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UNH Creative Works Symposium
April 29, 2015
Kimberly A.W. Peaslee, Ph.D.
Intellectual Property Attorney
Upton & Hatfield, LLP
Timothy E. Benoit-Ledoux
Licensing Manager, UNHInnovation
 Copyright
◦ Copyright Basics
 Standard Clauses
 Pro-Licensor clauses
 Pro-Licensee clauses
 Wrap Up
 Federal Registration v. Common Law rights
 Enhanced damages for prompt registration
 Protects only original and creative expression, not the
underlying content
 Must be “fixed”
 Bundle of rights
◦ copy, distribute, perform, display, creation of derivative works
 Term (e.g. life + 70 years for individual)
 Where?
◦ Library of Congress – Copyright Office – www.copyright.gov
◦ No State copyrights
 When?
◦ pre or post “publication” can determine the scope of protection
 What?
◦ Most can be submitted electronically, but some must be sent in as
hard copies or in duplicate
 How much?
◦ Electronic submissions $35-85 in fees per item
 Multifactor balancing test:
◦ Fair Use defense to infringement is available for criticism,
comment, news reporting, teaching, scholarship and research,
etc.
◦ First Amendment balancing
 Courts must consider, at least:
◦ Purpose and character of the use
◦ Nature of the work
◦ Amount and substantiality
◦ Effect of the use
◦ Anything else?
 License Grant
 Representations/Warrantees
 Delivery
 Royalties/Payments
 Termination/Remedies
 General Provisions (Choice of Law, Integration, etc.)
 Who
◦ Is it assignable?
 What
◦ Type of work (text, visual, music, etc.)
◦ Copy, distribute, publicly display, publicly perform, create derivative
works
 Where/What languages?
 How long
◦ Months, years, …
 Field of Use
◦ For print media, e-books, online, for a particular project, etc.
 Who?
 What?
 Where/What languages?
 How long?
 Ownership
◦ Authority
 Original Work
 Work is not in public domain
 Indemnification
◦ If work infringes others’ rights
 No conflicting licenses
 Quality
 Timing
 Provisions if not in proper form or by a certain time
◦ Who can make necessary changes?
◦ Who bears the cost?
 Clearance of copyright within work
 Editor's revisions?
 Quality & Timing
 Provisions if not in proper form or by a certain time
 Clearance of copyright within work
 Editor’s revisions?
 When do they start?
◦ Is there an advance?
◦ What if the publisher never publishes?
 How long do the payments last?
 How are they calculated?
◦ Are certain copies not counted? How many?
◦ Are costs deducted?
 Access to records
 When do they start?
◦ Is there an advance?
◦ What if the publisher never publishes?
 How long do the payments last?
 How are they calculated?
 How are they calculated?
 Access to records
 For Breach (for cause)
◦ Non-delivery
◦ Non-publication
 With notice
◦ Either party?
 At date certain?
 Does it renew?
 For Breach (for cause)
◦ Non-delivery
◦ Non-publication
 With notice/At date certain?
 For Breach
◦ Non-delivery
◦ Non-publication
 With notice
◦ Either party?
 At date certain?
 Choice of Law
 Integration/Severability
 Notice
 Modification
 Dispute Resolution
 Insurance
 Others…
 Choice of Law
 Integration/Severability
 Notice
 Modification
 Dispute Resolution
 Insurance
 Others…
 Record copyright
 Retain right to: create derivative works, approve
modifications, etc.
 Set time for performance by publisher
 Include e-books in copy count
 Direct enforcement efforts?
 Limit giveaways?
 Shorter Term with benchmarks
 Change of Control provisions?
 No commitment for future works
 Right to create derivative works
 No set date for performance
 Unlimited giveaways
 Carve out for e-books
 Approval of changes at Licensor’s expense
 No liquidated damages (no enhanced fee if they go
outside scope of license)
Please feel free to contact me with any questions.
Kimberly A. W. Peaslee, Ph.D.
kpeaslee@uptonhatfield.com
(603) 224-7791
This presentation is for informational purposes only and does not in any way establish an attorney-client
relationship between you and any attorney involved in preparing and/or making this presentation. Nothing
contained in this presentation constitutes legal advice. Please consult a licensed attorney for specific legal
advice relating to any or all of the subjects discussed herein. All of the information contained herein is
subject to change at any time. Upton & Hatfield, LLP shall not be held liable for any losses or damages
arising from the use of any information contained in this presentation.

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UNHI Creative Works Symposium Session: Deconstructing a Cpyright License

  • 1. UNH Creative Works Symposium April 29, 2015 Kimberly A.W. Peaslee, Ph.D. Intellectual Property Attorney Upton & Hatfield, LLP Timothy E. Benoit-Ledoux Licensing Manager, UNHInnovation
  • 2.  Copyright ◦ Copyright Basics  Standard Clauses  Pro-Licensor clauses  Pro-Licensee clauses  Wrap Up
  • 3.
  • 4.  Federal Registration v. Common Law rights  Enhanced damages for prompt registration  Protects only original and creative expression, not the underlying content  Must be “fixed”  Bundle of rights ◦ copy, distribute, perform, display, creation of derivative works  Term (e.g. life + 70 years for individual)
  • 5.  Where? ◦ Library of Congress – Copyright Office – www.copyright.gov ◦ No State copyrights  When? ◦ pre or post “publication” can determine the scope of protection  What? ◦ Most can be submitted electronically, but some must be sent in as hard copies or in duplicate  How much? ◦ Electronic submissions $35-85 in fees per item
  • 6.  Multifactor balancing test: ◦ Fair Use defense to infringement is available for criticism, comment, news reporting, teaching, scholarship and research, etc. ◦ First Amendment balancing  Courts must consider, at least: ◦ Purpose and character of the use ◦ Nature of the work ◦ Amount and substantiality ◦ Effect of the use ◦ Anything else?
  • 7.
  • 8.  License Grant  Representations/Warrantees  Delivery  Royalties/Payments  Termination/Remedies  General Provisions (Choice of Law, Integration, etc.)
  • 9.  Who ◦ Is it assignable?  What ◦ Type of work (text, visual, music, etc.) ◦ Copy, distribute, publicly display, publicly perform, create derivative works  Where/What languages?  How long ◦ Months, years, …  Field of Use ◦ For print media, e-books, online, for a particular project, etc.
  • 10.  Who?  What?  Where/What languages?
  • 12.  Ownership ◦ Authority  Original Work  Work is not in public domain  Indemnification ◦ If work infringes others’ rights  No conflicting licenses
  • 13.
  • 14.  Quality  Timing  Provisions if not in proper form or by a certain time ◦ Who can make necessary changes? ◦ Who bears the cost?  Clearance of copyright within work  Editor's revisions?
  • 15.  Quality & Timing
  • 16.  Provisions if not in proper form or by a certain time
  • 17.  Clearance of copyright within work
  • 19.  When do they start? ◦ Is there an advance? ◦ What if the publisher never publishes?  How long do the payments last?  How are they calculated? ◦ Are certain copies not counted? How many? ◦ Are costs deducted?  Access to records
  • 20.  When do they start? ◦ Is there an advance? ◦ What if the publisher never publishes?
  • 21.  How long do the payments last?  How are they calculated?
  • 22.  How are they calculated?
  • 23.  Access to records
  • 24.  For Breach (for cause) ◦ Non-delivery ◦ Non-publication  With notice ◦ Either party?  At date certain?  Does it renew?
  • 25.  For Breach (for cause) ◦ Non-delivery ◦ Non-publication
  • 26.  With notice/At date certain?
  • 27.  For Breach ◦ Non-delivery ◦ Non-publication  With notice ◦ Either party?  At date certain?
  • 28.  Choice of Law  Integration/Severability  Notice  Modification  Dispute Resolution  Insurance  Others…
  • 29.  Choice of Law  Integration/Severability
  • 31.  Modification  Dispute Resolution  Insurance  Others…
  • 32.
  • 33.  Record copyright  Retain right to: create derivative works, approve modifications, etc.  Set time for performance by publisher  Include e-books in copy count  Direct enforcement efforts?  Limit giveaways?  Shorter Term with benchmarks
  • 34.  Change of Control provisions?  No commitment for future works
  • 35.
  • 36.  Right to create derivative works  No set date for performance  Unlimited giveaways  Carve out for e-books  Approval of changes at Licensor’s expense  No liquidated damages (no enhanced fee if they go outside scope of license)
  • 37.
  • 38. Please feel free to contact me with any questions. Kimberly A. W. Peaslee, Ph.D. kpeaslee@uptonhatfield.com (603) 224-7791 This presentation is for informational purposes only and does not in any way establish an attorney-client relationship between you and any attorney involved in preparing and/or making this presentation. Nothing contained in this presentation constitutes legal advice. Please consult a licensed attorney for specific legal advice relating to any or all of the subjects discussed herein. All of the information contained herein is subject to change at any time. Upton & Hatfield, LLP shall not be held liable for any losses or damages arising from the use of any information contained in this presentation.

Editor's Notes

  1. Are certain copies not counted? How many? Are costs deducted?
  2. Page 3