Research,Copyright &CreativeCommons              Mathias Klang @klang67
This is not an apology: Myradical mood
One of the fundamentalcharacteristics of scholarlyresearch is that it is created    as a public good to          Why bothe...
Beware the metaphor
This is not a shopping cart
Fighting forour futures:stories fromthe e-book
Scholarly publication market                                                 Shareholders                             Publ...
Culture is inevitable, copyright is                not
Copyright is all about fixation
I do not agree with what you have to say, but Illdefend to the death your right to say it. Voltaire             Technology...
Statute of anne 1710
Expanding rights
Oscar Wilde nr 18     av Napoleon Sarony“entirely from his own mentalconception, to which he gavevisible form””useful, new...
User generated        content      THE   SOCIAL  CENTURY
Monopolies in copying & deliverysystems
Don’t be greedy   The expansion of copyright to include more forms ofexpression (may ultimately weaken copyright as a whol...
Modern copyright      law  is fixed in   the 1950s“These are not the norms   you’re looking for”
What copyrightprotects?
”VERKSHÖJD”   BIRD RED SLICE by Koko (1984)
Donald Duck av Walt Disney   Arne Anka av Charlie Christensenidea/expression dichotomy
copying
digitalization
Analog / Digital•   Copy inferior          •   There is no copy•   Limited nr of copies   •   Infinite nr•   Copying in re...
LIFE & DEATH        OFBUSINESS MODELS
What happened?
The tools of production
Myths we regulate by
EMPIRICAL proof cash NOT A REQUIREMENT FORCREATION…                     But geeks are different?
PROVED STALLMAN’S IDEAS SCALED & APPLIEDTO NON-SPECIALIST GROUPS             And still we cling to the economic & creative...
Paying for cultural production
The theoretically possible becomes theinevitable
The end of scarcity “who told me” becomes more important than “who made it”. Sandra Snan
Blogger 1999Google 1999               End of communications monopoly
This is not a book
Changing the marketplace
How we consume
Market failures
Free speech &private censors
Lag of analogue rules
A workaround
History of Creative Commons                         The duct tape of copyright
Four limitations
Why should academics Share?
Sharing is caring
In a world of noise…
Swedish heritage board
3.5 years later
OMG!!!OMG!!!
How to License
Want more information?
More informationwww.iis.se/docs/copyright_copyleft.pdf
If badstuff happens…
Germany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasbl Festiv...
Cheats, nasty people, & evil corporations
#FAIL
Want more free stuff?
http://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/http:...
http://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http://flick...
http://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http://w...
http://blip.tv/http://www.ourmedia.org/    http://one.revver.com/       http://youtube.com               VIDEO
Thank you.
Mathias Klangklang@ituniv.se or @klang67      www.digital-rights.net   Image & licensing info see      notes section of sl...
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
Research, Copyright & Creative Commons
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  • BIRD RED SLICE by Koko Abstract by Koko. 10 x 12 acrylic on canvas, 1984 http://www.koko.org/world/art_abstracts.html#UNTITLED2 Koko (born July 4, 1971, at San Francisco Zoo) is a Western Lowland Gorilla who, according to Francine 'Penny' Patterson, is able to understand more than 1,000 signs based on American Sign Language, [1] and understand approximately 2,000 words of spoken English. [2] . As with other ape language experiments, the degree to which Koko masters these signs has been controversial, as has been the degree to which such mastery demonstrates language abilities. Koko has lived most of her life in Woodside, California, although a move to a sanctuary in Maui, Hawaii, has been planned since the 1990s. [3] . Koko is short for the name Hanabiko ( 花火子 , lit. "fireworks child" ? ) in Japanese, a reference to her date of birth, the Fourth of July. http://en.wikipedia.org/wiki/Koko_%28gorilla%29
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  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
  • Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
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  • Research, Copyright & Creative Commons

    1. 1. Research,Copyright &CreativeCommons Mathias Klang @klang67
    2. 2. This is not an apology: Myradical mood
    3. 3. One of the fundamentalcharacteristics of scholarlyresearch is that it is created as a public good to Why bother? facilitate inquiry and knowledge
    4. 4. Beware the metaphor
    5. 5. This is not a shopping cart
    6. 6. Fighting forour futures:stories fromthe e-book
    7. 7. Scholarly publication market Shareholders Publishers University Research University Libraries Public FundsRobert Terry,The Wellcome Trust
    8. 8. Culture is inevitable, copyright is not
    9. 9. Copyright is all about fixation
    10. 10. I do not agree with what you have to say, but Illdefend to the death your right to say it. Voltaire Technology 300 years ago…
    11. 11. Statute of anne 1710
    12. 12. Expanding rights
    13. 13. Oscar Wilde nr 18 av Napoleon Sarony“entirely from his own mentalconception, to which he gavevisible form””useful, new, harmonious,characteristic, and gracefulpicture.”
    14. 14. User generated content THE SOCIAL CENTURY
    15. 15. Monopolies in copying & deliverysystems
    16. 16. Don’t be greedy The expansion of copyright to include more forms ofexpression (may ultimately weaken copyright as a whole).
    17. 17. Modern copyright law is fixed in the 1950s“These are not the norms you’re looking for”
    18. 18. What copyrightprotects?
    19. 19. ”VERKSHÖJD” BIRD RED SLICE by Koko (1984)
    20. 20. Donald Duck av Walt Disney Arne Anka av Charlie Christensenidea/expression dichotomy
    21. 21. copying
    22. 22. digitalization
    23. 23. Analog / Digital• Copy inferior • There is no copy• Limited nr of copies • Infinite nr• Copying in real time • Timeless• Cost • Without cost
    24. 24. LIFE & DEATH OFBUSINESS MODELS
    25. 25. What happened?
    26. 26. The tools of production
    27. 27. Myths we regulate by
    28. 28. EMPIRICAL proof cash NOT A REQUIREMENT FORCREATION… But geeks are different?
    29. 29. PROVED STALLMAN’S IDEAS SCALED & APPLIEDTO NON-SPECIALIST GROUPS And still we cling to the economic & creative myth
    30. 30. Paying for cultural production
    31. 31. The theoretically possible becomes theinevitable
    32. 32. The end of scarcity “who told me” becomes more important than “who made it”. Sandra Snan
    33. 33. Blogger 1999Google 1999 End of communications monopoly
    34. 34. This is not a book
    35. 35. Changing the marketplace
    36. 36. How we consume
    37. 37. Market failures
    38. 38. Free speech &private censors
    39. 39. Lag of analogue rules
    40. 40. A workaround
    41. 41. History of Creative Commons The duct tape of copyright
    42. 42. Four limitations
    43. 43. Why should academics Share?
    44. 44. Sharing is caring
    45. 45. In a world of noise…
    46. 46. Swedish heritage board
    47. 47. 3.5 years later
    48. 48. OMG!!!OMG!!!
    49. 49. How to License
    50. 50. Want more information?
    51. 51. More informationwww.iis.se/docs/copyright_copyleft.pdf
    52. 52. If badstuff happens…
    53. 53. Germany 2011Israel 2011: TA 3560/09, 3561/09, Avi Reuveni v. Mapa inc.Belgium 2010: 09-1684-A (Lichôdmapwa v. Lasbl Festival de Theatre deSpa)The Netherlands, 2006: Curry v. AudaxSpain 2006: SGAE v. Fernandez Case law
    54. 54. Cheats, nasty people, & evil corporations
    55. 55. #FAIL
    56. 56. Want more free stuff?
    57. 57. http://artistserver.com/http://ccmixter.org/http://free-loops.com/http://www.freesound.org/http://www.jamendo.com/en/http://www.jamglue.com/http://www.soundclick.com/http://www.tribeofnoise.com/http://librivox.org/ AUDIO
    58. 58. http://animalphotos.info/a/http://carpictures.cc/cars/photo/http://www.compfight.com/http://creativity103.com/http://flickr.com/creativecommons/ BILDERhttp://www.geograph.org.uk/http://photoeverywhere.co.uk/http://en.sevenload.com/
    59. 59. http://www.intratext.com/http://www.travellerspoint.com/http://www.unearthtravel.com/http://www.wisdomcommons.org/http://wikipedia.orgTEXT
    60. 60. http://blip.tv/http://www.ourmedia.org/ http://one.revver.com/ http://youtube.com VIDEO
    61. 61. Thank you.
    62. 62. Mathias Klangklang@ituniv.se or @klang67 www.digital-rights.net Image & licensing info see notes section of slides.Images at www.flickr.com (or specifically stated). This ppt licensed:Creative Commons BY-NC-SA Download presentation www.slideshare.net/klang

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