Empowerment or destruction? Copyright and technology
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This document discusses the impact of technology and digitalization on copyright and creative works. It notes that some argue new technologies have led to less culture and reliability of information as amateurs proliferate online. However, others argue that empirical evidence shows money is not always needed for creation, and that old business models are dying rather than creation itself. The document explores different views on copyright and how communities have adapted licensing models like Creative Commons to enable sharing while still providing attribution.
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Empowerment or destruction? Copyright and technology
- 7. What is an amateur?
- 8. But first technological change – why it matters
- 9. Beating time & Geography, killing memory
- 12. Digitalization Connectivity Storage Devices
- 13. Flickr 2000 2001 2002 2003 2005 2004 2006 Wikipedia Linkedin Blogger 1999 Second Life My Space Skype Digg Facebook Ning YouTube Twitter Spotify Google c:a 1998 2008 2007 2009 Farmville iphone Wikileaks Angry Birds
- 14. Theoretical rights become inevitable practice
- 15. Copyright is all about fixation
- 18. Statute of anne 1710
- 20. What happened?
- 29. Focus on crime, not creation
- 30. Suddenly copyright is a barrier to creation…
- 31. What to do?
- 32. “ The first thing we do, let's kill all the lawyers”
- 34. 69 jurisdictions
- 37. four LIMITations
- 43. Why Share?
- 47. Two years later
- 49. OMG!!!
- 50. How to License
- 56. The genie is out of the bottle
- 57. Old models die
- 58. Elitism is a form of protectionism
- 59. When reality changes: Adapt or die
- 60. Thank you.
Editor's Notes
- October 2010, Reykjavik, Iceland by loranger CC BY
- Untitled from Kennedy Garrett cc by
- UP Turns 100 from ~MVI~ cc by
- Off Switch from Kyle Slattery cc by nc sa
- A Quizzical Look by Stuck in Customs cc by nc sa Thamus replied: O most ingenious Theuth, the parent or inventor of an art is not always the best judge of the utility or inutility of his own inventions to the users of them. And in this instance, you who are the father of letters, from a paternal love of your own children have been led to attribute to them a quality which they cannot have; for this discovery of yours will create forgetfulness in the learners' souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves. The specific which you have discovered is an aid not to memory, but to reminiscence, and you give your disciples not truth, but only the semblance of truth; they will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality.
- FDR's "Fireside Chats" With America By Tony the Misfit cc by
- snowbow from jenny downing cc by
- CSA-2006-08-10-093402 By The U.S. Army cc by
- walk the dog by wrote cc by
- birds eye view by wrote cc by Statute of Anne 1710 LAG OM ÄGANDERÄTT TILL SKRIFT (1877)
- Upphovsrätten bygger på idén att det alster som någon, vem som helst, du eller jag, eller någon annan, skapat , också skall ha rätt att bestämma över detta verk på samma sätt som om det vore en ägodel . Om man ser upphovsrättens verk som en sak , är det lättare att förstå hur principerna och regelkomplexet runt detta. Ingen av oss skulle väl kunna tänka sig att utan lov , gå in till grannen och ta med sig de saker som finns där efter tycke och smak. Dessutom är det brottsligt och kallas för stöld . När det gäller upphovsrätten gäller samma regler, fast vi använder andra ord, upphovsrättsintrång t ex. Att skydda upphovsrätten har ansetts vara viktigt över hela världen. Det finns världsomspännande regler på området. Bernkonventionen från 1898 är den äldsta.
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- Informationspolitik 30 november 2005 Mathias Klang <klang@informatik.gu.se>
- Jail Cell from Casey Serin cc by
- #213 Fishes By Mikael Miettinen cc by
- Klubbhelg på Halleskär 27-28/6-09 By Göran (Kartläsarn) cc by
- Klippan 1 by mescon cc by Henry VI (Part 2) Act 4, scene 2 - William Shakespeare
- Creative Commons from karindalziel cc by.jpg
- Crocodile's eye from Tambako the Jaguar cc by nd
- Upphovsmannen skall omnämnas i skälig omfattning : namn eller pseudonym skall uppges. Namnet på verket : Om verket saknar namn faller naturligtvis kravet. Länk till verket : Om det är praktiskt möjligt bör man länka till verket. Bearbetade Verk : För bearbetade verk bör man berätta hur den ursprungliga verket har bearbetats. Bevara hänvisningar till upphovsrätt. Om en upphovsman använder (c) Andersson måste man behålla denna text. Länk till licensen.
- Day 78 - Peace by lintmachine cc by nc sa
- Göteborg - Götaplatsen By Göran (Kartläsarn) cc by
- The Old Boat by mescon cc by
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- Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
- Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
- Racing boat from danielguip cc by nc sa
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- Brown Bagged Goof from privatenobby cc by nc sa
- Day 14 - Visual Representation of a Reading List by margolove cc by nc sa
- _ 凝望幸福，看不荒的恆海 ｡ by eliot. cc by nc sa
- Brown Bagged Goof from privatenobby cc by nc sa