The document provides guidance on designing effective information graphics and presentations. It discusses avoiding misrepresentation, identifying issues with example bar graphs, and using typography and layout techniques like grids and columns to structure graphics and slides so the information is easily readable at different distances. The key is using large, clear fonts and maximizing image size while maintaining a clear visual hierarchy and navigation through the use of grids, columns, and spacing.
The document discusses different types of evaluative and synthetic graphics and provides examples. It then covers principles for designing effective information graphics, including considering the audience, choosing appropriate graphic types based on the data, and formatting graphics for their intended medium or layout (e.g. reports, posters, slides). Guidelines are provided for font sizes, image scaling, and use of grids and columns across different formats.
This document provides guidance on designing effective information graphics and presentations for different formats and scales. It discusses best practices for layout, typography, and image scaling for reports viewed at 1-2 feet, boards viewed at 3-10 feet, and slides viewed at 10-30 feet. Specific recommendations are given around font sizes, column structure, grid layouts, and balancing text with large, legible images for each format. The document also contains examples of proper and improper graphic designs to illustrate its points.
Marketing· Product or Service · If product Product, Price, P.docxinfantsuk
Marketing
· Product or Service?
· If product: Product, Price, Place, Promotion (Consider whether consumer/industrial goods, durability of product,…)
· At what stage of the product life cycle is this market? Are we dealing with a new product category or a mature and well-established one?
· If service: what is the process of delivery? What are the qualifications of the service staff (in direct contact with customers)?
· How large is the market for the product/service? Is it growing or shrinking?
· What are the major forces influencing demand for this product/service?
· Is demand of product/service consistent over time? Does the demand fluctuate sharply or in response to temporal or cyclical factors?
· Can the organization satisfy the demand in the market?
· Who are the competitors serving this market and what are their market shares? How and why have these shares been changing over time?
· Are customers loyal to your product/brand?
· How is the market for this product/service segmented?
· What are the demographic characteristics of customers and potential customers in this market? Consider customer’s willingness to pay.
· Are there any major customer needs or wants which are not currently being satisfied?
· Is it difficult for customers to switch from your product to competitor’s products?
· How closely does the product/service match the need of the market?
· How well do the activities of the organization drive demand?
· How well do the activities of the organization ensure that the product/service is available to the customer at the moment and location of need?
· How would you rate the after-sales service and/or warranty services of the organization?
Collaborators and External Relationships:
· What types of relationships exist? Duration? For what services?
· Whose strengths best complement those of the organization?
· How will each partner benefit from a strategic alliance?
· What are the risks & rewards of collaboration?
Grid System Analysis
Design Grids are Not
Mathematical Grids
They have gutters, and
type fits in perfectly
against all the edges
They act as a tool to
divide images and words
in a satisfying way
This confuses a lot of
people a lot of the time.
This zine was made to
help you make design
grids and to give you the
resources to delve further
into the grid world.
written by
Andrew Maher
This process is necessary whenever creating a grid, as
it gives us the divisions on the page which we have to
follow if we want the grid to look really tight. You’re
going to have to trust me because you won’t see this
until a little further on down the track.
So we’re going to define how wide our text columns
are. Again think first about what it’s going to be used
for, if this were a book or a magazine, you want to give
the reader enough room on the outside of the page to
stick his or her thumbs on. But don’t forget the inside
of the page either, as they arch up more and more a ...
This document provides guidance on formatting design presentations for different media and contexts, including reports, boards, and slides. It discusses appropriate font sizes, image scaling, use of grids and columns, and other layout considerations for reports intended to be read at 1-2 feet, boards viewed from 2-10 feet, and slides viewed from 10-30 feet. The key recommendations are to use typography and columns for navigation, scale images proportionally to text for reports, organize boards thematically using a 3x3 grid, and maximize image size on slides with legible headers and text.
Presentation on Poster Design, January 2014, MITDUSP
January 15, 2014
duspviz@mit.edu
Presenter: Michael Foster (@mjfoster83)
Contributors to this presentation and content include Michael Foster (@mjfoster83), Chris Rhie (@chris_rhie), and Annemarie Gray (@annemariegray).
The Typography is an almost six-centuries-old practice, and we’ve came a long way since Gutenberg’s moveable types to the digital documents as we know it. But somewhere in between, the craftsmanship and best practices of printers and engravers were long forgotten by many web developers—who end up relying on the browser, frameworks, and trial-and-error values to properly display a website’s content.
In this talk, we’ll journey through the basic concepts of Typography; how we can use them to improve a content’s identity, architecture, and readability; and how to do it through HTML and CSS.
Seven Habits of Highly Effective Designers - IAP 2014DUSPviz
Presentation and workshop on Design Fundamentals and Poster Creation, January 2014, MIT DUSP - special focus on event poster creation.
January 15, 2014
duspviz@mit.edu
Presenter: Michael Foster (@mjfoster83)
Presentation is licensed under a CC-BY-SA 3.0 license: http://creativecommons.org/licenses/by-sa/3.0/. Significant contributors to this work include Michael Foster (@mjfoster83), Chris Rhie (@chris_rhie), and Annemarie Gray (@annemariegray).
The document provides guidance on designing effective information graphics and presentations. It discusses avoiding misrepresentation, identifying issues with example bar graphs, and using typography and layout techniques like grids and columns to structure graphics and slides so the information is easily readable at different distances. The key is using large, clear fonts and maximizing image size while maintaining a clear visual hierarchy and navigation through the use of grids, columns, and spacing.
The document discusses different types of evaluative and synthetic graphics and provides examples. It then covers principles for designing effective information graphics, including considering the audience, choosing appropriate graphic types based on the data, and formatting graphics for their intended medium or layout (e.g. reports, posters, slides). Guidelines are provided for font sizes, image scaling, and use of grids and columns across different formats.
This document provides guidance on designing effective information graphics and presentations for different formats and scales. It discusses best practices for layout, typography, and image scaling for reports viewed at 1-2 feet, boards viewed at 3-10 feet, and slides viewed at 10-30 feet. Specific recommendations are given around font sizes, column structure, grid layouts, and balancing text with large, legible images for each format. The document also contains examples of proper and improper graphic designs to illustrate its points.
Marketing· Product or Service · If product Product, Price, P.docxinfantsuk
Marketing
· Product or Service?
· If product: Product, Price, Place, Promotion (Consider whether consumer/industrial goods, durability of product,…)
· At what stage of the product life cycle is this market? Are we dealing with a new product category or a mature and well-established one?
· If service: what is the process of delivery? What are the qualifications of the service staff (in direct contact with customers)?
· How large is the market for the product/service? Is it growing or shrinking?
· What are the major forces influencing demand for this product/service?
· Is demand of product/service consistent over time? Does the demand fluctuate sharply or in response to temporal or cyclical factors?
· Can the organization satisfy the demand in the market?
· Who are the competitors serving this market and what are their market shares? How and why have these shares been changing over time?
· Are customers loyal to your product/brand?
· How is the market for this product/service segmented?
· What are the demographic characteristics of customers and potential customers in this market? Consider customer’s willingness to pay.
· Are there any major customer needs or wants which are not currently being satisfied?
· Is it difficult for customers to switch from your product to competitor’s products?
· How closely does the product/service match the need of the market?
· How well do the activities of the organization drive demand?
· How well do the activities of the organization ensure that the product/service is available to the customer at the moment and location of need?
· How would you rate the after-sales service and/or warranty services of the organization?
Collaborators and External Relationships:
· What types of relationships exist? Duration? For what services?
· Whose strengths best complement those of the organization?
· How will each partner benefit from a strategic alliance?
· What are the risks & rewards of collaboration?
Grid System Analysis
Design Grids are Not
Mathematical Grids
They have gutters, and
type fits in perfectly
against all the edges
They act as a tool to
divide images and words
in a satisfying way
This confuses a lot of
people a lot of the time.
This zine was made to
help you make design
grids and to give you the
resources to delve further
into the grid world.
written by
Andrew Maher
This process is necessary whenever creating a grid, as
it gives us the divisions on the page which we have to
follow if we want the grid to look really tight. You’re
going to have to trust me because you won’t see this
until a little further on down the track.
So we’re going to define how wide our text columns
are. Again think first about what it’s going to be used
for, if this were a book or a magazine, you want to give
the reader enough room on the outside of the page to
stick his or her thumbs on. But don’t forget the inside
of the page either, as they arch up more and more a ...
This document provides guidance on formatting design presentations for different media and contexts, including reports, boards, and slides. It discusses appropriate font sizes, image scaling, use of grids and columns, and other layout considerations for reports intended to be read at 1-2 feet, boards viewed from 2-10 feet, and slides viewed from 10-30 feet. The key recommendations are to use typography and columns for navigation, scale images proportionally to text for reports, organize boards thematically using a 3x3 grid, and maximize image size on slides with legible headers and text.
Presentation on Poster Design, January 2014, MITDUSP
January 15, 2014
duspviz@mit.edu
Presenter: Michael Foster (@mjfoster83)
Contributors to this presentation and content include Michael Foster (@mjfoster83), Chris Rhie (@chris_rhie), and Annemarie Gray (@annemariegray).
The Typography is an almost six-centuries-old practice, and we’ve came a long way since Gutenberg’s moveable types to the digital documents as we know it. But somewhere in between, the craftsmanship and best practices of printers and engravers were long forgotten by many web developers—who end up relying on the browser, frameworks, and trial-and-error values to properly display a website’s content.
In this talk, we’ll journey through the basic concepts of Typography; how we can use them to improve a content’s identity, architecture, and readability; and how to do it through HTML and CSS.
Seven Habits of Highly Effective Designers - IAP 2014DUSPviz
Presentation and workshop on Design Fundamentals and Poster Creation, January 2014, MIT DUSP - special focus on event poster creation.
January 15, 2014
duspviz@mit.edu
Presenter: Michael Foster (@mjfoster83)
Presentation is licensed under a CC-BY-SA 3.0 license: http://creativecommons.org/licenses/by-sa/3.0/. Significant contributors to this work include Michael Foster (@mjfoster83), Chris Rhie (@chris_rhie), and Annemarie Gray (@annemariegray).
The document discusses proper formatting for different types of information graphics depending on the medium and intended viewing distance. It provides guidelines for formatting reports to be read at 1-2 feet away, boards to be viewed at 2-10 feet away, and slides to be viewed at 10-30 feet away. The guidelines include appropriate font sizes, column layouts, image scaling, and balancing of text and images for each format.
This document discusses evaluative and synthetic graphics and provides guidance on design discretion. It addresses how to choose design strategies by considering the audience and understanding the strengths and limits of tools. Guidelines are presented for discretion in content, representation, and formatting. Specific recommendations are given for report, poster, and slide layouts including typography sizes, column structures, image scaling, and reading distances.
This document discusses evaluative and synthetic graphics and provides guidance on design discretion. It addresses how to choose design strategies by considering the audience and understanding the strengths and limits of tools. It provides examples of discretion in content, representation, and formatting. Formatting guidance is given for reports, posters, and slides in terms of layout, typography, and balancing text and images.
The document provides instructions and tips for creating a poster using a template. It includes details on editing the template, recommended font sizes, printing instructions, layout tips, adding graphics and images, and customizing headings and text. Guidelines are provided for elements like the title, headings, and body text. Sources for free images are also listed.
User Interface that works | Sergiu Puscas | CodeWeek 2015YOPESO
Polish your UI knowledge regarding:
- Elements and Principles of UI
- Functional Layout Design
- Web UI Patterns
- Mobile UI Patterns
- Real World Examples
- Q&A
Check the video here:
https://www.youtube.com/watch?v=eNvp8Vv9t5k
The document discusses different types of data sets that can be analyzed in data science. It describes record, graph and network, ordered, spatial, image and multimedia data. It then discusses key concepts related to data sets including data objects, attributes, attribute types (nominal, binary, numeric), and characteristics of data sets like dimensionality and sparsity. The document also lists some repositories for finding publicly available data sets and outlines strategies for getting data like being provided data, downloading data, or scraping data from the web. Finally, it introduces the topic of data visualization.
Visualization Typography: Designing Legends, Labels, Titles, and TextTrina Chiasson
The document discusses best practices for using text and labels in data visualizations. It addresses challenges like limited screen space and provides solutions like rotating labels, using line breaks, truncating text, and adding hover interactions. The document also covers using techniques like legends, placing labels near the relevant parts of charts, and balancing label lengths with bar sizes. The overall goal is to design visualization typography to clearly support data comprehension.
This document outlines guidelines for creating effective graphic designs. It discusses establishing a simple workflow, following basic design principles like using grids and limiting fonts, and providing clear visual hierarchies. Specific tips covered include using bold colors, designing at size, selecting impactful images, and ensuring legibility of text. The goal is to help novices create graphics that are simple yet communicate information in an organized, visually pleasing manner.
The document discusses various R graphics parameters (par) that control the size and layout of plots. It describes:
1) par functions like dev.size(), din, and pin that report the size of the graphics device and plotting region in inches or pixels.
2) par arguments like mai, mar, usr, and plt that control the plot margins, coordinates, and relative sizes of regions.
3) Other par functions like csi, cin, and cxy that provide metrics for character and string sizes to help scale text elements.
Data Visualization is widely used in industries in info-graphics design, business analytics, data analytics, advanced analytics, business intelligence dashboards, content marketing. It is the 1st part of 3 part series on data visualization. These techniques will enable you to create a good design UI/UX. It contains r codes useful for programmers to create good visual charts and depict a story to clients, customer, senior management, etc ...
PHStat Notes Using the PHStat Stack Data and .docxShiraPrater50
PHStat Notes
Using the PHStat Stack Data and Unstack Data Tools p. 28
One‐ and Two‐Way Tables and Charts p. 63
Normal Probability Tools p. 97
Generating Probabilities in PHStat p. 98
Confi dence Intervals for the Mean p. 136
Confi dence Intervals for Proportions p. 136
Confi dence Intervals for the Population Variance p. 137
Determining Sample Size p. 137
One‐Sample Test for the Mean, Sigma Unknown p. 169
One‐Sample Test for Proportions p. 169
Using Two‐Sample t ‐Test Tools p. 169
Testing for Equality of Variances p. 170
Chi‐Square Test for Independence p. 171
Using Regression Tools p. 209
Stepwise Regression p. 211
Best-Subsets Regression p. 212
Creating x ‐ and R ‐Charts p. 267
Creating p ‐Charts p. 268
Using the Expected Monetary Value Tool p. 375
Excel Notes
Creating Charts in Excel 2010 p. 29
Creating a Frequency Distribution and Histogram p. 61
Using the Descriptive Statistics Tool p. 61
Using the Correlation Tool p. 62
Creating Box Plots p. 63
Creating PivotTables p. 63
Excel‐Based Random Sampling Tools p. 134
Using the VLOOKUP Function p. 135
Sampling from Probability Distributions p. 135
Single‐Factor Analysis of Variance p. 171
Using the Trendline Option p. 209
Using Regression Tools p. 209
Using the Correlation Tool p. 211
Forecasting with Moving Averages p. 243
Forecasting with Exponential Smoothing p. 243
Using CB Predictor p. 244
Creating Data Tables p. 298
Data Table Dialog p. 298
Using the Scenario Manager p. 298
Using Goal Seek p. 299
Net Present Value and the NPV Function p. 299
Using the IRR Function p. 375
Crystal Ball Notes
Customizing Defi ne Assumption p. 338
Sensitivity Charts p. 339
Distribution Fitting with Crystal Ball p. 339
Correlation Matrix Tool p. 341
Tornado Charts p. 341
Bootstrap Tool p. 342
TreePlan Note
Constructing Decision Trees in Excel p. 376
This page intentionally left blank
Useful Statistical Functions in Excel 2010 Description
AVERAGE( data range ) Computes the average value (arithmetic mean) of a set of data.
BINOM.DIST( number_s, trials, probability_s, cumulative ) Returns the individual term binomial distribution.
BINOM.INV( trials, probability_s, alpha)
CHISQ.DIST( x, deg_freedom, cumulative )
CHISQ.DIST.RT( x, deg_freedom, cumulative )
CHISQ.TEST( actual_range, expected_range )
Returns the smallest value for which the cumulative binomial
distribution is greater than or equal to a criterion value.
Returns the left-tailed probability of the chi-square distribution.
Returns the right-tailed probability of the chi-square
distribution.
Returns the test for independence; the value of the chi-square
distribution and the appropriate degrees of freedom.
CONFIDENCE.NORM( alpha, standard_dev, size ) Retu ...
Concept
After reading the questionnaire and browsing the competitor’s website, it is understood that we are not talking about ordinary computers. These are custom-made powerful machines built depending on the client’s specific needs. The esthetic aspect is important but what makes these computers unique are the internal components, processor, memory, motherboard, etc. in other words, “THE FIRE IS INSIDE”
Shape
An illustration of a flame of fire could result in an overused idea with a cheap appearance. We found the right solution to communicate this idea by using the initials of the brand’s name. We placed the letter C under de letter W turned 90 grades. The final result is a simple shape where the negative space represents a flame. This concept supports the tagline “THE FIRE IS INSIDE”
Typography
We are using a sans serif font on the name and the icon. This is the perfect style to communicate the client’s values: Bold, exciting modern pure energy, and fun
Color
The colors selected were orange and black. Orange to represent the fire and the black to achieve a better definition of the shape
The document discusses CSS (Cascading Style Sheets) and how they can be used to control the appearance and layout of HTML documents. It covers the CSS box model, text formatting properties like color, background, fonts, and alignment. It also discusses table formatting, embedding styles inline or via external style sheets, and various properties for borders, margins, padding, and layout. Examples are provided to demonstrate how to style elements, control colors, borders and more to achieve different designs and layouts.
CSUN 2023 Automated Descriptions 3 March 2023 TG.pptxTed Gies
Highcharts is a world leading provider of accessible charting tools for the web, used by 80 of the top 100 Fortune companies. Recently Highcharts and global publishing company Elsevier’s Digital Accessibility Team collaborated to provide better accessibility for line charts with large datasets. Line charts are often used to visualize datasets with thousands of data points. This presents a challenge for non-visual access, as providing access to individual data points is not sufficient. A reader of a line chart with a large amount of data will aim to extract information about trends, patterns, and outliers from the chart. Can we make this information more accessible by communicating it through text and sound? What is the most intuitive way to experience this data through sound? And to which extent can we automate the text description? Human authored text descriptions of charts are historically difficult to beat, but can in many cases be impractical – such as where data is dynamically loaded in real-time. Automated text descriptions can also be designed to be more objective and less prone to biases. Will users be able to trust these descriptions? Will they still prefer those created by a human? With each of the new accessibility research questions we will provide user feedback from non-sighted users on our approaches. We will share findings about best practices, and show screen reader demos to help illustrate design considerations.
This document discusses typography fundamentals and guidelines for graphic design. It covers topics like typeface categories, font characteristics, layout tips, and file formats. It also provides guidance on website requirements gathering, including defining the owner and user's goals, technical considerations, determining costs and timelines, and preparing a project bid. The key aspects are selecting appropriate fonts based on readability, balancing white space and text formatting, and understanding client and user needs for a website.
Creating mobile content presents some interesting challenges for the designer and developer alike. From screen size, button size, typeface, and layout decisions to using unique mobile capabilities such as the accelerometer, gestures and geolocation. In this presentation, I provide clear solutions to these questions and show how they can be easily executed.
Looking for best Web Design Company? Techinventive is a professional best Website Design and Development Company at best price in India, France, Canada, US. Call us Now.
The document discusses proper formatting for different types of information graphics depending on the medium and intended viewing distance. It provides guidelines for formatting reports to be read at 1-2 feet away, boards to be viewed at 2-10 feet away, and slides to be viewed at 10-30 feet away. The guidelines include appropriate font sizes, column layouts, image scaling, and balancing of text and images for each format.
This document discusses evaluative and synthetic graphics and provides guidance on design discretion. It addresses how to choose design strategies by considering the audience and understanding the strengths and limits of tools. Guidelines are presented for discretion in content, representation, and formatting. Specific recommendations are given for report, poster, and slide layouts including typography sizes, column structures, image scaling, and reading distances.
This document discusses evaluative and synthetic graphics and provides guidance on design discretion. It addresses how to choose design strategies by considering the audience and understanding the strengths and limits of tools. It provides examples of discretion in content, representation, and formatting. Formatting guidance is given for reports, posters, and slides in terms of layout, typography, and balancing text and images.
The document provides instructions and tips for creating a poster using a template. It includes details on editing the template, recommended font sizes, printing instructions, layout tips, adding graphics and images, and customizing headings and text. Guidelines are provided for elements like the title, headings, and body text. Sources for free images are also listed.
User Interface that works | Sergiu Puscas | CodeWeek 2015YOPESO
Polish your UI knowledge regarding:
- Elements and Principles of UI
- Functional Layout Design
- Web UI Patterns
- Mobile UI Patterns
- Real World Examples
- Q&A
Check the video here:
https://www.youtube.com/watch?v=eNvp8Vv9t5k
The document discusses different types of data sets that can be analyzed in data science. It describes record, graph and network, ordered, spatial, image and multimedia data. It then discusses key concepts related to data sets including data objects, attributes, attribute types (nominal, binary, numeric), and characteristics of data sets like dimensionality and sparsity. The document also lists some repositories for finding publicly available data sets and outlines strategies for getting data like being provided data, downloading data, or scraping data from the web. Finally, it introduces the topic of data visualization.
Visualization Typography: Designing Legends, Labels, Titles, and TextTrina Chiasson
The document discusses best practices for using text and labels in data visualizations. It addresses challenges like limited screen space and provides solutions like rotating labels, using line breaks, truncating text, and adding hover interactions. The document also covers using techniques like legends, placing labels near the relevant parts of charts, and balancing label lengths with bar sizes. The overall goal is to design visualization typography to clearly support data comprehension.
This document outlines guidelines for creating effective graphic designs. It discusses establishing a simple workflow, following basic design principles like using grids and limiting fonts, and providing clear visual hierarchies. Specific tips covered include using bold colors, designing at size, selecting impactful images, and ensuring legibility of text. The goal is to help novices create graphics that are simple yet communicate information in an organized, visually pleasing manner.
The document discusses various R graphics parameters (par) that control the size and layout of plots. It describes:
1) par functions like dev.size(), din, and pin that report the size of the graphics device and plotting region in inches or pixels.
2) par arguments like mai, mar, usr, and plt that control the plot margins, coordinates, and relative sizes of regions.
3) Other par functions like csi, cin, and cxy that provide metrics for character and string sizes to help scale text elements.
Data Visualization is widely used in industries in info-graphics design, business analytics, data analytics, advanced analytics, business intelligence dashboards, content marketing. It is the 1st part of 3 part series on data visualization. These techniques will enable you to create a good design UI/UX. It contains r codes useful for programmers to create good visual charts and depict a story to clients, customer, senior management, etc ...
PHStat Notes Using the PHStat Stack Data and .docxShiraPrater50
PHStat Notes
Using the PHStat Stack Data and Unstack Data Tools p. 28
One‐ and Two‐Way Tables and Charts p. 63
Normal Probability Tools p. 97
Generating Probabilities in PHStat p. 98
Confi dence Intervals for the Mean p. 136
Confi dence Intervals for Proportions p. 136
Confi dence Intervals for the Population Variance p. 137
Determining Sample Size p. 137
One‐Sample Test for the Mean, Sigma Unknown p. 169
One‐Sample Test for Proportions p. 169
Using Two‐Sample t ‐Test Tools p. 169
Testing for Equality of Variances p. 170
Chi‐Square Test for Independence p. 171
Using Regression Tools p. 209
Stepwise Regression p. 211
Best-Subsets Regression p. 212
Creating x ‐ and R ‐Charts p. 267
Creating p ‐Charts p. 268
Using the Expected Monetary Value Tool p. 375
Excel Notes
Creating Charts in Excel 2010 p. 29
Creating a Frequency Distribution and Histogram p. 61
Using the Descriptive Statistics Tool p. 61
Using the Correlation Tool p. 62
Creating Box Plots p. 63
Creating PivotTables p. 63
Excel‐Based Random Sampling Tools p. 134
Using the VLOOKUP Function p. 135
Sampling from Probability Distributions p. 135
Single‐Factor Analysis of Variance p. 171
Using the Trendline Option p. 209
Using Regression Tools p. 209
Using the Correlation Tool p. 211
Forecasting with Moving Averages p. 243
Forecasting with Exponential Smoothing p. 243
Using CB Predictor p. 244
Creating Data Tables p. 298
Data Table Dialog p. 298
Using the Scenario Manager p. 298
Using Goal Seek p. 299
Net Present Value and the NPV Function p. 299
Using the IRR Function p. 375
Crystal Ball Notes
Customizing Defi ne Assumption p. 338
Sensitivity Charts p. 339
Distribution Fitting with Crystal Ball p. 339
Correlation Matrix Tool p. 341
Tornado Charts p. 341
Bootstrap Tool p. 342
TreePlan Note
Constructing Decision Trees in Excel p. 376
This page intentionally left blank
Useful Statistical Functions in Excel 2010 Description
AVERAGE( data range ) Computes the average value (arithmetic mean) of a set of data.
BINOM.DIST( number_s, trials, probability_s, cumulative ) Returns the individual term binomial distribution.
BINOM.INV( trials, probability_s, alpha)
CHISQ.DIST( x, deg_freedom, cumulative )
CHISQ.DIST.RT( x, deg_freedom, cumulative )
CHISQ.TEST( actual_range, expected_range )
Returns the smallest value for which the cumulative binomial
distribution is greater than or equal to a criterion value.
Returns the left-tailed probability of the chi-square distribution.
Returns the right-tailed probability of the chi-square
distribution.
Returns the test for independence; the value of the chi-square
distribution and the appropriate degrees of freedom.
CONFIDENCE.NORM( alpha, standard_dev, size ) Retu ...
Concept
After reading the questionnaire and browsing the competitor’s website, it is understood that we are not talking about ordinary computers. These are custom-made powerful machines built depending on the client’s specific needs. The esthetic aspect is important but what makes these computers unique are the internal components, processor, memory, motherboard, etc. in other words, “THE FIRE IS INSIDE”
Shape
An illustration of a flame of fire could result in an overused idea with a cheap appearance. We found the right solution to communicate this idea by using the initials of the brand’s name. We placed the letter C under de letter W turned 90 grades. The final result is a simple shape where the negative space represents a flame. This concept supports the tagline “THE FIRE IS INSIDE”
Typography
We are using a sans serif font on the name and the icon. This is the perfect style to communicate the client’s values: Bold, exciting modern pure energy, and fun
Color
The colors selected were orange and black. Orange to represent the fire and the black to achieve a better definition of the shape
The document discusses CSS (Cascading Style Sheets) and how they can be used to control the appearance and layout of HTML documents. It covers the CSS box model, text formatting properties like color, background, fonts, and alignment. It also discusses table formatting, embedding styles inline or via external style sheets, and various properties for borders, margins, padding, and layout. Examples are provided to demonstrate how to style elements, control colors, borders and more to achieve different designs and layouts.
CSUN 2023 Automated Descriptions 3 March 2023 TG.pptxTed Gies
Highcharts is a world leading provider of accessible charting tools for the web, used by 80 of the top 100 Fortune companies. Recently Highcharts and global publishing company Elsevier’s Digital Accessibility Team collaborated to provide better accessibility for line charts with large datasets. Line charts are often used to visualize datasets with thousands of data points. This presents a challenge for non-visual access, as providing access to individual data points is not sufficient. A reader of a line chart with a large amount of data will aim to extract information about trends, patterns, and outliers from the chart. Can we make this information more accessible by communicating it through text and sound? What is the most intuitive way to experience this data through sound? And to which extent can we automate the text description? Human authored text descriptions of charts are historically difficult to beat, but can in many cases be impractical – such as where data is dynamically loaded in real-time. Automated text descriptions can also be designed to be more objective and less prone to biases. Will users be able to trust these descriptions? Will they still prefer those created by a human? With each of the new accessibility research questions we will provide user feedback from non-sighted users on our approaches. We will share findings about best practices, and show screen reader demos to help illustrate design considerations.
This document discusses typography fundamentals and guidelines for graphic design. It covers topics like typeface categories, font characteristics, layout tips, and file formats. It also provides guidance on website requirements gathering, including defining the owner and user's goals, technical considerations, determining costs and timelines, and preparing a project bid. The key aspects are selecting appropriate fonts based on readability, balancing white space and text formatting, and understanding client and user needs for a website.
Creating mobile content presents some interesting challenges for the designer and developer alike. From screen size, button size, typeface, and layout decisions to using unique mobile capabilities such as the accelerometer, gestures and geolocation. In this presentation, I provide clear solutions to these questions and show how they can be easily executed.
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Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey ...SirmaDuztepeliler
"Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey Toward Sustainability"
The booklet of my master’s thesis at the Department of Architecture and Civil Engineering at Chalmers University of Technology. (Gothenburg, Sweden)
This thesis explores the transformation of the vacated (2023) IKEA store in Kållered, Sweden, into a "Reuse Hub" addressing various user types. The project aims to create a model for circular and sustainable economic practices that promote resource efficiency, waste reduction, and a shift in societal overconsumption patterns.
Reuse, though crucial in the circular economy, is one of the least studied areas. Most materials with reuse potential, especially in the construction sector, are recycled (downcycled), causing a greater loss of resources and energy. My project addresses barriers to reuse, such as difficult access to materials, storage, and logistics issues.
Aims:
• Enhancing Access to Reclaimed Materials: Creating a hub for reclaimed construction materials for both institutional and individual needs.
• Promoting Circular Economy: Showcasing the potential and variety of reusable materials and how they can drive a circular economy.
• Fostering Community Engagement: Developing spaces for social interaction around reuse-focused stores and workshops.
• Raising Awareness: Transforming a former consumerist symbol into a center for circular practices.
Highlights:
• The project emphasizes cross-sector collaboration with producers and wholesalers to repurpose surplus materials before they enter the recycling phase.
• This project can serve as a prototype for reusing many idle commercial buildings in different scales and sizes.
• The findings indicate that transforming large vacant properties can support sustainable practices and present an economically attractive business model with high social returns at the same time.
• It highlights the potential of how sustainable practices in the construction sector can drive societal change.
5. Improving your designs with tactics.
Readability, Credibility,
Scannability, Understanding,
Legibility.
“I’ll never be able to make this look good, I’m not an artist!”
8. Stick with 2 or 3 colors
- Primary
- Secondary
- Tertiary
- Positive
- Negative
- Warning
Grey shades, Black and White
Use primary color shades for 30% in application development
12. Font matters more than you think
Readability, Scannability
h1, h2, h3, h4, p, b
13.
14. Golden Ratio Typography
- Font size (f)
- Line Height (h)
- Character per line (cpl)
- Line Width (w)
Golden Ration (g) = 1.6183
“By employing Golden Ratio Typography, you can be sure your site
has a golden symphony that will appeal to everyone.”
19. Most systems I’ve worked use 16. It’s a good default font size. It’s a factor of all screen resolutions (320, 768, 1024).
And it provides memorable multiples greater (32, 64, …) and factors less (8, 4, 2) than where it starts.
20. Use a t-shirt size scale. Medium corresponds to default and S, XS, L, XL and—if necessary
XXS and XXL are other options
Linear progression from 4 to 32. R
eally, you need all these options?
Geometric progression, doubling each step. %s represent
proportional use in our library.
21. Spacing Vocabularies
- Inset
- Inset squish
- Inset stretch
- Stack
- Inline
- Grid
Cover the vast majority of our library’s CSS rules for space: padding, margin, left, right, top, and bottom
22.
23. Inset = Square
Squished inset in buttons,
data table cells, and
list group items
stretching the insets of textboxes, textareas, and
other form elements.
Stack message on heading on data table.
Infinite scroll means infinite stack!
Inline - pills, tags, breadcrumbs, and more