This document contains planning details for shooting a film over two days at Langley Train Station and at a house. It includes schedules, storyboards, scripts, and shot lists. Locations, characters, costumes, props, and camera shots are specified for each scene. Inspiration is drawn from films that portray emotional struggles, dreams of peace, and suicide attempts in an effort to engage the target audience of 15+ year olds of any gender, class, or ethnicity exploring their identity and sexuality.
In the opening scene of the gangster film, traditional costumes of black suits and props of guns and knives are used. Dark lighting creates a tense atmosphere as something ominous is about to happen. Various shot types like close-ups, mid shots and long shots are employed to follow the characters and focus on objects of significance. The scene starts with titles accompanied by non-diegetic sound to set the tone before cutting to diegetic dialogue and action that advances the plot.
The document provides analysis of various scenes and elements from the film Children of Men. It examines the opening scene and how lighting, framing, camera angles, costumes, and mise-en-scene establish the setting and tone. It analyzes the use of an uncut tracking shot to build tension and establish the dystopian setting. Sound design is discussed, like the ringing used to transition between scenes. Character analysis looks at the protagonist and his dreary workplace. Propaganda and camerawork on a train advance the narrative by showing a collapsing world. The character's meeting with Michael Caine offers insights into their differing views. Expectations are that the sci-fi/thriller genre film will involve protecting the only pregnant woman in
This document analyzes the structure and conventions used in four slasher film trailers: Friday the 13th, My Bloody Valentine, and the 2010 remake of A Nightmare on Elm Street. It identifies several common elements, including establishing shots that set the scene, voiceovers providing backstory, quick cuts showing victims partying before danger strikes, shifts to slower pacing and ominous music as tension builds, and glimpses of the killer. Overall, the document aims to understand effective slasher trailer design to help in creating its own trailer that follows genre conventions.
This document provides a summary of shots from a thriller film. It describes a series of shots showing a man named Matt pushing a trolley through a hospital corridor with something covered by a sheet on top. Subsequent shots show the trolley being loaded into a van and the van driver Adam investigating banging from the back before being shot by the man escaping from the mental institution under the sheet. The shots are analyzed for how they build tension, mystery, and gradually reveal clues about the setting and plot to the audience.
The opening scene of The Dark Knight establishes the setting of a bank robbery in a large city. Through the use of parallel editing, the scene introduces two groups of robbers - one arriving in a van and the other using a zipline to access the roof. Their masks hide their identities and intentions. Tension rises as the robbery proceeds through fast-paced jump cuts. A shot reverse shot at the end further hints at the film's complex narrative structure.
The document presents an initial idea for a comedy-horror film trailer. The trailer will follow two dim teenage boys who get lost in the woods at night. They encounter a masked man who begins chasing them. The trailer will use elements of horror, like glimpses of the chase and boys fighting the villain, but will do so in a comedic way. It will end by revealing the identity of the villain. The genre is described as comedy-horror, which combines elements of both genres through tactics like gallows humor and spoofing horror clichés. Films that are being parodied and analyzed for their conventions include typical slasher films like Halloween and Blair Witch Project.
The trailer for the film Saw III uses several techniques to indicate that it is a horror genre film. It shows characters in tense, life-threatening situations represented through close-up shots that emphasize fear. The editing is fast-paced, keeping the audience engaged, and speeds up at the end to conclude with exciting scenes. Both diegetic sounds of screaming and non-diegetic machinery sounds create an unsettling atmosphere. Through these techniques, the trailer sets expectations that the film will include fright, chaos, and mystery typical of the horror genre.
The trailer summarizes the plot of the horror film The Amityville Horror. It begins by establishing the normal suburban setting and then reveals that the house the main characters move into was the site of a gruesome murder. Strange events begin to occur in the house, hinting at a supernatural presence. The trailer builds an ominous atmosphere through imagery and dialogue while keeping many plot details ambiguous, leaving the viewer wanting to learn more about the horror that awaits the characters in the house.
In the opening scene of the gangster film, traditional costumes of black suits and props of guns and knives are used. Dark lighting creates a tense atmosphere as something ominous is about to happen. Various shot types like close-ups, mid shots and long shots are employed to follow the characters and focus on objects of significance. The scene starts with titles accompanied by non-diegetic sound to set the tone before cutting to diegetic dialogue and action that advances the plot.
The document provides analysis of various scenes and elements from the film Children of Men. It examines the opening scene and how lighting, framing, camera angles, costumes, and mise-en-scene establish the setting and tone. It analyzes the use of an uncut tracking shot to build tension and establish the dystopian setting. Sound design is discussed, like the ringing used to transition between scenes. Character analysis looks at the protagonist and his dreary workplace. Propaganda and camerawork on a train advance the narrative by showing a collapsing world. The character's meeting with Michael Caine offers insights into their differing views. Expectations are that the sci-fi/thriller genre film will involve protecting the only pregnant woman in
This document analyzes the structure and conventions used in four slasher film trailers: Friday the 13th, My Bloody Valentine, and the 2010 remake of A Nightmare on Elm Street. It identifies several common elements, including establishing shots that set the scene, voiceovers providing backstory, quick cuts showing victims partying before danger strikes, shifts to slower pacing and ominous music as tension builds, and glimpses of the killer. Overall, the document aims to understand effective slasher trailer design to help in creating its own trailer that follows genre conventions.
This document provides a summary of shots from a thriller film. It describes a series of shots showing a man named Matt pushing a trolley through a hospital corridor with something covered by a sheet on top. Subsequent shots show the trolley being loaded into a van and the van driver Adam investigating banging from the back before being shot by the man escaping from the mental institution under the sheet. The shots are analyzed for how they build tension, mystery, and gradually reveal clues about the setting and plot to the audience.
The opening scene of The Dark Knight establishes the setting of a bank robbery in a large city. Through the use of parallel editing, the scene introduces two groups of robbers - one arriving in a van and the other using a zipline to access the roof. Their masks hide their identities and intentions. Tension rises as the robbery proceeds through fast-paced jump cuts. A shot reverse shot at the end further hints at the film's complex narrative structure.
The document presents an initial idea for a comedy-horror film trailer. The trailer will follow two dim teenage boys who get lost in the woods at night. They encounter a masked man who begins chasing them. The trailer will use elements of horror, like glimpses of the chase and boys fighting the villain, but will do so in a comedic way. It will end by revealing the identity of the villain. The genre is described as comedy-horror, which combines elements of both genres through tactics like gallows humor and spoofing horror clichés. Films that are being parodied and analyzed for their conventions include typical slasher films like Halloween and Blair Witch Project.
The trailer for the film Saw III uses several techniques to indicate that it is a horror genre film. It shows characters in tense, life-threatening situations represented through close-up shots that emphasize fear. The editing is fast-paced, keeping the audience engaged, and speeds up at the end to conclude with exciting scenes. Both diegetic sounds of screaming and non-diegetic machinery sounds create an unsettling atmosphere. Through these techniques, the trailer sets expectations that the film will include fright, chaos, and mystery typical of the horror genre.
The trailer summarizes the plot of the horror film The Amityville Horror. It begins by establishing the normal suburban setting and then reveals that the house the main characters move into was the site of a gruesome murder. Strange events begin to occur in the house, hinting at a supernatural presence. The trailer builds an ominous atmosphere through imagery and dialogue while keeping many plot details ambiguous, leaving the viewer wanting to learn more about the horror that awaits the characters in the house.
The opening scene of The Dark Knight establishes the antagonists as a group of armed clowns robbing a bank. Through the use of camerawork and editing, one clown in particular is singled out and his identity remains ambiguous until the end. During the tense bank heist, power shifts between the clowns and a bank manager who fights back, escalating the danger. The scene climaxes when the lead clown is revealed to be the Joker through a close-up of his scarred face, establishing him as the main threat and source of insanity.
The opening scene of The Dark Knight employs various film techniques to set the tense tone and establish key elements. It begins with dark, ominous titles and music before showing a flaming bat, foreshadowing difficulties for Batman. Throughout the bank robbery scene, techniques like zooms, crane shots, and match cuts are used to follow the organized, synchronized actions of the robbers. Low camera angles, natural lighting, and selective sound further build an atmosphere of threat.
The document outlines three ident ideas from Joe Bowman, Adam Richards, Tristan Hale and Robyn Collier for a thriller film production company called Elevation Studios. All three ideas involve filming within or around an elevator to create suspense through the rising and falling movement and use of lighting, sounds and angles. The first idea shows the elevator shaft from inside as it rises and falls quickly. The second shows the lighting up of elevator buttons as floors are reached. The third films from inside a dark elevator where light shines through the doors as levels pass by.
The document provides an analysis of shots and techniques used in the trailer for the film Prom Night (2008). It summarizes several key shots: 1) Three medium shots introduce the main characters at a hair salon. 2) A low angle shot shows a girl walking down stairs in her dress to emphasize her dominance. 3) A wide shot reveals the girl's date and parents reacting to her. 4) Shots from a low angle emphasize the size of a building being approached. 5) Dim lighting is used to signify a disturbance when the horror elements begin. 6) Close ups of a mysterious figure create tension without revealing details. 7) Black and white footage is used when a story is being recounted in the past tense
The document contains analyses of three opening film sequences: a horror film, a war film, and an action film. For the horror film sequence, the analysis notes that it follows a girl who is killed by a villain and will likely continue to focus on the killer. It conforms to horror conventions like an isolated female victim. The target audience is seen as teenagers.
For the war film sequence, it depicts a bloody WWII beach battle and focuses on the protagonist Tom Hanks' character. It uses conventions like explosions and costumes to immerse the audience in the war. The target audience has an interest in WWII history.
The action film sequence shows invincible characters killing people in impressive ways. It aims to appeal
The dark knight analysis document provides details about the opening scene of the film. It summarizes key aspects of the cinematography, editing, mise-en-scene, and sound used in the scene. The cinematography establishes the setting of Gotham city and uses shots that build importance of the Joker character. The editing focuses on the Joker and establishes him as the most significant person. Elements of the mise-en-scene like the clown masks, weapons, and Joker's actions portray the criminals as intelligent but dangerous. The sound design uses music that climaxes at the Joker's reveal and ironic cheers as he escapes.
Research task medium reserach media studiesJames Thompson
This document analyzes the editing, mise-en-scene, text, and style of trailers for similar comedy and horror films to help develop pitch ideas for a new film. It examines trailers for "The Nice Guys" as a buddy cop comedy model, scenes from "Mr. Bean" as a slapstick comedy, and "Scary Movie" as a horror parody. For each, it identifies the fast or slow pacing, use of light and dark environments, shot types, and genre-specific elements employed in the trailers and clips.
This document provides descriptions of key elements from the opening scene of The Dark Knight. It summarizes the conventions, sound, titles, camera techniques, and mise-en-scene. The conventions establish that the scene involves a bank robbery with masked criminals. The sound creates tension through gunfire and screaming. The titles feature the Batman symbol emerging from explosions. Camera techniques like zooms are used to build suspense. Mise-en-scene reveals clues about the Joker through the clown masks worn by the criminals and their conversations mentioning his mysterious character.
The document summarizes the opening sequences of four films across different genres: Warm Bodies (teen romantic comedy thriller), Side Effects (psychological thriller), Girl with the Dragon Tattoo (thriller), and Shaun of the Dead (zombie thriller). It analyzes elements like music, camerawork, lighting, fonts and more and how they set expectations for the genre and create tension/suspense for the audience in line with typical conventions for each genre.
The document outlines the key scenes and timing for a 9 scene short film. In scene 1, the main character walks to work tired and grumpy. In scene 2, he rudely enters a cafe. In scene 3, he rudely asks someone to move tables. In scene 4, the man behind him looks on angrily. In scene 5, the man edges closer. In scene 6, he walks to the bathroom. In scene 7, a man in disguise places a bomb in the briefcase. In scene 8, the main character rushes to catch his bus without his briefcase. In scene 9, he returns for his briefcase and the bomb explodes.
The document provides a textual analysis of the trailer for the 2013 film "The Purge". It analyzes various shots and elements of the trailer's mise-en-scene, including establishing shots showing a wealthy American neighborhood, characters sharpening weapons, and a family arming their home's defenses. Sounds, costumes, editing, and other techniques are examined. The analysis suggests the trailer sets up tensions between rich and poor, and depicts the annual "Purge" event as a night of violence and lawlessness families aim to survive.
The document compares and contrasts the costumes and props of modern gangsters versus traditional gangsters. Modern gangsters are typically younger, wear baggy clothing like jeans and trench coats, and display jewelry. They also carry knives and guns. Traditional gangsters commonly wear black suits, white shirts, black ties or bow ties, waistcoats, and bowler hats. They also wear trench coats and carry knives and guns, and sometimes cigars or cigarettes and canes.
The opening sequence of the film Vengeance uses a series of shots with a red filter to build a sense of danger and mystery. It shows shots of fences, graves, people fighting and signs to leave the audience wondering what is happening and where the sequence is leading. Intercut with these shots are title cards identifying the filmmakers to continue building intrigue throughout the opening.
The document provides analysis of scenes and techniques used in the horror film trailer "The Strangers". It summarizes that the trailer uses several conventions of horror films to build tension and scare the audience. These include mysterious noises that threaten the protagonists, sinister figures lurking outside their home, and quick cuts in the last half of the trailer that hint at violence without showing it. The analysis also discusses how the trailer employs stereotypes like helpless female characters and dominant male antagonists to unsettle viewers.
The trailer opens with shots establishing the main protagonists and setting up the romantic comedy genre. It then shows the protagonists going on a disastrous first date through captions. Their lives are disrupted when they are made guardians of a baby against their will. The trailer uses montages to show their struggles with parenthood turning to love through restoring equilibrium, making the audience want to see the romance play out. It leaves the audience with shots of the famous actors and reminding them of the film title.
The document provides a detailed analysis of a horror film trailer through examining its camerawork, mise-en-scene, lighting, setting, sound, props, costumes, editing, and other elements. Key points analyzed include close-ups of characters feeling safe and relaxed at the beginning suggesting impending danger, masks worn by antagonists to hide their identity, the isolated house and forest settings, and fast-paced editing during scenes of violence and shock contrasted with slower scenes from the protagonists' point of view. Stereotypes of weak women and the "final girl" are also discussed.
1) Mad Max Fury Road is set in a post-apocalyptic wasteland where most of humanity is fighting for basic resources. Max is a loner who is captured by the tyrannical Immortan Joe.
2) The opening scenes establish the desolate desert setting and show Max being pursued across the wasteland in his modified vehicle. He is captured and has his head shaved and tattoo branded.
3) Through its camerawork, lighting, costumes, and diegetic sound, the opening immerses viewers in this hostile world and introduces Max as a man struggling to survive in the chaos who will eventually rebel against his captors.
The document analyzes trailers from different movie genres and identifies common cinematography techniques used. For a comedy trailer like The Hangover, fast pacing and transitions between clips are used to pack a lot in similar to a horror trailer. For an action trailer like Skyfall, black inserts are used to flash between shots quickly and heighten the pace. Music is also important, using dramatic music for Skyfall and rock music to set the tone for comedies. Common techniques identified help establish genre expectations through visual conventions in movie trailers.
The document analyzes the trailer for the film "The Maze Runner". It summarizes that the mise-en-scene depicts a dystopian world with new creatures and shows the protagonist's fear of being in an unknown place. The target audience is likely young people aged 15-18 given the age of the main characters. The trailer uses establishing shots and tense music to create anticipation without revealing the full plot. The fast-paced editing and music combine to build tension at the end around whether the characters escape the maze. The voiceover clearly explains the story to viewers. No director or producer names are shown, likely because it is based on a well-known book and stars a recognizable actor.
Suburban Train Station as Community Hub: Proposal for Carseldine Stationlinda carroli
I've been working on this study of a local train station in support of Transit Oriented Development. In it, I propose that community infrastructure (e.g. community spaces and offices for non-profit organisations) and design for sustainability should be provided at train stations. If more parking is required then those structures can and should also accommodate community uses.
I have also posted this to Live Local as my first experiment. Live Local is an online social networking place to share stories and ideas about improving your community. I will be blogging about this venture for Placed.
http://www.livelocal.org.au/experiment/126/precinct-study-carseldine-train-station
Bangunan perpustakaan baru Universitas Hubei direncanakan terletak di pusat kampus dengan luas 48.636 m2. Bentuk tapaknya berbentuk trapesium tidak beraturan dengan sudut berbeda pada setiap sisinya. Bangunan ini dirancang menyesuaikan bentuk tapak dan lingkungan sekitarnya serta memisahkan fungsi utama perpustakaan dari fungsi sekunder lainnya.
The opening scene of The Dark Knight establishes the antagonists as a group of armed clowns robbing a bank. Through the use of camerawork and editing, one clown in particular is singled out and his identity remains ambiguous until the end. During the tense bank heist, power shifts between the clowns and a bank manager who fights back, escalating the danger. The scene climaxes when the lead clown is revealed to be the Joker through a close-up of his scarred face, establishing him as the main threat and source of insanity.
The opening scene of The Dark Knight employs various film techniques to set the tense tone and establish key elements. It begins with dark, ominous titles and music before showing a flaming bat, foreshadowing difficulties for Batman. Throughout the bank robbery scene, techniques like zooms, crane shots, and match cuts are used to follow the organized, synchronized actions of the robbers. Low camera angles, natural lighting, and selective sound further build an atmosphere of threat.
The document outlines three ident ideas from Joe Bowman, Adam Richards, Tristan Hale and Robyn Collier for a thriller film production company called Elevation Studios. All three ideas involve filming within or around an elevator to create suspense through the rising and falling movement and use of lighting, sounds and angles. The first idea shows the elevator shaft from inside as it rises and falls quickly. The second shows the lighting up of elevator buttons as floors are reached. The third films from inside a dark elevator where light shines through the doors as levels pass by.
The document provides an analysis of shots and techniques used in the trailer for the film Prom Night (2008). It summarizes several key shots: 1) Three medium shots introduce the main characters at a hair salon. 2) A low angle shot shows a girl walking down stairs in her dress to emphasize her dominance. 3) A wide shot reveals the girl's date and parents reacting to her. 4) Shots from a low angle emphasize the size of a building being approached. 5) Dim lighting is used to signify a disturbance when the horror elements begin. 6) Close ups of a mysterious figure create tension without revealing details. 7) Black and white footage is used when a story is being recounted in the past tense
The document contains analyses of three opening film sequences: a horror film, a war film, and an action film. For the horror film sequence, the analysis notes that it follows a girl who is killed by a villain and will likely continue to focus on the killer. It conforms to horror conventions like an isolated female victim. The target audience is seen as teenagers.
For the war film sequence, it depicts a bloody WWII beach battle and focuses on the protagonist Tom Hanks' character. It uses conventions like explosions and costumes to immerse the audience in the war. The target audience has an interest in WWII history.
The action film sequence shows invincible characters killing people in impressive ways. It aims to appeal
The dark knight analysis document provides details about the opening scene of the film. It summarizes key aspects of the cinematography, editing, mise-en-scene, and sound used in the scene. The cinematography establishes the setting of Gotham city and uses shots that build importance of the Joker character. The editing focuses on the Joker and establishes him as the most significant person. Elements of the mise-en-scene like the clown masks, weapons, and Joker's actions portray the criminals as intelligent but dangerous. The sound design uses music that climaxes at the Joker's reveal and ironic cheers as he escapes.
Research task medium reserach media studiesJames Thompson
This document analyzes the editing, mise-en-scene, text, and style of trailers for similar comedy and horror films to help develop pitch ideas for a new film. It examines trailers for "The Nice Guys" as a buddy cop comedy model, scenes from "Mr. Bean" as a slapstick comedy, and "Scary Movie" as a horror parody. For each, it identifies the fast or slow pacing, use of light and dark environments, shot types, and genre-specific elements employed in the trailers and clips.
This document provides descriptions of key elements from the opening scene of The Dark Knight. It summarizes the conventions, sound, titles, camera techniques, and mise-en-scene. The conventions establish that the scene involves a bank robbery with masked criminals. The sound creates tension through gunfire and screaming. The titles feature the Batman symbol emerging from explosions. Camera techniques like zooms are used to build suspense. Mise-en-scene reveals clues about the Joker through the clown masks worn by the criminals and their conversations mentioning his mysterious character.
The document summarizes the opening sequences of four films across different genres: Warm Bodies (teen romantic comedy thriller), Side Effects (psychological thriller), Girl with the Dragon Tattoo (thriller), and Shaun of the Dead (zombie thriller). It analyzes elements like music, camerawork, lighting, fonts and more and how they set expectations for the genre and create tension/suspense for the audience in line with typical conventions for each genre.
The document outlines the key scenes and timing for a 9 scene short film. In scene 1, the main character walks to work tired and grumpy. In scene 2, he rudely enters a cafe. In scene 3, he rudely asks someone to move tables. In scene 4, the man behind him looks on angrily. In scene 5, the man edges closer. In scene 6, he walks to the bathroom. In scene 7, a man in disguise places a bomb in the briefcase. In scene 8, the main character rushes to catch his bus without his briefcase. In scene 9, he returns for his briefcase and the bomb explodes.
The document provides a textual analysis of the trailer for the 2013 film "The Purge". It analyzes various shots and elements of the trailer's mise-en-scene, including establishing shots showing a wealthy American neighborhood, characters sharpening weapons, and a family arming their home's defenses. Sounds, costumes, editing, and other techniques are examined. The analysis suggests the trailer sets up tensions between rich and poor, and depicts the annual "Purge" event as a night of violence and lawlessness families aim to survive.
The document compares and contrasts the costumes and props of modern gangsters versus traditional gangsters. Modern gangsters are typically younger, wear baggy clothing like jeans and trench coats, and display jewelry. They also carry knives and guns. Traditional gangsters commonly wear black suits, white shirts, black ties or bow ties, waistcoats, and bowler hats. They also wear trench coats and carry knives and guns, and sometimes cigars or cigarettes and canes.
The opening sequence of the film Vengeance uses a series of shots with a red filter to build a sense of danger and mystery. It shows shots of fences, graves, people fighting and signs to leave the audience wondering what is happening and where the sequence is leading. Intercut with these shots are title cards identifying the filmmakers to continue building intrigue throughout the opening.
The document provides analysis of scenes and techniques used in the horror film trailer "The Strangers". It summarizes that the trailer uses several conventions of horror films to build tension and scare the audience. These include mysterious noises that threaten the protagonists, sinister figures lurking outside their home, and quick cuts in the last half of the trailer that hint at violence without showing it. The analysis also discusses how the trailer employs stereotypes like helpless female characters and dominant male antagonists to unsettle viewers.
The trailer opens with shots establishing the main protagonists and setting up the romantic comedy genre. It then shows the protagonists going on a disastrous first date through captions. Their lives are disrupted when they are made guardians of a baby against their will. The trailer uses montages to show their struggles with parenthood turning to love through restoring equilibrium, making the audience want to see the romance play out. It leaves the audience with shots of the famous actors and reminding them of the film title.
The document provides a detailed analysis of a horror film trailer through examining its camerawork, mise-en-scene, lighting, setting, sound, props, costumes, editing, and other elements. Key points analyzed include close-ups of characters feeling safe and relaxed at the beginning suggesting impending danger, masks worn by antagonists to hide their identity, the isolated house and forest settings, and fast-paced editing during scenes of violence and shock contrasted with slower scenes from the protagonists' point of view. Stereotypes of weak women and the "final girl" are also discussed.
1) Mad Max Fury Road is set in a post-apocalyptic wasteland where most of humanity is fighting for basic resources. Max is a loner who is captured by the tyrannical Immortan Joe.
2) The opening scenes establish the desolate desert setting and show Max being pursued across the wasteland in his modified vehicle. He is captured and has his head shaved and tattoo branded.
3) Through its camerawork, lighting, costumes, and diegetic sound, the opening immerses viewers in this hostile world and introduces Max as a man struggling to survive in the chaos who will eventually rebel against his captors.
The document analyzes trailers from different movie genres and identifies common cinematography techniques used. For a comedy trailer like The Hangover, fast pacing and transitions between clips are used to pack a lot in similar to a horror trailer. For an action trailer like Skyfall, black inserts are used to flash between shots quickly and heighten the pace. Music is also important, using dramatic music for Skyfall and rock music to set the tone for comedies. Common techniques identified help establish genre expectations through visual conventions in movie trailers.
The document analyzes the trailer for the film "The Maze Runner". It summarizes that the mise-en-scene depicts a dystopian world with new creatures and shows the protagonist's fear of being in an unknown place. The target audience is likely young people aged 15-18 given the age of the main characters. The trailer uses establishing shots and tense music to create anticipation without revealing the full plot. The fast-paced editing and music combine to build tension at the end around whether the characters escape the maze. The voiceover clearly explains the story to viewers. No director or producer names are shown, likely because it is based on a well-known book and stars a recognizable actor.
Suburban Train Station as Community Hub: Proposal for Carseldine Stationlinda carroli
I've been working on this study of a local train station in support of Transit Oriented Development. In it, I propose that community infrastructure (e.g. community spaces and offices for non-profit organisations) and design for sustainability should be provided at train stations. If more parking is required then those structures can and should also accommodate community uses.
I have also posted this to Live Local as my first experiment. Live Local is an online social networking place to share stories and ideas about improving your community. I will be blogging about this venture for Placed.
http://www.livelocal.org.au/experiment/126/precinct-study-carseldine-train-station
Bangunan perpustakaan baru Universitas Hubei direncanakan terletak di pusat kampus dengan luas 48.636 m2. Bentuk tapaknya berbentuk trapesium tidak beraturan dengan sudut berbeda pada setiap sisinya. Bangunan ini dirancang menyesuaikan bentuk tapak dan lingkungan sekitarnya serta memisahkan fungsi utama perpustakaan dari fungsi sekunder lainnya.
The document discusses plans for a new North-South train station in Riyadh, Saudi Arabia. It will be the main train station for the capital city, serving passengers on the north-south rail line connecting various regions. The proposed station will have the capacity to serve over 4,500 passengers simultaneously with arrival and departure lounges, platforms, administration offices, shops, and other amenities. It is being designed as a landmark building that can also accommodate future expansion of railway services in Riyadh and Saudi Arabia.
The document provides an overview of mass transit architecture and passenger rail station design. It discusses the history of transportation systems from stagecoaches to modern subways and trains. It then covers various aspects of rail system and station planning, including rail alignments, site planning, station layouts, passenger flow calculations, means of escape planning, structural designs, building services, fire safety considerations, materials selection, and construction aspects. Upgrades, running costs, and some classic transit station designs are also briefly mentioned.
The document discusses the planning of central railway stations and their facilities. It covers the history of railways, defines common terminology, and describes the roles and activities at railway stations. It discusses issues at urban terminals and criteria for site selection. The document presents a planning proposal and case studies of stations in Gujarat, including Ahmedabad, Vadodara, and Surat stations. It focuses on providing efficient transportation and maximizing passenger experience and movement at central railway stations.
This document contains planning details for short-term filming over three days to film scenes for a project. It includes schedules, shot descriptions, character and location details, and notes. It also contains inspiration sources from real film openings, including conventions used, genre conventions, and target audiences. Character costumes and intentions are outlined. Potential production and distribution companies - Film4 and Pathe - are proposed and reasons given for their suitability.
Here is a summary of key points about identity from the research:
- Identity refers to a person's understanding of who they are, which includes their characteristics, beliefs, personality, and expression of gender, sexuality, culture, etc.
- Gender identity is how one sees their own gender, whether as male, female, non-binary, etc. and may differ from their sex assigned at birth. Transgender people experience a difference between their gender identity and assigned sex.
- Sexual orientation refers to romantic attraction to others and can be heterosexual, homosexual, bisexual, etc. It is separate from gender identity.
- Peer pressure during adolescence can strongly influence a teen's identity as they seek acceptance from
This document provides information about 4 candidates (Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes) who are assigned different color codes. It also discusses inspiration from various film opening sequences and conventions used in drama films. Key points discussed include establishing characters, settings, credits, and creating enigmas or mysteries. Inspiration is drawn from films like Se7en, Lemony Snicket's Series of Unfortunate Events, and Mission Impossible. Conventions explored include conflicts, social status differences, emotional themes like cancer, and characters' journeys. Research is presented on topics like transgender identity, peer pressure and its influence on identity, and defining sexuality terms
This document provides information about 4 candidates (Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes) who are assigned different color codes. It also discusses inspiration from various film opening sequences and conventions used in drama films. Key points discussed include establishing characters, settings, credits, and creating enigmas or mysteries. Inspiration is drawn from films like Se7en, Lemony Snicket's Series of Unfortunate Events, and Mission Impossible. Conventions explored include conflicts, social status differences, emotional themes like cancer, and characters' journeys. Research is presented on topics like transgender identity, peer pressure and its influence on identity, and defining concepts like
This document contains a script, storyboard, and shot list for a film opening sequence about a character named Jodie who is struggling with her gender identity. The storyboard outlines shots of Jodie researching transgender topics, having flashbacks to putting on a fake beard, and crying at a train station while her legs shake. The shot list provides further details about camera angles, facial expressions, and costumes. Inspiration is drawn from films that portray transgender journeys or suicide such as Boys Don't Cry. Genre conventions like using flashbacks and portraying a character's journey are discussed.
The document contains a script and storyboard for a film opening sequence about a character named Jodie. The sequence shows Jodie having flashbacks to her past experiences as she sits depressed on a train platform contemplating suicide. The storyboard details various shot types that will be used, including close-ups, mid shots, and long shots. Inspiration is drawn from films like Boys Don't Cry that portray transgender journeys and those dealing with suicide like In Time. Genre conventions like personal flashbacks, dramatic storylines, and portraying real-life situations will be employed.
The document contains a script and storyboard for a film opening sequence about a character named Jodie. The sequence follows Jodie at a train station as she has flashbacks exploring her identity as a transgender person. It includes various shot types like close-ups, mid-shots and long shots planned to depict Jodie's emotional experience and flashbacks. Inspiration is drawn from films that portray transgender journeys or deal with themes of identity and suicide. Genre conventions for drama like personal flashbacks and realistic storylines are employed.
The document provides planning details for an assignment involving the filming of a short film. It includes character details for the 4 actresses, descriptions of costume and hair/makeup designs for the main character and friends. It also outlines several potential locations for filming and includes photos. A risk assessment is presented. Options for music are shared. Storyboards, scripts, and a shot list are provided. A schedule for filming is included.
The document outlines the planning for a short film, including details about the main characters and actors playing each role, descriptions of costumes and locations, consideration of risks, selection of music, and creation of a script and storyboard. It provides production planning information to prepare for filming a scene about a teenager exploring their gender identity while taking a train.
The document contains a timeline, character descriptions, costumes, and storyboards for shooting a short film. It outlines the costumes, locations, shots, and schedule needed to film scenes at a train station and house featuring the characters Jodie and Monae over the course of two days. Character descriptions define the costumes used to depict each character as masculine, feminine, or a binary opposite at different points in the story. The storyboards map over 40 shots planned at the locations.
This document contains planning details for a film assignment. It lists the candidate numbers, colour codes and names of the four actresses - Amy Cleary, Monae Minors Gibbs, Jodie Foster-Pilia and Pamela Younes. It then provides a shot list, details of locations, costumes, music and a storyboard. Meeting records are included showing the group discussed ideas, timelines and finalized the script and storyboard. A short term filming plan schedules shooting the train station scenes on March 9th.
This document contains planning details for a student film project about a character named Jodie who is exploring their gender identity. It includes costumes and locations for different scenes involving Jodie and other characters. Short term planning outlines the shots, locations, characters and props for three filming days. Costumes are described to present Jodie and other characters as masculine or feminine depending on the scene. Locations include Jodie's house and Stratford train station.
This document contains details for filming a short film, including costume designs, shot lists, character names, locations and planning information. It outlines costumes like a black and white dress, white furry snood, and black high heels. The shot list describes 26 shots filmed at a train station and Jodie's house, featuring the characters Jodie and Monae. Planning information schedules 2 days of filming at the train station and house to capture shots of the characters and locations.
This document contains planning details for a short film, including shot lists, character details, location information, and a schedule. It outlines 20 shots at Langley Train Station featuring the character Jodie wearing black clothing. It then lists 15 shots at Jodie's house between Jodie and Monae, including Monae using Jodie's computer and reactions from Jodie. The short term production plan schedules a day of filming at the train station and a day at the house over two days with the director and actors in attendance.
The document discusses the development of a thriller opening sequence created by the author and their group. They began with several ideas taken from other thrillers, including one about hallucinations from The Exorcism of Emily Rose. Their final idea involved a group of teenagers on a train that has a power outage. The opening sequence uses conventions from thrillers like The Blair Witch Project and Creep. It targets an audience of 16-25 year olds and would be distributed first to smaller media companies to gather feedback before approaching larger companies.
This document discusses the production of a short film titled "Death Camp" and its marketing materials. It describes the development of the film's plot, which involves a group of teenagers who go camping and are stalked by an unknown killer. It also summarizes the film's trailer, which uses tension-building shots and music to depict the teens' deteriorating situation. Finally, it outlines how the filmmakers created promotional materials like a magazine cover and movie poster to market the film while establishing its thriller genre and teasing the mystery of the killer's identity.
The student produced a short thriller film called "The Nightmare that Came True" filmed at their secondary school. The film follows a young school girl having a nightmare that she is being chased through the school corridors. It is revealed that her nightmare came true as her dead body is discovered in a storage room. Various camera techniques like high and low angle shots were used to create tension and show vulnerable and intimidating characters.
This document contains details for filming scenes involving the characters Jodie and Monae, including costumes, props, shot lists, and a script. It describes costumes like a black and white dress and white furry snood for Monae, and black heels. It provides a shot list with over 40 shots planned at locations like a train station and Jodie's house. The short term planning section schedules shots over two days involving the characters and attending crew at the train station and house scenes.
The document provides an analysis of the mise-en-scène, camerawork, lighting, editing, sound, narrative, and use of genre conventions in several award-winning motion pictures. It examines the color schemes, costumes, props, and settings used in the films to establish time periods and convey meanings. The document also analyzes the camera angles, shots, and movements used to tell the stories and build suspense or curiosity in the audience. It discusses the lighting, editing techniques, diegetic and non-diegetic sounds, and narratives of the films. Finally, it identifies several genre conventions the films employ, such as dancing, singing, catchy songs, relatable teenage leads, and happy endings.
The document provides an analysis of the mise-en-scène, camerawork, lighting, editing, sound, narrative, and use of genre conventions in several award-winning motion pictures. It examines the color schemes, costumes, props, and settings used in the films to establish time periods and convey meanings. It also analyzes the camera angles, shots, and movements used to tell the stories and build suspense or curiosity in the audience. The document discusses the lighting, editing techniques, diegetic and non-diegetic sounds, and narratives of the films. It also identifies several genre conventions the films employ, such as dancing, singing, catchy songs, relatable teenage leads, and happy endings.
This document contains rough sketches and ideas for 4 advertisements and 4 digital product specifications (DPS) created by a team including Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk. The advertisements and DPS cover a range of concepts that were drafted but not fully developed.
This document lists 20 pieces of copyrighted material that permission was sought to use for a project, including video game clips, images, and advertisements. The source and length of time used for each piece of material is documented.
Final draft planning shotlist and storyboardpamelayounes
This document contains a storyboard and shotlist for a documentary. It includes descriptions of 56 shots across various locations like Trafalgar Square, a bus, Pam's house, and Jerome's house. The shots include wide shots, close-ups, over the shoulder shots, and more. Each shot listing indicates the shot type, location, and any necessary costumes or props. The storyboard and shotlist suggest the documentary will cover topics like technology use in public spaces and playing video games at home.
Final draft planning – timeline and script.pamelayounes
The document provides a timeline and script for a final draft planning video on the history and impact of video games. The 3-minute video is divided into 3 sections: a 1-minute introduction discussing the history and evolution of video games from Pong to Angry Birds; a 2-minute section on the portrayal of gender in different game genres and the representation of gender in games and media; and a final 2-minute section introducing an experiment on people's perceptions of gender representation in games and interviews on whether gender portrayal has improved or worsened over time. Public interviews and archival footage are included throughout to illustrate different perspectives.
The document summarizes audience feedback from test screenings of documentary drafts and ancillary materials related to a documentary about video games. It includes tables with the name, gender, and age of audience members, their feedback, and how the creators addressed the feedback in subsequent drafts. The feedback helped the creators improve elements like filming locations, script details, graphics, and character costumes to make the documentary and materials more clear, engaging, and representative of their topics.
This document lists 20 pieces of copyrighted material including video game clips, images, and music videos. It provides the title, source, and time used for each piece of evidence for which permission was sought. The materials range from early video game clips from the 1970s to more recent games and videos from the 2010s and span a variety of genres for use in an upcoming project.
The document outlines multiple drafts and revisions of a documentary, magazine spread, and newspaper advertisement. Feedback was received from an audience on each draft, and changes were implemented in response. Key points of feedback included issues with matching clothing, locations, titles/topics, lighting, and layout/design. Across drafts, elements like images, color schemes, wording, and formatting were altered based on the audience feedback to improve clarity, professionalism and relevance to the piece's topic on video games.
Final draft location, costume, actors and props pamelayounes
The document outlines the locations, costumes, actors, and props used for a film project. It lists the canal park royal and convent of jesus and Mary as locations for public and expert interviews. It also mentions filming at Pam's house to introduce an experiment. The costume section lists a green jacket, Doc Martens, black top, and black jeans. The actors section notes a presenter before and after in a chosen costume. Props included a Wii used in a montage and 1-minute introduction.
This document outlines the locations, costumes, actors, and props used for a film project. The locations included a canal park, convent, and a house. Costumes consisted of a green jacket, Doc Martens boots, black top, and black jeans. The document lists a presenter as an actor before and after being in costume. Props were used in an experiment filmed for the project.
The document outlines the locations, costumes, actors, and props used for a documentary film project. It lists the Convent of Jesus and Mary School, Park Royal, and Hyde Park as filming locations. It describes the presenter's costume as a grey Hollister jacket, light brown Uggs, True Religion jeans, and a dark green jumper. It also notes that actors were used for the presenter before and after scenes, and that props included an iPad, two video games, and game controllers.
This document outlines the locations, costumes, actors, and props used for a film project. The locations included a canal park, convent, and a house. The costumes consisted of a green jacket, Doc Martens boots, black top, and black jeans. The actors included a presenter before and after being in costume. Props were used in an experiment filmed for the project.
This document appears to be a draft photo record for a newspaper advertisement project containing 4 names and listing "Newspaper Advert" and "Double Page Spread" as potential formats. The record seems to document preliminary planning for a collaborative newspaper or magazine advertisement by the 4 named individuals.
This document contains draft planning for ancillary materials including rough sketches for a newspaper advertisement and double page spread. The planning was done by Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk.
This document contains draft planning for ancillary materials including rough sketches for a newspaper advertisement and double page spread. The planning appears to involve Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk.
This document contains rough sketches and ideas for 4 advertisements and 4 digital product specifications (DPS) created by a team including Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk. The advertisements and DPS cover a range of concepts that were drafted as part of an assignment.
The document summarizes ancillary locations, actors, costumes, and props used for a final project. It lists Laura's house and the Convent of Jesus and Mary as locations where pictures were taken. Pamela Younes and Abigail Menzies are named as actors. Costumes for an advert featuring Pam and Laura are described. For a double page spread, a grey hoodie borrowed from Laura and blue jeans are listed as Pamela's costume. The document concludes that certain props were used in the double page spread.
Laura's house was used as the location for photographs of Laura and Pam taken for a newspaper advertisement and double page spread. Costumes for Laura included black shorts, a black vest top and doc martens, while Pam wore holister shorts, a pink belly top and river island heels. The props used in the shoots were not specified.
This document outlines the ancillary details for a project including four locations used - Laura's living room and white wall for photographs, actors including Pamela Younes, costumes consisting of skinny jeans and a crop top already owned by Pamela Younes, and black leggings and vest top also already owned, and props of a PS4 game console, iPad 3, and PS4 controller used in photographs.
We took pictures of a 15-year-old boy and 12-year-old girl in an unspecified location. The actors were Joe Younes, age 15, who enjoys playing PS4 and iPad, and Cynthia Younes, age 12, who likes playing iPad and multiplayer games with Joe. They were dressed in clothing like Hollister jumpers, Nike shoes, Diesel jeans, and purple leggings and Converse shoes that had already been purchased. Props included a PS4 game console, iPad 3, and PS4 game control.
The Future of Independent Filmmaking Trends and Job OpportunitiesLetsFAME
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfoliogreendigital
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
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The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
18. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
1 Long Sitting on bench
at train station
Black leather
jacket, black
tshirt,jeans,durag,
chain
2 Over head Sitting on bench
at train station
Black leather
jacket, black
tshirt,jeans,durag,
chain
3 Mid Sitting on bench
at train station
Black leather
jacket, black
tshirt,jeans,durag,
chain
4 Close up Close up of
timer
Timer
5 Mid Sitting on bench
at train station
Black leather
jacket, black
tshirt,jeans,durag,
chain
Shot list
19. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
6 Close up Sitting on bench
at train station
Black leather
jacket, black
tshirt,jeans,durag,
chain
White light
7 Long Sitting on couch
in house
Grey long
sleeve top,
hat,chain, jeans
8 Tilt Monae standing
up
Dress
9 Mid Jodie on couch Grey long
sleeve top,
hat,chain, jeans
10 Mid Monae goes on
computer
Dress
20. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
11 Close up On computer Computer White light
12 Close up of
Monae’s eyes
On computer Computer
13 Close up On computer Computer White light
14 Over the
shoulder shot
In Jodie’s sitting
room
Grey long sleeve
top, hat,chain,
jeans
15 Mid shot Jodie
looking shocked
Jodies sitting
room
Grey long sleeve
top, hat,chain,
jeans
White light
21. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
16 Close up At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
17 Mid shot At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
18 Close up of
timer
At train station Timer
19 Mid shot At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
20 Mid shot At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
22. Shot Shot type Location
Details
Costume/propsn
eeded
Transition to
next shot
21 Close up At train station Hat
22 Long shot At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
23 Mid shot At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
24 Close up/slow
zoom
At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
25 Long shot At train station Black leather
jacket, black
tshirt,jeans,durag
,chain
23. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
26 Closeup At train station Black leather
jacket, black
tshirt,jeans,dur
ag,chain
27 Closeup At train station Black leather
jacket, black
tshirt,jeans,dur
ag,chain
White light
28 Mid shot Jodies bedroom Beanie,red
jacket
29 Mid shot Jodies sitting
room
Poncho,hat
30 Low angle Jodies bedroom Beanie, red
jacket
24. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
31 Mid shot Jodie’s
bedroom
Beanie, red
jacket
32 Mid shot Jodie’s hallway Poncho,hat
33 Two shot Jodie’s
bedroom
Poncho, hat,
beanie, red
jacket
34 Shot reverse
shot/close up
Jodies
bedroom
Poncho, hat,
beanie, red
jacket
35 Tilt Jodies room Beanie,red
jacket
White light
25. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
36
Close up
Train station Hat,durag,chai
n
37 Closeup Train station Hat,durag
38 POV Train station Trainers, jeans
39 Close up Train station Trainers, jeans
40 Mid shot Train staion Black jacket,
hat, durag
26. Shot Shot type Location
Details
Costume/props
needed
Transition to
next shot
41 Close up Train station Hat, durag
42 Establish Train station Train
43 Mid shot Train station Black leather
jacket, black
tshirt,jeans,dur
ag,chain
44 Close up Train station Hat,durag Fade to black
27. Se7en
• This particular opening sequence is
inspirational because it has a mysterious
opening and leaves enigma.
Inspiration from opening sequences.
Leaves enigma as you don’t know
who the hand is and why they have
drawings of it.
28. • Lemony Snicket’s Series of Unfortunate events
Inspiration from opening sequences.
This is inspirational as the
opening has the storyline
of the three children and
their facial expressions.
29. Inspiration from films
This particular scene
inspired me because it
showed a sense of
freedom and that she’s
released from the pain.
This could relate to ours because at the end if she
does commit suicide it will be her way of ending
the pain.
30. Inspiration from films
This lighting of this scene inspired
me as it links in well with the scene
as it is romantic.
Also, his character
representation is that he loves
her very much and is a good
guy.
31. Inspiration from real films
• In Time
in this movie it has suicide
included and it can show us
why people would commit
suicide and the
consequence of it. And how
people have a limit to how
long they would live, the
rich live forever and the
poor die young
32. In Time
The convention is, people always intend to
commit suicide from a bridge. And that’s
what this guy is doing by sitting on the edge
of the bridge. I can tell as it zooms into the
time he has left in life, as he gave all his time
away, which shows that he wasn’t happy
and wants to die.
He is wearing a suit,
which immediately
presents that he is a rich
guy that can afford
expensive clothing
Its in the morning or
becoming the afternoon
as it isn't that bright.
You can tell it’s a
peaceful place as there
isn't anyone on the
bridge and no cars going
up and down the road.
This shot would be an establishing
shot of showing that the guy just
fell of the bridge and it makes it
clear that it is a bridge by showing
us the whole setting, and shows
the audience enough information
for the audience to get it.
33. Chat Room
• Chat Room
This is about
mainly killing
them selves and it
all started online
34. Chat Room
The convention of
committing suicide can be
jumping of a building or
self harm, self harming
isn't killing but can prove
that, that the person
doesn’t like them selves
which can lead to suicide
This is set in a bedroom and
jumping from her window, and
she is video calling someone, we
can tell this is a video call as
there’s a computer screen and
earphones
She is wearing shorts and
a jumper, and her gesture
as if she is ready as her
arms are side by side on
her hips, and cannot see
her facial expression.
This would be a
close up to see
the previous
scars and self
harming again.
This story is
about how
people
committing
suicide
35. 4 3 2 1
• 4 3 2 1
Shows what the 4 girls
would do on the same
part of the days and how
they would meet up and
how the diamond brings
them together at the end
of the scene wen one off
the girls wanted to kill
her self by jumping of the
bridge
36. 4 3 2 1
The convention of this
picture is that there's
always one person in the
friendship groups that
needs their support more
than others
This is set in London Westfield
shopping centre, and the second
picture is at night just next to the
bridge where they just stopped one of
the girls by committing suicide
because of family problems
She has a Louis Vuitton bag
which is obvious that she
has more money than the
rest of the friendship
group, and she is dressing
very smartly as she has a
sport looking blazer, full
makeup and curled hair
This would be a long shot
as it establishes there
whole body and can see
the background a bit,
however its on focus pulls
as it blurs out the people
and objects behind them
and the main 4 characters
are clearer
37. Inspiration from film opening sequences
Establishing
characters
Establishing setting
(on a airplane)
Good sized
credits on the
side in clear font
Mission Impossible-
http://www.artofthetitle.com/title/mission-
impossible/
38. Inspiration from film opening sequences
Establishes setting
Establishes
character
Why is he in a red
car? (represents
danger)
Enigmas? i.e. why
he didn’t U Turn
or go the other
way
Natural
lightning
Credits
are big
and in a
weird
font
U Turn -
http://www.artofthetitle.com/title/u-turn/
39. Inspiration from film opening sequences
• My Sisters Keeper - http://www.youtube.com/watch?v=bX0dxizzjME
Opening
sequence of the
memories
Small but
viewable
credits
41. Inspiration from films
Boys Don’t Cry
Plot is about a
transgendered teen
born as a female Comfortable as
a boy and looks
like one
42. Inspiration from films
PreciousShe has flashback of
a better/different
life
Red clothing
representing
love and passion
Her clothes
look
expensive
and her hair
is done
Artificial
lighting
43. Inspirational opening sequences
Film: Almost famous (2000)
I very much like the idea of the font
being hand written as it almost
makes the font seem personalised.
This is the kind of font that I feel
would look best in our opening
sequencehttp://www.artofthetitle.com/title/almost-famous/
There are a variety of close up
and extreme close up camera
shots which immediately capture
the emotions and feelings of the
character
Film: Boardwalk Empire (2010)
http://www.artofthetitle.com/title/boardwalk-empire/
The use of the overlapping
transition is quite effective, I like
the idea of being able to see two
images at the same time. I would
like to use this in our opening
sequence.
Film: Donnie Brasco 1997
http://www.artofthetitle.com/title/donnie-brasco/
44. Inspiration from real films
Film: Creep
Isolated train station, this would be
good for out suicide scene
I like the use of the wide shot to
establish where exactly the scene is
The use of artificial lighting, sets a mysterious
moodFilm: Slumdog millionaire
The use of the yellow tint,
to make the scene feel
uncomfortable
I like his Fearful and afraid facial expression, I want
the character in my opening sequence to have a
feel of fear
Film: premonition
Change of colour for flashback, very bright,
this would be good to use for the flashbacks
in my opening sequence
45. Conventions Use/develop/challenge
How?Why?
Similarities/Differences
1. Conflict with
friends/family.
Use because in most drama films
there is conflict and the
resolution is them sorting it out.
2. Follows the
characters journey.
Challenge, because ours doesn’t
really follow the characters
journey because you only see
snippets.
The family
are all
conflicting
with each
other
because of
an issue.
The differences is that
it is about terminal
illness not transgender.
The differences are
that this follows all
of the characters
journeys as they
learn new things.
Similarities are that
they are students
and experimenting
and gain
knowledge of
different things.
Genre conventions
46. Genre conventions
Convections
we are
applying in
opening
sequence
Use/develop/challenge?
How?/Why?
Similarities/differences to real films
Portrays
journey of a
character
USE
HOW
The constants use of personal flashbacks, allows the
audience to understand how and why the character is in a
suicidal situation and the stages of their journey
WHY
To shows the stages of their journey which establishes
character
Dramatic
story line to
move the
audience
USE
Refers to characters past to explain how and
why he is playing who wants to be a millionaire
Film: Slumdog millionaire
HOW
The main character is so emotionally unhappy with her
physical and mental state and could commit suicide this
is an emotional storyline
WHY
Allows audience to experience a feel of apprehension and
uneasiness for the audience
Film: My lovely bones
This film is about a
young girl who was
murdered by her
neighbour. This
film has a moving
story line.
47. Conventions you
are applying in
opening sequence
Use develop or
challenge
How? And why? Similarities/difference
s to real films
Crime use When Jodie commits
suicide because of
her depression as no
one gets her and
excepts that she
wants to change her
identity
Film: Man on a ledge
This is similar
The person wants
to commit suicide
This would be a
crime
Genre Conventions
48. Conventions you
are applying in
opening sequence
Use develop or
challenge
How? And why? Similarities/differences to
real films
Role on the wall use In the outside
Jodie is feeling
normal but on
the inside her
thoughts and
feelings are
completely
different.
Film: Mean girls
Wanting to make Regina
fat, Katie's thoughts
inside her
And wants her to lose
weight from the outside
pretends like she cares
Genre Conventions
49. Genre & conventions
Conventions Explanation Example from real film
Realistic struggles or pain •Abused
•Bullied
•Poverty
•Racism
•Suicide attempts
Seven Pounds
Cyber bully
This was a
suicide
attempt
She gets bullied No one ends
up liking her
Seven pounds Cyber bully
The scene of suicide-
http://www.youtube.com/watch?v=yPweErG45XI
&safe=active
50. Genre & conventions
Conventions Explanation Example from real film
Friendship •Barely any friends Mean Girls
Dreams of a peaceful place •Being alone, happy & free
•Out of misery
Precious
My Sisters Keeper
Emotionally attached •Keeps the audience
engaged
Pursuit of Happiness
The outsider
coming to a
new school
Fake girls that no
one likes
Dreams of calm
places
Audience keeps
attached
51. Target audience
Audience Explanation
Age 15+
- You begin to find yourself, at early teenage stages, i.e.
discovering what sexuality you may be which tends to take place
in puberty.
Social class Any class
- Anyone can experience the dilemma of seeking their identity.
Gender Female and male
- All the people that are going through stages of finding who they
are or whom they may like.
Ethnicity Any
- It can relate to anyone
Sexuality Transgender
People that are Transsexual or thinking about changing their
gender are a minority group and are the only people who can
truly relate to the issues raised in our film.
52. Location name
& what for
How to get there Access to Location Photos of location
Langley train
station.
We took a Train
from Paddington to
Langley station,
which took us
approximately 40
mins
Available all the time
Location
57. Character
This is fur for Monae
to make her look like
more girly
Monae’s hair is tied
up with a quiff
She's wearing a tight
black and white dress
to look dressy and
emphasis the binary
opposite.
Monae is
wearing black
heals to make
her feminine
Monae
(Normal)
Monae
(Character)
58.
59.
60.
61.
62.
63. Black and white knee
length dress.
(feminine)
White furry Snood
(sophisticated)
Black high Heels
(Feminine)
Costume for Jodie’s Friend
64.
65. Film4 Production Company
• Film4 did not originally focus
on broadcasting blockbusters,
but nowadays broadcasts many
mainstream Hollywood movies
• Film4 is a free digital television
channel available in the United
Kingdom, Republic of Ireland and
Switzerland, owned and operated
by Channel Four Television
Corporation, that screens films
66. Film4 Production Company
• This would be a great
production company as it has
produced niche audience
films before such as
trainspotting.
• So I thought this would be
great for our opening
sequence as our opening
sequence would also be
based on a niche audience
67. Pathe Distribution Company
• Pathe is the name of
various French businesses fo
unded and originally run by
the Pathé Brothers
of France from 1896
• Pathé became the world's
largest film equipment and
production company, as well
as a major producer
of phonograph records
68. Pathe Distribution Company
• Pathe would be great for our
opening sequence, as it has
distributed transgender in
the past, which is called
‘breakfast on Pluto’
• It would be good to have a
distribution company that
has distributed transgender
films on our transgender
opening sequence.