ethnicity in hotel babylon
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The document analyzes the representation of different ethnicities in the TV show Hotel Babylon through techniques like mise-en-scene, camera work, composition, and editing. It notes that all police and authority figures are white, suggesting they are seen as more trustworthy. Interactions between white detectives and characters of other ethnicities are filmed in a way that emphasizes the power dynamic, such as tracks that follow detectives authoritatively or shots that make them seem intimidating and overpowering. Framing and depth of field are used to metaphorically show the distance between races and make ethnic minorities seem trapped by white authority figures. Editing matches like eyeline and shot-reverse shot highlight the calmness of white characters compared to others
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Treatment presentation
This document provides an overview of a proposed film called "Delinquent" about a teenager on the run from the police. It describes the plot, which follows the protagonist through his morning routine before revealing a hanging body. The tone is meant to make the audience feel uncomfortable through close-ups and over-the-shoulder shots. The target audience is male teenagers and adults aged 15-40, as research shows this demographic enjoys action/thriller films. Filming locations include the main character's house and the River Thames. Secondary research on similar films' opening weekends indicates commercial demand for the genre.
Textual analysis
1) The opening scene shows three main characters - Henry Hill, Jimmy Conway, and Tommy De Vito - lounging in a car at night in New York in 1970.
2) They hear a banging sound coming from the trunk of the car, so they stop to investigate. Two of the men are holding weapons like a spade and knife.
3) When they open the trunk, they find a bloodied, wrapped man still alive inside. One man stabs him repeatedly while another shoots him to ensure he is dead. Henry Hill calmly closes the trunk, expressing in a voiceover how he has always wanted to be a gangster.
Lesson 7 camera shots
The document analyzes the use of camera shots, angles, and movements in a scene from the television show Luther. It explains that close-ups of the character Henry are used to trick the audience into thinking he is the victim, while shots of the character Luther hide his face initially, suggesting he is the villain. As the scene progresses, the camerawork shows Luther gaining power over Henry, culminating in a shot from above Luther looking down on Henry dangling over a bridge. This establishes Luther's control over the situation and foreshadows his maverick approach to law enforcement.
Lesson 9 realism
Luther represents realism through its use of location filming, natural lighting, and diegetic sounds that place the characters in a realistic world. However, some conventions like melodramatic music and plot devices undermine the realism. The characters of Luther and Alice Morgan both exhibit stereotypical traits of their genres but also challenge conventions - Luther as a troubled maverick and Alice as a highly intelligent yet dangerous female villain. Their unconventional relationship varies typical gender roles in crime drama.
Thriller conventions
This document outlines common conventions and tropes found in thriller stories, including stalkers menacing women, innocent victims, people involved in twisted romantic relationships and love triangles, terrorism, escaped convicts, and stories taking place in ordinary suburban and urban settings with political conspiracies or psycho-fiends as villains.
American gangster - textual analysis
1) The scene begins with an eerie soundtrack as production logos play, setting a suspenseful tone.
2) Two smartly dressed men interrogate a tied-up man in a shadowy urban alley, establishing their power over the inferior protagonist. An ambiguous mafia figure watches in the shadows.
3) During a fast-paced sequence, one interrogator callously lights the gasoline-covered man on fire while showing no mercy, highlighting his evil nature.
Thriller conventions
This document outlines common thriller conventions including political conspiracies, escaped convicts, stalkers, psycho-fiends, romantic love triangles, twisted relationships, terrorism, and innocent victims occurring in ordinary suburban and city settings. Thrillers also often overlap with mystery stories.
The synopsis
The document discusses various conventions and tropes that are commonly seen in mobster and crime genre films. It outlines elements like costumes involving suits that help identify characters as part of a criminal organization. It also describes common storylines like a protagonist rising from poverty to wealth and power through a criminal group. Additionally, it mentions visual elements like low lighting and use of the color red that can symbolize secrecy, violence and authority within the genre.
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Treatment presentation
This document provides an overview of a proposed film called "Delinquent" about a teenager on the run from the police. It describes the plot, which follows the protagonist through his morning routine before revealing a hanging body. The tone is meant to make the audience feel uncomfortable through close-ups and over-the-shoulder shots. The target audience is male teenagers and adults aged 15-40, as research shows this demographic enjoys action/thriller films. Filming locations include the main character's house and the River Thames. Secondary research on similar films' opening weekends indicates commercial demand for the genre.
Textual analysis
1) The opening scene shows three main characters - Henry Hill, Jimmy Conway, and Tommy De Vito - lounging in a car at night in New York in 1970.
2) They hear a banging sound coming from the trunk of the car, so they stop to investigate. Two of the men are holding weapons like a spade and knife.
3) When they open the trunk, they find a bloodied, wrapped man still alive inside. One man stabs him repeatedly while another shoots him to ensure he is dead. Henry Hill calmly closes the trunk, expressing in a voiceover how he has always wanted to be a gangster.
Lesson 7 camera shots
The document analyzes the use of camera shots, angles, and movements in a scene from the television show Luther. It explains that close-ups of the character Henry are used to trick the audience into thinking he is the victim, while shots of the character Luther hide his face initially, suggesting he is the villain. As the scene progresses, the camerawork shows Luther gaining power over Henry, culminating in a shot from above Luther looking down on Henry dangling over a bridge. This establishes Luther's control over the situation and foreshadows his maverick approach to law enforcement.
Lesson 9 realism
Luther represents realism through its use of location filming, natural lighting, and diegetic sounds that place the characters in a realistic world. However, some conventions like melodramatic music and plot devices undermine the realism. The characters of Luther and Alice Morgan both exhibit stereotypical traits of their genres but also challenge conventions - Luther as a troubled maverick and Alice as a highly intelligent yet dangerous female villain. Their unconventional relationship varies typical gender roles in crime drama.
Thriller conventions
This document outlines common conventions and tropes found in thriller stories, including stalkers menacing women, innocent victims, people involved in twisted romantic relationships and love triangles, terrorism, escaped convicts, and stories taking place in ordinary suburban and urban settings with political conspiracies or psycho-fiends as villains.
American gangster - textual analysis
1) The scene begins with an eerie soundtrack as production logos play, setting a suspenseful tone.
2) Two smartly dressed men interrogate a tied-up man in a shadowy urban alley, establishing their power over the inferior protagonist. An ambiguous mafia figure watches in the shadows.
3) During a fast-paced sequence, one interrogator callously lights the gasoline-covered man on fire while showing no mercy, highlighting his evil nature.
Thriller conventions
This document outlines common thriller conventions including political conspiracies, escaped convicts, stalkers, psycho-fiends, romantic love triangles, twisted relationships, terrorism, and innocent victims occurring in ordinary suburban and city settings. Thrillers also often overlap with mystery stories.
The synopsis
The document discusses various conventions and tropes that are commonly seen in mobster and crime genre films. It outlines elements like costumes involving suits that help identify characters as part of a criminal organization. It also describes common storylines like a protagonist rising from poverty to wealth and power through a criminal group. Additionally, it mentions visual elements like low lighting and use of the color red that can symbolize secrecy, violence and authority within the genre.
Synopsis research
The document provides synopses for four films: Public Enemies, Goodfellas, Reservoir Dogs, and Law Abiding Citizen. Public Enemies is about the FBI hunt for notorious bank robber John Dillinger during the 1930s. Goodfellas follows small-time gangster Henry Hill as he rises through the ranks of the mob alongside Jimmy Conway and Tommy DeVito. Reservoir Dogs details the aftermath of a diamond heist gone wrong, where the criminals turn on each other as they try to discover who the police informant is. Law Abiding Citizen tells the story of Clyde Shelton who seeks revenge on the criminal justice system after his family is murdered and the killers receive lenient sentences.
Synopsis research
The document provides synopses for four films: Public Enemies, Goodfellas, Reservoir Dogs, and Law Abiding Citizen. Public Enemies is about the FBI hunt for notorious bank robber John Dillinger during the 1930s. Goodfellas follows small-time gangster Henry Hill as he rises through the ranks of the mob alongside Jimmy Conway and Tommy DeVito. Reservoir Dogs details the aftermath of a botched heist planned by six criminals with fake names hired by a mob boss. Law Abiding Citizen tells the story of Clyde Shelton who seeks revenge on the system after his family is murdered and the perpetrators receive lenient sentences. The document also notes some common themes across the syn
Media
This document discusses conventions of the thriller genre through analyzing the films Psycho and Taken 2. It outlines characteristics of thrillers such as ambiguous locations, psychotic characters, themes of crime and suspense. For Psycho, it examines the use of black and white photography, murder scenes, and unsettling sounds. For Taken 2, it summarizes the flashbacks, ex-secret agent protagonist, dark lighting in action scenes, and shifting tone from domestic calm to dramatic action.
Lesson 8 editing 19 20
The document provides an analysis of editing techniques used in the TV show Luther. It discusses how characters' costumes, settings, and camerawork are used to convey meaning. Key points include:
- Luther's loosened tie suggests he is unconventional and doesn't follow rules.
- Alice Morgan's hair implies she is dangerous and manipulative.
- Settings like an abandoned factory connote danger, while a normal street contrasts this.
- Shots of London establish the crime drama setting and show how a criminal could hide.
- Edits between characters establish relationships and power dynamics.
Media presentation 3 filmsh
The document summarizes conventions commonly found in crime and thriller films. It discusses how Se7en features an intellectual and deceptive antagonist in the serial killer who targets victims based on the seven deadly sins. It also notes the film uses low key lighting and police props to add realism and suspense. Heat is described as featuring an action sequence shootout and use of various guns. Scarface depicts the rise and fall of Tony Montana from poverty to controlling the Miami drug trade, making use of costumes to represent his changing power and an isolated setting for his final stand.
Presentation1 blog
The document summarizes and analyzes the openings of three thriller films - Brick, Zodiac, and No Country for Old Men. In Brick, the opening scene uses sad non-diegetic music to build tension as a boy stares in shock at a dead girl in a sewage tunnel. In Zodiac, the opening scene starts as a romantic date night that takes a turn when one person is suddenly killed, creating mystery. In No Country for Old Men, the opening scenes set an empty, boring Western landscape before an unusual man with long dark hair is arrested, though he later uses handcuffs to strangle an officer, establishing his dark and creepy nature.
Genre presentation
This document discusses the crime/drama genre. It provides examples of hybrid crime/drama films such as New Jack City, Safe, and Dead Presidents. It notes that crime/drama films are influenced by film noir and emphasize cynical attitudes without misleading viewers about unhappy endings. These films also blend drama and real-life criminality and transgression. Narratives typically show a criminal's rise and fall due to conflicts with family, surroundings, or law enforcement. Crime/drama films employ techniques like apparatus film theory to convey meaning through camerawork and character expressions. They often portray criminals as immoral and self-destructive individuals destroyed by police heroes. Common props, locations, and cinematography of the
The crazies
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Word newspaper template 1 (.doc)
Charlie Wallace, a young boy, tried to intervene when he saw two black males beating a storekeeper. During the ensuing fight, one of the attackers stabbed Charlie five times in the back. Charlie later died from blood loss. The authorities believe it was a gang-related murder. In a separate article, photos show police officers apprehending a suspect in Red & Bone County after a long chase. Crime rates have risen sharply in the dangerous city of Montgomery.
Wallander
1) The opening scene shows a car parked off the road with two people walking away from it quickly. There is blood on the windshield of the car and a man inside is seriously injured.
2) The two people walking away are revealed to be two girls, one with red hair. They have no expression on their faces and are focused on walking away from the scene.
3) Close-ups show the injured man has severe facial injuries but only on one side of his face, implying he was assaulted rather than in an accident. Blood is seen on the hand of the red-haired girl, suggesting her involvement in his injuries.
Pitch
Ronnie and Harry grew up together in poverty and turned to a life of crime, joining a mob led by Mickey Donoghue. Harry gets arrested for drug possession and is given a choice to turn informant. He becomes a police informant, helping to bust the mob's operations. Mickey suspects there is a rat and tasks Ronnie and Harry to find them. Ronnie discovers Harry is wearing a wire, realizing he is the rat. Ronnie must now decide whether to side with the mob and help kill Harry, or give Harry a chance to explain and risk being killed himself for keeping the secret.
Genre analysis
Crime films focus on the lives of criminals and often glorify criminal acts. They highlight the rise and fall of particular criminals or gangs, showing their secret world through dark nightclubs, piles of cash, and seedy living quarters. Common conventions of the crime genre include gangs, weapons, drugs, violence, hatred, and fast pacing. Some subgenres are cops and robbers, detective/mysteries, film noir, hood films, law and order, and mafia gangster films. The document's author chose the crime genre for their film trailer project because they and their partner enjoy hood films like Top Boy and wanted a genre they felt comfortable portraying in a short trailer.
Gangster genre conventions
The document outlines several key conventions of the gangster genre. Main conventions include a protagonist who dislikes their low status and seeks more power through criminal acts in a big city, gaining success through material wealth but ultimately facing a downfall from authorities or other gangsters. Visually, gangster films typically use dark colors and low lighting, feature formal suits and ties, and prominently include props like guns, cigarettes, drugs, and money that tie into criminal plots centered around gaining wealth and power.
Race in hotel babylon pdf
The document analyzes the representation of different ethnicities in the film Hotel Babylon through its mise-en-scene, camera work, composition, and editing techniques. Key points analyzed include the white receptionist wearing a different uniform, all policemen being white, a white detective being portrayed as uncaring, camera tracks and shots emphasizing white authority, framing behind bars showing ethnic minorities feeling trapped, and editing highlighting the calmness of white characters versus ethnic minority characters feeling anxiety and losing hope.
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Η εταιρεία Ostria ltd διανύει τη τρίτη δεκαετία ως παραγωγική μονάδα στα είδη καθαρισμού σε ιδιόκτητες εγκαταστάσεις στα Λουτρά Υπάτης Λαμίας με σημεία διανομών : Αθήνα για Νότια Ελλάδα, και Θεσσαλονίκη για Βόρεια Ελλάδα.
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Ostria.net - Είδη Καθαρισμού, Επαγγελματικά Καθαριστικά Προϊόντα Χονδρική-Λια...
Η εταιρεία Ostria ltd διανύει τη τρίτη δεκαετία ως παραγωγική μονάδα στα είδη καθαρισμού σε ιδιόκτητες εγκαταστάσεις στα Λουτρά Υπάτης Λαμίας με σημεία διανομών : Αθήνα για Νότια Ελλάδα, και Θεσσαλονίκη για Βόρεια Ελλάδα.
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This document contains Beshoy Kamel Issa Tadross's resume. It summarizes his personal and contact information, education history including a B.Sc. in Information Technology from Assiut University, work experience as a senior .NET developer, technical skills including C# and ASP.NET, programming languages of Arabic and English, and certificates in areas such as web development, Oracle, and networking security. Beshoy is seeking a job opportunity in web development where he can utilize his academic and professional experience.
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The document provides synopses for four films: Public Enemies, Goodfellas, Reservoir Dogs, and Law Abiding Citizen. Public Enemies is about the FBI hunt for notorious bank robber John Dillinger during the 1930s. Goodfellas follows small-time gangster Henry Hill as he rises through the ranks of the mob alongside Jimmy Conway and Tommy DeVito. Reservoir Dogs details the aftermath of a diamond heist gone wrong, where the criminals turn on each other as they try to discover who the police informant is. Law Abiding Citizen tells the story of Clyde Shelton who seeks revenge on the criminal justice system after his family is murdered and the killers receive lenient sentences.
Synopsis research
The document provides synopses for four films: Public Enemies, Goodfellas, Reservoir Dogs, and Law Abiding Citizen. Public Enemies is about the FBI hunt for notorious bank robber John Dillinger during the 1930s. Goodfellas follows small-time gangster Henry Hill as he rises through the ranks of the mob alongside Jimmy Conway and Tommy DeVito. Reservoir Dogs details the aftermath of a botched heist planned by six criminals with fake names hired by a mob boss. Law Abiding Citizen tells the story of Clyde Shelton who seeks revenge on the system after his family is murdered and the perpetrators receive lenient sentences. The document also notes some common themes across the syn
Media
This document discusses conventions of the thriller genre through analyzing the films Psycho and Taken 2. It outlines characteristics of thrillers such as ambiguous locations, psychotic characters, themes of crime and suspense. For Psycho, it examines the use of black and white photography, murder scenes, and unsettling sounds. For Taken 2, it summarizes the flashbacks, ex-secret agent protagonist, dark lighting in action scenes, and shifting tone from domestic calm to dramatic action.
Lesson 8 editing 19 20
The document provides an analysis of editing techniques used in the TV show Luther. It discusses how characters' costumes, settings, and camerawork are used to convey meaning. Key points include:
- Luther's loosened tie suggests he is unconventional and doesn't follow rules.
- Alice Morgan's hair implies she is dangerous and manipulative.
- Settings like an abandoned factory connote danger, while a normal street contrasts this.
- Shots of London establish the crime drama setting and show how a criminal could hide.
- Edits between characters establish relationships and power dynamics.
Media presentation 3 filmsh
The document summarizes conventions commonly found in crime and thriller films. It discusses how Se7en features an intellectual and deceptive antagonist in the serial killer who targets victims based on the seven deadly sins. It also notes the film uses low key lighting and police props to add realism and suspense. Heat is described as featuring an action sequence shootout and use of various guns. Scarface depicts the rise and fall of Tony Montana from poverty to controlling the Miami drug trade, making use of costumes to represent his changing power and an isolated setting for his final stand.
Presentation1 blog
The document summarizes and analyzes the openings of three thriller films - Brick, Zodiac, and No Country for Old Men. In Brick, the opening scene uses sad non-diegetic music to build tension as a boy stares in shock at a dead girl in a sewage tunnel. In Zodiac, the opening scene starts as a romantic date night that takes a turn when one person is suddenly killed, creating mystery. In No Country for Old Men, the opening scenes set an empty, boring Western landscape before an unusual man with long dark hair is arrested, though he later uses handcuffs to strangle an officer, establishing his dark and creepy nature.
Genre presentation
This document discusses the crime/drama genre. It provides examples of hybrid crime/drama films such as New Jack City, Safe, and Dead Presidents. It notes that crime/drama films are influenced by film noir and emphasize cynical attitudes without misleading viewers about unhappy endings. These films also blend drama and real-life criminality and transgression. Narratives typically show a criminal's rise and fall due to conflicts with family, surroundings, or law enforcement. Crime/drama films employ techniques like apparatus film theory to convey meaning through camerawork and character expressions. They often portray criminals as immoral and self-destructive individuals destroyed by police heroes. Common props, locations, and cinematography of the
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The trailer shows ordinary life in a small town being disrupted when a man opens fire at a baseball game. The policeman protagonist has to shoot the disturbed man. Strange events then start occurring as townspeople begin trying to kill each other. The trailer uses transitions like fades and dissolves to build tension as it shows different scenes of the townspeople threatening the main characters. The poster features a close-up of a blood-covered pitchfork being dragged along the floor, with the tagline "Fear thy neighbour".
Word newspaper template 1 (.doc)
Charlie Wallace, a young boy, tried to intervene when he saw two black males beating a storekeeper. During the ensuing fight, one of the attackers stabbed Charlie five times in the back. Charlie later died from blood loss. The authorities believe it was a gang-related murder. In a separate article, photos show police officers apprehending a suspect in Red & Bone County after a long chase. Crime rates have risen sharply in the dangerous city of Montgomery.
Wallander
1) The opening scene shows a car parked off the road with two people walking away from it quickly. There is blood on the windshield of the car and a man inside is seriously injured.
2) The two people walking away are revealed to be two girls, one with red hair. They have no expression on their faces and are focused on walking away from the scene.
3) Close-ups show the injured man has severe facial injuries but only on one side of his face, implying he was assaulted rather than in an accident. Blood is seen on the hand of the red-haired girl, suggesting her involvement in his injuries.
Pitch
Ronnie and Harry grew up together in poverty and turned to a life of crime, joining a mob led by Mickey Donoghue. Harry gets arrested for drug possession and is given a choice to turn informant. He becomes a police informant, helping to bust the mob's operations. Mickey suspects there is a rat and tasks Ronnie and Harry to find them. Ronnie discovers Harry is wearing a wire, realizing he is the rat. Ronnie must now decide whether to side with the mob and help kill Harry, or give Harry a chance to explain and risk being killed himself for keeping the secret.
Genre analysis
Crime films focus on the lives of criminals and often glorify criminal acts. They highlight the rise and fall of particular criminals or gangs, showing their secret world through dark nightclubs, piles of cash, and seedy living quarters. Common conventions of the crime genre include gangs, weapons, drugs, violence, hatred, and fast pacing. Some subgenres are cops and robbers, detective/mysteries, film noir, hood films, law and order, and mafia gangster films. The document's author chose the crime genre for their film trailer project because they and their partner enjoy hood films like Top Boy and wanted a genre they felt comfortable portraying in a short trailer.
Gangster genre conventions
The document outlines several key conventions of the gangster genre. Main conventions include a protagonist who dislikes their low status and seeks more power through criminal acts in a big city, gaining success through material wealth but ultimately facing a downfall from authorities or other gangsters. Visually, gangster films typically use dark colors and low lighting, feature formal suits and ties, and prominently include props like guns, cigarettes, drugs, and money that tie into criminal plots centered around gaining wealth and power.
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Race in hotel babylon pdf
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Emmet and conor go to babylon
This document analyzes the representation of ethnicity in a short film through its use of sound, camera angles, editing, and mise-en-scene. Sad music plays when the main character, Ibrahim, is taken away by immigration, creating a sense of defeat. Extreme close-ups show tension among the workers and allow viewers to see their anguish. Cut shots between Ibrahim working and stressed workers build suspense. The film depicts the marginalization of ethnic minorities and portrays immigrants as numbers rather than humans in a way that reflects societal racism.
Ethnicity
This document analyzes representations of ethnicity in the first minute of the film Hotel Babylon. It finds that:
1) White people are portrayed as superior and authoritative, occupying high class roles like the receptionist dressed in white, while parallel editing features more white characters in positions of power like managers and police.
2) Black people are shown as still facing discrimination, with the first black character hiding behind a newspaper and in dark clothing that makes him stand out, while shots frame black characters from a distance or high angle in a way that separates them from white characters featured in closeups.
3) Even the main black character, while in a high role, takes orders from the white receptionist who speaks to him in
Race and ethnicity
This document discusses race and ethnicity as portrayed in an episode of the TV show Luther. It notes that white British people are depicted as higher paid police officers, while a black man is initially shown as a possible antagonist chasing a white British man. Through camerawork and editing, the black man is ultimately revealed to be the protagonist who saves the white man. His baggy clothes distinguish him from other police officers in suits or uniforms. The sound builds tension around whether the black man will save or let fall the slipping white man.
OCR media section a Ethnicity
The document discusses the representation of ethnicity in TV drama and provides examples of common stereotypes. It notes that characters from minority ethnic groups are often portrayed negatively or have storylines centered around their culture. The document provides guidance on analyzing the construction of ethnicity in TV clips, including considering camerawork, editing, sound, and how characters interact. It lists questions to consider around representation and stereotyping of different ethnicities.
Section A Revision: Ethnicity
The document discusses the representation of ethnicity in TV drama and provides examples of common stereotypes. It notes that characters from minority ethnic groups are often portrayed negatively or have storylines centered around their culture. The document provides guidance on analyzing the construction of ethnicity in TV clips, including considering camerawork, editing, sound, and how characters interact. It lists questions to consider regarding the portrayal and treatment of different ethnicities.
Hotel Babylon Answer
1) The extract depicts immigration officers entering a hotel to search for undocumented immigrants. White officers are shown as authoritative through their dress and camera angles that emphasize their power over hotel staff and immigrants.
2) Hotel staff of various ethnicities work quickly to hide the immigrants from authorities. A black staff member is shown helping, challenging stereotypes of black people having low-status jobs.
3) Immigrants hide in a plain room, seen as less important by officers. One is missing but later caught, emphasizing officers' power over immigrants. The extract both reinforces and challenges stereotypes around ethnicity.
Evaluation 2
The document discusses how different social groups are represented in the film. Men are portrayed as the weaker sex since they are victims of the female killer. This challenges stereotypes of men being stronger. Women are also challenged as the villain is a female killer, subverting expectations. The detective is male following stereotypes, while the victims are male portraying them as weaker physically. Point of view shots are used to give perspectives of both the detective and killer. Older actors are cast in lead roles challenging expectations of younger leads. Ethnic diversity is limited due to the rural setting aiming for realism. Regional stereotypes are presented with the killer from the countryside and detective from the city, seen as more civilized. Overall the film aims
How chris cunningham uses media language in leftfield's
This document analyzes the music video for "Afrika Shox" by Leftfield. It discusses how the video uses visual elements to represent the electronic music genre and reinforce the song's lyrics about racism and imprisonment. Specific visuals like police lights, city skyscrapers, and dancing are examined. The main character is an African man wandering New York City in pursuit of something, and close-ups make viewers uncomfortable. Intertextual references to films like The Matrix and depictions of refugees are also noted.
Homework
This document provides instructions for analyzing a clip from the TV show Hotel Babylon regarding the representation of ethnicity. It includes definitions of ethnicity, examples of ethnic group categories, and tasks to identify ethnicities in the clip and analyze key scenes. The analysis focuses on three scenes: 1) immigration officers arriving, 2) warning a woman of their arrival, and 3) an immigrant passing out while hiding. The conclusion is that the clip represents various immigrant ethnicities hiding in fear from white immigration officers.
paper 2
The film Ethnic Notions depicts the origins and impact of racist stereotypes of Black people from the 1800s through early television. It shows how minstrel shows popularized stereotypes like Sambo and Mami that portrayed Black people as happy slaves or controlling and unattractive women. These stereotypes psychologically abused Black people and misled Americans. While some Black actors felt they had no choice but to perform these roles to make a living, doing so helped solidify the harmful stereotypes. In particular, the Mami stereotype of Black women was very damaging as it was more believable than depictions of slaves enjoying their condition. The film aims to show viewers how deeply racism is ingrained and the importance of understanding the
5 screen grabs
The mise en scene, camera work, and editing in this scene subvert stereotypes of black people in the following ways:
1) The black man is shown helping the ill white woman by giving her jam, presenting black people as helpful rather than inferior.
2) His wedding ring shows he is married and committed, challenging ideas of black people being slaves or in poverty.
3) He was a doctor before working at the hotel, showing he is not lower class as stereotypes suggest.
4) Different ethnic groups are shown working together to help each other rather than keeping to themselves.
Media represented groups
The document discusses stereotypes related to ethnicity, age, and gender that are portrayed in media. It then analyzes how a thriller film opening scene portrays these stereotypes.
For ethnicity, African British people are often stereotyped as criminals, while white British people are seen as wealthy and powerful. The scene initially shows the African British kidnapper committing a crime against a white victim, aligning with stereotypes, but challenging the stereotype of white male power.
For age, teenagers are usually seen as moody and uncaring. However, the teenage victim in the scene displays fear and asks for help, going against stereotypes.
For gender, males are typically depicted as aggressive and dominant.
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How chris cunningham uses media language in leftfield's
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ethnicity in hotel babylon
- 1. representation of different ethnicity in hotel babylon. by Mark Linskey , Ronan Lewsley and Ryan McGarry
- 2. QuickTime™ and a decompressor are needed to see this picture.
- 3. Mise en scene uniform from other receptionists. This could be used to show that the white receptionist is superior to the other ethnic receptionists. • All policemen are white.This suggests that white people are trusting and moral characters. however this image of the police men is shattered when the 2 men go to arrest Ibrahim.As at 2:59 as they handle Ibrahim in a rough and aggressive manner.
- 4. • The white detective is seen as uncaring and ignorant.As he compares his boss shouting at him to Ibrahim’s brother and father being killed and Ibrahim also being killed.This also shows the viewer the parallel between their cushioned life in England to the life of hardships suffered by the immigrants. This happens at 3:43. MISE EN SCENE
- 5. CamerA woRK • at 0:28 it tracks the detective.This show his white authority and the intensity of the situation. • At 00:37 there is an over the shoulder shot.This represents the detectives as being intimidating and overpowering.This also empathizes that they are figures of importance within the scene. • At 3:22 the zoom highlights fear and anxiety as she is worried that the ethnic minorities may be deported.
- 6. composition • 1.24 - depth of field, the distance between certain characters in the corridor as the other ethnic minorities are trying to escape from the ‘superior’ white detectives. It is also used to show the metaphorical distance between races. • 1.24 - framing, the use of framing behind the bars, shows that the illegal immigrants of different race may feel trapped by the pressure put on them from the white authorities.
- 7. editing and representation • 0.30 - Eyeline match, this is to highlight the ‘superior’ white detectives approaching the front desk, to begin his search for the ‘lesser’ ethnically diverse workers. • 0.49 - Shot/Reverse shot, this highlights how calm and collected the white receptionist is when talking to the detective in comparison to the view of the members of staff that are from ethnic groups that aren’t white. • 1.45 - Fade out, the music fades to highlight the severity of the situation as a character from an ethnic group is about to realize that one of the illegal immigrants haven’t escaped the authorities.
- 8. editing and representation • 1.50 - Fade in, shows the loss of hope amongst the illegal immigrants as they accept that one of their own is about to be caught by authorities.