Emily-Truman_portfolio

E M I L Y T R U M A N
• • GRAPHIC DESIGN EXTRAORDINAIRE • •
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Eye for detail Bright, creative Great communicatorFriendly
5102/21-4102/90 Associate of Applied Business in Graphic Design
COLUMBUS, OHIO Bradford School
GPA: 3.88/4.0
08/2010 - 05/2012 Multimedia Production Certificate
SPRINGFIELD, OHIO Springfield-Clark Career Technology Center
Certifications in Adobe Photoshop, Microsoft Office
Member of Business Professionals of America
03/2014 - PRESENT Pat Catan’s Craft Centers
SPRINGFIELD, OHIO Sales Associate
• Always maintains professionalism in all situations
• Recognized by customers for exemplary
customer service
• Displaying and organizing inventory
01/2014 - 03/2014 Checkers/Rally’s
SPRINGFIELD, OHIO Cashier
• Working with team members to consistently
achieve daily goals
• Multitasking and efficiently working in a
fast-paced environment
• Preparing products for distribution to customer
in timely manner
• Recognized for excellent customer service
Level-headed and hard working
individual who is very compassion-
ate about what they do. Will go
above and beyond expectations
to ensure complete and overall
satisfaction. Goal-oriented, very
respectful, professional, and trust-
worthy. Dynamic worker, solo and
in a team, with both great verbal
and non-verbal communication
abilities. Strives to achieve any
goals diligently in a timely manner.
GRAPHIC DESIGNER – where my
communication and creative skills,
along with my eye for detail will
ensure client satisfaction.
1628 Ballentine Pike
Springfield, Ohio 45502
(937) 561 - 5755
emilyekt@yahoo.com
Magazine Cover
Pixtur Magazine
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PixturPixturPixturPixtur
How-to
NEWest GEAR
for may 2015
LUKE
HOLLAND
MAY 2015, VOL 1 • ISSUE 18
Learn 10new
and easy tricks for
Photoshop!
LUKE
HOLLANDNEW PORTRAITS FEATURED AT THE TRUMAN GALLERY FROM
THE PHOTOGRAPHY DOCUMENTARY, CAPTURED BY
PHOTOGRAPHER VINCE DWYER.
Newest Gear
For may 2015
Canon EOS 5DS/5DS R
SIGMA 24mm F/1.4 Art Lens
Samsung NX500
Olympus OM-D E-M5 Mark II
and more!
How-to
Become a more
professional photographer

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Table of Contents
Pixtur Magazine
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TABLE OF CONTENTS
6 HOW TO BECOME A BETTER PHOTOGRAPHER It can be
tough to feel like you are doing a great job at being a photog-
rapher, and to put out unique photographs. Find out 10 ways to
better your photography skills. By Katie Schumaker
15 SUMMER ART FESTIVALS Three major celebrations
of the photographic arts in Europe. Book your tickets now.
By Jack Crager
18 VINCE DWYER AT THE TRUMAN GALLERY Get an exclu-
sive interview with Vince Dwyer about his journey as a music
photographer, and some of the upcoming shots featured in the
Truman Gallery (including The Word Alive drummer, Luke Hol-
land). By Emily Truman.
26 NEWEST GEAR FOR MAY 2015 Canon EOS 5DS/5DS
R, SIGMA 24mm F/1.4 Art Lens, Samsung NX500, Olympus M-D
E-M5 Mark II, and many more! By Mallar Quakits
29 SHOOTING THE CURL To add to the thousands of tricks
already out there, here are some great Photoshop actions that
are for photographers, graphic designers, game artists and
more. By Creative Bloq
36 UNDER THE SEA Five of the world’s top underwa-
ter shooters tell us about their favorite places to take photos.
By Travis Marshall
44 SHOOT SMART! Summer’s just around the corner, and
you know what that means—photography opportunities at ev-
ery corner! Get a better end product with our expert photogra-
phy and editing tips. By Jason Whong
60 TEN RULES TO BREAK Our unorthodox guide to nature
photography revels which maxims and madates it’s perfectly
okay to ignore. What, you shoot in manual? Read this quick!
By Richard Bernabe and Ian Plant
63 HOME STUDIOS FOR ANY SPACE A monster Lighting
Special designed to get you the best gear possible, whether you
need it to fit in a backpack or barn. By Peter Kolonia
DON'T MISS...
8 EDITOR’S LETTER
13 SHOWCASE
81THE GUIDE
88TIME EXPOSURE
120 BACKSTORY
www.pixturmagazine.com
6 18 60 26
V O L 1 • I S S U E 1 82 • P I X T U R
88

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P I X T U R • 1 9
grew up. I played baseball, foot-
ball, & hockey pretty much my
whole life and I think when I was
10 I had planned on being a foot-
ball player at Florida State Univer-
sity by the time I was 20. We see
how that worked out..
WHAT’S THE MOST INTERESTING ASPECT OF MUSIC
PHOTOGRAPHY FOR YOU?
The most interesting aspect of
music photography is going into
a different venue and finding the
great shots. I love exploring dif-
ferent venues and finding great
spots to take photos. The best
photos are not always just from
the photo pit or being on stage.
WHAT DO YOU ENJOY MOST ABOUT THIS JOB?
WHAT IS THE HARDEST PART OF IT?
What I enjoy most about the
job is traveling around with all
my friends. We get to go to a
lot of cool places that I probably
wouldn’t make it to if I wasn’t
traveling with them. The hardest
part is probably being away from
family and my girlfriend. My fam-
ily is really close and being away
can really suck sometimes.
WHEN SHOOTING A SHOW, DO YOU PROCESS TO A
SPECIFIC ‘MENTAL’ PREPARATION BEFOREHAND?
DO YOU HAVE PARTICULAR PLANS IN MIND BEFORE
ACTUALLY GETTING THERE?
Most of the time I have checked
out the venue and have a good
idea of where I want to try to
shoot from during the show. But
once the room is packed with
people situations change and
you have to be able to go with it.
I normally have shots in mind that
I look to take and if I miss it that
night I’ll try again the next night.
I like to think of my job as getting
the shots that no one else has.
HOW DO YOU WORK ON THE WHOLE EDITING PART
OF YOUR PHOTOS BEFORE ANY PUBLICATION?
For most of the images I take
on tour I briefly edit them and
send them to all the guys. I don’t
spend too much time editing
each individual image. If I do
plan on spending a bit more time
editing if its a bit more important
I will edit, then leave it for a few
hours or a day and come back
to look it. Sometimes when you
stare at an image too long you
will come back and be like “that’s
too blue or too red.”
NOW THAT YOU STARTED TOURING QUITE EXTEN-
SIVELY, HOW DO YOU GET READY FOR SUCH A TRIP?
WHAT DO YOU BRING WITH YOU?
To get ready for a trip I mostly
just throw all my gear in my big
Pelican case, pack a few clothes
and I’m off. Nothing really crazy.
Sometimes I’ll rent a lens to bring
with me. Ya know, the usual stuff.
IT MUST ALSO REQUIRE A LOT OF ORGANIZATION
DURING THE PROCESS, HOW DOES YOUR DAILY
ROUTINE ON TOUR LOOKS LIKE? HOW WOULD YOU
DESCRIBE A TYPICAL VINCE DWYER DAY ON TOUR?
My daily routine with The Word
Alive is wake up and get a Star-
bucks with Tony Pizzuti cause
we’re some basic bitches. Then
help our crew load in all the
gear for the band. Setup merch
because I also do merch for The
Word Alive. Then try to find
some cool spots to do a shoot
with some of the guys from the
tour package. This is one of my
favorite times of the day. I basi-
cally find a spot inside or around
the venue and grab who ever is
around to take some portraits.
By this time doors are normally
opening so I’ll man the merch
table and edit as many photos as
I can until The Word Alive plays.
After they’re done playing and
everyone is gone we load every-
thing up, go grab a couple beers
then take off for the next show.
DO YOU HAVE ANY ADVICE FOR ASPIRING PHOTOG-
RAPHERS WILLING TO MAKE A CAREER AS MUSIC
PHOTOGRAPHERS? HOW TO GET STARTED?
For aspiring music photographers
my advice is shoot as many shows
as you can and make friends. If
you need a photo pass email, fb,
instagram message whoever you
can asking for a pass. You having
nothing to lose by asking, I prom-
ise you of that....
DO YOU HAVE ANY OTHER PHOTOGRAPHY PROJECTS
OUTSIDE OF MUSIC?
I work closely with a clothing
company called Overthrow
Clothing. A good friend of mine
started this clothing company
and I learned a lot by doing pho-
tographing his products and
events. A lot of projects while I’m
home revolve around this com-
pany. You can find my photos for
1 8 • P I X T U R
HOW DID YOU END UP IN MUSIC PHOTOGRAPHY?
CAN YOU TELL US MORE ABOUT YOUR STORY?
I bought my first DSLR when I
was 21 years old. A good friend
of mine was getting really into
photography and I thought it was
cool so I went out and bought
a Canon 7D. My friend started
shooting ASU football games for
the school newspaper so he got
me a job doing basically the same
thing. We would go shoot foot-
ball games and split time using a
300mm 2.8 lens he rented on the
newspapers budget and just run
around the field looking for great
shots. At first I was terrible and
honestly didn’t belong on the
field. But, over time I got pretty
good at it and start pumping out
some quality photos.
I love shooting action sports.
You get a whole different feel
for the game when you’re down
on the sidelines and can feel
the emotion and physicality of
it all. I am also a huge college
football fan so that was the best
job I could ask for at the time.
Although I never wanted to, I
shit together and making sure
my work was cool with me leav-
ing. When the tour came through
Phoenix I met the guys there and
the rest is sort of history.
WHERE DID YOUR 10 YEAR-OLD SELF SEE VINCE
DWYER 10 YEARS LATER?
My ten year old self definitely saw
myself as being an athlete when I
started shooting some different
stories for the newspaper the fol-
lowing year. This is what sort of
made me learn to go into a situ-
ation and find good images. Be-
ing thrown in different situations
I believe is the best way to learn
photography. Constantly shoot-
ing different situations makes
you think differently and learn on
the fly. Like with anything if you
don’t push yourself and get out
of your comfort zone you don’t
learn anything new.
A little over two years after get-
ting my first job as a photogra-
pher I was approached by Daniel
Shapiro about possibly coming
out for a week on Warped Tour
2014 to shoot his band The Word
Alive. I said “Hell Yeah” what an
opportunity to tour with a ba-
dass band and take some photos.
So I think the next day I went to
their practice space and hung
out while they practiced their
set. I hadn’t really known anyone
in the band except Daniel who I
have known since we were like
13-14 years old and Tony who I
had done a couple quick photo-
shoots with for Overthrow Cloth-
ing. Like one day before Warped
Tour started I get another call
from Daniel asking if I would want
to come out for the entire tour.
Of course I said yeah… Travel
around and take photos for a liv-
ing I think is any photographers
dream. I didn’t want to quit my
job so I stayed home for the first
week of the tour getting all my
P H O T O G R A P H YAT THE TRUMAN GALLERY
VINCENT D W Y E R
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CURRENT
SUPREME COURT MAKES HISTORY
Same-sex marriage battle is finally put to rest,
as it is ruled legal in all 50 states of the U.S.
OKLAHOMA POLITICIAN
STABBED TO DEATH BY SON
TWO WOMEN BEAT THE
ODDS, ARE THE FIRST TO
GRADUATE FROM ARMY
RANGER
SCHOOL
RUSSIA
CRACKS
DOWN ON
‘DAIRY
MAFIA.’
TAKE A
LOOK
INSIDE
THE
NEW THEME
PARK,
DISMALAND
TWO MEN CHARGED AFTER
THREATS MADE TO POKEMON
EVENT IN BOSTON
LIFE 10 YEARS AFTER
HURRICANE KATRINA
THREE CHILDHOOD
FRIENDS STOP GUNMAN
DURING ATTEMPTED TRAIN
ATTACK IN
FRANCE
WESTERN
WILDFIRES
SPREAD TO
OREGON,
WASHINGTON,
CALIFORNIA,
AND IDAHO
A U G U S T 2 0 1 5
Magazine Cover and TOC
Current Magazine
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CURRENT
4 CHILDHOOD FRIENDS BECOME HEROES
Three men, who grew up together, stop gunman from an
attempted train attack in France. By Reuters
9 DAIRY MAFIA
Russia seizes 470 tons of cheese that was illegally smuggled
into the country, worth $30M. By Alexey Eremenko
12 MENTALLY ILL SON KILLS POLITICIAN
Oklahoma Labor Commissioner is stabbed to death by son
at a restaraunt, for no reason.By Michael Pearson
22 ARMY RANGER HISTORY
Two high ranking women become the first women ever to
graduate from Army Ranger School. By Ray Sanchez
25 MARRIAGE EQUALITY
U.S. Supreme Court makes history when they rule same-sex
marriage legal in all 50 states. By Emily Truman
39 LIFE AFTER KATRINA
See the aftermath and recovery of Hurricane Katrina survi-
vors, 10 years later. By Mario Tama
44 SPREADING LIKE WILDFIRE
Western wildfire has officially spread to Oregon, Washing-
ton, California, and Idaho. By Ralph Ellis
58 DISMALAND
Take a look at the dark and twisted spin on Banksy’s new
themepark. By Allyssia Alleyne
CONTENTS
22 9 25
AUGUST 2015

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JUNE, 2015 | CURRENT TIMES 26
Constitution’s ability to evolve along with
the nation’s consciousness. In that service,
the court itself “has recognized that new
insights and societal understandings can
reveal unjustified inequality within our
most fundamental institutions that once
passed unnoticed and unchallenged.”
For gays and lesbians who have waited
so long for the court to recognize their
relationships as equal to opposite-sex
relationships, it was a remember-where-
you-were-when-it-happened mo-
ment.
Addressing what he called “the
transcendent importance of mar-
riage,” Justice Kennedy wrote that
“through its enduring bond, two
persons together can find other
freedoms, such as expression,
intimacy, and spirituality. This is
true for all persons, whatever their
sexual orientation. There is dignity
in the bond between two men or
two women who seek to marry
and in their autonomy to make
such profound choices.”
Justice Kennedy’s focus on dignity and
equality has been central to his majority
opinion in each of the court’s three earlier
gay rights cases. In 1996, the court held
that states cannot deny gays, lesbians
and bisexual people legal protection from
discrimination. In 2003, it held that states
cannot ban consensual sexual relations
between people of the same sex. And in
2013, it struck down the heart of a federal
law defining marriage as between one
man and one woman.
In Friday’s ruling, Justice Kennedy empha-
sized the dignity and equality not only of
same-sex couples, but of their families and
children. “Without the recognition, stabil-
ity, and predictability marriage offers,” he
wrote, the children of these couples “suf-
fer the stigma of knowing their families
are somehow lesser.”
President Obama, who opposed same-
sex marriage in his first presidential cam-
paign but announced in 2012 that he had
changed his mind, said the decision “af-
firms what millions of Americans already
believe in their hearts:When all Americans
are treated as equal, we are all more free.”
And yet, in the midst of all the hard-earned
jubilation surrounding the decision, it was
difficult not to think of the people who
did not live to see this day.
People like John Arthur, who died in Oc-
tober 2013, only months after he married
his partner of more than 20 years, Jim
Obergefell, on the tarmac of Baltimore-
Washington International Airport. They
lived in Cincinnati, but Ohio would not
let them marry; voters there had passed a
constitutional ban on same-sex marriage
in 2004. As Mr. Arthur lay on a stretcher,
dying of amyotrophic lateral sclerosis, he
and Mr. Obergefell took a private medical
jet to Maryland, where same-sex marriage
is legal. They were married in a brief cer-
emony and then flew home.
When Ohio officials refused to put Mr.
Obergefell’s name on his husband’s death
certificate, he sued. Last November, the
United States Court of Appeals for the
Sixth Circuit ruled against him and other
couples challenging bans in Michigan,
Kentucky and Tennessee. Same-sex mar-
riage, the court said, is a “social issue” for
voters, and not the courts, to decide. Fri-
day’s decision reversed that ruling.
The humane grandeur of the majority’s
opinion stands out all the more starkly
in contrast to the bitter, mocking small-
mindedness of the dissents, one each by
Chief Justice John Roberts Jr., and Justices
Clarence Thomas, Samuel Alito Jr. and An-
tonin Scalia. The chief justice compared
the ruling to some of the most notorious
decisions in the court’s history, includ-
ing Dred Scott v. Sandford, the 1857 rul-
ing holding that black people could not
be American citizens and that Congress
could not outlaw slavery in the territories;
and Lochner v. New York, a 1905 case that
is widely rejected today as an example of
justices imposing their own preferences
in place of the law.
He invoked the traditional understanding
of marriage, which he ascribed to, among
others, Kalahari bushmen, the Carthagin-
ians and the Aztecs. But Justice Kennedy
had a ready reply: “The limitation of mar-
riage to opposite-sex couples may long
have seemed natural and just, but its in-
consistency with the central meaning of
the fundamental right to marry is
now manifest.”
Justice Scalia mocked the ruling
as a “judicial Putsch” and a threat
to American democracy. “This is
a naked judicial claim to legisla-
tive — indeed, super-legislative
— power,” he wrote. “A system of
government that makes the peo-
ple subordinate to a committee of
nine unelected lawyers does not
deserve to be called a democracy.”
But that rant is wholly wrong. In
American democracy, the judi-
cial branch is the great bulwark
against a majority’s refusal to recognize
a minority’s fundamental constitutional
rights. As Justice Kennedy wrote, “An indi-
vidual can invoke a right to constitutional
protection when he or she is harmed,
even if the broader public disagrees and
even if the legislature refuses to act.”
As gratifying as Friday’s ruling is, remem-
ber that equality won by a single vote.
And within a matter of minutes after the
ruling, there was resistance by some offi-
cials around the country. Louisiana’s attor-
ney general, James Caldwell, said his state,
one of 13 that still bans same-sex
(continued on page 32)
“As gratifying as
Friday’s ruling is,
remember that
equality was won
by a single vote.
”
Jim Obergefell holding a picture of his late husband,
John Arthur (Maddie McGarvey/Washington Post)
25 CURRENT TIMES | JUNE, 2015
A Profound Ruling Delivers Justice
on Gay Marriage
T
o the list of landmark Supreme
Court decisions reaffirming
the power and the scope of
the Constitution’s guarantee
of equal protection under the law — from
Brown v. Board of Education to Loving v.
Virginia to United States v. Windsor — we
can now add Obergefell v. Hodges.
In a profound and inspiring opinion ex-
panding human rights across America,
and bridging the nation’s past to its pres-
ent, Justice Anthony Kennedy wrote:“The
right to marry is a fundamental right in-
herent in the liberty of the person,
and under the Due Process and
Equal Protection Clauses of
the Fourteenth Amend-
ment it states couples of
the same sex may not
be deprived of that
right and that liberty.”
As news of the ruling came out on
Friday morning, opponents of same-sex
marriage struggled to fathom how the
country they thought they understood
could so rapidly pass them by. But, in fact,
the court’s decision fits comfortably with-
in the arc of American legal history.
As Justice Kennedy explained, the Consti-
tution’s power and endurance rest in the
by EMILY TRUMAN
Photo: John Becker, 30, of Silver Spring, Md., waves a rainbow
flag in support of gay marriage outside of the Supreme Court
on June 25, 2015. (AP Photo/Jacquelyn Martin)

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MY
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I n n i s w o o d
METRO PARK
Gardens are a metaphor for life itself…
a perpetual gift renewing itself in
beauty and wonder for all to enjoy.
Inniswood Metro Gardens
940 S. Hempstead Road
Westerville, OH 43081
(614) 895 – 6216
Visiting Hours
Inniswood Metro Gardens is free and
open daily throughout the year from 7
a.m. to dark. Innis House, the former resi-
dence of Grace and Mary Innis, is open
Tuesday through Friday 8am-4:30pm,
Saturday and Sunday 11am - 4pm and is
closed Monday and holidays. For infor-
mation about programs at Inniswood,
click on“Calendar of Events”then on“Pro-
gram Schedule”or call (614) 895-6216.
Directions
Inniswood Metro Gardens is located at
940 S. Hempstead Road in Westerville,
Ohio. From I-270, take exit 29, the State
Route 3/Westerville exit. Drive south on
State Route 3 to Dempsey Road and turn
left. Continue on Dempsey to Hemp-
stead Road (second traffic light) and turn
left. Continue on Hempstead approxi-
mately one-quarter mile - stay on Hemp-
stead Road as it turns right just past the
Blendon Township Community Center.
The entrance is approximately one-tenth
mile on the right-hand side.
www.inniswood.org
Nestled within a scenic nature preserve,
the 121-acre Inniswood Metro Gardens is a
continual source of inspiration for Central
Ohioans of all ages. Streams and wood-
lands filled with wildflowers and wildlife
provide a majestic backdrop to the beau-
tifully landscaped flowerbeds, rock garden
and lawns.
Dedicated to the enjoyment, cultivation
and preservation of nature’s treasures, In-
niswood boasts more than 2,000 species
of plants, specialty collections and several
theme gardens including the rose, herb
and woodland rock garden.
Visitors will enjoy the seasonal beauty of
the gardens and natural areas as they stroll
along three miles of trails and paved path-
ways.
Tri-Fold Brochure (outside)
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A Tribute to Two Sisters
Inniswood Metro Gardens was once the 37-
acre estate of sisters Grace and Mary Innis,
who enjoyed gardening and wildlife obser-
vation respectively. The Innis sisters’ desire
to preserve and enhance their gardens and
woodlands for the enjoyment of all people re-
sulted in the generous donation of their home
and property to Franklin County Metro Parks
in 1972.
To honor the memory of Grace and Mary In-
nis, Metro Parks opened the 2.8-acre Sisters’
Garden in 2002. Designed to celebrate the
complexity of nature and the inquisitiveness
of childhood, The Sisters’ Garden aspires “to
nurture the nature of the child in everyone”.
Inniswood Garden Society
Inniswood Metro Gardens is a facility of the
Franklin County Metro Parks. Operation and
maintenance funds are provided by the District,
however, continued growth and development
are contingent upon gifts from private citizens
and philanthropic organizations.
The Inniswood Garden Society was created in
1984 to assist the Franklin County Metro Parks in
the growth and development of Inniswood Met-
ro Gardens in a manner that is consistent with
the goals and philosophies of the park district.
Additionally, the Inniswood Garden Society as-
sists with the promotion of Inniswood by spon-
soring horticultural programs for its members
and the public.
Society members receive an Inniswood Garden
Society newsletter, a vote at the annual meet-
ing and information on the activities and special
events at Inniswood. Membership in the Society
helps to assure the success of Inniswood and
brings a deep sense of involvement in knowing
that your membership is helping support this
excellent horticultural facility. Your membership
helps the Gardens grow!
Inniswood Volunteers
The purpose of the Inniswood Volunteer Program is
to promote the development of Inniswood Metro
Gardens. All funds raised through projects are used
to operate and promote Inniswood and its educa-
tional and volunteer programs.
Membership is open to anyone wishing to volun-
teer a minimum of 40 hours per year at Inniswood
and willing to pay annual dues of $10.00. Member-
ship in the Inniswood Garden Society is a benefit
for volunteers who volunteer 40 hours or more per
year at Inniswood. The volunteer training program,
held each March, consists of four sessions, which
prepare participants to perform various services
at Inniswood. These services include garden tours
and maintenance, interpretation and assistance
in the library and educational programs. It also in-
cludes a variety of special interest groups support-
ing the Gardens’interest in fern propagation, theme
gardens, container gardening, and wildflowers to
name a few.
Approximately 300 dedicated volunteers help the
Inniswood staff conduct tours and programs, tend
the gardens and participate in an array of activities.
IVI sponsors the annual perennial plant sale the first
weekend of May. All volunteers are encouraged to
attend quarterly meetings held at Innis House that
include a short business meeting and horticultural
program.
Learning and Appreciation
Inniswood offers education in horticulture and
the natural sciences for children and adults.
Dramatic displays of natural and cultivated
gardens, seasonal celebrations and a variety of
programs provide a wealth of information and
enjoyment. The sister’s former home is the site
for education programs, a horticultural refer-
ence collection and staff offices.
To learn more about the Inniswood Garden
Society, or how to become a volunteer,
please contact us at (614) 895 – 6216!
Tri-Fold Brochure (inside)

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Mechanisquid
Vector drawing of mechanical squid
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U.S. Postage
PAID
Permit No.
5328
Peoria, IL
Wm. Wrigley Jr. Company
P.O. Box 3900
Peoria, IL 61614
Taste the rainbow.Taste the rainbow.
ORiginAL
SkittlesSkittles
S
S
trawberr
y
S
Orang
e
S
Lemon
S
Grape S
Gr
een App
le
Nutrition
Facts
Amount/Serving %DV* Amount/Serving %DV*
Total Fat 2.5g 4% Total Carb 56g 19%
Serv Size 1 Package
(61.5g)
Sat Fat 2.5g 13% Fiber 0g 0%
Trans Fat 0g Sugars 46g
Calories 250
Fat Cal 20
Cholest 0mg 0% Protein 0g
Sodium 20mg 1%
* Percent Daily Values (DV) are
based on a 2,000 calorie diet. Vitamin A 0% • Vitamin C 0% • Calcium D 0% • Iron 0%
INGREDIENTS: Sugar, Corn Syrup, Hydrogenated Palm Kernel Oil, less than 2% of: Citric
Acid, Tapioca Dextrin, Modified Corn Starch, Natural and Artificial Flavor, Colors (Red 40
Lake, Titanium Dioxide, Red 40, Yellow 5 Lake, Yellow 5, Yellow 6 Lake, Yellow 6, Blue 2
Lake, Blue 1, Blue 1 Lake), Sodium Citrate, Carnauba Wax.
Average cost
per pack:
$2.49 (14 ounces)
Original (fruit) Skittles were the first line of
Skittles, produced in 1974. The original fruit
Skittles contained such flavors as strawberry,
orange, lemon, grape, and lime. In 2001, lime was
replaced with green apple as a promotion. In 2013, lime
was moved to the Darkside and permanently replaced
with green apple.
Skittles is a brand of fruit-flavored candies that is produced by
TheWrigleyJr.Company,adivisionofMarsIncoprorated(Inc).It
wasoriginallycreatedcommericallyinEuropein1974.Itbegan
to be imported to the United States during 1979, and in 1982
it become domestically produced in the U.S. Skittles come in
a vast variety of flavors, colors, and even limited editions. In
fact, there are about 30 different types, ranging from fruit,
chocolate, ice cream, smoothie, and even mint. It is the most
popularcandyamongstyouthandthesecondchewycandy,
Starbustsbeingfirst,amongstallpeopleintheUnitedStates.
Around 1994, New York ad agency D’Arcy Masius Benton
& Bowles created the signature Skittles theme, “Taste
the rainbow.” On March 2, 2009, Skittles launched a web-
based marketing campaign where their official website
became a small overlay with options to view different social
media sites in the main area, including its official YouTube
channel, a Facebook profile, and a Twitter account. The move
was debated by people interested in social media. Skittles
has one of the most-”liked” brand pages on Facebook, with
over 25 million followers. The page’s success may be due to its
eccentric posts, such as: “Most cacti are just looking for hugs.”
WiLd Berry
TrOpicAL
Skittles
Skittles Skittles
Skittles
S
Ra
spberry
S
Melo
n Berr
y
Nutrition
Facts
Serv Size 1 Package
(61.5g)
Calories 250
Fat Cal 20
Sodium 20mg 1%
Nutrition
Facts
Serv Size 1 Package
(61.5g)
Calories 250
Fat Cal 25
Sodium 10mg 0%
INGREDIENTS: Sugar, Corn Syrup, Hydrogenated Palm Kernel Oil, less than 2% of:
Citric Acid, Tapioca Dextrin, Modified Corn Starch, Natural and Artificial Flavors, Colors
(Titanium Dioxide, Red 40 Lake, Red 40, Yellow 5 Lake, Blue 1 Lake, Yellow 5, Blue 1,
Yellow 6, Blue 2 Lake), Sodium Citrate, Carnauba Wax.
INGREDIENTS: Sugar, Corn Syrup, Hydrogenated Palm Kernel Oil, Apple Juice from
Concentrate, Citric Acid, Thickening Agent (Tapioca Dextrin), Natural and Artificial
Flavours, Modified Food Starch, Colours (Includes E133, E171, E129, E102, E110), Ascorbic
Acid (Vitamin C), Acidity Regulator (Sodium Citrate), Glazing Agent (E903).
Average cost
per pack:
$2.49 (14 ounces)
Average cost
per pack:
$2.49 (14 ounces)
Introduced with Tropical, Wild Berry was released
in 1989. With flavors like berry punch, melon
berry, raspberry, strawberry, and wild cherry,
Wild Berry was and is still a huge hit. A variant with
fizzy powder (Fizzl’d Fruits*) was released around
2010, but was discontinued due to low sales.
The next variety of Skittles to be introduced
was Tropical, released in 1989. Tropical took us
somewhere warm and sunny with a mixture of two flavors
in one such as pinapple passionfruit, kiwi lime, banana
berry, mango tangelo, and strawberry starfruit.
S
B
anana Be
rry
S
P
assionfru
it
P
inapple
S
K
iwi Lime
S
Str
awberry
St
arfruit
S
Man
go Tangelo
S
Be
rry Pun
ch
S
WildCh
erry
S
Str
awberry Fizzl’d FruitsFizzl’d Fruits*
Multi-Page Catalog Brochure
Skittles
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Video Game Advertisement
Legend of Zelda, Art Nouveau
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SCREENGEMSPRESENTSADELINEPICTURESPRODUCTION
AFILMBYSTEVENANTINDIRECTEDANDWRITTENBY STEVENANTIN
PRODUCTEDBYDONALDDELINE EXECUTIVEPRODUCERS STACYKOLKERCRAMER
AND RISASHAPIRO
MUSICBYCHRISTOPHERBECKMUSICSUPERVISORBUCKDAMON
STARRINGCHRISTINAAGUILERA, CHER,ERICDANE,CAMGIGANDET,
JULIANNEHOUGH, ALANCUMMING, PETERGALLAGHER WITH
KRISTENBELLAND STANLEYTUCCI
Minimalistic Movie Poster
Burlesque
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BURLESQUE
BURLESQUE
“CHRISTINA AND CHER,
A STOKE OF genius!”
-The Hollywood Reporter
Ali Rose (Christina Aguilera) is a waitress in her small hometown in Iowa,
with big dreams of being a singer. Being fed up with her job, she quits and
decides to pursue her dream so she moves to L.A. Immediately, she is
capitvated by the fascinating burlesque club ran by Tess (Cher) and her
ex-husband Vince (Peter Gallagher). She is turned away at first, but accepts a
job as a waitress at the club. She develops a friendship with the bartender Jack
(Cam Gigandet), and after some time they begin to kindle a little romance. Ali
eventually replaces both Nikki, an extremely self-centered and jealous
performer (KristenBell), and pregnant Georgia (JulianneHough). The club is in
financial trouble, and is in danger of the very manipulative Marcus (Eric Dane),
though Tess refused to sell to him. When it seems like all hope is lost, they get
the money to pay off the club and remodel it.
burlesque-the-movie.com Approx. 119 minutes
CHRISTINA AGUILERA CHER CAM GIGANDET KRISTEN BELL
burlesque-the-movie.com Approx. 119 minutes
Ali Rose (Christina Aguilera) is a waitress in
her small hometown in Iowa, with big dreams
of being a singer. Being fed up with her job,
she quits and decides to pursue her dream
so she moves to L.A. Immediately, she is
capitvated by the fascinating burlesque
club ran by Tess (Cher) and her
ex-husband Vince (Peter Gallagher). She
is turned away at first, but accepts a job
as a waitress at the club. She develops a
friendship with the bartender Jack (Cam
Gigandet), and after some time they begin
to kindle a little romance. Ali eventually
replaces both Nikki, an extremely
self-centered and rather jealous
performer (Kristen Bell), and pregnant
Georgia (Julianne Hough). The club is in
financial trouble, and is in danger of the
very manipulative Marcus (Eric Dane),
though Tess refused to sell to him. When it
seems like all hope is lost, they get the
money to pay off the club and remodel it.
“SCHULTZY, FRIVALOUS, AND FUN.
I found the whole thing sexy, amusing, and highly enjoyable.”
-Sarah Williams, ASSOCIATED PRESS
Concept DVD Covers
Burlesque
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Promotional Materials
Poster and postcard for OHC event
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Book Cover
“The Cabin”
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www.revell.com
TheCabin
Nancy, an 18-year-old from the Sierra Nevada
Mountains during 1930, learns that she is being
forced to marry her very violent cousin, Abner. She
refuses and runs off to a cabin in the woods. She
and the cabin owner, Jake, fall in love the longer
she stays and they get to know each other. That is,
until Abner finds her and tries to kill them both.....
Stay on the edge of your seat with
“I couldn’t bring myself to put it
down until I knew how it ended.”
-- Columbus Dispatch
TheCabin
www.revell.com
Nancy, an 18-year-old from
the Sierra Nevada Mountains
during 1930, learns that she
is being forced to marry her
very violent cousin, Abner.
She refuses and runs off to a
cabin in the woods. She and
the cabin owner, Jake, fall in
love the longer she stays and
they get to know each other.
That is, until Abner finds her
and tries to kill them both...
“A thrilling mystery that
will have you hanging
on for dear life!”
-New York Post
“Donna Mabry is a
genius, and knows
how to captivate
her audience.”
--USA Today
Promotional Book Ads
“The Cabin”
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EternalLust
Verschluss
Photography
MOVING
FORWARD
Logo/Branding
Logo concepts
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Emily Truman
Director
(614) 654-3210
etruman@sqmfoodpantry.org
www.sqmfoodpantry.org 418 E. Cassily Ave | Columbus, OH 43219 | Tel (614) 654-3210
Toll Free (800) 985-5200
Emily Truman
Director
(614) 654-3210
Cell (614) 843-5410
etruman@squaremeal.com
www.sqmfoodpantry.org
Identity Package
Square Meal letterhead, envelopes, and business cards
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418 E. Cassily Avenue, Columbus, OH 43219 | Tel (614) 654-3210 | Toll Free (800) 985-5200 | www.sqmfoodpantry.org
418E.CassilyAvenue•Columbus,OH43219

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Digital Illustration
Portrait of Leda Muir
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