This white paper provides guidelines for installing and positioning loudspeakers in cinemas for Dolby Atmos playback. It recommends screen and surround speaker placement including elevation and aiming. Additional surround speakers are added closer to the screen and overhead to enable precise sound positioning. Optimal spatial resolution is achieved by keeping the angular distance between adjacent speakers below 30 degrees. Bass management redirects low frequencies from surrounds to subwoofers at the rear to maintain consistent timbre across all speakers.
An acoustic case study that covers a research of the project of "The Solaris and Leisure Centre, Estonia ", documenting through writings, sketches, acoustical information and photos. This would help to understand the various aspects of designing and constructing an auditorium keeping the acoustics in mind.
An Acoustic Case Study on Calvary Convention Centre Reportdouglasloon
Taylor's University Lakeside Campus
School of Architecture, Building & Design
Bachelor of Science (Hons) in Architecture
Building Science II (BLD 61303)
An acoustic case study that covers a research of the project of "The Solaris and Leisure Centre, Estonia ", documenting through writings, sketches, acoustical information and photos. This would help to understand the various aspects of designing and constructing an auditorium keeping the acoustics in mind.
An Acoustic Case Study on Calvary Convention Centre Reportdouglasloon
Taylor's University Lakeside Campus
School of Architecture, Building & Design
Bachelor of Science (Hons) in Architecture
Building Science II (BLD 61303)
This presentation gives you the basic idea about surround system. Various aspects to be considered while designing surround system and it's various formats.
Home Theater: Surround Sound Formats teaches you about the many standards employed by TV and movie producers to encode the audio in the shows and films you watch. Your home theater equipment--AV receivers and Blu-ray players--then decode the audio to give you the effect you want.
Tired of boring two-channel stereo? Apply a matrixed surround sound format like Dolby Pro Logic II or DTS Neo:6 and use *all* of your speakers!
Studio monitors are loudspeakers that are specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios, and project or home studios. They are essential in places where critical decisions regarding sound reproduction are crucial.
Best Floor Standing Speakers under 10000 with Built-In SubwooferDarylMitchell9
When you have hundreds or thousands of dollars, Here we bring you the Best Floor Standing Speakers under $10000 with Built-In Subwoofers. We are here to help you to find those speakers.
Best Floor Standing Speakers under 10000 with Built-In SubwooferDarylMitchell9
A pair of high-quality floor-standing speakers can instantly overload your hi-fi system and provide sound that fills the entire room. The cabinet is larger than the bookshelf speaker, However, a larger body does not always mean better sound. speakers under $10000.
Studio monitors are loudspeakers that are specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios, and project or home studios. They are essential in places where critical decisions regarding sound reproduction are crucial.
Maintaining Audio Quality In The Broadcast Facility 2011Radikal Ltd.
WHITEPAPER: Orban's founder and VP of Engineering Bob Orban, and Orban VP of New Product Development Greg Ogonowski, offer their 2011 version of "Maintaining Audio Quality in the Broadcast/Netcast Facility". Learn from the foremost broadcast audio industry experts in this extensive presentation.
SELAMAT DATANG
DIRTAJAYASURVEY.NET adalah penjualan, alat survey. Kami disini sebagai supplier alat survey tanah atau bangunan, alat survey telekomunikasi, alat survey geologi atau mining, dan alat survey lainnya diantaranya Total Station, Digital Theodolite, Automatic Level, GPS, Kompas, Binoculars, Monocullars, Laser Rangefinder, Teropong Malam, Digital Altimeter, Clinometer, Tandem, Digital Planimeter, Distometer Speed Gun, Measuring Wheel, Measuring Tape, Grounding Tester, HT Handy Talky, Sound Level Meter, dan alat alat Geologi. Ditunjang dengan merk merk yang sudah terkenal dan telah diakui keberadaanya didunia survey diantaranya Topcon, Nikon, Sokkia, Garmin, Trimble, Magellan, Suunto, Horizon, Bushnell, Brunton , Leica, Bosch, South, Yamayo, Tajima, Icom, Kyoritsu, dll. Semoga keberadan kami dapat menjawab sekaligus memenuhi kebutuhan alat survey yang keberadaannya sangat dibutuhkan pada era perkembangan pembangunan dan tekhnologi pada saat ini.
Beberapa produk :
Total Station Topcon GTS 255N, Total Station Topcon ES 101 Total Station Topcon ES 102 Total Station Topcon ES 103 Total Station Topcon ES 105 Total Station Sokkia CX 101 , Total Station Sokkia CX 102, Total Station Sokkia CX 103, Total Station Sokkia CX 105, Total Station Sokkia CX 107, Total Station Nikon DTM 322, Total Station Nikon Nivo 2M, Total Station Nikon Nivo 3M, Total Station Nikon Nivo 5M, Total Station Nikon Nivo 2C, Total Station Nikon Nivo 3C, Total Station Nikon Nivo 5c, Alat Survey Digital Theodolite Topcon : Theodolite Digital Topcon DT 209, Theodolite Digital Topcon DT 207, Theodolite Digital Topcon DT 205, Theodolite Digital Topcon DT 209L, Theodolite Digital Topcon DT 207L, Theodolite Digital Topcon DT 205L, Theodolite Digital Sokkia DT 740, Theodolite Digital Nikon NE 100, 10 detik, Theodolite Digital Nikon NE 101, 7 detik, Theodolite Digital Nikon NE 102, 5 detik, Theodolite Digital Nikon NE 103, 5 detik, Theodolite Digital Minds CDT05, Theodolite Digital South ET02,, GPS GEODETIC GPS GEODETIC Statik South H66 GPS GEODETIC Promark 120 Gnss GPS GEODETIC Promark 220 RTK GPS GEODETIC South S 86 2013 RTK GPS GEODETIC RTK South S 86 T GPS GEODETIC HI-TARGET H32 RTK GPS GEODETIC HI-TARGET V 90 PLUS RTK GNSS GPS GEODETIC HI-TARGET V 60 RTK GNSS GPS GEODETIC HI-TARGET V30 RTK GNSS GPS GEODETIC HI-TARGET Statik V30 X GPS GEODETIC Topcon Hiver V
A glossary of data-video terms,and how they relate to Dukane's products.
Bill McIntosh
Authorized Dukane Consultant
Phone :843-442-8888
Email :WKMcIntosh@Comcast.net
You can find information on all of Dukane products here
http://www.slideshare.net/WKMcIntoshIII/documents
http://www.slideshare.net/WKMcIntoshIII/presentations
http://www.slideshare.net/WKMcIntoshIII/videos.
Here is the main the main Dukane website
www.dukane.com/av
Similar to Dolby atmos-cinema-technical-guidelines (20)
Table ronde Etats généraux de la Production Cinéma en France
"Du film au cinéma numérique "
La démarche entamée par la Fédération des Industries du Cinéma, de l’Audiovisuel et du Multimédia (FICAM), à l’aune des « évènements QUINTA » justifie pleinement cette Rencontre qui a réuni pour la 1ère fois les quatre grandes familles du cinéma - Artistique, Production, Diffusion, Technique, le lundi 19 mars au Studio Gabriel.
L’enjeu était, d’une part, de fixer les nouveaux repères du cinéma numérique, et d’autre part d’analyser « l’autre vérité » de la production en France, une réalité industrielle fragile, éloignée de toutes les récompenses que récolte actuellement le cinéma français.
Présentation de Martin Trickey (Responsable de production cross-plateforme BBC) au Forum Blanc 2012 - Quelles stratégies pour les diffuseurs historiques ?
Présentation powerpoint diffusée lors de la réunion d'information du 22 novembre au club de l'étoile sur le thème des changements en matière d'intensité sonore des films publicitaires à la télévision
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
Follow us on: Pinterest
Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
Focused television virtuality crime, novel.
The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
2. Table of Contents
1 Introduction
.......................................................................................................................... 3
1.1 Overview...................................................................................................................... 3
1.2 Purpose and Scope................................................................................................... 3
1.2.1 Purpose.......................................................................................................... 3
1.2.2 Scope.............................................................................................................. 3
2 Dolby Atmos System Design................................................................................................ 4
2.1 Screen Loudspeakers............................................................................................... 4
2.1.1 Placement and Elevation........................................................................... 4
2.1.2 Aiming............................................................................................................. 6
2.1.3 Screen Subwoofers.................................................................................... 8
2.2 Surround Loudspeakers.......................................................................................... 9
2.2.1 Additional Surrounds................................................................................. 9
2.2.2 Side and Rear Surround Spacing..........................................................10
2.2.3 Side and Rear Surround Elevation........................................................11
2.2.4 Side and Rear Surround Aiming............................................................12
2.2.5 Top Surround Placement.........................................................................14
2.2.6 Top Surround Aiming................................................................................16
2.2.7 Surround Speaker Wiring........................................................................17
2.3 Surround Subwoofers............................................................................................18
2 Dolby Atmos Cinema Technical Guidelines
3. 1 Introduction
1.1 Overview
Dolby® Atmos achieves unprecedented levels of audience immersion and
engagement by offering powerful new authoring tools to mixers. Its new cinema
processor features a flexible rendering engine that optimizes the audio quality and
surround effects of the Dolby Atmos soundtrack to each room’s loudspeaker layout
and characteristics. In addition, Dolby Atmos has been designed from the ground
up to maintain backward compatibility and minimize the impact on production,
distribution, and exhibition workflows.
The introduction of a new audio format allows for changes in the design of sound
systems without breaking compatibility with existing practices. Dolby has revisited
critical areas of soundtrack reproduction, including equipment performance, layout,
and installation for dubbing theaters and cinemas. This white paper describes how
to equip auditoriums for Dolby Atmos playback.
1.2 Purpose and Scope
1.2.1 Purpose
This document is primarily intended to be a quick design reference for those
involved in the planning of cinemas. Its aim is to help exhibitors determine where
loudspeakers should be installed for the highest-quality Dolby Atmos reproduction.
1.2.2 Scope
Subjects pertaining to speaker placement and orientation are discussed with
recommended design targets. Flexibility within these guidelines may be necessary
to ensure that the Dolby Atmos playback is as universal and practical as possible.
Final loudspeaker placement will depend on conditions such as the physical
dimension of the auditorium, elevation change in the seating area, architectural
and mechanical constraints of each auditorium, and mechanical design and
performance of loudspeakers. Note that these guidelines contain a range of options,
particularly with respect to placement of surround speakers.
These guidelines do not address auditorium design, image size, acoustics,
loudspeaker mounting, safety, or other regulatory issues such as building and
electrical codes.
Dolby Atmos Cinema Technical Guidelines 3
4. 2 Dolby Atmos System Design
2.1 Screen Loudspeakers
2.1.1 Placement and Elevation
The Center speaker should always be placed at the center line of the screen
regardless of the position of the screen within an auditorium. In traditionally
designed cinemas, the Left and Right screen speakers should be positioned midway
between the 1.85:1 (flat) and 2.39:1 (scope) images, as illustrated in Figure 1. For
those auditoriums in which the screen width is greater than 12 meters (40 ft),
the addition of two additional screen loudspeakers can be beneficial in creating
smoother pans across the screen. If installed, the Left Center (Lc) and Right Center
(Rc) speakers should be placed midway between the Center speaker and the Left
and Right speakers. It is recommended that all screen speakers be identical.
In traditionally designed auditoriums with fixed image height, the screen
speakers should be positioned vertically so that the acoustic center elevation is
approximately two-thirds of the screen height.
The acoustic center will vary with speaker design type, but it is typically located at
the midpoint of the horn for a two-way screen speaker or just between the middle-
and high-frequency horns for a three-way screen loudspeaker system.
The acoustic center will vary with speaker design type, but it is typically located at
the midpoint of the horn for a two-way screen speaker or just between the middle-
and high-frequency horn for a three-way screen loudspeaker system.
Figure 1. Placement of Screen Speakers in Traditionally Designed Cinemas
4 Dolby Atmos Cinema Technical Guidelines
5. In auditoriums with fixed image width and top moving masking, the Left and
Right screen speakers should be placed just at the inside edge of the image. Due
to the variable height, a compromise must be made for the vertical position. Dolby
recommends positioning the acoustic center midway between two-thirds of the
screen height for the flat and scope images, as illustrated in Figure 2.
Figure 2. Placement of Screen Speakers in Cinemas with Fixed Image Width and Top Moving Masking
Dolby Atmos Cinema Technical Guidelines 5
6. 2.1.2 Aiming
The screen speakers should be rotated horizontally so the axis of the speaker is
oriented at a point two-thirds back in the auditorium along the center line of the
image. Only the horns should be rotated horizontally for speakers mounted in a 2 Π
wall (baffle wall), keeping the woofers flush with the wall.
Figure 3. Rotation of Screen Speakers
6 Dolby Atmos Cinema Technical Guidelines
7. The screen speaker horns should be oriented to provide the best coverage over
the seating area. A number of factors will affect coverage, including the vertical
dispersion characteristics of the speaker, speaker elevation, length of the auditorium,
and change in elevation over the seating area. Refer to the speaker manufacturer’s
literature to determine the downward elevation angle that will yield the best
coverage for your auditorium.
Figure 4. Rotation of Screen Speaker Horns
Dolby Atmos Cinema Technical Guidelines 7
8. 2.1.3 Screen Subwoofers
Subwoofers, for low-frequency effects (LFE), should be placed on the floor behind
the screen, at the rear wall junction, or flush-mounted in a screen wall. When
multiple subwoofers are used, Dolby recommends they be clustered together to
increase the effective efficiency through mutual coupling. The subwoofer cluster
should be placed asymmetrically with respect to the center of the room to minimize
stimulation of standing waves (room modes).
Figure 5. Placement of Screen Subwoofers
8 Dolby Atmos Cinema Technical Guidelines
9. 2.2 Surround Loudspeakers
2.2.1 Additional Surrounds
One of the main differences between Dolby Atmos and Dolby Surround 7.1 or 5.1 is the
position of surround speakers. Dolby Atmos provides the ability to precisely position
sound from anywhere in an auditorium. To accomplish this, additional surround
speakers are added to the sidewalls and ceiling. Side surround arrays should extend
closer to the screen than previous recommended practices of loudspeaker placement,
starting at one-third the distance to the back of the auditorium. Top surround speakers
are mounted as illustrated in Figure 6 and as described in the Top Surround Placement
and Top Surround Aiming sections of this document.
Figure 6. Placement of Surround Speakers for Dolby Atmos
Dolby Atmos Cinema Technical Guidelines 9
10. 2.2.2 Side and Rear Surround Spacing
As a rule of thumb for an average-sized theater, the spacing of surround speakers
should be between 2 and 3 meters (6´6˝ and 9´9˝), with Left and Right Surround
speakers placed symmetrically. However, the spacing of surround speakers is most
effectively considered in terms of angles subtended from a given listener between
adjacent loudspeakers, as opposed to absolute distances between loudspeakers.
For optimal spatial resolution throughout the auditorium, the angular distance
between adjacent loudspeakers should be 30 degrees or less, referenced from the
midpoint between two loudspeakers at the edge of the central listening area. The
central listening area is defined as those seats more than one-quarter room-width
from the nearest wall, as represented in grey in Figure 7. Loudspeaker spacing
adjacent to the seating area should remain linear where possible. The surround
speaker spacing beyond the listening area, for example, between the front row and
the screen or in the rear corners, can be slightly wider. If using surround speakers
with limited output power capability, more speakers may be required to meet
sound pressure level requirements.
Figure 7. Prime Listening Area and Angular Distance Between Adjacent Speakers
10 Dolby Atmos Cinema Technical Guidelines
11. 2.2.3 Side and Rear Surround Elevation
The side and rear surround speakers should be mounted subject to the
following constraints:
• The elevation of the surround speaker closest to the screen should match the
elevation of the acoustic center of the screen speaker.
• The elevation for the speakers along the rear wall should:
• Be consistent with the relative elevation of the surround closest to
the screen—as the seating elevation increases toward the rear of the
auditorium, the surround speaker elevation should similarly increase.
• Be out of the reach of patrons, where possible, to prevent damage, theft, and
so on.
• Be sufficiently high to maintain good coverage across the seating area
according to the directivity of the speaker. One-quarter room-width is a
good guideline.
• The vertical placement of the side surround speakers should form a straight
line from the speaker closest to the screen to the speakers along the rear wall
of the auditorium.
Figure 8. Elevation of Side and Rear Surround Speakers
Dolby Atmos Cinema Technical Guidelines 11
12. 2.2.4 Side and Rear Surround Aiming
Side surround speakers should be tilted to orient the axis of each speaker to the
seated ear height of a listener in the farthest seat at the opposite side of the room,
as illustrated in Figure 9.
Figure 9. Aiming of Side Surround Speakers
Rear surround speakers should be tilted to orient the axis of each loudspeaker to
the seated ear height of a listener in the front row, as illustrated in Figure 10.
Figure 10. Aiming of Rear Surround Speakers
12 Dolby Atmos Cinema Technical Guidelines
13. Side surround speakers in front of the seating area and surround speakers in the
rear corners of the auditorium should be angled horizontally toward the center of
the seating area, subject to the following constraints:
• The horizontal rotation of any speaker should not exceed 45 degrees.
• The axis of the side surround speakers positioned along the main portion of
the seating area should be perpendicular to the lengthwise center line of the
room.
• The axis of the rear surround speakers positioned along the main portion of
the seating area should be parallel to the lengthwise center line of the room.
Figure 11. Angling of Side Surround Speakers
Dolby Atmos Cinema Technical Guidelines 13
14. 2.2.5 Top Surround Placement
Overhead speakers should be installed in two arrays from the screen to the back
wall, nominally in alignment with the Lc and Rc screen channels for a typical
auditorium. Overhead speakers should always be placed symmetrically with
respect to the center of the screen. The overhead speakers should have the same
design characteristics as the side and rear surround speakers for consistent
matching of timbre.
The number and spacing of the top surround speakers should be based on the
position of the side surround speakers. It is important to ensure that the projection
light path is not obstructed by one or more of the top surround speakers.
Figure 12. Placement of Top Surround Speakers
The lateral position of the arrays should be chosen to optimize spatial immersion
and uniformity across the listening area. As stated earlier, placing the top surround
speaker arrays in alignment with Lc and Rc screen channels will generally produce
good results. For rooms in which the seating area is significantly wider than the
screen, or the top surrounds are mounted significantly higher than the level of the
top of the screen, it is desirable to have the overhead arrays more widely spaced.
14 Dolby Atmos Cinema Technical Guidelines
15. The minimum width for spacing of top surround speakers conforms to the spacing
of the Lc and Rc screen speakers. The maximum width between top surround
speakers should be determined based on elevation angles as follows.
Let E be the elevation angle of the nearest side surround measured from the
reference position, a point two-thirds back in the auditorium in the middle of the
seating area. The elevation angle of the corresponding top surround array should
be greater than or equal to 45 degrees plus half of angle E, as shown in Figure 13.
For example, if E is 20 degrees, then the elevation angle of the top surround array
should be greater than or equal to 55 degrees.
Figure 13. Maximum Width Between Top Surround Speakers
Dolby Atmos Cinema Technical Guidelines 15
16. 2.2.6 Top Surround Aiming
In order to provide optimum coverage, the top surround speakers should be angled
laterally (across the auditorium) to a position halfway between the overhead
speaker’s lateral position and the center line of the auditorium, as illustrated in
Figure 14.
Figure 14. Lateral Angle of Top Surround Speakers
Top surrounds should be angled longitudinally (along the length of the auditorium)
in the same manner as the side surrounds. Taking 0 degrees as aiming vertically
downward:
16 Dolby Atmos Cinema Technical Guidelines
17. • No speaker angle should exceed 45 degrees.
• Speakers adjacent to the front and rear of the seating area should not exceed
30 degrees.
• Speakers over the central listening area should be left at 0 degrees.
Figure 15. Longitudinal Angle of Top Surround Speakers
2.2.7 Surround Speaker Wiring
All surround speakers should be individually wired back to the location of the
amplifiers and individually powered such that one speaker is directly connected to
one channel of amplification.
Dolby Atmos Cinema Technical Guidelines 17
18. 2.3 Surround Subwoofers
The timbral consistency of objects panned from the screen speakers to surround zones
is improved when bass performance remains consistent from speaker to speaker.
However, surround speakers are typically not designed for the reproduction of
frequency much below 100 Hz. Dolby has found that the low-frequency performance
for surround speakers can be improved by using bass management to redirect the
bass information from surround feeds to stereo subwoofers at the back of the room.
Bass information from surround zones in the left half of the room is redirected toward
one or more subwoofers in the rear left of the auditorium; likewise, bass information
from surround zones in the right half of the room is redirected toward one or more
subwoofers in the rear right of the auditorium. The following guidelines pertain to
placement of surround subwoofers in auditoriums.
• Locate subwoofers in the back third of the auditorium along the sidewalls, rear
wall, or ceiling.
• Provide sufficient separation between the subwoofer(s) for the left surround
zones and subwoofer(s) for the right surround zones.
• Avoid placing subwoofers in the rear corner of the auditorium—this will
prevent maximum excitation of room modes. The minimum distance from a
surround subwoofer to the rear corner should be approximately one meter.
18 Dolby Atmos Cinema Technical Guidelines