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A case study of three
Boutique Hotel
40 Winks
There’s one word for design that follows a formula:
boring.
Style is about breaking the rules, following your
impulses, taking a chance and seeing what works. At
least it is to David Carter, a renowned English designer
who recently turned his Queen Anne townhouse into a
swank boutique hotel in the heart of London. When it
was his private residence, Carter’s eclectic but wellcurate design had always caught the eye of his guests,
but after a number of fashion photo spreads were shot
there and dozens of Hollywood stars (Orlando Bloom
and Helen Mirren, to name a few) graced his halls, he
realized the space had real potential as a luxury
destination.
After 12 years of renovation and decoration, Carter
opened up the space as 40 Winks hotel, with the goal of
giving creative types the opportunity to stay in a
cutting-edge hotel without the five-star price tag. The
successful, now-glam hotel is fit for the hottest of style
makers but remains a place that feels like home.
 “For

me, the most successful work has a strong
emotional resonance. It’s not just a question of going
out and buying expensive furniture and pictures;
rather, it’s to showcase the things you love,” Carter
says. So, instead of designing each room to evoke a
particular trend, theme or time period, he organized
spaces according to mood, blending classic furnishings
and old-world touches with the fun, the eccentric and
the kitschy.
After 12 years of renovation
and decoration, Carter opened
up the space as 40 Winks hotel
(a British expression for a quick
nap), with the goal of giving
creative types the opportunity
to stay in a cutting-edge hotel
without the five-star price tag.
The successful, now-glam hotel
is fit for the hottest of style
makers but remains a place that
feels like home.
The hotel’s music room is
mostly used for relaxing
and socializing during
the day. To add panache
to the off-white space,
Carter designed many of
the elements in the room
himself, including the
graphic gray rug and the
swirling sunburst mirror
that hangs above the
fireplace. A trompe l'oeil
sky, based on a treatment
he saw in an old French
chateau, creates an
enchanting ceiling.
Carter found the
poppy Beatles drum
set in a London
antiques shop. It’s the
perfect finishing piece
for the aptly named
music room.
To create drama in a relatively simple bedroom, Carter hand-painted
charcoal gray stripes onto the off-white walls. A mirror hanging
above the floor-to-ceiling fireplace reflects the walls’ striking
pattern.
. “The chaise is
understated and
elegant,” Carter says.
“The Union Jack is quite
tongue-in-cheek. It’s the
relationship between the
two that makes it
interesting visually. I’m
not trying to create
museum like interiors
that are historically
correct and dull. I
wanted it to feel happy
and joyous.”
The double bedroom faces south
and is filled with natural light. The
neutral walls and accents have a
mellow and peaceful effect, but the
room is never dull. With floors of
whitewashed pine and a collection
of interesting objects, such as an
antique dress form, the nautical
Queen Mary life preserver and a
mask purchased in Venice, the room
is packed with whimsy. One corner
features a lacy corset lamp,
designed by Carter, that is also
found in several other rooms
throughout the house.
The room thus becomes a
“cocoon like” cave; Carter
describes it as “opium den
chic.” With its faux
bearskin and leopard
throws, a dark-green and
gold wall treatment and
lacy corset lamps, the
overdone look is strangely
enchanting. “It’s lovely to
have a house where I can
explore different
atmospheres,” Carter says.
“There are very light rooms
that glow and are
wonderfully happy. Then
there are darker, more
mysterious, seductive
spaces where you can curl
up and read a book or feel
cosy and chat.”
Carter wanted to create a gilded look
in the lush bathroom. He used a goldleaf-covered wallpaper by
de Gournay. Instead of installing a
glass backsplash to protect the delicate
paper, Carter lets the splashes of water
that come with normal use of the
bathtub alter the paper, creating a
come-what-may staining effect.
 Wharekauhau

(pronounced, furry, as in hurryko-ho) is a New Zealand Manor house lodge in
a spectacular location. The site, on the south
coast of New Zealand’s North Island, is a
short flight or a 90-minute drive from
Wellington, and spans some five thousand
acres of land, a functioning sheep station
between the Rimutaka mountain range and
the waters of Palliser Bay.
The location of Palliser Bay in the lower Wairarapa region
Chateau Wellington is a 4,600 square foot splendidly furnished
three-bedroom dwelling. Each bedroom features an open gas fire
and en suite with claw foot bath and shower. This luxury home is
surrounded with a security wall enclosing private grounds and
gardens. A private chef and personal security can be arranged for
total privacy and seclusion.
Wharepapa Cottage
Voted one of the world’s best holiday
resorts in the 2008 Condé Nast Readers
Choice Awards
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014
LECTURE - Design ideas from boutique hotels 2014

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LECTURE - Design ideas from boutique hotels 2014

  • 1. A case study of three Boutique Hotel 40 Winks
  • 2. There’s one word for design that follows a formula: boring. Style is about breaking the rules, following your impulses, taking a chance and seeing what works. At least it is to David Carter, a renowned English designer who recently turned his Queen Anne townhouse into a swank boutique hotel in the heart of London. When it was his private residence, Carter’s eclectic but wellcurate design had always caught the eye of his guests, but after a number of fashion photo spreads were shot there and dozens of Hollywood stars (Orlando Bloom and Helen Mirren, to name a few) graced his halls, he realized the space had real potential as a luxury destination. After 12 years of renovation and decoration, Carter opened up the space as 40 Winks hotel, with the goal of giving creative types the opportunity to stay in a cutting-edge hotel without the five-star price tag. The successful, now-glam hotel is fit for the hottest of style makers but remains a place that feels like home.
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  • 4.  “For me, the most successful work has a strong emotional resonance. It’s not just a question of going out and buying expensive furniture and pictures; rather, it’s to showcase the things you love,” Carter says. So, instead of designing each room to evoke a particular trend, theme or time period, he organized spaces according to mood, blending classic furnishings and old-world touches with the fun, the eccentric and the kitschy.
  • 5. After 12 years of renovation and decoration, Carter opened up the space as 40 Winks hotel (a British expression for a quick nap), with the goal of giving creative types the opportunity to stay in a cutting-edge hotel without the five-star price tag. The successful, now-glam hotel is fit for the hottest of style makers but remains a place that feels like home.
  • 6. The hotel’s music room is mostly used for relaxing and socializing during the day. To add panache to the off-white space, Carter designed many of the elements in the room himself, including the graphic gray rug and the swirling sunburst mirror that hangs above the fireplace. A trompe l'oeil sky, based on a treatment he saw in an old French chateau, creates an enchanting ceiling.
  • 7. Carter found the poppy Beatles drum set in a London antiques shop. It’s the perfect finishing piece for the aptly named music room.
  • 8. To create drama in a relatively simple bedroom, Carter hand-painted charcoal gray stripes onto the off-white walls. A mirror hanging above the floor-to-ceiling fireplace reflects the walls’ striking pattern.
  • 9. . “The chaise is understated and elegant,” Carter says. “The Union Jack is quite tongue-in-cheek. It’s the relationship between the two that makes it interesting visually. I’m not trying to create museum like interiors that are historically correct and dull. I wanted it to feel happy and joyous.”
  • 10. The double bedroom faces south and is filled with natural light. The neutral walls and accents have a mellow and peaceful effect, but the room is never dull. With floors of whitewashed pine and a collection of interesting objects, such as an antique dress form, the nautical Queen Mary life preserver and a mask purchased in Venice, the room is packed with whimsy. One corner features a lacy corset lamp, designed by Carter, that is also found in several other rooms throughout the house.
  • 11. The room thus becomes a “cocoon like” cave; Carter describes it as “opium den chic.” With its faux bearskin and leopard throws, a dark-green and gold wall treatment and lacy corset lamps, the overdone look is strangely enchanting. “It’s lovely to have a house where I can explore different atmospheres,” Carter says. “There are very light rooms that glow and are wonderfully happy. Then there are darker, more mysterious, seductive spaces where you can curl up and read a book or feel cosy and chat.”
  • 12. Carter wanted to create a gilded look in the lush bathroom. He used a goldleaf-covered wallpaper by de Gournay. Instead of installing a glass backsplash to protect the delicate paper, Carter lets the splashes of water that come with normal use of the bathtub alter the paper, creating a come-what-may staining effect.
  • 13.  Wharekauhau (pronounced, furry, as in hurryko-ho) is a New Zealand Manor house lodge in a spectacular location. The site, on the south coast of New Zealand’s North Island, is a short flight or a 90-minute drive from Wellington, and spans some five thousand acres of land, a functioning sheep station between the Rimutaka mountain range and the waters of Palliser Bay.
  • 14. The location of Palliser Bay in the lower Wairarapa region
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  • 20. Chateau Wellington is a 4,600 square foot splendidly furnished three-bedroom dwelling. Each bedroom features an open gas fire and en suite with claw foot bath and shower. This luxury home is surrounded with a security wall enclosing private grounds and gardens. A private chef and personal security can be arranged for total privacy and seclusion.
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  • 32. Voted one of the world’s best holiday resorts in the 2008 Condé Nast Readers Choice Awards