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Digital media at the
Crossroads
w w w. d i g i t a l m e d i a a t t h e c r o s s r o a d s . c a
Canadian media in
digital universe
1 Speakers:
Peter Lyman, Senior Partner, Kristian Roberts, Partner, Julie Whelan,
Manager, and Negin Zebarjad, Senior Consultant, Nordicity Group
Limited, Toronto
Growing digital population:
 29.4 million: total Canadian digital population
• 27.9 million are reached through desktop
 Many new models are bypassing the traditional
Canadian distribution systems (Crave TV, Shomi)
 Advertising budgets are going to digital.
• Internet spending is on the rise.
Film and TV:
 Older demographic is watching more TV
 Younger demographic is watching Netflix
 TV budget is in decline, as opposed to Internet
 This affects local television and stations may close as a
result.
 50% of the small to medium stations will close by
2020.
 $350 million less will be invested in the production of
content by 2020.
v
b
-Peter Lyman
Senio r Pa rtner, No rdicity
Group
All is not lost, but it will not be
easy.“
Books, Newspapers, Magazines
 Canadian book market: total value of the market
has dropped.
 Books continue to sell. E books represent 15-20%
of the market.
 Books still appeal to the younger generation.
 In 2013, 29% of the books purchased in Canada in
any format were purchased online (Amazon, Indigo,
ibooks, audible).
 By 2015 the percentage increased to 45%.
v
b
Digital disrupts this industry.
!
Everything is going mobile.
 Newspaper industry has experienced a sharp
decline.
 Advertisers are spending with Google and
Facebook.
 The whole competitive landscape is changing.
Who will step in this environment?
Buzz Feed, Huffington Post?
?
Books, Newspapers, Magazines
Wrap-up:
 Magazines: demand somewhat protected but risk
and pressures still evident
 Newspaper: major business loss
 Books: continue to invest
v
b
Music:
 New distribution models emerge (Spotify)
 New revenue systems
 New audiences
 Apple/ Google tax is 30%
 Streaming needs market power
v
b
However….
More noise, less signal: everyone is
trying to sell music online.“
Games:
 This industry never became digital, it was always
digital
 90% of people are employed by 5% of the top
companies
 The industry is supported by Tax Credits.
v
b
Canadian stories vs. Made by
Canadians: Canadian beavers
shooting maple syrup? Not really…“
-Kristian Roberts
Pa rtner, No rdicity Gro up
Games (continued):
 Canadians are employed to only design the games
for the global market.
 It drives international investment and employment
in Canada.
 But much industry revenue is offshore.
v
b
-Peter Lyman
Senio r Pa rtner, No rdicity
Group
There is no going back.
Consumers have spoken.“
The rise of digital advertising:
 OTT disrupts broadcasting regulation and takes a
large bite out of subscriber revenues
 The big challenge is discovery in the era of content.
 Self-publishing and artist entrepreneur models
work for some but place huge marketing burdens
on creators.
v
b
The rise of digital advertising:
 We have to recapture a portion of the distribution
revenues for developing Canadian content.
 Regulatory adjustments in the broadcasting sectors
have a big impact.
 There should be corporate development support
for independent Canadian content producers and
creative entrepreneurs.
v
b
Digital disruption in
the Canadian music
industry
2 Moderator: Don McLean, Dean, Faculty of Music, University of Toronto
Speaker: Richard Pfohl, General Counsel, Music Canada, AVLA
Panelists: Catherine Moore, Clinical Associate Professor of Music
Business, NYU Steinhardt School of Culture, Education, and Human
Development
Daniel G.C. Glover, McCarthy Tétrault LLP, Toronto, co-author, User's
Guide to Canadian Copyright Tariffs
Digital sales have
overtaken physical sales.
 CD sales have gone from 54% in 2010 to 26% in 2014.
 Week in November when the top 4 in the US Charts were
Canadian artists
 Enormous amount in discovering and marketing artists
 9 in 10 of YouTube’s most watched videos are music
videos
The music industry has faced major
disruption, but is meeting the challenge
by diversifying and adapting to the
rapidly changing market.
.
Challenges to record labels in
the past 18 years:
 Much more music is available( because of user
generated content and distribution)
 Much less music is new (there are more covers,
parodies, derivations)
 Difficult to measure the market and therefore
predict it
v
b
Adele’s 25:
 Digital downloads increased total sales to the
album – that`s why it broke so many records
 Record labels can still afford to pay for major retail
co - up deals (ex: Target in US)
 People are still buying CD’s
v
b
Incubate Accelerate
and Launch
3 Moderator:Doug Barrett, Bell Media Professor in Media Management
in the Arts & Media Administration MBA Program at the Schulich
School of Business of York University
Speakers: Valerie Fox, Chief Innovation Consultant, The Pivotal Point;
Co-Founder, Digital Media Zone, Ryerson University
Kristian Roberts, Partner, Nordicity Group Limited
Salim Teja, Executive Vice-President, Venture Services, MaRS Discovery
District, Toronto
Start with the best talent
 Start-ups need customers
 Industry needs innovation
 Remove barriers
 Build the business - connect industry to innovation
 Build international relationships
 Incubators are needed in all educational institutions.
Resources for start-ups:
Mars (website: https://www.marsdd.com/)
DNZ (website: https://dmz.ryerson.ca/)
v
b
Useful Links:
T he full repo rt which pres ents a review o f
the revenues , employment a nd future
trends in each s ector of the digital media
univers e in Ca na da , including televis io n,
film, mus ic, video s , ga mes a nd publis hing
(develo ped by No rdicity Gro up Limited,
co mmis s io ned by DM@X)
Click here to download it!
Useful Links:
Full notes , written by Martin Perez –
Pres ident o f the Humber e - BSA
Click here to view!
Slide show by:
Irina Gorea,
Digita l B us ines s Ma na gement Student a t
Humber Co llege
My LinkedIn profile

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Dm@x presentation

  • 1. Digital media at the Crossroads w w w. d i g i t a l m e d i a a t t h e c r o s s r o a d s . c a
  • 2. Canadian media in digital universe 1 Speakers: Peter Lyman, Senior Partner, Kristian Roberts, Partner, Julie Whelan, Manager, and Negin Zebarjad, Senior Consultant, Nordicity Group Limited, Toronto
  • 3. Growing digital population:  29.4 million: total Canadian digital population • 27.9 million are reached through desktop  Many new models are bypassing the traditional Canadian distribution systems (Crave TV, Shomi)  Advertising budgets are going to digital. • Internet spending is on the rise.
  • 4. Film and TV:  Older demographic is watching more TV  Younger demographic is watching Netflix  TV budget is in decline, as opposed to Internet  This affects local television and stations may close as a result.  50% of the small to medium stations will close by 2020.  $350 million less will be invested in the production of content by 2020. v b
  • 5. -Peter Lyman Senio r Pa rtner, No rdicity Group All is not lost, but it will not be easy.“
  • 6. Books, Newspapers, Magazines  Canadian book market: total value of the market has dropped.  Books continue to sell. E books represent 15-20% of the market.  Books still appeal to the younger generation.  In 2013, 29% of the books purchased in Canada in any format were purchased online (Amazon, Indigo, ibooks, audible).  By 2015 the percentage increased to 45%. v b
  • 7. Digital disrupts this industry. !
  • 8. Everything is going mobile.  Newspaper industry has experienced a sharp decline.  Advertisers are spending with Google and Facebook.  The whole competitive landscape is changing.
  • 9. Who will step in this environment? Buzz Feed, Huffington Post? ?
  • 10. Books, Newspapers, Magazines Wrap-up:  Magazines: demand somewhat protected but risk and pressures still evident  Newspaper: major business loss  Books: continue to invest v b
  • 11. Music:  New distribution models emerge (Spotify)  New revenue systems  New audiences  Apple/ Google tax is 30%  Streaming needs market power v b
  • 12. However…. More noise, less signal: everyone is trying to sell music online.“
  • 13. Games:  This industry never became digital, it was always digital  90% of people are employed by 5% of the top companies  The industry is supported by Tax Credits. v b
  • 14. Canadian stories vs. Made by Canadians: Canadian beavers shooting maple syrup? Not really…“ -Kristian Roberts Pa rtner, No rdicity Gro up
  • 15. Games (continued):  Canadians are employed to only design the games for the global market.  It drives international investment and employment in Canada.  But much industry revenue is offshore. v b
  • 16. -Peter Lyman Senio r Pa rtner, No rdicity Group There is no going back. Consumers have spoken.“
  • 17. The rise of digital advertising:  OTT disrupts broadcasting regulation and takes a large bite out of subscriber revenues  The big challenge is discovery in the era of content.  Self-publishing and artist entrepreneur models work for some but place huge marketing burdens on creators. v b
  • 18. The rise of digital advertising:  We have to recapture a portion of the distribution revenues for developing Canadian content.  Regulatory adjustments in the broadcasting sectors have a big impact.  There should be corporate development support for independent Canadian content producers and creative entrepreneurs. v b
  • 19. Digital disruption in the Canadian music industry 2 Moderator: Don McLean, Dean, Faculty of Music, University of Toronto Speaker: Richard Pfohl, General Counsel, Music Canada, AVLA Panelists: Catherine Moore, Clinical Associate Professor of Music Business, NYU Steinhardt School of Culture, Education, and Human Development Daniel G.C. Glover, McCarthy Tétrault LLP, Toronto, co-author, User's Guide to Canadian Copyright Tariffs
  • 20. Digital sales have overtaken physical sales.  CD sales have gone from 54% in 2010 to 26% in 2014.  Week in November when the top 4 in the US Charts were Canadian artists  Enormous amount in discovering and marketing artists  9 in 10 of YouTube’s most watched videos are music videos
  • 21. The music industry has faced major disruption, but is meeting the challenge by diversifying and adapting to the rapidly changing market. .
  • 22. Challenges to record labels in the past 18 years:  Much more music is available( because of user generated content and distribution)  Much less music is new (there are more covers, parodies, derivations)  Difficult to measure the market and therefore predict it v b
  • 23. Adele’s 25:  Digital downloads increased total sales to the album – that`s why it broke so many records  Record labels can still afford to pay for major retail co - up deals (ex: Target in US)  People are still buying CD’s v b
  • 24. Incubate Accelerate and Launch 3 Moderator:Doug Barrett, Bell Media Professor in Media Management in the Arts & Media Administration MBA Program at the Schulich School of Business of York University Speakers: Valerie Fox, Chief Innovation Consultant, The Pivotal Point; Co-Founder, Digital Media Zone, Ryerson University Kristian Roberts, Partner, Nordicity Group Limited Salim Teja, Executive Vice-President, Venture Services, MaRS Discovery District, Toronto
  • 25. Start with the best talent  Start-ups need customers  Industry needs innovation  Remove barriers  Build the business - connect industry to innovation  Build international relationships  Incubators are needed in all educational institutions.
  • 26. Resources for start-ups: Mars (website: https://www.marsdd.com/) DNZ (website: https://dmz.ryerson.ca/) v b
  • 27. Useful Links: T he full repo rt which pres ents a review o f the revenues , employment a nd future trends in each s ector of the digital media univers e in Ca na da , including televis io n, film, mus ic, video s , ga mes a nd publis hing (develo ped by No rdicity Gro up Limited, co mmis s io ned by DM@X) Click here to download it!
  • 28. Useful Links: Full notes , written by Martin Perez – Pres ident o f the Humber e - BSA Click here to view!
  • 29. Slide show by: Irina Gorea, Digita l B us ines s Ma na gement Student a t Humber Co llege My LinkedIn profile