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Research,Copyright &CreativeCommons              Mathias Klang @klang67
This is not an apology: Myradical mood
One of the fundamentalcharacteristics of scholarlyresearch is that it is created    as a public good to          Why bothe...
Beware the metaphor
This is not a shopping cart
Fighting forour futures:stories fromthe e-book
Scholarly publication market                                                 Shareholders                             Publ...
Culture is inevitable, copyright is                not
Copyright is all about fixation
I do not agree with what you have to say, but Illdefend to the death your right to say it. Voltaire             Technology...
Statute of anne 1710
Expanding rights
Oscar Wilde nr 18     av Napoleon Sarony“entirely from his own mentalconception, to which he gavevisible form””useful, new...
User generated        content      THE   SOCIAL  CENTURY
Monopolies in copying & deliverysystems
Don’t be greedy   The expansion of copyright to include more forms ofexpression (may ultimately weaken copyright as a whol...
Modern copyright      law  is fixed in   the 1950s“These are not the norms   you’re looking for”
What copyrightprotects?
”VERKSHÖJD”   BIRD RED SLICE by Koko (1984)
Donald Duck av Walt Disney   Arne Anka av Charlie Christensenidea/expression dichotomy
copying
digitalization
Analog / Digital•   Copy inferior          •   There is no copy•   Limited nr of copies   •   Infinite nr•   Copying in re...
LIFE & DEATH        OFBUSINESS MODELS
What happened?
The tools of production
Myths we regulate by
EMPIRICAL proof cash NOT A REQUIREMENT FORCREATION…                     But geeks are different?
PROVED STALLMAN’S IDEAS SCALED & APPLIEDTO NON-SPECIALIST GROUPS             And still we cling to the economic & creative...
Paying for cultural production
The theoretically possible becomes theinevitable
The end of scarcity “who told me” becomes more important than “who made it”. Sandra Snan
Blogger 1999Google 1999               End of communications monopoly
This is not a book
Changing the marketplace
How we consume
Market failures
Free speech &private censors
Lag of analogue rules
A workaround
History of Creative Commons                         The duct tape of copyright
Four limitations
Why should academics Share?
Sharing is caring
In a world of noise…
Swedish heritage board
3.5 years later
OMG!!!OMG!!!
How to License
Want more information?
More informationwww.iis.se/docs/copyright_copyleft.pdf
If badstuff happens…
Germany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasbl Festiv...
Cheats, nasty people, & evil corporations
#FAIL
Want more free stuff?
http://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/http:...
http://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http://flick...
http://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http://w...
http://blip.tv/http://www.ourmedia.org/    http://one.revver.com/       http://youtube.com               VIDEO
Thank you.
Mathias Klangklang@ituniv.se or @klang67      www.digital-rights.net   Image & licensing info see      notes section of sl...
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
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Research, Copyright & Creative Commons

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Research, Copyright & Creative Commons

  1. 1. Research,Copyright &CreativeCommons Mathias Klang @klang67
  2. 2. This is not an apology: Myradical mood
  3. 3. One of the fundamentalcharacteristics of scholarlyresearch is that it is created as a public good to Why bother? facilitate inquiry and knowledge
  4. 4. Beware the metaphor
  5. 5. This is not a shopping cart
  6. 6. Fighting forour futures:stories fromthe e-book
  7. 7. Scholarly publication market Shareholders Publishers University Research University Libraries Public FundsRobert Terry,The Wellcome Trust
  8. 8. Culture is inevitable, copyright is not
  9. 9. Copyright is all about fixation
  10. 10. I do not agree with what you have to say, but Illdefend to the death your right to say it. Voltaire Technology 300 years ago…
  11. 11. Statute of anne 1710
  12. 12. Expanding rights
  13. 13. Oscar Wilde nr 18 av Napoleon Sarony“entirely from his own mentalconception, to which he gavevisible form””useful, new, harmonious,characteristic, and gracefulpicture.”
  14. 14. User generated content THE SOCIAL CENTURY
  15. 15. Monopolies in copying & deliverysystems
  16. 16. Don’t be greedy The expansion of copyright to include more forms ofexpression (may ultimately weaken copyright as a whole).
  17. 17. Modern copyright law is fixed in the 1950s“These are not the norms you’re looking for”
  18. 18. What copyrightprotects?
  19. 19. ”VERKSHÖJD” BIRD RED SLICE by Koko (1984)
  20. 20. Donald Duck av Walt Disney Arne Anka av Charlie Christensenidea/expression dichotomy
  21. 21. copying
  22. 22. digitalization
  23. 23. Analog / Digital• Copy inferior • There is no copy• Limited nr of copies • Infinite nr• Copying in real time • Timeless• Cost • Without cost
  24. 24. LIFE & DEATH OFBUSINESS MODELS
  25. 25. What happened?
  26. 26. The tools of production
  27. 27. Myths we regulate by
  28. 28. EMPIRICAL proof cash NOT A REQUIREMENT FORCREATION… But geeks are different?
  29. 29. PROVED STALLMAN’S IDEAS SCALED & APPLIEDTO NON-SPECIALIST GROUPS And still we cling to the economic & creative myth
  30. 30. Paying for cultural production
  31. 31. The theoretically possible becomes theinevitable
  32. 32. The end of scarcity “who told me” becomes more important than “who made it”. Sandra Snan
  33. 33. Blogger 1999Google 1999 End of communications monopoly
  34. 34. This is not a book
  35. 35. Changing the marketplace
  36. 36. How we consume
  37. 37. Market failures
  38. 38. Free speech &private censors
  39. 39. Lag of analogue rules
  40. 40. A workaround
  41. 41. History of Creative Commons The duct tape of copyright
  42. 42. Four limitations
  43. 43. Why should academics Share?
  44. 44. Sharing is caring
  45. 45. In a world of noise…
  46. 46. Swedish heritage board
  47. 47. 3.5 years later
  48. 48. OMG!!!OMG!!!
  49. 49. How to License
  50. 50. Want more information?
  51. 51. More informationwww.iis.se/docs/copyright_copyleft.pdf
  52. 52. If badstuff happens…
  53. 53. Germany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasbl Festival de Theatre deSpa)The Netherlands, 2006: Curry v. AudaxSpain 2006: SGAE v. Fernandez Case law
  54. 54. Cheats, nasty people, & evil corporations
  55. 55. #FAIL
  56. 56. Want more free stuff?
  57. 57. http://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/http://www.jamglue.com/http://www.soundclick.com/http://www.tribeofnoise.com/http://librivox.org/ AUDIO
  58. 58. http://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http://flickr.com/creativecommons/ BILDERhttp://www.geograph.org.uk/http://photoeverywhere.co.uk/http://en.sevenload.com/
  59. 59. http://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http://wikipedia.orgTEXT
  60. 60. http://blip.tv/http://www.ourmedia.org/ http://one.revver.com/ http://youtube.com VIDEO
  61. 61. Thank you.
  62. 62. Mathias Klangklang@ituniv.se or @klang67 www.digital-rights.net Image & licensing info see notes section of slides.Images at www.flickr.com (or specifically stated). This ppt licensed:Creative Commons BY-NC-SA Download presentation www.slideshare.net/klang

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