs to the murderer social group, wearing black and keeping their identity secret like villains in Face/Off.
- The assistant detective belongs to the assistant social group, remaining professional and working under the main detective's authority, similar to the assistant in Silence of the Lambs.
Representation in 'After Hours':Theory Revision
The document discusses several film and media theories and how they relate to the short film "After Hours". It summarizes how the film uses shortcuts to represent characters without lengthy introductions. It also examines how the film challenges social constructionist views of gender and success. Finally, it analyzes how the film's narrative structure fits Todorov's theory of narrative patterns and contains postmodern elements that critique modernist ideologies.
Poster media
This psychological thriller film poster features a couple embracing in the foreground with a chalkboard in the background, hinting at a typical teen romance but the mention of a "trigger" suggests more violence. The tagline "From the first blush of romance to the last pull of the trigger" plays on this contrast. Another poster shows a pale woman against a black background, representing how separated from reality she is and potentially her "black swan" and "white swan" personalities cracking under pressure. A third poster depicts a character admiring himself in a knife reflection, with the tagline "Killer looks" hinting at his narcissism and danger, though he looks away from his reflection showing a refusal to accept who he
New Film Plot
The film follows two high school students, Charlotte and Frank, who are attempting to solve a series of killings after their friend Tom goes missing. Charlotte finds evidence that Frank is the killer, as he has only targeted males, like Tom. In a climactic confrontation, Charlotte discovers that Frank has been killing to impress her, believing she had feelings for Tom. This leads to a fight between the two students. The film has been altered from the original plot involving detectives, to better suit the age range of available actors and end without guns. Charlotte and Frank have been friends since high school, though Frank has romantic feelings for Charlotte, which were exacerbated by Tom expressing interest in her.
How does your media product represent particular social
The media product uses some stereotypes to quickly establish roles and provide context. In the opening scene, gang members are shown wearing hoodies to imply their involvement in suspicious activities. This stereotype, while clichéd, aims to add clarity. The portrayal of a boy and his friend also relies on stereotypes to convey they are ordinary teens, such as references to popular teen culture and gaming. The bedroom setting furthers this stereotype by suggesting a normal atmosphere.
How does your media product represent particular social groups?
My thriller film represents the social groups of two close female friends, a dyad relationship between the friends, and the main character as an out-group who feels opposition to others. The film focuses on a female villain stalking her former best friend, representing relationships not typically seen in the genre. Cinematography and editing techniques like limited lighting, framing, and shot composition mirror the unfamiliar and obscure nature of these social groups to most audiences.
How we used representation theory
1) The document discusses several theories of media representation, including Stuart Hall's theory of cultural hegemony, Laura Mulvey's Male Gaze theory, and Daniel Chandler's theory of representation.
2) It describes an original neo-noir film teaser the group created about a man named Sam who loses his memory and is manipulated by a woman named Mary.
3) The summary concludes that the pluralist theory provides the most accurate view of mainstream media overall, though Laura Mulvey's theory best captures conventions of film noir that the group aimed to subvert in their teaser.
Representation and Ideology in Film
This document discusses ideology and its representation in film. It defines ideology as a set of dominant beliefs in society like capitalism, patriotism, and religion. Karl Marx believed the bourgeoisie class manipulated ideology to benefit their wealth and control the lower classes. Antonio Gramsci's theory of cultural hegemony also suggested the ruling class manipulates society's value systems. In film, ideology can be seen in the representation of different social groups. Working class characters are often shown as unemployed, alcoholic, or foolish while upper class characters appear happy and well-behaved. Superhero films promote individualism and patriotism. The document proposes a film called "After Hours" that represents ideology as unattainable by showing a character who
Evaluation q2
The document discusses how social groups are represented in the media product. It represents women and racial minorities in stereotypical ways, following conventions of other thrillers where women are vulnerable victims and racial minorities are more likely to die. However, it subverts some stereotypes by having the killer be a girl, showing women can be strong. It also positively portrays young girls through their costumes and caring nature, rather than ignoring stereotypes of promiscuity. So while some stereotypes are followed, the media product also challenges conventions and represents social groups in a more positive light at times.
Evaluation slideshow
Our film represents introverted, gothic teenagers aged 15-17 who enjoy original horror. It implies suicide and teenage confusion through a knife scene and newspaper clippings about rape, which attracts a wider audience through emotional themes. The film takes inspiration from "The Turn of the Screw" through its black-and-white cinematography. It portrays females stereotypically as powerless and depressed, with males as monsters mentioned only as the father with power over the main character. The film appeals to "emo" teenagers seeking a range of emotions to feel depression and express grimness.
Evaluation slideshow
Our film represents introverted and gothic teenagers aged 15-17 who enjoy original horror. It implies suicide and teenage confusion through a knife scene and newspaper clippings about rape, which attracts a wider emotional audience. The film takes inspiration from "The Turn of the Screw" with its black-and-white color scheme and narrative style. It portrays females stereotypically as powerless and depressed, with males as monsters mentioned only as the powerful father of the main character. The film appeals to "emo" teenagers seeking a range of emotions to feel depression and express their darker interests through alternative music and style.
Evaluation slideshow
Our film represents introverted and gothic teenagers aged 15-17 who enjoy original horror. It implies suicide and teenage confusion through a knife scene and newspaper clippings about rape, which attracts a wider emotional audience. The film takes inspiration from "The Turn of the Screw" with its black-and-white color scheme and narrative style. It portrays females stereotypically as powerless and depressed, with males as monsters mentioned only as the powerful father of the main character. The film appeals to "emo" teenagers seeking a range of emotions to feel depression and express their darker interests through alternative music and style.
Question 2 - Media AS Evaluation
The film represents several main social groups: male, middle class, white, and female. The only female portrayed is the victim of a murder, reinforcing the stereotype that women are often shown as victims unable to oppose threats. She is isolated from a group of two men, shot separately, and portrayed as an outcast. The protagonist killer is a standardized white male, used to show that danger could come from anyone and create an unsettling feeling for the audience. He is shown in a suit, symbolizing wealth and power over the victim, possibly alluding to real world implications.
Evaluation question 2
This document discusses how a media product represented different social groups through its portrayal of clones. It explains that each clone was given a distinct personality to portray them as individuals, despite being clones. Each clone represents a different social group - the popular clone through flashy clothes and technology use, the angry clone through isolation and dark clothing, the nerd clone through stereotypical nerdy traits and props, and a clone with no identity who is portrayed as distant from society through filming techniques and plain clothing.
Destroying your Brand: DC Comics and Catwoman
How DC Comics lost customers, devalued bulletproof assets like Batman and Catwoman, created incalculable bad will, and caused comic shops to go out of business, all in a period of unprecedented popularity
Evaluation question 2 (2)
Our thriller features a female protagonist who plays the victim, fitting stereotypical roles that portray women as weak. The other character's gender is ambiguous to create mystery. The park setting was chosen for its familiarity and ability to appeal to wide audiences. Mental illness is portrayed in the villain similarly to other thrillers, to match audience expectations of the genre. The target audience includes teenagers, students, and those who enjoy thrillers.
Destroying your Brand: DC Comics and Catwoman Part 2
The document discusses how DC Comics has made poor decisions regarding their handling and reimagining of Catwoman over the years, from overusing Frank Miller's dark vision to poorly rebooting her origin story and costume in a way that alienated fans and hurt sales. It argues that DC has shown a lack of understanding of their characters and brands by not recognizing the transitory nature of trends and overreacting to hype, and that their treatment of Catwoman is emblematic of a failure to properly manage their flagship properties and franchises.
MEDIA STUDIES: QUESTION FOUR
The target audience for the media thriller is 15-21 year old Caucasian females interested in mainstream and big budget independent films. Specifically, the film focuses on the suffering of a female lead character that would appeal most to fellow females who could empathize with her struggles. While thrillers generally attract male audiences, this film emphasizes character development and psychology over action scenes. It aims to attract a mainstream yet intellectual audience interested in straightforward plots.
Recurring patterns
The document discusses the German Expressionist film movement of the 1920s. It reflects the isolation Germany experienced during WWI through abstract psychological landscapes and distorted scenes representing characters' states of mind. Many German filmmakers then emigrated to Hollywood and subtly adapted these techniques into 'B' films, influencing the new era of 'Film Noir' through shadows and lighting. Film Noir crime dramas were stylish Hollywood films from the 1940s-1950s influenced by German Expressionism's visual style using shadows and low key lighting to highlight situations and emotions.
Evaluation Question 2
This document evaluates how social groups are represented in a film opening. It discusses two main characters - a young, upper middle class, white male killer and a young, upper middle class, white female victim. While the killer challenges stereotypes of his demographics by committing a violent act, he meets the stereotype of being strong and powerful as a male. The female victim meets the gender stereotype of being weaker but challenges expectations of her social class by being in danger. Both characters' social classes are demonstrated through their costumes and the woodland setting of the crime, challenging some stereotypes while developing others.
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How does your media product represent particular social
How does your media product represent particular social
How does your media product represent particular social groups?
How does your media product represent particular social groups?
Destroying your Brand: DC Comics and Catwoman Part 2
Destroying your Brand: DC Comics and Catwoman Part 2
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Olivia Berry realized she could sing at age 8 when her family listened to her sing "Silent Night" during a Christmas video recording. She began seriously pursuing singing around ages 11-12 by making YouTube videos of herself singing that gained millions of views. Though she did not expect to become so successful, it has been a dream come true. Growing up famous from ages 13-14 was difficult, as she was homeschooled and constantly surrounded by paparazzi, but singing helped her cope. Her proudest achievement so far was breaking the record for most album sales in a single day. Her advice for young artists is to work hard but also have fun making music.
Attack of the titan
This theme song from the anime Attack on Titan builds tension through different instrumental sections that make the listener more anxious about what will happen next, complementing thrillers. It also uses Japanese language to set the setting of the anime in Japan.
06 faith foreigner
Uriah was a loyal soldier in David's army who refused the king's orders to spend the night with his wife Bathsheba, remaining faithful to his fellow soldiers during their campaign. David's sins of adultery with Bathsheba and orchestrating Uriah's death by sending him to the front lines had far-reaching negative consequences, humbling David and weakening his authority. Uriah demonstrated strong patriotism, loyalty, and faithfulness to God by refusing to enjoy comforts at home while others suffered in battle.
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María camila pereira santos 9 1 j diapositivas de superacion
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Similar to Evaluation 2
Evaluation #1
This document discusses the genres and conventions of psychological thriller media products and how the creator's media product relates to and challenges these forms. Psychological thrillers typically feature an isolated or mentally damaged main character who breaks down otherwise strong characters. The creator's product features a strong female lead seeking revenge through violence, challenging the norm of dominant male roles and victims being female. It develops the convention by having a female serial killer as the main character, pushing for greater representation of strong female leads in the genre.
Evaluation #1
This document discusses the genre conventions of psychological thrillers and how the media product challenges some of these conventions. Psychological thrillers typically feature an isolated and mentally damaged main character who is the killer. Other characters are initially strong but become weakened over the course of being targeted. However, the media product features a strong female lead seeking revenge through violence against male bullies who have damaged her physically, emotionally, and mentally through severe bullying. This challenges conventions by having a weak male victim and subverting typical gender roles and power dynamics. The media product also develops the genre by having a female serial killer as the main character, pushing for greater representation of strong female leads.
2
The document represents teenage girls between the ages of 16-17 going on a camping trip. It aims to subvert stereotypes by portraying the teenagers as social, active and enthusiastic about camping rather than troubled or violent.
Gender-wise, it features an all-female cast to explore a more vulnerable storyline of girls' camping trip going wrong, allowing for varied character portrayals from talkative to awkward.
In terms of ethnicity, it aims to avoid stereotypes by having both a talkative white character and an active black character, subverting expectations of who may survive or take on courageous roles.
2
The document represents teenage girls between the ages of 16-17 going on a camping trip. It aims to subvert stereotypes by portraying the teenagers as social, active and enthusiastic about camping rather than troubled or violent.
Gender-wise, it features an all-female cast to explore a more vulnerable storyline and allow for diverse character portrayals, from talkative to socially awkward.
In terms of ethnicity, it aims to avoid stereotypes by having both a talkative white character and an active black character, subverting expectations of who might survive or take on courageous roles.
Powerpoint version of question two
The document discusses how the film "Neurosis" represents teenagers as the target social group through its characters, themes, and location. Specifically, it does this by featuring two main characters aged 16-17, exploring gender differences between the nerdy male protagonist and popular female counterpart, and setting the film at a school to provide context. Location and visual elements like costumes and lighting were also used to establish an eerie tone consistent with the psychological thriller genre.
Powerpoint version of question two
The document discusses how the film "Neurosis" represents teenagers as the target social group through its characters, themes, and location. Specifically, it does this by featuring two main characters aged 16-17, exploring gender differences between the nerdy male protagonist and popular female counterpart, and setting the film at a school to provide context. Location and visual elements like costumes and lighting were also used to establish an eerie tone consistent with the psychological thriller genre.
Evaluation 2
This document discusses representations of characters in thrillers and how they relate to social groups. It analyzes the protagonist, antagonist, and victim characters in terms of gender, age, class, race, and sexuality stereotypes. The victim character in the thriller is discussed as a young, attractive black woman who challenges stereotypes of female sexuality and race. The antagonist is left intentionally vague but dressed in stereotypical dark clothing for psychotic male characters. Representations are seen as beneficial for audiences to understand stereotypes but also have room for challenging expectations.
Representation- Evaluation
This document discusses representation of age, gender, class, ethnicity and region in the horror film "The Book". It summarizes how each were represented:
Age was represented through the mother Susan being depicted as old-fashioned through her dull costume, while daughter Katie was initially shown as innocent but became the antagonist holding a knife with dark makeup.
Both main characters were female, following horror film conventions of the weak female victim, with Susan portrayed as helpless while Katie was strong and controlling atypically.
The family was depicted as middle class through their home setting, initially appearing normal but subverting expectations with hints of the unnormal life they live.
The characters were predominantly white, conforming to typical horror
Media G321 Evaluation Two
This document analyzes the representation of social groups in a psychological thriller media product. It finds that:
1) Gender roles follow stereotypes with the male character portrayed as the "villain" stalking and dominating the female "victim" through framing, lighting, and costume choices.
2) The characters are teenagers represented in a nuanced way as intelligent and hard-working rather than stereotypical "hoodie-wearing thugs".
3) Ethnic diversity is shown but stereotypes are both challenged and followed - the black male protagonist is intelligent but sinister, while the white female protagonist conforms to expectations of middle-class achievement.
Evaluation Activity Two
This document analyzes the representation of social groups in a psychological thriller media product. It finds that:
1) Gender roles follow stereotypes with the male character portrayed as the "villain" stalking and dominating the female "victim" through camera angles, lighting, and clothing symbolism.
2) The two main characters are teenagers represented in a nuanced way as intelligent and hard-working rather than stereotypical "hoodlums".
3) Ethnic diversity is shown to represent modern urban society, though some stereotypes are still followed in the portrayal of the black male as intelligent but sinister versus the accomplished middle-class female.
Evaluation Activity Two
This document analyzes the representation of social groups in a psychological thriller media product. It finds that:
1) Gender roles follow stereotypes with the male character portrayed as the "villain" stalking and dominating the female "victim" through camera angles, lighting, and clothing symbolism.
2) The two main characters are teenagers represented in a nuanced way as intelligent and hard-working rather than stereotypical "hoodlums".
3) Ethnic diversity is shown to represent modern urban society, though some stereotypes are still followed in the portrayal of the black male as intelligent but sinister versus the accomplished middle-class female.
Media studies evaluation pp
This document contains questions about evaluating a media product and its representation of social groups, distribution, audience, and use of technology. It asks how the media product represents groups like teenagers and men. It asks what type of media institution would distribute the product and why, with examples given like Lionsgate for thriller films. It asks who the audience would be, identified as young women aged 17-25 who enjoy supernatural thrillers. It asks how the audience was attracted and addressed, with examples of using actors the audience's age, a female lead, and appropriate music.
Thriller Planning: Character characteristics and costume
Thriller planning - what each character is going to wear throughout the thriller, why they are going to wear it, and the effects it will have upon our opening sequence.
What
The group has chosen to produce a psychological thriller for their title sequence. A psychological thriller emphasizes the unstable mental state and psychology of the characters. They chose this genre because it challenged them to think critically about details that would make their title stand out from others. Producing a psychological thriller also helped them better understand what triggers unstable situations and perceptions of reality.
Genre research
Psychological thrillers focus on characters' unstable mental states and complex relationships. They emphasize characters relying on mental rather than physical strength as they battle for equilibrium in their own minds or prey on each other mentally. Common themes include death, loss of reality, identity struggles, and guilt. Psychological thrillers commonly use first-person narratives and ambiguity about reality to focus on characters' minds. They tend to be set in urban areas and use costumes to portray characters as fitting social norms. Cinematography, music, and iconography like knives and shadows are employed to build tension and mystery.
Question 2
The social groups represented in the piece are white males and females, while blacks, the disabled, gay and lesbian groups are left out. The white male detective is portrayed in a position of power but shown to lose control of the interrogation to the female suspect. The female suspect is portrayed negatively as evil, murderous, and unsympathetic. However, this challenges the typical representation of women as weak by having the female gain power over the male. While the piece reinforces the dominant ideology of male power, it challenges the ideas of females being weak by having the aggressive female suspect overwhelm the male detective.
How does your media product represent particular social groups
The document discusses how different social groups are represented in the media product "Heart of Innocence". It represents gender by challenging and following stereotypes with the mother character, who is portrayed as both vulnerable but also strong and brave. The daughter also challenges horror conventions. Both female characters are presented as superior despite the absence of male figures. Age is represented by the mother being older than the daughter, challenging expectations. Social class is depicted through the mother's clothes and working-class setting. In conclusion, the media product aims to represent females, age and social class in relatable ways for its target audience.
Question 2
1) The document discusses how media products represent various social groups through characteristics like age, gender, ethnicity, and social class.
2) It focuses on the representation of age and gender in the opening sequence of the media product, with the protagonist being an older (40-50 years old) female, unlike typical sci-fi/horror films.
3) This protagonist is presented as a strong-minded, independent woman focused on important things rather than fashion, representing the social group of older women.
Question 2
The social groups represented in the piece are white males and females, while blacks, the disabled, gay and lesbian groups are left out. The white male detective is portrayed negatively as losing control of the interrogation, while the white female is portrayed as an evil murderer. This challenges ideas of women as weak but reinforces the male role of authority. It also challenges the idea that women are always victims by having the female gain power over the male.
Similar to Evaluation 2 (20)
Thriller Planning: Character characteristics and costume
Thriller Planning: Character characteristics and costume
How does your media product represent particular social groups
How does your media product represent particular social groups
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Editing
The document discusses the editing process for a music video by Tanisha Banton and her partner. They added typography relating to the song lyrics to keep the audience engaged. They chose an orange color that matched the video's color scheme and added a yellow glow and darker orange border to draw attention to the text. Various editing techniques were used like color grading, adding glows and transitions between clips of the singers. The editing was meant to emphasize key elements and create a dramatic, performative effect for the video.
Final Digipak
The song expresses a desire for intimacy and passion, stating repeatedly that the singer "needs some hot stuff" and "wants some hot stuff" in the form of love and affection for the evening and night. It conveys a sense of urgency and longing to find fulfillment through physical intimacy with another person.
February shooting schedule
The document outlines Rayanne and Tanisha's schedules for the month of February. It shows that they work every Sunday through Thursday. On Tuesdays and Thursdays, Rayanne and Tanisha have media lessons and work on blog posts and exam preparation. They also have final cut editing sessions on Fridays at Harris Academy Beckham, which takes a maximum of 4 hours to complete.
January shooting schedule
This schedule outlines Rayanne and Tanisha's activities for January 2015. They will be working on editing a music video over several sessions at Harris Academy, with a maximum duration of 4 hours each session. They will also be attending media lessons, working on blog posts, and preparing for exams during this time.
Possible fonts
This document discusses possible fonts that could be used. It provides options to choose from when selecting a font style. The fonts mentioned would all be suitable depending on the specific needs and preferences of the project.
Evaulation one
The media product conformed to Andrew Goodwin's theory of closeups establishing artist familiarity and star iconography. It also drew from conventions of 1970s music videos featuring expressive singing and powerful voices. However, it challenged 1970s conventions by incorporating modern elements like camera shots, closeups of lips, and iPhone usage. While some shots drew from 1970s precedents, others featured more sexualized content unsuitable for the disco genre. Overall the product balanced conforming to theoretical conventions and challenging norms of original media forms.
Lip syncing task Production log
The document outlines a lip syncing task that will take place from 4:30-6:30pm at the Harris Beckenham Gym. Mid-shots will be used against a black background with background lighting. The task involves lip syncing.
Lip syncing task production log
The document outlines a lip syncing task to take place from 4:30-6:30pm at the Harris Beckenham Gym, with mid-shots against a black background. Lighting will be provided for the black background.
Production log 18/10/14
This document provides details for a film shoot planned for October 18th at Kelsey Park. The shots will include a wide shot of the scenery within the park and an extreme close up of a duck swimming in the pond. There will be natural lighting only and no props or costumes will be used.
Production log 10/10/14
This document details a filming session on October 10, 2014 in a studio to test different cameras and lighting. Test shots were taken with the Canon 700D and Canon XA25 cameras under various lighting conditions to determine which camera was best suited for a media project. The filming session used background and key lighting but no props, helping the filmmaker decide to use the Canon XA25.
Production log 5/11/14
This document provides a filming schedule and details for a drama studio session on December 12th between 1:00-5:00pm. It outlines various shot types that will be filmed, including wide shots of a partner playing with sweets and their phone, as well as facial close ups of them singing. Props used include balloons, sweets, and a male dancer. Costumes for the main subjects are described as black dresses and leggings with tops. Lighting and backdrops are also specified.
Media poster 1
Truffles are returning to Egypt and tickets can now be purchased for this event on Ticketmaster.com. Tickets are available for an event involving truffles taking place in Egypt, with additional details available on Ticketmaster.com.
Media poster
Truffles are returning to Egypt and tickets can now be purchased for this event on Ticketmaster.com. Tickets are available for an upcoming event in Egypt involving truffles. More details about the truffle event and tickets can be found at Ticketmaster.com.
Rhianna poster
The poster depicts Rhianna with red hair, red lipstick, and a gun tattoo. While the artist's name is not prominently displayed, their established status means they are recognizable globally. Elements of the poster portray Rhianna as edgy but also angelic, romantic, and protective. The contrasting imagery aims to show different aspects of the artist's personality and image.
Production log
The document provides details for filming a music video shoot on November 5th, including the time, location, shots, costumes, lighting, and props. The shoot will capture extreme close-ups of heels from 2-4pm in the studio to emphasize the model's legs, close-ups of lips while singing, and a close-up of the tongue. Both models will wear ruby red lipstick for the lip shots and the other will wear Louis Vuitton heels to advertise the brand. The lip and heel shots will be filmed with hi-key lighting behind a green screen.
Production log 5/11/14
The document provides details for filming a music video shoot on November 5th, including the time, location, shots, costumes, lighting, and props. The shoot will capture extreme close-ups of heels from 2-4pm in the studio to emphasize the model's legs, close-ups of lips while singing, and a close-up of the tongue. Both models will wear ruby red lipstick for the lip shots and the other will wear Louis Vuitton heels to advertise the brand. The lip and heel shots will be filmed with hi-key lighting behind a green screen.
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Evaluation 2
- 1. How does your media product represent a particular social group? The social group are media products represents is intelligent females.The majority of thrillers represent females as passive, submissive, un- intelligent and un-logical. We wanted to create a media product that portrayed females in a different light to what previous thrillers such as Scream and Psyco. We go our inspirations from thrillers such as the newTexas chainsaw massacre, silence of the lambs and the anime Another. All the main female characters in these thrillers had the same personality traits as our social group.We believe that are thriller will appeal to intelligent/logical females because they can see themselves in our main character Sasha.This would give them a sense of fulfilment and pride that their social group is being represented in a thriller, when in reality the females in a thriller are the complete opposite.