10/26/14, 11:31 AM
Page 1 of 24about:blank
Seeing the Value in Art
At the end of Chapter 2, we briefly mentioned the explosive career of Jean-Michel Basquiat after a
number of his graffiti-like paintings were exhibited in the 1981 New York/New Wave exhibit at P. S.
1, an alternative art gallery across the 59th Street Bridge from Manhattan. Henry Geldzahler, then
Cultural Commissioner for New York City, saw his paintings at P. S. 1 and “just flipped out.” Alauna
Heiss, founder of P. S. 1, recalls “standing in front of Jean-Michel’s work with a director of Philip
Morris. We were paralyzed. It was so obvious that he was enormously talented.”
By 1982, Basquiat was earning an average of about $4,000 a week by painting. Two years later,
at age 24, he became the first black artist to grace the cover of The New York Times Magazine. At
the time of his death, four months before his 28th birthday, the victim, according to the medical
examiner’s report, of “acute mixed drug intoxication (opiates–cocaine),” his paintings were selling
for about $30,000 each (normally a dealer keeps 50 to 60 percent of the sale price). Soon after his
death, the auction house Christie’s sold a 1981 canvas for $110,000. Now, 20 years since his
death, the current auction record for a Basquiat is $14.6 million for Untitled, a painting featuring a
figure with large hands. It sold at Sotheby’s in 2007. As an obituary ironically entitled “Banking on
Basquiat,” put it, “There’s no artist like a dead artist, some dealers are fond of saying.”
If these numbers seem staggering, it is worth remembering that the monetary value of works of
art is closely tied to the business of art, and, from a business point of view, art works are
commodities to be bought and sold like any others, ideally for profit. Sylvie Fleury’s Serie ELA 75/K
(Plumpity . . . Plump) ( Fig. 44 ) is a wry commentary on this fact. Here the art work is literally a
shopping cart, placed on a revolving pedestal and plated in 24K gold. Art, Fleury’s work implies, is
literally shopping.
Fig. 44 Sylvie Fleury, Serie ELA 75/K (Plumpity . . . Plump), 2000.
https://portal.phoenix.edu/content/ebooks/9780205677207-a-world-of-art-sixth-edition/jcr:content/images/03fig44.jpg
10/26/14, 11:31 AM
Page 2 of 24about:blank
Gold-plated shopping cart, plexiglas handle with vinyl text, rotating pedestal
(mirror, aluminum, motor). 32¾ × 37¾ × 21 in. Pedestal 12¼ × 39 in.
Courtesy of the artist and Galerie Eva Presenhuber, Zürich, Switzerland.
And very high-end shopping, at that. The art market depends on the participation of wealthy
clients through their investment, ownership, and patronage. It is no accident, then, that the major
financial centers of the world also support the most prestigious art galleries, auction houses, and
museums of modern and contemporary art. Art galleries bring artists and collectors together. They
usually sign exclusive contracts with artists whose works they believe they can sell. Collectors may
purc.
What Modern Art can teach us about CreativityPodium Wisdom
How can masters like Picasso, Monet, Warhol and Pollock inspire you to be more creative? Come in and find out!
If you enjoyed this, connect with me at https://twitter.com/podiumwisdom. I excavate the web for goodies on persuasion, art, presentation, design and more!
10/26/14, 11:31 AM
Page 1 of 24about:blank
Seeing the Value in Art
At the end of Chapter 2, we briefly mentioned the explosive career of Jean-Michel Basquiat after a
number of his graffiti-like paintings were exhibited in the 1981 New York/New Wave exhibit at P. S.
1, an alternative art gallery across the 59th Street Bridge from Manhattan. Henry Geldzahler, then
Cultural Commissioner for New York City, saw his paintings at P. S. 1 and “just flipped out.” Alauna
Heiss, founder of P. S. 1, recalls “standing in front of Jean-Michel’s work with a director of Philip
Morris. We were paralyzed. It was so obvious that he was enormously talented.”
By 1982, Basquiat was earning an average of about $4,000 a week by painting. Two years later,
at age 24, he became the first black artist to grace the cover of The New York Times Magazine. At
the time of his death, four months before his 28th birthday, the victim, according to the medical
examiner’s report, of “acute mixed drug intoxication (opiates–cocaine),” his paintings were selling
for about $30,000 each (normally a dealer keeps 50 to 60 percent of the sale price). Soon after his
death, the auction house Christie’s sold a 1981 canvas for $110,000. Now, 20 years since his
death, the current auction record for a Basquiat is $14.6 million for Untitled, a painting featuring a
figure with large hands. It sold at Sotheby’s in 2007. As an obituary ironically entitled “Banking on
Basquiat,” put it, “There’s no artist like a dead artist, some dealers are fond of saying.”
If these numbers seem staggering, it is worth remembering that the monetary value of works of
art is closely tied to the business of art, and, from a business point of view, art works are
commodities to be bought and sold like any others, ideally for profit. Sylvie Fleury’s Serie ELA 75/K
(Plumpity . . . Plump) ( Fig. 44 ) is a wry commentary on this fact. Here the art work is literally a
shopping cart, placed on a revolving pedestal and plated in 24K gold. Art, Fleury’s work implies, is
literally shopping.
Fig. 44 Sylvie Fleury, Serie ELA 75/K (Plumpity . . . Plump), 2000.
https://portal.phoenix.edu/content/ebooks/9780205677207-a-world-of-art-sixth-edition/jcr:content/images/03fig44.jpg
10/26/14, 11:31 AM
Page 2 of 24about:blank
Gold-plated shopping cart, plexiglas handle with vinyl text, rotating pedestal
(mirror, aluminum, motor). 32¾ × 37¾ × 21 in. Pedestal 12¼ × 39 in.
Courtesy of the artist and Galerie Eva Presenhuber, Zürich, Switzerland.
And very high-end shopping, at that. The art market depends on the participation of wealthy
clients through their investment, ownership, and patronage. It is no accident, then, that the major
financial centers of the world also support the most prestigious art galleries, auction houses, and
museums of modern and contemporary art. Art galleries bring artists and collectors together. They
usually sign exclusive contracts with artists whose works they believe they can sell. Collectors may
purc.
What Modern Art can teach us about CreativityPodium Wisdom
How can masters like Picasso, Monet, Warhol and Pollock inspire you to be more creative? Come in and find out!
If you enjoyed this, connect with me at https://twitter.com/podiumwisdom. I excavate the web for goodies on persuasion, art, presentation, design and more!
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
MATATAG CURRICULUM: ASSESSING THE READINESS OF ELEM. PUBLIC SCHOOL TEACHERS I...NelTorrente
In this research, it concludes that while the readiness of teachers in Caloocan City to implement the MATATAG Curriculum is generally positive, targeted efforts in professional development, resource distribution, support networks, and comprehensive preparation can address the existing gaps and ensure successful curriculum implementation.
MATATAG CURRICULUM: ASSESSING THE READINESS OF ELEM. PUBLIC SCHOOL TEACHERS I...
D11-EWRT 211
1. LEAD EWRT 211
Day 11
Gentrification, Paper 2,
Global Issues Conference
2. Quiz
1. Define gentrification.
2. Give an example of gentrification from Chapter 6 or Chapter 7 in
Madonnas.
3. Which singer is Angie obsessed with?
3. In-Class Essay #1
Pass and High Pass mean you
passed.
Low Pass means that I can’t
guarantee another instructor would
agree that you passed.
Common issues:
Have to focus on ONE obstacle.
Topic sentences.
Not enough explanation of the
quotes.
5. Freddy (Ch. 6)
"On the starting tip of Sunset Boulevard (which is now called Cesar Chavez
Avenue--when did that happen?) I survey my territory--the new apartment
buildings and stores, the fresh coats of paint on the doors and window frames
on abandoned shops, new storefront signs in English covering the old sun-
bleached Spanish ones (which themselves were molded over the old English
signs from the forties and fifties), the odd presence of young bearded white
men with coffee, not six-packs, on the street corners. Where are the
Chicanos? Or the Chinos? [...] I [will] call my carnals, who must love all the
fresh money walking around here, and by this time tomorrow I'll be up a
hundred? Five hundred? Hell, maybe a thousand dollars, enough to relax on
for a couple months" (113).
6. Angie (Ch. 7)
"Selling the house meant I was out of debt, free to go wherever I wanted. I
discovered I didn't want to go anywhere after all, especially once the
neighborhood started changing. House prices went up, neighbors cashed out,
and there were new bars, new restaurants, fewer cholos. I welcomed these
fellow white, affluent (and sometimes openly gay--a shocker for the old-
timers) strangers into a land that I'd inhabited for most of my life and that
was now a foreign tourist destination. These new shops had so much
beautiful, useless... stuff--handmade designer handbags; overpriced "folk" art
painting [...]. And I loved these stores for this, for their nice... things. They
made this place feel more like my home." (147)
9. Global Issues Projects
Our theme: “A Community of
Migrants”
Excerpts from some of your migration
stories.
Video recordings.
With a visual aid (poster, tri-fold).
Two “superfamilias”
Superfamilia 1:
Mina, Demisiie, Thin Su, Tin, Sergio,
Jason, Rishika, Dylan
Superfamilia 2: Julie, Sho, Frank,
Jade, Josh, Tom, Melvin, Gibran,
Cristal, Owen, Storm, Hai
(I need a POINT PERSON for each part
of the project in each superfamilia.)
Things you need to do today:
Decide which part of your migration
stories you will read.
Choose together and prepare the stories.
You can start recording if you are ready.
Make plans for the visual aid. What
supplies will you need (tell Brian)? What
will it look like? Design/sketch it out
now.
Everyone must contribute in some way.
It is an assignment that is required to
pass the class.
10. Homework for Monday
Email your revised P1 to me (if you
haven’t already).
Finish Madonnas.
Complete Discussion 10 on Canvas.
Do your part for the Global Issues
Project.