The document provides an analysis and discussion of the post-apocalyptic novel "The Road" by Cormac McCarthy. It discusses several possible causes for the devastation of the land in the novel, including a supervolcanic eruption, asteroid impact, nuclear war, or biblical rapture. It also summarizes the major themes of the novel, including destruction, survival, isolation, death, and the tension between good and evil. Finally, it analyzes how the novel exhibits aspects of postmodern literature through its sparse language, fragmentation, loss of meaning, and rejection of the idea of progress leading to utopia.
i hope, it will helpful to the students and peoples in the search of topics mentioned
it is informative to study to even get passing marks or for revision
i hope, it will helpful to the students and peoples in the search of topics mentioned
it is informative to study to even get passing marks or for revision
Lecture 14 - The Smallest of Small Towns (16 May 2012)Patrick Mooney
Fourteenth lecture for my students in English 104A, UC Santa Barbara, spring 2012. Course website: http://patrickbrianmooney.nfshost.com/~patrick/ta/s12/index.html
General Advice for Reading NotesRead the Trouble with Wilderness.docxhanneloremccaffery
General Advice for Reading Notes
Read the Trouble with Wilderness article to write about one page, answering these questions.
How to approach the reading notes. While you read, ask yourself:
a. What is the context?
b. What is the argument?
c. What is the evidence?
d. What are the implications?
When finished, describe something you found important, and then ask a question.
The Trouble with Wilderness; or, Getting Back to the Wrong Nature
by William Cronon
(William Cronon, ed., Uncommon Ground: Rethinking the Human Place in
Nature, New York: W. W. Norton & Co., 1995, 69-90)
The time has come to rethink wilderness.
This will seem a heretical claim to many environmentalists, since the idea of
wilderness has for decades been a fundamental tenet—indeed, a passion—of
the environmental movement, especially in the United States. For many
Americans wilderness stands as the last remaining place where civilization, that
all too human disease, has not fully infected the earth. It is an island in the
polluted sea of urban-industrial modernity, the one place we can turn for escape
from our own too-muchness. Seen in this way, wilderness presents itself as the
best antidote to our human selves, a refuge we must somehow recover if we
hope to save the planet. As Henry David Thoreau once famously declared, “In
Wildness is the preservation of the World.” (1)
But is it? The more one knows of its peculiar history, the more one realizes that
wilderness is not quite what it seems. Far from being the one place on earth that
stands apart from humanity, it is quite profoundly a human creation—indeed, the
creation of very particular human cultures at very particular moments in human
history. It is not a pristine sanctuary where the last remnant of an untouched,
endangered, but still transcendent nature can for at least a little while longer be
encountered without the contaminating taint of civilization. Instead, it’s a product
of that civilization, and could hardly be contaminated by the very stuff of which it
is made. Wilderness hides its unnaturalness behind a mask that is all the more
beguiling because it seems so natural. As we gaze into the mirror it holds up for
us, we too easily imagine that what we behold is Nature when in fact we see the
reflection of our own unexamined longings and desires. For this reason, we
mistake ourselves when we suppose that wilderness can be the solution to our
culture’s problematic relationships with the nonhuman world, for wilderness is
itself no small part of the problem.
To assert the unnaturalness of so natural a place will no doubt seem absurd or
even perverse to many readers, so let me hasten to add that the nonhuman
world we encounter in wilderness is far from being merely our own invention. I
celebrate with others who love wilderness the beauty and power of the things it
contains. Each of us who has spent time there can conjure images and
sensations that se ...
Lecture 08 - “the walking dead in a horror film”Patrick Mooney
Eighth lecture for my students in English 165EW, "Life After the End of the World," winter 2013 at UC Santa Barbara.
Course website: http://patrickbrianmooney.nfshost.com/~patrick/ta/w13/
Lecture 14 - The Smallest of Small Towns (16 May 2012)Patrick Mooney
Fourteenth lecture for my students in English 104A, UC Santa Barbara, spring 2012. Course website: http://patrickbrianmooney.nfshost.com/~patrick/ta/s12/index.html
General Advice for Reading NotesRead the Trouble with Wilderness.docxhanneloremccaffery
General Advice for Reading Notes
Read the Trouble with Wilderness article to write about one page, answering these questions.
How to approach the reading notes. While you read, ask yourself:
a. What is the context?
b. What is the argument?
c. What is the evidence?
d. What are the implications?
When finished, describe something you found important, and then ask a question.
The Trouble with Wilderness; or, Getting Back to the Wrong Nature
by William Cronon
(William Cronon, ed., Uncommon Ground: Rethinking the Human Place in
Nature, New York: W. W. Norton & Co., 1995, 69-90)
The time has come to rethink wilderness.
This will seem a heretical claim to many environmentalists, since the idea of
wilderness has for decades been a fundamental tenet—indeed, a passion—of
the environmental movement, especially in the United States. For many
Americans wilderness stands as the last remaining place where civilization, that
all too human disease, has not fully infected the earth. It is an island in the
polluted sea of urban-industrial modernity, the one place we can turn for escape
from our own too-muchness. Seen in this way, wilderness presents itself as the
best antidote to our human selves, a refuge we must somehow recover if we
hope to save the planet. As Henry David Thoreau once famously declared, “In
Wildness is the preservation of the World.” (1)
But is it? The more one knows of its peculiar history, the more one realizes that
wilderness is not quite what it seems. Far from being the one place on earth that
stands apart from humanity, it is quite profoundly a human creation—indeed, the
creation of very particular human cultures at very particular moments in human
history. It is not a pristine sanctuary where the last remnant of an untouched,
endangered, but still transcendent nature can for at least a little while longer be
encountered without the contaminating taint of civilization. Instead, it’s a product
of that civilization, and could hardly be contaminated by the very stuff of which it
is made. Wilderness hides its unnaturalness behind a mask that is all the more
beguiling because it seems so natural. As we gaze into the mirror it holds up for
us, we too easily imagine that what we behold is Nature when in fact we see the
reflection of our own unexamined longings and desires. For this reason, we
mistake ourselves when we suppose that wilderness can be the solution to our
culture’s problematic relationships with the nonhuman world, for wilderness is
itself no small part of the problem.
To assert the unnaturalness of so natural a place will no doubt seem absurd or
even perverse to many readers, so let me hasten to add that the nonhuman
world we encounter in wilderness is far from being merely our own invention. I
celebrate with others who love wilderness the beauty and power of the things it
contains. Each of us who has spent time there can conjure images and
sensations that se ...
Lecture 08 - “the walking dead in a horror film”Patrick Mooney
Eighth lecture for my students in English 165EW, "Life After the End of the World," winter 2013 at UC Santa Barbara.
Course website: http://patrickbrianmooney.nfshost.com/~patrick/ta/w13/
Generating a custom Ruby SDK for your web service or Rails API using Smithyg2nightmarescribd
Have you ever wanted a Ruby client API to communicate with your web service? Smithy is a protocol-agnostic language for defining services and SDKs. Smithy Ruby is an implementation of Smithy that generates a Ruby SDK using a Smithy model. In this talk, we will explore Smithy and Smithy Ruby to learn how to generate custom feature-rich SDKs that can communicate with any web service, such as a Rails JSON API.
Elevating Tactical DDD Patterns Through Object CalisthenicsDorra BARTAGUIZ
After immersing yourself in the blue book and its red counterpart, attending DDD-focused conferences, and applying tactical patterns, you're left with a crucial question: How do I ensure my design is effective? Tactical patterns within Domain-Driven Design (DDD) serve as guiding principles for creating clear and manageable domain models. However, achieving success with these patterns requires additional guidance. Interestingly, we've observed that a set of constraints initially designed for training purposes remarkably aligns with effective pattern implementation, offering a more ‘mechanical’ approach. Let's explore together how Object Calisthenics can elevate the design of your tactical DDD patterns, offering concrete help for those venturing into DDD for the first time!
JMeter webinar - integration with InfluxDB and GrafanaRTTS
Watch this recorded webinar about real-time monitoring of application performance. See how to integrate Apache JMeter, the open-source leader in performance testing, with InfluxDB, the open-source time-series database, and Grafana, the open-source analytics and visualization application.
In this webinar, we will review the benefits of leveraging InfluxDB and Grafana when executing load tests and demonstrate how these tools are used to visualize performance metrics.
Length: 30 minutes
Session Overview
-------------------------------------------
During this webinar, we will cover the following topics while demonstrating the integrations of JMeter, InfluxDB and Grafana:
- What out-of-the-box solutions are available for real-time monitoring JMeter tests?
- What are the benefits of integrating InfluxDB and Grafana into the load testing stack?
- Which features are provided by Grafana?
- Demonstration of InfluxDB and Grafana using a practice web application
To view the webinar recording, go to:
https://www.rttsweb.com/jmeter-integration-webinar
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Tobias Schneck
As AI technology is pushing into IT I was wondering myself, as an “infrastructure container kubernetes guy”, how get this fancy AI technology get managed from an infrastructure operational view? Is it possible to apply our lovely cloud native principals as well? What benefit’s both technologies could bring to each other?
Let me take this questions and provide you a short journey through existing deployment models and use cases for AI software. On practical examples, we discuss what cloud/on-premise strategy we may need for applying it to our own infrastructure to get it to work from an enterprise perspective. I want to give an overview about infrastructure requirements and technologies, what could be beneficial or limiting your AI use cases in an enterprise environment. An interactive Demo will give you some insides, what approaches I got already working for real.
Connector Corner: Automate dynamic content and events by pushing a buttonDianaGray10
Here is something new! In our next Connector Corner webinar, we will demonstrate how you can use a single workflow to:
Create a campaign using Mailchimp with merge tags/fields
Send an interactive Slack channel message (using buttons)
Have the message received by managers and peers along with a test email for review
But there’s more:
In a second workflow supporting the same use case, you’ll see:
Your campaign sent to target colleagues for approval
If the “Approve” button is clicked, a Jira/Zendesk ticket is created for the marketing design team
But—if the “Reject” button is pushed, colleagues will be alerted via Slack message
Join us to learn more about this new, human-in-the-loop capability, brought to you by Integration Service connectors.
And...
Speakers:
Akshay Agnihotri, Product Manager
Charlie Greenberg, Host
Securing your Kubernetes cluster_ a step-by-step guide to success !KatiaHIMEUR1
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
5. Set in a conceivable future, after a global catastrophe,
The Road tells the story of a father and a son as they
tread along a forsaken highway awash with marauders
and cannibals.
It is perhaps the most chilling commentary of the post-
9/11 world. The post-apocalyptic setting plays upon the
public’s fear of terrorism, pandemics, genocide, and
weapons of mass destruction.
We can also hear the poetic passages of desolation and
are reminded of Dante’s descent into hell or T. S. Eliot’s
The Waste Land.
McCarthy also wrestles with the ever-present question of
the existence of God: the father tells the boy, “There is no
God and we are his prophets.”
6. The Setting
The Road is set in some undetermined location.
There is mention of distant mountains, several rivers
and creeks, the Piedmont (a plain that runs along the
eastern side of the Appalachian Mountains), and a
coastline.
The landscape and the air are soaked in thick, gray ash.
Vegetation has been destroyed. There are no fish in the
water.
When snow falls, it collects the ash in the air and falls to
the earth already gray.
7. Discuss the means
of destruction,
themes and
tensions, and the
postmodern
condition
Five
minutes!
9. The eruption of a super-volcano or impact of
massive asteroid or many asteroids would
probably be enough to cause this type of
devastation, including the ash/cold/gray
skies/fires everywhere. There’s one glimpse of a
flashback offered that would have me lean a
bit towards the asteroid theory:
“The clocks stopped at 1: 17. A long shear of light
and then a series of low concussions. … He went into
the bathroom and threw the lightswitch but the
power was already gone. A dull rose glow in the
windowglass.” (McCarthy 485)
It seems like an asteroid strike that he witnessed
out of his window.
Volcano or asteroid?
10. Volcanic Eruption
Cold, ash, grey, dead; the repetitions of these words are the
main leads. [. . .] The harsh November winter was already upon
by the time we reach the end of the first half and it was
snowing. The man’s observation of the snow is the most obvious
clue as to whether a volcanic eruption came over the land:
“The snow lay deep and gray. Already there was a fresh fall of
ash on it” (McCarthy 99). Besides this there are frequent
mentions of ash covered grounds: “The city was mostly burned.
No sign of life. Cars in the street caked with ash, everything
covered with ash and dust.” (12) Ash fall is the result of a
massive volcanic eruption. It traps whatever moisture there is
and prevents any form of growth in the land, which could
explain why the land remained as dead as it is even after such
a long time. This reminds me of Pompeii, the ancient city of
Rome that was trapped in an eternal frozen state when a
nearby volcano had erupted. Then again, the scale of this
speculated eruption is not so catastrophic as to overlay the
whole land in ash because there are still survivors and so far I
had not seen description of crusted lava or recollections of fire.
11. My theory that leads me to conclude that
was the destruction was a nuclear bomb
because bombs are “impenetrable” (15) and
they can kill inhabitants within seconds of
exposure. [. . .] The book also mentioned
“night” [and] “black smoke” as well as
darkness (McCarthy 89). Fire, smoke, and
ashes are mentioned many times in the book,
giving obvious clues. Besides that, it is evident
in McCarthy’s use of language. He defies all
the traditional use of quotations and instead
writes the dialogue as a fragmentation, as
part of the postmodern period . It illustrates a
destruction of language.
Nuclear Bomb?
12. The devastation of the land is so ashen that it indicates
a mass burning of the world which a nuclear blast
would accomplish. The man describes a moment where
his family “sat at the window and ate in their robes by
candlelight a midnight supper and watched distant
cities burn” (50). He continues this motif by describing
the music his son played on a flute he crafted as “the
last music on earth called up from out the ashes of its
ruin” (66). There are numerous occasions where the
man refers to the land as “dead and gray,” and even
the sky as being perpetually complimentary to the burnt
landscape (100). There was even a scene (I tried to find
it but was unable to) where I believe the man
admonished himself for being careless with the way he
prepared a cup of water for his son, which might
indicate a contamination aspect to the environment.
Nuclear War
13. Nuclear War
I think a nuclear bomb caused the devastation of
the land. In many parts of the story the man and
his son claim to see ashes everywhere. On page
5, the man says, “The city was mostly burned. No
sign of life…everything covered with ash and
dust.”
14. The land could have been subjected to a surge of
nuclear radiation overdose, either by a nuclear bomb or
an accident [. . .] It must have been enough to have
other countries isolate the land and leave it to rot away.
There are few signs of life in the natural world.
“Will the dam be there for a long time?/ I think so. It’s made
out of concrete. It will probably be there for hundred of
years. Thousands, even./ Do you think there could be fish in
the lake?/ No. There’s nothing in the lake.” (20)
We can see from the cannibalistic behavior of the ‘bad
guys’ that it is futile to revive the land. Even when the
man found seeds, he questioned “For what?” (133). […]
Cows are extinct, humans eat one another to survive,
and the man’s health is failing. Coughing up blood is
never a good sign, […] but if I were to follow nuclear
theory, I would say that his body is affected by the
radiation. I mean, there should be a reason as to why
the ‘bad guys’ are wearing gas masks.
nuclear-related cataclysm
15. In terms of the zombie apocalypse theory,
which has the least amount of evidence, after
the man’s wife asks him what they are doing
after the devastation and he answers that they
are survivors, she responds by telling him that
“we’re not survivors. We’re the walking dead in
a horror film” (41). Granted, this isn’t necessarily
an admission of a zombie apocalypse, and if
there was one, it is odd that there has yet to be
an encounter with a single zombie, but the way
she responds to him definitely had me curious.
A zombie apocalypse.
16. There are many instances where the man refers to God,
the most significant of which to me being when they are
almost caught by the cannibals in the house and his first
instinct in the face of potential death is to “curse God
and die” (96). Why curse God? If there was a nuclear
war, why not curse mankind for dropping the bombs?
Throughout the first half of the novel virtually all of the
danger the man and his son encounter is from other
people, so why not curse them? Curse human nature?
Why God? This is what made me think of a biblical
rapture taking place. If there had been one, and the
man and his family were not taken away, then his curses
toward God would be more than just. He would be
cursing God for leaving him in the wasteland that once
was the world we now live in. He would curse God for
his son being born after the devastation, never knowing
that previous world [. . .] All of the people they do
encounter are “bad guys,” another indicator that God
may have taken most of the good people.
A Biblical Rapture
20. Postmodern Aspects
Sparse, dense language
Fragmentation and fractured punctuation
The loss of a beginning.
The upending of the modern “reality.”
Clear assertion that progress is not the
path to utopia.
Loss of meaning: A future that will not be
able to make sense of the past.
21. End of Days
Class 41: The Road: Concepts;
Symbols
Class 42: The Road:
Postmodernism; Critical Theory;
The American Dream; Introduce
Essay #2
Class 43: The quarter in review;
Self-Assessment; Discuss Exam #3
Class 44: Optional Class: Make-
up Exam #1 or #2
Class 45: Final: Thursday, June
27th, 9:15 to 11:15 am
22. HOMEWORK
Read The Road: to the three/quarter point:
page 72 in the online version. Stop here: “One
vast salt sepulcher. Senseless. Senseless.”
Post # 39: Discuss one:
Examine the concept of trust and mistrust in the
The Road.
Analyze the symbol of innocence and how it
pertains to the son in The Road.
Introduce another concept or symbol
QHQ
Start thinking about your next essay. Some
possible prompts are posted. Remember, you
can pursue any topic you would like as long as
it concerns a text or texts from the second half
of the quarter.