Draft 2 ancillary location etc
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The document discusses the locations, actors, costumes, and props used for a photo shoot. It notes that pictures were taken of Laura and Pam in Laura's living room and on a white wall at Laura's house. It lists Joe and Cynthia as actors. For costumes, it mentions that Tommy wore skinny jeans and a burgundy crop top, and Cynthia wore black leggings and a black vest top. Props used included a PS4 game console, iPad 3, and PS4 game controller.
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Draft 2 ancillary location etc
This document outlines the ancillary details for a project including four locations used - Laura's living room and white wall for photographs, actors including Pamela Younes, costumes consisting of skinny jeans and a crop top already owned by Pamela Younes, and black leggings and vest top also already owned, and props of a PS4 game console, iPad 3, and PS4 controller used in photographs.
Draft 4 ancillary location etc
The document discusses locations, actors, costumes, and props for a photo shoot. It lists Laura's house as the location where pictures were taken of Laura and Pam outside and in the living room. For costumes, it describes that Pam wore Hollister shorts, a pink belly top, and River Island heels, while Laura wore black shorts, a black vest top, and Doc Martens. These costumes have already been purchased. The props used were for a double page spread in the photo shoot.
Draft 3 ancillary location etc
Laura's house was used as the location for photographs of Laura and Pamela taken for a newspaper advertisement and double page spread. Costumes including Hollister shorts, a pink belly top, River Island heels, black shorts, a black vest top and Doc Martens had already been purchased for Laura, Pamela and Cynthia. The photographs taken at Laura's house were used as props in the advertisement and double page spread.
Draft 3 ancillary location etc
Laura's house was used as the location for photographs of Laura and Pam taken for a newspaper advertisement and double page spread. Costumes for Laura included black shorts, a black vest top and doc martens, while Pam wore holister shorts, a pink belly top and river island heels. The props used in the shoots were not specified.
Question 1
The characters in the film were conventional protagonists and antagonists in horror films, with the protagonist being weak and wary while the antagonist seemed dominant and in control. However, the story plans to reveal that they are the same character. The roles are unconventional in that the male takes on the antagonist role usually portrayed by females, which research found made for a scarier horror film.
Character Theories
Different character theories by Goffman, Propp and Bartle, with an example for each one from a film. Also how the character's fit with my A2 media film, VERSES
Character Theory
This document discusses Erving Goffman's character theory for analyzing roles in media. Goffman's theory identifies four main character types: the protagonist (leading character), deuterogonist (secondary character), bit player (minor character with unknown background), and fool (character that uses humor to convey messages). The document then provides an example analysis of the animated movie Finding Nemo, identifying Nemo as the protagonist, his father Marlin as the deuterogonist, and Dory the blue fish as the fool character.
Character Theory Assignment
Erving Goffman proposed a character theory that analyzes characters based on their roles in media. According to his theory, there are four main character types: the protagonist, who is the leading or major character; the deuteragonist, who is the second most important character; the bit player, who is a minor character with unknown background; and the fool, who uses humor to convey messages. These character types are exemplified in the 2006 film She's the Man, where Viola Hastings is the protagonist whose story the film revolves around, Duke Orsino is the deuteragonist whose relationship with Viola is central, James Kirk plays a minor bit player role as Viola's brother Sebastian, and Vi
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Draft 2 ancillary location etc
This document outlines the ancillary details for a project including four locations used - Laura's living room and white wall for photographs, actors including Pamela Younes, costumes consisting of skinny jeans and a crop top already owned by Pamela Younes, and black leggings and vest top also already owned, and props of a PS4 game console, iPad 3, and PS4 controller used in photographs.
Draft 4 ancillary location etc
The document discusses locations, actors, costumes, and props for a photo shoot. It lists Laura's house as the location where pictures were taken of Laura and Pam outside and in the living room. For costumes, it describes that Pam wore Hollister shorts, a pink belly top, and River Island heels, while Laura wore black shorts, a black vest top, and Doc Martens. These costumes have already been purchased. The props used were for a double page spread in the photo shoot.
Draft 3 ancillary location etc
Laura's house was used as the location for photographs of Laura and Pamela taken for a newspaper advertisement and double page spread. Costumes including Hollister shorts, a pink belly top, River Island heels, black shorts, a black vest top and Doc Martens had already been purchased for Laura, Pamela and Cynthia. The photographs taken at Laura's house were used as props in the advertisement and double page spread.
Draft 3 ancillary location etc
Laura's house was used as the location for photographs of Laura and Pam taken for a newspaper advertisement and double page spread. Costumes for Laura included black shorts, a black vest top and doc martens, while Pam wore holister shorts, a pink belly top and river island heels. The props used in the shoots were not specified.
Question 1
The characters in the film were conventional protagonists and antagonists in horror films, with the protagonist being weak and wary while the antagonist seemed dominant and in control. However, the story plans to reveal that they are the same character. The roles are unconventional in that the male takes on the antagonist role usually portrayed by females, which research found made for a scarier horror film.
Character Theories
Different character theories by Goffman, Propp and Bartle, with an example for each one from a film. Also how the character's fit with my A2 media film, VERSES
Character Theory
This document discusses Erving Goffman's character theory for analyzing roles in media. Goffman's theory identifies four main character types: the protagonist (leading character), deuterogonist (secondary character), bit player (minor character with unknown background), and fool (character that uses humor to convey messages). The document then provides an example analysis of the animated movie Finding Nemo, identifying Nemo as the protagonist, his father Marlin as the deuterogonist, and Dory the blue fish as the fool character.
Character Theory Assignment
Erving Goffman proposed a character theory that analyzes characters based on their roles in media. According to his theory, there are four main character types: the protagonist, who is the leading or major character; the deuteragonist, who is the second most important character; the bit player, who is a minor character with unknown background; and the fool, who uses humor to convey messages. These character types are exemplified in the 2006 film She's the Man, where Viola Hastings is the protagonist whose story the film revolves around, Duke Orsino is the deuteragonist whose relationship with Viola is central, James Kirk plays a minor bit player role as Viola's brother Sebastian, and Vi
Media studies powerpoint
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This document contains rough sketches and ideas for 4 advertisements and 4 digital product specifications (DPS) created by a team including Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk. The advertisements and DPS cover a range of concepts that were drafted but not fully developed.
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This document lists 20 pieces of copyrighted material that permission was sought to use for a project, including video game clips, images, and advertisements. The source and length of time used for each piece of material is documented.
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The document discusses how the media student's opening title sequence for their film "The Deceiver" uses, develops, and challenges conventions of real media products. Some key points:
- The opening introduces the main character with a close-up shot, challenging conventions of establishing shots.
- Titles are presented in unconventional ways, such as on the character's face and in their eyes, inspired by Vertigo.
- Narrative and music are used to create ambiguity and unease for the audience.
- Forms like introducing settings and characters are used and developed, but the concept of narrative equilibrium is challenged by beginning and ending in disequilibrium.
- The piece aims to represent
Assignment 5 completed 2
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The document discusses a student's action film trailer project. The student feels they successfully incorporated conventions of the action genre such as length, fast pacing, and intense mise-en-scene. Audience feedback was positive and suggested minor improvements like additional music and sound editing. The student also created accompanying promotional materials like a website and magazine cover that maintained consistency with the trailer and received good feedback. Overall, the student learned from the audience feedback and successfully used various media technologies throughout the project.
Evaluation question 1
The document analyzes 9 shots from the opening sequence of a media product and how they use, develop, or challenge conventions of real media. Several shots challenge conventions by using modern technology unlike typical Polish films or incorporating more action. Other shots embrace conventions by using similar lighting and compositions to Polish films studied. The sequence also develops conventions through techniques like tracking shots and two-shot depth of field used in films like Jaws. Overall, the analysis indicates the sequence aims to both relate to conventions of Polish films while also challenging genres to appeal to a wider audience.
Questopn 1
The document discusses conventions used in romantic film trailers that the author researched and applied to their own trailer. Some conventions discussed include focusing on two main characters (usually a boy and girl), using soft music, bright shots of natural settings, and leaving the audience on a cliffhanger. The author's trailer uses pans between shots for an establishing scene, focuses only on the two characters, and ends with a shot implying the characters will split up to leave viewers wanting more. Research of other trailers also informed the author's font, background, lighting, and tone choices for their romantic film trailer.
2 Location, costume, actors and props
The document outlines the locations, costumes, actors, and props used for a documentary film project. It lists the Convent of Jesus and Mary School, Park Royal, and Hyde Park as filming locations. It describes the presenter's costume as a grey Hollister jacket, light brown Uggs, True Religion jeans, and a dark green jumper. It also notes that actors were used for the presenter before and after scenes, and that props included an iPad, two video games, and game controllers.
Shot By Shot Analysis
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The document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It defines shots like establishing shots, wide shots, long shots, mid shots, close ups, and extreme close ups. It also covers camera angles such as low angles, high angles, and canted angles. Common camera movements like pans, tilts, tracks, zooms, dollies, and cranes are explained. Principles of composition like balance, symmetry, asymmetry, and the rule of thirds are also outlined.
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Timeline into film history
The document provides a timeline of key developments in film history from 1894 to the present:
- In the early 1900s, short silent films without stories began to be screened publicly. By the 1920s-1950s, films had longer narratives and sound was introduced.
- Major technological advances like CGI, digital cameras, IMAX, and motion capture occurred between the 1970s-1990s and 2000s, making films more realistic.
- Six major American film studios still dominate production: Warner Bros, Paramount, Disney, Sony, Universal, and 20th Century Fox. Fox Searchlight specializes in low-budget films while Warner Bros produces big blockbusters.
- Issues like piracy have hurt profits, but
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Short films typically have three main conventions: they contain a twist, have low budgets due to lack of funding, and no more than three main characters. They also last between 5-45 minutes, focus on everyday situations to make a message, and are used in music videos, politics and more to communicate ideas. Research shows that short films are growing in popularity and may become more prominent than Hollywood films.
Opening film convention
The document discusses conventions commonly used in film openings. Some key conventions mentioned include introducing characters, establishing the setting and beginning of the narrative. Film openings are usually around 2-5 minutes long and aim to entice audiences to continue watching. Specific techniques discussed include using flashbacks, narration, action scenes, chase scenes and title sequences to engage audiences from the start. The purpose of openings is to set the tone and genre of the film and draw viewers in.
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This document outlines the key elements that go into filmmaking, including theme, plot, script, acting, setting, costume, makeup, sound, music, cinematography, lighting, and direction. It discusses aspects like motif, metaphor, and symbols that comprise a film's theme. It also explains how the script arranges events in a logical order of increasing intensity. Acting elements like proper casting, makeup, understanding the role, and expressing emotions are covered. Setting, costumes, and makeup are discussed in terms of conveying information and authenticity. Sound effects and music are examined for how they can create tension or emphasize solemnity. Cinematography techniques like close-ups, shots, and lighting are presented. Finally,
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Setting, characterization, and plot are narrative elements that can be used for several purposes like establishing realism, atmosphere, symbolism, and manipulating time. A narrative also uses different types of characters and plots like linear, with suspense, climaxes and resolutions, or open endings.
Film Genres
The document defines and discusses various film genres and subgenres. It provides examples of primary genres like action, adventure, comedy, crime, drama, epics, horror, musicals, science fiction, war films, and westerns. For each genre, it lists representative subgenres and provides brief descriptive definitions.
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Draft 3 location etc
This document outlines the locations, costumes, actors, and props used for a film project. The locations included a canal park, convent, and a house. Costumes consisted of a green jacket, Doc Martens boots, black top, and black jeans. The document lists a presenter as an actor before and after being in costume. Props were used in an experiment filmed for the project.
Draft 2 location etc
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The document discusses final ancillary planning and includes a list of 4 names. It contains a single instruction for a double page spread.
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This document contains draft planning for ancillary materials including rough sketches for a newspaper advertisement and double page spread. The planning was done by Abigail Menzies, Jodie Foster-Pilia, Pamela Younes, and Laura Cuk.
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We took pictures of a 15-year-old boy and 12-year-old girl in an unspecified location. The actors were Joe Younes, age 15, who enjoys playing PS4 and iPad, and Cynthia Younes, age 12, who likes playing iPad and multiplayer games with Joe. They were dressed in clothing like Hollister jumpers, Nike shoes, Diesel jeans, and purple leggings and Converse shoes that had already been purchased. Props included a PS4 game console, iPad 3, and PS4 game control.
Draft 1 ancillary location etc
We took pictures of a 15-year-old boy and 12-year-old girl in an unspecified location. The actors were Joe Younes, age 15, who enjoys playing PS4 and iPad, and Cynthia Younes, age 12, who likes playing iPad and multiplayer games with Joe. They were dressed in clothing like Hollister jumpers, Nike shoes, Diesel jeans, and purple leggings and Converse shoes that had already been purchased. Props included a PS4 game console, iPad 3, and PS4 game control.
Draft 2 ancillary location etc...
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Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legacies
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
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Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
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