The documentary used a mix of actual footage, interviews, archive material, and narration to tell the linear story about a woman and her brother, who was a murderer. Camera work included conventional interview framing as well as point-of-view shots to emphasize emotions. Graphics were simple, using only white text for the title and to indicate locations. Archive material featured childhood photos and information about the brother's crime. Editing employed basic cuts, and sound included narration and sparse sad instrumental music. Mise-en-scene settings were also simple, featuring locations relevant to the woman's story.