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Deconstructivism.pptx
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- 2. INTRODUCTION • “A MOVEMENTIN ARCHITECTURE”. • BAGAN IN THE LATE 1980S • CHARACTERIZED BY FRAGMENTATION • FINISHED VISUAL APPEARANCE OF BUILDING THAT EXHIBIT DECONSTRUCTIVISM “STYLES” IS CHARACTERIZED BY UNPREDICTABILITY AND CONTROLLED CHAOS.
- 3. CHARACTERISTICS • EXPLODES ARCHITECTURALFORM INTO LOOSE COLLECTIONS OF RELATED FRAGMENTS. • DESTROYS THE DOMINANCE OF THE RIGHT ANGLES AND THE CUBE. • USES IDEAS AND IMAGES FROM RUSSIAN. • PROVOKES SHOCKS, UNCERTAINLY, UNEASE, DISQUIET, DISRUPTION BY CHALLENGING FAMILIAR IDEAS ABOUT SPACE, ORDER AND REGULARITY. • REJECTS THE IDEAS OF THE ‘PREFECT FORM’ FOR A PARTICULAR ACTIVITY. • MINIMALISM AND CUBISM HAVE AN INFLUENCE ON DE CONSTRUCTIVISM. • IT ALSO OFTEN SHARES WITH MINIMALISM NOTIONS OF CONCEPTUAL ART.
- 4. ZAHA MOHAMMAD HADID • BORN: 31 OCTOBER 1950 • NATIONALITY: IRAQ- BRITISH • BUILDINGS: MAXX, BRIDGE PAVILION, MAGGIE’S CENTRE, CONTEMPORARY ARTS CENTER • SHE GREW UP IN ONE OF BAGHDAD’S FIRST BAUHAUS-INSPIRED BUILDINGS DURING AN ERA IN WHICH “MODERNISM CONNOTED GLAMOUR AND PROGRESSIVE THINKING” IN THE MIDDLE EAST.
- 5. MAXXI, ROME, ITALY. •NATIONAL MUSEUM OF CONTEMPORARY ARTS AND ARCHITECTURE. • THE CONCRETE WALLS THAT DEFINE THE EXHIBITION GALLERIES AND DETERMINE THE INTERWEAVING OF VOLUMES. • THE TRANSPARENT ROOF THAT MODULATES NATURAL LIGHTS.
- 6. BRIDGE PAVILION, ZARAGOZA,SPAIN • 280-METRE- LONG (919 FT) • IMITATES A GLADIOLA OVER THE RIVER EBRO • USE FIBER GLASS REINFORCED CONCRETE TO ENVELOPE THE BRIDGE. • OUTER SKIN OF THE BUILDING WITH 29,000 TRINGLES OF FIBER IN DIFFERENT SHADES OF GREY.
- 7. MAGGIE’S CENTRE, KIRKCALDY,FIFE • CLEAR AND TRANSLUCENT GLASS, WITH POWERFULLY SCULPTURAL CANTILEVERS. • ENTRANCE FACADE IS ALMOST ENTIRELY MADE FROM GLASS. • NORTH: THE ROOF EXTENSION PROTECTS THE ENTRANCE. • SOUTH: IT PROVIDES SHADE.
- 8. CONTEMPORARY ARTS CENTER(CAC), OHIO, US • THE CAC IS A NON-COLLECTING MUSEUM THAT FOCUSES ON NEW DEVELOPMENTS IN PAINTING, SCULPTURE, PHOTOGRAPHY, ARCHITECTURE, PERFORMANCE ART AND NEW MEDIA.
- 9. FRANK OWEN GEHRY •BORN: 28- FEBRUARY 1929 • NATIONALITY: CANADIAN, AMERICAN • PRACTICE: GEHRY PARTNERS, LLP • BUILDINGS: GUGGENHEIM MUSEUM BILBAO, WALT DISNEY CONCERT HALL, WEISMAN ART MUSEUM, DANCING HOUSE, EMP MUSEUM • MAINLY WORK IN DECONSTRUCTIVISM AND HI- TECH ARCHITECTURE.
- 10. GUGGENHEIM MUSEUM BILBAO,BILBAO, SPAIN • THE CURVES ON THE EXTERIOR OF THE BUILDING WERE INTENDED TO APPEAR RANDOM • THE RANDOMNESS OF THE CURVES ARE DESIGNED TO CATCH THE LIGHT. • NICKNAMED: THE FLOWER
- 11. WALT DISNEY CONCERTHALL, CALIFORNIA. • THE ORIGINAL DESIGNED STONE EXTERIOR WAS REPLACED WITH A LESS COSTLY METAL SKIN. • THE FOUNDERS ROOM AND CHILDREN’S AMPHITHEATRE WERE DESIGNED WITH HIGHLY POLISHED MIRROR- LIKE PANELS.
- 12. WEISMAN ART MUSEUM,MINNESOTA • CAMPUS SIDE: IT PRESENTS A BRICK FACADE THAT BLENDS WITH THE EXISTING BRICK AND SANDSTONE BUILDINGS. • OPPOSITE SIDE: THE MUSEUM IS A PLAYGROUND OF CURVING AND ANGULAR BRUSHED SHADE SHEETS. THIS SIDE IS AN ABSTRACTION OF A WATERFALL AND A FISH.
- 13. DANCING HOUSE, PRAGUE,CZECH REPUBLIC • “NEW AROQUE” TO THE DESIGNERS • THE “DANCING” SHADE IS SUPPORTED BY 99 CONCRETE PANELS, EACH A DIFFERENT SHAPE AND DIMENSION. • ON THE TOP OF THE BUILDING IS A LARGE TWISTED STRUCTURE OF METAL NICKNAMED MEDUSA.
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- 15. DANIEL LIBESKIND • BORN: 12 MAY 1946 • NATIONALITY : AMERICAN- POLISH • BUILDINGS : JEWISH MUSEUM BERLIN, ROYAL ONTARIO MUSEUM.
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- 18. REM KOOLHAS • BORN: 17 NOVEMBER 1944 • NATIONALITY : DUCH • BUILDINGS : CASA DA MUSICA, SEATTLE CENTRAL LIBRARY
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- 21. OTHERS ACROPOLIS MUSEUM, GREECEBY T- SCHUMI. (2009)
- 22. • UFA PALAST,GERMANY BY COOP HIMMELB 1998 • AKRON ART MUSEUM , OHIO, US 1922